watercolour, gouache and pencilsandringham, beach, coast, watercolour, surf, sand, vegetation, pier, stone hut, landscape

Born: Mount Duneed, Victoria, Australia 1867; Lived and workd: England 1897-1919; Died: Olinda, Victoria, Australia 1943EdwardianGift of Wooleen Pty. Ltd., 1980Rural landscape with architectural form and figures naked and partially clothed. Gilded bronze timber frame.Recto: Signed "A. STREETON" in burgandy oil r.l.c of composition; Not dated; Not titledpainting, landscape, figures, nude, river, grecian, tree, animals

Hand painted caricature depicting an aircraft with head and shoulder of an Officer. Flags of Australian and Vietnam in the background below two hands displaying peace sign and NVN hand with thumbs down. Inscription reads Bon Voyagepainting, caricature

Sydney PERN (c1876-23 October 1967 ) Born Battley, England Dr Sydney Pern began practicing medicine in the Victorian town of Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collected Aboriginal artefacts during travels in Central and Northern Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed coastal landscape art, artwork, meetung, sydney pern, unframed

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A tryptich of three paintings showing a sea scape at Point Lonsdale. art, artwork, genevieve martin, point lonsdale, available, seascape, seaside, coast

An original painting of s soldier holding a torch looking down in a tunnelpainting, vietnam lest we forget, tunnel rats

trams

Framed streetscape with people in a shopping precinct. If you can provide information on this artist or artwork please use the link below. LRS G.H. Raza 77."painting, townscape, streetscape

Marny Fenton was the first president of the Clunes MuseumMarny Fenton was the first president of the Clunes MuseumOil painting of house on corner of Service Street and Alliance Street, Clunes, Victoria, AustraliaSigned by M. Fentonartist, painting, fenton

Rural City of Wangaratta CollectionA costal landscape of boats mooring at a small dock, painted in oil using shades of blue, green, brown, yellow, and white.Obverse: Ross Paterson '91/ (bottom right corner) APRIL MORNING EDEN By ROSS PATERSON/ GRAND WINNER/ JUDGE - BARBARA McMANUS 1991/ (plaque on frame)wangaratta art gallery, ross paterson, landscape, painting, eden, costal, boats, dock

Annie Halfey (nee Marston) was the daughter of Carlington George E. Marston, a chemist of Smith Street, Collingwood. Marston had extensively speculated on land in Kew and in this way had made his money. Marston was the owner of 'Wimba' in Cotham Road, having purchased the house in 1879. Annie Marston married the eminent Victorian pioneer John Halfey, and together they made their home at Ordsall (later Southesk) in Cotham Road, Kew. She died in March 1909. (Rogers, 1973).Donated by Eileen Grigg, 2017Small, full-length portrait of Annie [Mrs. John] Halfey ( -1909) in an original gilded frame. Annie Halfey is depicted in a high necked black dress with a silver brooch at her throat. She stands in a room by an open window. The detailing of the face is highly rendered by the artist/s.annie halfey, john halfey, ordsall, marston

Original painting of the Isolation Ward done by student nurse Una J Fitts in 1921. Una graduated in 1922.UnknownOriginal watercolour painting of a building with two trees in front in a wooden frame with glass cover and cardboard mount.Signed by Artist- U Fitts On the back, an article from a "The Alfred" - Dec, 1941 called Memory of 'The Cottage" by GAM.building, isolation ward

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawingart, artwork, chantel malcolm, horsham campus, horsham campus art collection, alumni

This picture was donated by , Col & Mrs Swire after visiting Orbost Vic. They came from Orbost in the Isle Of Skye. The original watercolour was painted circa 1845 by Ann Lyon-Mackenzie.This painting has aesthetic significance and an association with the history of Orbost.A large watercolour reproduction picture of a property called Orbost on the Isle of Skye, Scotland. Gold frame with glass.Front - Orbost in the Isle of Sky, Scotlandwatercolour orbost isle-of-skyelyon-mackenzie-ann

‘Adeney Avenue’ was the title given to this painting following its donation to the Kew Historical Society, yet the work’s origins predate the naming of Adeney Avenue in 1907 [originally gazetted as ‘Park Street’ (1865) and ‘Park Street South’ (1875).] Park Street ran between High Street and Parkhill Road beside what was later to become ‘Victoria Park’. This area was described in 1851 as “…a dense forest of gums and wattles which were to be largely cleared by 1888 after the naming of a recreation reserve”. The Reserve was still bisected by an unnamed creek in 1896, when the area was surveyed by the MMBW. The panoramic vista selected by the artist would appear to include ‘Eborensis’ (c.1895) on the corner of Parkhill Road and what was then Park Street, with views across cleared land towards the distant ranges. In the 19th century, north Kew was largely undeveloped farms stretching down to the Yarra. Oil on canvas by an unidentified artist of a panoramic view depicting what is now known as East Kew with mountains on the horizon. In the foreground is a two storey brick residence - Eborensis - located on the northeast corner of Parkhill Road and what is now Adeney Avenue. The view of the landscape and its rolling hills resulted from farming practices adopted following colonisation and settlement. Trees in the foreground and in the distance include remnant Eucalypts and introduced exotics.Label on rear of frame states "House on corner of Adeney Ave & Parkhill. [Regd. 254"]. Otherwise unsigned and undatedadeney avenue (kew), eborensis, park street (kew)

Painting by Franz Korbler. Architect/artist, born Vienna Austria, arrested Teheran Persia September 12941. Interned Loveday Camp SA and Tatura Camp Victoria 1945-1947.Water colour of brick wall, with stone entrance. Lady standing in doorway, pot to right of her. Man standing centre of picture just in front of the entrance. Blue sky at top of picture.franz korbler

Purchased through the Horsham Art Gallery Trust Fund, 1979watercolour on paper

She was among many Allied merchant ships who escaped to Britain rather than be interned in occupied countries in World War II. Together with Holland America Line's Nieuw Amsterdam she served in the Allied cause. She was then chartered to the British Ministry of War Transport and put into service. Under the terms of the charter the flag and crew would remain Dutch. Volendam was assigned to the Children's Overseas Reception Board, a British Government scheme introduced in 1940 to evacuate UK school children overseas. She sailed from Liverpool on Thursday 29 August 1940 as one of 33 ships in Convoy OB 205. On 30 August 1940 whilst several hundred miles off Malin Head, Northern Ireland and heading into the Atlantic, she was attacked about 2300 hrs by the German submarine U-60, firing two torpedoes that hit No. 1 hold and damaged and caused flooding in No. 2 hold. Captain Wepster then gave the order to abandon ship, and despite rough seas all 18 lifeboats got away safely.In 1947 she was used in the Australia emigrant service and in June 1948 made her first Rotterdam – Quebec sailing for the Netherlands government with capacity for 1,500 single class passengers. On Tuesday October 17, 1950 she departed Rotterdam for Sydney, arriving 6-weeks and 1 day later at her destination on Wednesday November 29, 1950. She brought with her a ship-load of (mainly Dutch) immigrants, all eager to forge new lives in Australia. In September 1948 she started her first Rotterdam – New York sailing and commenced her last voyage on this route in February 1951.A framed oil painting of the MV Volenda,Volendammv volendam, migrant ships, troop ships, u boat attack

CEMA Art Collection Winner of 1968 Portland Art Society Art Prize for the category Oil or similar medium.The painting depicts several tall, dead trees in the foreground with dense living trees in the background. The foreground is green, white and yellow. The work has an interesting texture created through the use of clearly defined thick paint strokes. This technique is particularly evident in the foreground where it has been used to create the ground from which the dead trees stand. The work has a painted wooden frame with material mount and non-reflective glass.Front: R. ARENDSEN '67 (black, lower right) Back: RENNEE ARENDSEN "DEAD WOOD FOREST, MALLACOOTA" (1968) (typed) Stamp: KATRINA GALLERIES 485 CENTRE ROAD BENTLEIGH, VIC 97-6715 Yellow Sticker: 1967 Handwriting around back of frame.female artists, female artist, landscape, trees

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An orange woman with blue hair. If you can assist with information on this artist or artwork please use the email link below. art, artwork, figure', alumni, horsham campus art collection

Gift of James Farrell, 1988

Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird.artwork, art, neville bunning, bird, available

artwork, artist, gippsland campus, churchill

Gift of Mack Jost, 1986

Gift of Mrs Joan Tynan, 1974

There is an element of beauty in the normality of the everyday person in their natural environment. I find that the raw spontaneous moments captured in photographs tell stories and give insight into who these people are. Through portraiture, I have created a body of work that depicts small narratives of individuals in their natural environment, capturing a sense of the everyday, while hinting at an aspect of love and passion. Abbey CODY (2001 - ) Born Ballarat, Victoria Abbey Cody graduated from the Federation University Arts Academy with a Bachelor of Visual Arts in 2022. After completing VCE Studio Arts in 2019 Abbey Cody was selected for exhibition in the 'NextGen' exhibition of VCE student work at the Art Gallery of Ballarat. This work was awarded an Deputy Vice Chancellor Art Acquisition Award in 2022.Painted self portrait with cats.self portrait, cat, fauna, dvc art acquisition award

This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship

Acquired by the Sandringham City Council in 1981 as winner of the acquisitive Inez Hutchison Award, established by the Beaumaris Art Group in 1966. Lenton Parr was the judge.Ulrich Stalph, Autumn at Clunes 1980, oil on canvas, 135 x 100.5 cm. Bayside City Council Art and Heritage Collection. Winner of the Inez Hutchison Award, 1981.clunes, autumn, landscape, rural, trees, ulrich stalph, beaumaris art group, inez hutchison award