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Uniting Church Archives - Synod of Victoria
Print - Photograph, C. 1933
Born 1867 in Caniambo, Victoria, died 1951 Springvale, VictoriaOval shaped black and white, head and shoulders photographic print portrait of Rev. Henry W. Frederick who is wearing his clerical collar and looking to his right."REV. HENRY W FREDERICK, PRESIDENT OF THE CONFERENCE, 1933"rev henry w frederick methodist minster, methodist conference president, rev henry w frederick president methodist conference -
Dandenong/Cranbourne RSL Sub Branch
Print - ANZACS At War
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Gippsland Art Gallery
Print, Turner, J.M.W. (after), Brighthelmston, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Reproduction, framed, The Menin Gate at Midnight
'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club -
Charlton RSL Sub Branch
Print - Framed print of RMS Queen Mary, Print of the RMS Queen Mary
Glass and wood framed printRMS Queen Mary. 200,000 HP Engines lubricated with Vacuum Oils -
City of Whittlesea
Print (series) - Photographs - Landscapes, Fred Kruger, Fred Kruger Collection
landscapes of the plenty river regionlandscapes of the plenty river region -
Darebin Art Collection
Print - Yosl Bergner, Yosl Bergner, Hello, Unknown
Yosl Berger’s attraction is not just as a great humanist, this near centurion artist believes in the constancy of work which produces a continual evolution of a full and prolific artistic practice. Berger also lends service to each day when he opens up his Tel Aviv studio to create – even at 95 years of age he still considers himself as a student of the world -
Glenelg Shire Council Cultural Collection
Print - Print - Printed Balloons, Admella Festival Logo, 2009
3 balloons - 1 light blue, 1 dark blue, 1 white. Each with Admella Festival logo printed on it. -
Bendigo Military Museum
Print - PHOTOGRAPH, FRAMED, CORVETTES
Wooden frame, glass front, green border, photo enclosed.Top centre written in glass: “HMA Corvettes”photography-photographs, military history - navy, glass technology, corvettes -
Lilydale RSL Sub Branch
Print - Portait, His Majesty King George V in uniform of 2nd Btn King's Reg (Liverpool)
Photographic print of King George V Regimental oil painting commissioned by 2nd Btn King's Regiment (Liverpool). One of three identical portraits the King sat for on 28 February 1931 in timber frame with plaque.Plaque reading - "His Majesty King George V / by John A Berrie / Copyright" -
Port Melbourne Historical & Preservation Society
Print - Engraving, Sandridge Victoria
Found by Eliza Bram's mother in an antique shop in Paris.Copy B&W engraving of Sandridge showing cattle in foreground and buildings in background.N.Chevalier, J.Godfreybuilt environment, natural environment, n chevalier, j godfey -
8th/13th Victorian Mounted Rifles Regimental Collection
Print - VMR officers 1st contingent
First Contingent Victorian Mounted Rifles sailed for South Africa 28 October 1899.Framed print showing seven officers of the First Contingent Victorian Mounted Rifles to the South African War 1899-1902. Officers are Lieutenants G C F Chomley, S T Staughton, J C Roberts, Captain (Medical Staff) W F Hopkins, Captain R W Salmon, Major D McLeish and Captain G F Thorn.military, vmr, south africa, boer war, victoria, uniform -
Kew Historical Society Inc
Print - Framed Fashion Plate, The Young Ladies' Journal, 1864
The Young Ladies Journal was first published by E. Harrison. It was issued from 1864 to 1920. Framed fashion plate from the Young Ladies Journal. Two women in 1864 costume, one blue, one monochrome. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, ladies home journal -
Latrobe Regional Gallery
Print, LINDSAY, Lionel b. 1874 Creswick, Victoria d. 1961, Morning Glory, Not dated
Woodcut printSigned lower left beneath print, pencil; "Lionel Lindsay" Signed lower left within print, woodcut; "LIONEL LINDSAY" Numbered '100' lower right corner beneath print. -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella REscue Series No. 9, Bob Stone, 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859, n.d
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Ninth in a suite of 16, in the Admella Rescue Series. Depicts Crew rowing the Portland lifeboat through rough seas. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859 - hand written, black pen.admella, portland lifeboat, shipwreck -
Gippsland Art Gallery
Print, Kline, Gillian, Van Diemen's Land, 2019
Donated by the artist, 2019Etching and aquatint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Gittoes, George, The Stairs, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Lilydale RSL Sub Branch
Print - Framed Print, Captain William Frederick Longstaff, Immortal Shrine (Eternal Silence), Painted 1928
Depicts ghostly soldiers marching past the Cenotaph in London on Remembrance Day 1928, reproduction.Plaque on frame "The Immortal Shrine / by / Will Longstaff / copyright registered" -
Gippsland Art Gallery
Print, Viney, Wayne, Passing Cloud, 2000
Donated by the artist, 2014Monotype on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Eddy (Cope), George, Tanjil Bren, Gippsland, 1963
Purchased with the assistance of the Gippsland Art Gallery Society, 2012Etching on papergippsland, artwork, permanent collection -
Uniting Church Archives - Synod of Victoria
Print, ABC Radio, 1990
Kay McLennan was an ABC broadcaster for religions programming for 25 years retiring in 2005. She presented several programs on ABC Radio National including "For The God Who Sings" for which she is best known. She has reported on religious affairs for ABC all over the world including a convention in Korea where she encountered KGB agents and accidentally stumbled into a protest and got tear gassed. She has won a New York Festival Award for her documentary work. https://www.discogs.com/artist/9651370-Kay-McLennan ABC Radio publicity photographic portrait print of Kay McLennan with inscription. Kay is looking has her hair tied back and is looking directly at the camera."For the Synod archives!"religious broadcaster, kay mclennan, abc broadcaster -
Latrobe Regional Gallery
Print, Aeonisation I B, 1966
Signed and dated lower right under printed image: 'Kees Hos '66' Title and edition 1/25, lower left -
Ararat Gallery TAMA
Print, Nanette Bourke, Just a Gumtree, 2006
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Federation University Historical Collection
Print - Artwork - Portrait, Sir Redmond Barry KCMG, 1881
The original of this portrait is held by Melbourne University Art Collection. Redmond Barry was the first President of the Ballarat School of Mines. Until 2020 this was exhibited at the Ballarat School of Mines Administratin building, outside Founders Room. Artist George Folingsby died in 1891.Framed reproduction of a painting of edmond Barry by George Folingsby.His HOnour Sir Redmond Barry K.C.M.G., M.A., LL.D 1813-1880 Foundation Presidet of the S.M.B., 1870-1876 Trustee of the S.M.B., 1870-1880 Chancellor of the University of Melbourne, 1853-1880redmond barry, george folingsby, available -
National Vietnam Veterans Museum (NVVM)
Print, Advance
A coloured print of four soliders in greens with helmets and SLR's advancing supported by a tank and an APCOn back of print - 02/6235336print, slr's, armoured personnel carrier -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Print, River scene
acrylic painting on river sceneillustration, reproductions -
Glenelg Shire Council Cultural Collection
Print, Dawn of an Error, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29 -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Arweet sit down, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Arweet sit down 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, arweet, vicki couzens, carolyn briggs, bayside indigenous coastal trail -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Big Foot, 2019
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Stanley Athenaeum & Public Room
Print - Portrait, John Monash
Print of John MonashMade in 1919