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Artwork, other (1265)
Ceramic (766)
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Print (1657)
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Work on paper (2050)
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Gippsland Art Gallery
Print, Macqueen, Mary, Nullarbor, c.1983
Donated by Charles Nodrum, 2019Colour lithograph on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print, The Wedding, c. 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions) -
Mission to Seafarers Victoria
Print - Print, framed, William Howard Jarvis (1903-1964), Orient Line S.S. Orsova off San Francisco, 1954-1966
British painter Howard Jarvis was best known for his maritime landscape paintings. An early member of the Society of Marine Artists (UK), formed in 1939, he went to sea on merchant ships and served in the Royal Navy during World War II. His works were influenced by marine artist Kenneth Shoesmith. Jarvis was commissioned by the Cunard-White Star Cruises to create a stone litho poster, which was quite well known, giving passengers a birds-eye view of a cruise ship.SS Orsova, built in 1954, was a British ocean liner for the Orient Steam Navigation Company until 1960, then P&O Orient Lines between 1960-1966, although the Orient ships retained their corn-coloured hulls and sailed under their own house flag. The colour of the hull on the print indicates it was made between 1954 and 1966. On 24 May 1956, Orsova ran aground off Port Phillip Bay, Melbourne, for twelve hours. In 1966 P&O acquired the balance of the Orient Line shares and all their ships were painted white. In the 1960s, Orsova carried many thousands of emigrants from Greece and Italy to Australia. It was staffed by approximately 600 crew and carried over a 1000 passengers. Maritime Art, Marine artColour printed reproduction of a painting or lithograph print featuring 20th C passenger liner, hull and superstructure primarily painted pale yellow, under steam at sea. Print is mounted glazed with thin gilded and moulded frame.Printed inscription on border of print at lower centre edge: "Orient Line S.S. Orsova / Off San Francisco"s.s. orsova, passengers ships, steamship, emigration, greece, italy, australia, passenger liner, melbourne, port phillip bay, artwork-paintings, w. howard jarvis, orient line, p and o, peninsular and oriental steam navigation company, ocean liner, passengers liners, passenger ships -
Latrobe Regional Gallery
Print, LAWSON, Sonia b. 1934 Darlington, United Kingdom, Twin Forms, 2001
ScreenprintSigned 'Sonia Lawson' bottom right under printed image. Numbered 'XX' (20) in bottom left corner under printed image. -
Horsham Regional Art Gallery
Print, John WOLSELEY, Bush curlew - Nhill, 2004
Purchased through the Horsham Art Gallery Trust Fund, 2007 -
Latrobe Regional Gallery
Print, PRESTON, David b. 1948, Saddleback, 1989
Hand coloured linocutSigned and dated 'David Preston 89.' in lower right corner under printed image. Edition 36/50, and title "Saddleback" in lower left corner under printed image. -
Gippsland Art Gallery
Print, Schmeisser, Jorg, Rosedale Beach, 2002
Donated from the estate of the artist, 2014Soft-ground etching and aquatint from two plates on papergippsland, artwork, permanent collection -
Queenscliffe Maritime Museum
Print - Reproduction print, framed, AV Gregory, Ormus 1887
In 1883 The Orient Steam Navigation Co. Ltd., of London signed a contract with the Government of New South Wales, Australia to carry emigrants from the United Kingdom. The Company would be paid £15 per head for up to four hundred persons and £14 and 10 Shillings for numbers between four and six hundred persons per voyage.A reproduction print of a painting by AV Gregory of the vessel Ormus, 1887. The print is mounted under glass and framed in a dark brown timber frame.rms ormuz, reproduction print -
Latrobe Regional Gallery
Print, ROSE, William b. 1929 Newcastle, New South Wales d. 1997, Untitled, 1968
Three colour lithographSigned and dated lower right beneath image, pencil "W Rose 68" Edition 17/50 lower left corner under printed image. -
Gippsland Art Gallery
Print, Hodges, William (after), View in the Island of Pines, 1777
Donated by Charles Nodrum, 2018Engraving on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, VINEY, Wayne, Lake Charm XXII Series one, 2017
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Gippsland Art Gallery
Print, Simpson, William (after), Interior of Lord Raglan's Head Quarters, 1855
Donated by Charles Nodrum, 2018Lithograph on papergippsland, artwork, permanent collection -
Melbourne Legacy
Print, Australian Victorian Cross Awards
An artwork hanging in the main function room at Legacy House depicting Australians who have been awarded the Victoria Cross from the Boer War up to the Vietnam War.The prominent position shows the reverence Legatees feel for military history.Artwork on paper in wooden frame depicting images of those who were awarded the VC up to the Vietnam War.Subtitle is 'Limited Edition Series' and the print is numbered '763/950'.victoria cross, soldiers -
Horsham Regional Art Gallery
Print, Louis KAHAN, Dena dancing, 1975
Purchased through the Horsham Art Gallery Trust Fund, 1977 -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Birdcage. A Scene from Boccaccio, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Fiction, 2019
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The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Book, Johnny Gurka
Grey cover - red/black printing on frontJohnny Gurka5/6 rvr, officer's mess, sergeant's mess -
Vision Australia
Print - Image, Framed prints - MacFarlane
In memory of auxiliary members who had passed away, gifts were sometimes presented to the RVIB for use in the office or sale to raise funds. In this example, two prints from a fox hunting collection were made in memorium of Margaret MacFarlane, who was a foundation member of the Alberta Auxiliary and the Executive Council of Auxiliaries for RVIB.Images of 2 framed prints of "The Fox Hunt" and "The Preparatives"Presented by Alberta Auxiliary in memory of Miss Margaret MacFarlane foundation member of Alberta Auxiliary member of Executive Council of Auxiliaries and esteemed and loyal member of R.V.I.B. Auxiliary movement 16/3/1987. royal victorian institute for the blind, gifts -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), St Michael's Mount, Cornwall, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Art Collection
Print - Artwork - Printmaking, Wes Walters, [Nude]
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Limited edition printwalters, wes walters, printmaking, etching, nude, life study -
Bendigo Historical Society Inc.
Print - FRAMED PRINT OF SANDHURST
Framed print of Sandhurst Unable to be located 30/08/2023 -
Gippsland Art Gallery
Print, Waters, Pat, Seduction, 1997
Purchased, 1997Monotype on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, TODD, Milan, Tropical billabong, 1989
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Swan Hill Regional Art Gallery
Print, ARMSTRONG, Ian, Cous Cous Bistro, 1988
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Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Vale of Ashburnham, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Bendigo Military Museum
Print - CHART, FRAMED
This chart displays unit colour patches worn by members of the Australia Military forces during World War 11. The Australian Military Forces consisted of the 2nd Australian Imperial Force, The Citizens Military Forces and the Permanent Military Force.Chart: Paper, colour illustrations of the " Colour Patches" with black printed numbers 1 - 630. Information on "Colour Patches" printed below illustrations in black ink. Mount: - cardboard, black with gold inner edge. Frame: Timber, mid brown colour with varnish finish. Decorative edge with perspex front. Backing: timber plywood, paper delivery docket adhered to backing. Small adhesive labels on front and back.Printed in red ink on chart, COLOUR PATCHES/ OF THE/ AUSTRALIAN MILITARY FORCES - WORLD WAR 11. Small adhesive labels, white, printed back ink "74".print, ww11, military, uniforms -
Gippsland Art Gallery
Print, Gittoes, George, Bass Strait Oil Right (night), 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Ballarat Heritage Services
Print - Image, Ballarat Gold Pioneers Prior to the Issue of the Gold License, 1851, 1904
A number of photographs of men who were in Ballarat before the first Gold License was issued.ballarat pioneers, gold discovery, gold license, james esmond, james oddie, thomas hiscock, david ham, b. storey, i.a. twaits, rev. d. allan, thomas bath, f.o. jones, w. hill, j. patterson, h. patterson, a.c. mcdonald -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Yams and eels, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Yams and eels 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, yams, eels, vicki couzens, bayside indigenous coastal trail, carolyn briggs, bayside -
Horsham Regional Art Gallery
Print, Martin KING, Rainshadow evening, n.d
Purchased through the Horsham Art Gallery Trust Fund, 2005