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Artwork, other (1266)
Ceramic (766)
Decorative object (715)
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Mixed media (518)
Painting (2482)
Print (1658)
Sculpture (402)
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Work on paper (2050)
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Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Print - Framed print, Tom Beecham (1926-2000), Flora Temple, A Brush on a Country Lane
Tom Beecham (1926-2000) was an American painter and illustrator known for his scenes of wildlife. Large gilt framed monochrome print of trotting horses.Flora Temple, A Brush on a Country Lanetrotting, flora temple, historic print, tom beecham -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Pevensey Bay, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, WILLIAMS, Deborah b. 1967 Melbourne, Untitled, 2004
Etching and drypointSigned 'DW '04' lower right corner of print. Edition 11/25, numbered in lower left corner. -
Gippsland Art Gallery
Print, Fullard, Alison (Ali), 4am Out the Window, 2013
Donated by Freestone Press, 2016Photo-etching and drypoint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Willebrant, James, Ocean Baths 2, 1980
Donated from the estate of Patricia Marie White, 2017Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Duxbury, Lesley, By Degrees, 2010
Donated by the artist, 2016Inkjet prints on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Print - Printed Balloons, Admella Festival Logo, 2009
3 balloons - 1 light blue, 1 dark blue, 1 white. Each with Admella Festival logo printed on it. -
Swan Hill Regional Art Gallery
Print, HARDING, Dale, I'm a happy little sodomite, 2014
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Gippsland Art Gallery
Print, Turner, J.M.W. (after), Wycliffe near Rokeby, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Art Collection
Print - Printmaking, Artwork from Dong Ho Village, c1970-2010
Dong Ho is on the Duong River in Bắc Ninh Province, Vietnam. The woodcut painting (Tranh khắc gỗ dân gian Dong Ho is a line of Vietnamese folk painting originating in Dong Ho village. The traditional themes of Dong Ho painting are good luck signs, historical figures, folk allegories, popular stories, and social commentaries. Elements of everyday life are well integrated in Dong Ho paintings to express the thoughts and wishes of people. (Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) Craftsmen in Dong Ho use a special type of paper named giấy điệp. The bark of dó tree, which normally is grown in Tuyên Quang Province, is soaked in water for months, then mixed with powders of seashells (sò điệp), which is the origin of the paper's name, and glutinous rice to make sheets of paper. The s seashell and glutinous rice results in paper with an exotic sparkling hard background which is able to conserve the durability of colours. The colours are refined from natural materials which are easily found in Vietnam. For instance, the red colour is taken from red gravel in Thiên Thai Mountain, while the black comes from charcoal of burned bamboo leaves. The hand carved woodblock is applied with paint and pressed on a sheet of paper like a stamp. The process is repeated with different colours until the craftsman is satisfied with the outcome. One woodcut is for outline and several others are for each colour printed. The finished picture is covered with a layer of rice paste (hồ nếp) to strengthen the durability of its illustration and colours and afterwards dried under the sun. From beginning to end the process takes six to seven months. (Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) The tradition of Đông Hồ painting dates back to the 11th century during the reign of the Lý Dynasty. Originally, Đông Hồ paintings were made with black-and-white prints of woodcuts, but from the 15th century, different colours were introduced by craftsmen in the village. As a village specialized in making woodcuts and paintings, almost all Đông Hồ villagers were involved in the manufacturing of paintings from carving the woodblocks, producing điệp papers, obtaining natural colours to creating new themes, and printing.(Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) Before 1945 over 150 families in Đông Hồ village were making pictures, but the tradition has rapidly faded. Villagers can no longer make a living based on this production so only a few households in the village still make pictures, while many others have switched to producing joss paper and votive paper object.(Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.)Asian ArtA framed collection of work by children from Dong Ho Village, Vietnam.dong ho, vietnam, woodcut, printmaking, dong ho art, dong ho painting, dong ho village, vietnam. -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 13, Bob Stone, Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Thirteenth in a suite of 16 in the Admella rescue series. Printed in black on white archival paper. Depicts 3 men on Admella, with a rope from them to the Portland lifeboat.Front: 'Linocut Bob Stone, 2009 Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859' - Handwritten, black ink.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Prints, Reproductive - Set, (Untitled - Historic Portland Buildings), 1974
On Display at History HouseWall hanging set of 5 black and white prints of Historic Portland Buildings. Each print in a black and gold frame, print covered with glass. The five prints connected with green braided cord. Steampacket Inn Foresters Hall Old Town Hall Court House H.M. Customs -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, The Game, 2001
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Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond, Ballarat, 1938 Centenary
Ballarat HistoryOld gloss printballarat, ballaraat, 1938, centenary -
Swan Hill Regional Art Gallery
Print, GLEGHORN, Thomas, Grass landscape Darwin, No. 1, 1970
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Bendigo Military Museum
Print - PHOTOGRAPH, est WWI
The original photo was in a collection that belonged to Charles Walter McLeod No 944, C Coy 38th Batt AIF. He served with Jack Grinton. Jack bought his first camera in Cape Town on the way to England. By wars end he had taken hundreds of photos. Refer Cat No 1280 for service details. Refer 1320P, 1319.3.Copy of original photo of Jack Grinton in uniform with possibly his first camera. Typed notes underneath. The original photo was taken in England in 1916. photography, military -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Phryne Going to the Bath as Venus, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Egglestone Abbey, near Barnard Castle, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond. ca 1971, Ballarat aerial view
Ballarat HistoryOld matte printballarat, ballaraat, aerial -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond. ca 1971, Wallace and Lion statues, Ballarat Botanical Gardens
Ballarat HistoryOld semi-gloss printballarat, ballaraat, botanical, gardens, lion, wallace -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Elephant Folio, 2019
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Ararat Gallery TAMA
Print, Nanette Bourke, The Cult of the Car - Carefree Youth, 1990
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Swan Hill Regional Art Gallery
Print, WAINBURRANGA, Paddy Fordham, Nammoo Roddoo, 2003
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Federation University Art Collection
Print, 'Collagraph 3' by Carole Wilson, 2007
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson undertook undergraduate studies at the Canberra School of Arts and Phillip Institute of Technology. She completed a Graduate Diploma in Education at the University of Ballarat in 1987, and a Doctor of Philosophy in 2000. She has chosen central motifs in her work, which she incorporates throughout a series. The urn has been a unifying motif in Wilson's map work and testifies to the way in which function drives form across cultures. Carole's work is held in many public collections including the National Gallery of Australia, the Powerhouse Museum, State Library of Victoria and a number of regional Victorian galleries. Her posters are in museum collections in Finland, Moscow and Poland. In 2001 Dr Wilson was awarded a Doctor of Philosophy (Visual Art) from the University of Ballarat (Now Federation University). She graduated with a Graduate Diploma in Education from University of Ballarat in 1987, and a Diploma of Art from the Phillip Institute of Technology (RMIT) in 1984. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: Framed collograph by Carole Wilson. art, artwork, wilson, carole wilson, available -
Mission to Seafarers Victoria
Print, Our God and the Sailor We Adore, Unknown
The quote is by English poet Thomas Jordan (c. 1612–1685).Print in black ink on white cardboard frame and black wooden frame depicting a ship Our God and the Sailor we adore in time of danger, not before The danger past both are required God is forgotten, the Sailor slighted.ship, god, sailor, artwork-paintings, sea -
City of Whittlesea Art Collection
Print - Screen print, Al Stark, Home
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Geelong Gallery
Print - The Lung (Subject/Object) 12 Untitled Self Portraits, PARR, Mike, 1991
Drypoint and aquatint -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Urbanology, 1995
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Glenelg Shire Council Cultural Collection
Print - Label - Henty: Dry Ginger Ale, n.d
Previous collection, Exhibitions, Prizes, etc.) Displayed at History House. Used by Henty cordial company in Portland (?)Label with design of a ship of choppy waters in a roundel in upper right corner. Name of drink is in a white banner across lower centre.Front: (text on label includes brand name, flavour of drink, etc...) -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Rome from the Vatican, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection