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Artwork, other (1266)
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Print (1658)
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Work on paper (2050)
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Gippsland Art Gallery
Print, Kline, Gillian, Under the Fig Tree, 2013
Purchased, 2018Etching and aquatint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Gardiner, Ian, Dog Person, 1985
Gift of Judith Gardiner, 2017Perspex print on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Sixth in a suite of 16 in the Admella Rescue Series. Shows head and shoulders and right arm of man on Admella, holding the hand of someone in the sea. Two bands and forearms of another person in the the sea reaching up. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859 - hand written in black penadmella, shipwreck, portland lifeboat -
Gippsland Art Gallery
Print, Lindsay, Lionel, Untitled, Undated
Bequeathed by Oswald Stuart Green, 1993Etching on papergippsland, artwork, permanent collection -
Darebin Art Collection
Print - Peter Waples-Crowe, Peter Waples-Crowe, Rabbit Progress, 2010
rabbit -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Why (B1), 1963
PrintTitled and edition 'Why 1/50 B1' lower left corner under printed image. Signed 'Kees Hos '63' lower right corner under printed image. -
Lilydale RSL Sub Branch
Print - Framed Print, Captain William Frederick Longstaff, Menin Gate at Midnight (Ghosts of Menin Gate), Painted 1927
Print of original oil painting by Will Longstaff depicting a host of ghostly soldiers marching across a field in front of the Menin gate War memorial at Ypres, Belgium.Plaque on frame "Menin Gate at Midnight / copyright reserved / by / Will Longstaff / presented to the Commonwealth Government of Australia / by / Lord Woolayinton -
National Vietnam Veterans Museum (NVVM)
Print, Framed Lithograph, 2nd Advanced Ordinance Depot
Framed Lithograph of Aerial Drawing of 2nd Advanced Ordinance Depot Vung Tauframed lithograph, 2nd advanced ordinance depot, 1 alsg, vung tau -
Bendigo Military Museum
Print - PRINT HMAS, MOUNTED, Post 1966
Coloured print of HMAS ANZAC by Tom Freeman 1996. Ship is powering forward firing forward gun turret & 2 missiles from aft. Ground troops with weapons are pictured in top background. Print is mounted on chipboard with white border & black edging. Laminated in clear plastic with small white hanging strap at rear.Above print in black type: “HMAS ANZAC” Below print in black type: “Commissioned 18 May, 1996 Port Melbourne, Victoria” Handwritten in blue ink either side of print: “Signatures” Emblem RHS bottom of print: “ANZAC UNITED WE STAND” Signatures print, anzac, mounted, hmas -
National Vietnam Veterans Museum (NVVM)
Print, 50th Anniversary of the Battle of Long Tan
Print on wooden backing. Commemorative. Orange circle, grey cross, Vietnam map green and red 201650th Anniversary Battle of Long Tancommemorative print, battle of long tan -
Swan Hill Regional Art Gallery
Print, JACOBS Peter, The Sharlee Series, 2010
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Gippsland Art Gallery
Print, Kelly, William, Figure and Still Life (Fragment), 1985
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Book, Carve Her Name With Pride
True StoryBlue Cover - white and brown writingCarve Her Name With Pride5/6 rvr, officer's mess, sergeant's mess -
Swan Hill Regional Art Gallery
Print, MacQUEEN, Mary McCartney, Canoe tree, 1982
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Lara RSL Sub Branch
Print, The order of wearing Australian Honours and Awards
The Governor General of Australia has, at irregular intervals, notified for general information the positioning of the wearing of Australian Orders, Decorations and Medals in the Commonwealth of Australia Gazette. The Order of Wearing Australian Honours and Awards was last published in 2007, and replaced the previous list published in 2002.Prior to 2002, the lists were named the Australian Order of Precedence of Honours and Awards.[2] Rectangular shaped glass covered picture frame showing the order of wearing the Honours and Awards The order of wearing the Honours and Awardshonours, awards, lara r.s.l. -
Gippsland Art Gallery
Print, Rooney, Robert, Brothers, Gippsland, 1956/2001
Purchased, 2019Linocut print on papergippsland, artwork, permanent collection -
Mission to Seafarers Victoria
Print - Reproduction of a painting, Captain James Cook - The First Voyage 1768-1771
The first voyage of Lieutenant James Cook was a combined Royal Navy and Royal Society expedition to the south Pacific Ocean aboard HMS Endeavour, from 1768 to 1771. The aims of this first expedition were to observe the transit of Venus across the Sun (3–4 of June 1769). Departing from Plymouth in August 1768, the expedition crossed the Atlantic, rounded Cape Horn and reached Tahiti in time to observe the transit of Venus. In September 1769 the expedition reached New Zealand. In April 1770 they became the first known Europeans to reach the east coast of Australia, making landfall near present-day Point Hicks, and then proceeding north to Botany Bay. The expedition continued northward along the Australian coastline. In October 1770 they reached the port of Batavia in the Dutch East Indies. They resumed their journey on 26 December, rounded the Cape of Good Hope on 13 March 1771, and reached the English port of Deal on 12 July. The voyage lasted almost three years. Voyage 1 (1768–1771): ship Endeavour Route: London – Madiera – Rio de Janeiro – Cape Horn – Tuamotu Island – Tahiti – Society Islands – New Zealand – New Holland (Australia) – East Timor – Java – Batavia – Cape of Good Hope – St Helena – Ascension – LondonCook joined the British merchant navy as a teenager and joined the Royal Navy in 1755.Colour reproduction of portrait of Captain Cook by Nathaniel Dance (1735-1811)Captain James Cook - The First Voyage 1768-1771captain james cook, nathaniel dance (1735-1811), endeavour, navigators, sea voyage -
Gippsland Art Gallery
Print, Forbes, Rodney, Your Song, 1996
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Coloured lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Ryrie, John, The Moon's Reflection II, 2009
Donated by the artist, 2019Linocut print on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Print, Kew Railway Station in the early 1900s, c.1900
Kew Railway Station (1887-1959). ‘Kew Railway Station’ in Denmark Street was the terminus of the Kew Line, which extended from Hawthorn Station to just south of Wellington Street. The Station opened on 19 December 1887 after a prolonged campaign for a railway by the people of Kew. Due to a decline in patronage, the passenger service ceased operations in August 1952. While a freight service continued for another five years, the line and station were officially closed on 13 May 1957. Subsequently demolished in 1959, the headquarters of VicRoads (formerly Country Roads Board) now stands on the former Station site.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic copy of a book plate from 'Kew's Civic Century' (1960) by W.D. Vaughan. The book plate was itself a copy of an early 20th century postcard depicting the Kew Railway Station."Railway opened 1887 - Then as photo states"kew railway station, dorothy rogers, country roads board, vicroads -
Gippsland Art Gallery
Print, Scott, Lorraine, Dance of the Spirits, 2015
Donated by the artist, 2015Monoprint and linocut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Fransella, Graham, Seated Figure, c.2008
Donated from the estate of Patricia Marie White, 2013Colour etching on papergippsland, artwork, permanent collection -
Wangaratta RSL Sub Branch
Print - Framed Print, Operation Slipper
Item presented to Lieutenant General Power who was deployed as the Deputy Chief of Staff,Strategic Partnering Headquarters International Security Assistance Force, Kabul, Afghanistan in 2010-11.Lieutenant General Power retired from the Army on 19 July 2014, his final posting being the Chief of Joint Operations. The Australian contribution to the war in Afghanistan has been known as Operation Slipper (2001–2014)Brown timber frame with cream mount containing print containing collage of eight images.Plaque - Presented to Lieutenant General B A Power AO CSC Chief of Joint Operations In appreciation of your support for Joint Task Force 633 20 May 2011 to 19 May 2014operation slipper, australian national headquarters, afghanistan, adf -
Gippsland Art Gallery
Print, Unknown Artist, Views In North Gipps Land, c.1877
Donated by Peter Synan OAM, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Fuseli, Henry (after), The Witches in 'Macbeth', c.1857-60
Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print, Will Longstaff, Menin Gate at Midnight, 1927
CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions) -
Mission to Seafarers Victoria
Print - Reproduction, Wilbraham Frederick Evelyn Liardet, View of the North Shore, Port of Melbourne, 1862
Liardet, W. F. E. (Wilbraham Frederick Evelyn), 1799-1878 depicts the busy port of Melbourne showing many types of ships and the Bethel Church built in 1860 on the Custom House land. The church replaced the Bethel ship which sank in February 1860.This watercolour along with the Francois Cogne print from 1863, "Sandridge from Hobson's Bay, and the engraving "A Bird's-eye View Of Melbourne From Sandridge" dating from 1882, is a rare depiction fo the Bethel church. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.wilbraham liardet, sandridge, port, ships, port melbourne, hobsons bay, bethel church, reverend kerr johnston, 1812-1887, missions to seamen, 1862, customs house -
Lara RSL Sub Branch
Print, The Immortal Shrine by Captain Will Longstaff, Painting made in 1928
Longstaff's 'Immortal shrine', also known as 'Eternal silence', depicts endless columns of ghostly soldiers marching past the Cenotaph on a rainy Remembrance Day in 1928. The Cenotaph itself has a surreal presence, gauntly white in front of the sombre blue-back buildings that dissolve into the background. Like its well-known predecessor 'Menin Gate at midnight', this painting has undeniable power and is just as hypnotic and evocative.Print of the painting The Immortal Shrine by Will Longstaff - the original is in the Australian War Memorial (ART14196). The frame is made from wood retrieved from the HMAS Sydney and a certificate of authenticity is on the back (refer to image supplied) Article from Trove is also suppliedThe Immortal Shrine Colour Print in Wood and Glass FrameThe Immortal Shrine by Will Long Staff -
Gippsland Art Gallery
Print, Gittoes, George, Oxy Cart, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Snow-Storm, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection