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Ararat Gallery TAMA
Print, Nanette Bourke, Scarlet Banksia, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Glenelg Shire Council Cultural Collection
Print, View of Early Portland, 1890-1900
Displayed in window of History House, 1991-2006. Given by Betty Wilson to her husband, Murray J. Wilson.View of a town on a harbour with piers. Two steam ships-one berthed at a pier, another in the bay, centre left. Small sailing craft in harbour; people on beach and cliff tops. Black and white lithograph. Mounted in matt.Front: (no inscriptions) Back: (no inscriptions) Murry J. Wilson/from E. Wilson (cursive handwriting, blue pen. Taken from back of frame and a fixed in Mylar to back of mount) -
Federation University Historical Collection
Print, 1 Pussy-cat, pussy-cat where have you been? .2 Abstract Print - Open
Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair. -
Dandenong/Cranbourne RSL Sub Branch
Print - Australia's Navi in the Korean War
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Glenelg Shire Council Cultural Collection
Print, Ray Woods, Landscape, 1971
UnknownTwo-plate etching and aquatint in the form of two semi-circles. Upper half depicts two flowers hanging from a stem, and an upright stem with small buds in the background. Lower half is an unwiped plate print, showing black line drawings of daisies against a black background. Mounted with brown card and black card. Framed in grey-painted wooden frame.Front: 1/10 (lower left) "Landscape" (centre) Ray Woods 71 (lower right) (pencil) Back: (no inscriptions) -
Gippsland Art Gallery
Print, Wilkinson, Charles, The Descent to the Dargo, c.1880
Donated by Simon Gregg, 2013Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Frazer, David, Fly Me to the Moon, 1996
Purchased, 1996Wood, Paper, Inkgippsland, artwork, permanent collection -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Print, Attack At Lone Pine, 1993
Framed print of the Allan Waite 1993 painting 'Attack at Lone Pine - 6 August 1915' Image details an artists interpretation of trench warfare at Lone Pine in 1915. Print has 'Attack at Lone Pine - 6 August 1915', 'Allan Waite - August 1993', and 'Printed by the Royal Australian Survey Corps 1993' printed along the bottom of the print. lone pine, allan waite, ww1, gallipoli, turkey -
Port Melbourne Historical & Preservation Society
Print - Engraving, Sandridge Victoria
Found by Eliza Bram's mother in an antique shop in Paris.Copy B&W engraving of Sandridge showing cattle in foreground and buildings in background.N.Chevalier, J.Godfreybuilt environment, natural environment, n chevalier, j godfey -
Latrobe Regional Gallery
Print, HAMM, Treahna b. 1965, Melbourne, Drought Spirit, 1995
Hand coloured etching on paperEdition 39/50 - bottom left corner Titled 'Drought Spirit' on centre bottom of print Signed and dated 'Treahna Hamm '95' - bottom right corner.linework, drought, etching, spiritual, land -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish.Front: Portland Pier 32/70 A Gee 83 Back: 11 -
Glenelg Shire Council Cultural Collection
Print, The Wedding, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17 -
Geelong Gallery
Print - Looking back, SCHMEISSER, J�rg, 1984
Etching -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Angel, 2001
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Geelong Gallery
Print - Goat and rhodoendron, LINDSAY, Linonel, 1925
Wood engraving -
Swan Hill Regional Art Gallery
Print, JACKS, Robert, Untitled, 1985
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Swan Hill Regional Art Gallery
Print, PUGH, Clifton, Europa and the Bull, 1979
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Gippsland Art Gallery
Print, Durre, Caroline, Spill with Flags, 1991
Purchased, 2018Etching on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Label, n.d
Two apple box labels, white heavy paper, red and blue print. 'PORTLAND APPLES GROWN AND PACKED BY W.H. HANN & SONS' -
Uniting Church Archives - Synod of Victoria
Print - Program, Methodist Girls' Fellowship Official Inauguration
Two blue printed program for the official inauguration of the Methodist Girls' Fellowship on Saturday, 4th July, 1936 at Cecil Street South Melbourne. -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print (item) - Photograph by Percy Hartmann, Eureka Stockade, Ballarat, 1939
Ballarat History Ballarat HistoryEureka Stockade, Ballarat, 30/09/39ballarat, ballaraat, eureka, stockade, hartmann -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Heysham and Cumberland Mountains, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Photograph - Black and White, Ballarat School of Mines Admnistration Building, c1970, C1910
Ballarat School of Mines Administration Building from Lydiard Street South.ballarat school of mines, lydiard street south, administration building, a building, illuminated sign, painted building -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Death of Nelson, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Bendigo Military Museum
Print - PRINT, FRAMED, WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Weathercote Cave, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - The Making of Legend, The Making of Legend print
A print of the Making of a Legend print, it depicts the landing at ANZAC Cove on 25th April 1915 -
Gippsland Art Gallery
Print, Etty, William (after), Cupid, 1857
Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print, HMAS Stuart
Black plastic framed coloured print of HMAS Stuart at seaprint, hmas stuart -
Gippsland Art Gallery
Print, Gittoes, George, Our House, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection