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Gippsland Art Gallery
Print, Partos, Paul, Oblique Form, 1982-86
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and aquatint on copper on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Print - Subdivision Plan, Rosebank Estate, Kew, Nineteenth Century
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic reproduction of a plan in the Vale Collection of the State Library of Victoria. The plan shows the Rosebank Estate in Kew which was offered for sale in 1881. The subdivision was located in Studley Park and included lots in Redmond Street; Fellows Street; Wills Street; Molesworth Street; Barry Street and Princess Street. The surveyor of the subdivision was the local architect George Wharton.rosebank estate (kew), subdivisions -- studley park -- kew (vic.), thomas wills, wills family -
Gippsland Art Gallery
Print, Fransella, Graham, Seated Figure, c.2008
Donated from the estate of Patricia Marie White, 2013Colour etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Salvatore, Maxine, Bad Reality, 2013
Purchased, 2014Two-plate photo-polymer etching on chine colle on papergippsland, artwork, permanent collection -
Geelong Gallery
Print - The visit of Dr Syntax to the Widow Hopefull at York, ROWLANDSON, Thomas, 1820
Hand coloured aquatint -
Kew Historical Society Inc
Print, Post Office and Police Court Kew, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.An enlargement of an original postcard in the collection, created for the purposes of exhibition, depicting the Kew Post Office and Court House (built 1888) on the corner of High Street and Cotham Road. In front of the Post Office is a large Moreton Bay Fig tree. The later Kew War Memorial (opened 1925) necessitated the removal of the tree and the relaocation of the Queen Victoria Jubilee Fountain. kew court house, kew post office -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, Memories of my Garden, 1993
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Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson, Untitled, 2023
Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Clunes Museum
Print - PICTURE OF 5 CHILDREN
A FRAMED PRINT SHOWING 5 CHILDREN, SMALLEST CHILD ON HORSEBACK WITH A WHIP. CHILDREN PLAYING AROUND WITH A DOG. THE PICTURE IS IN A BROWN WOODEB\N FRAMEprint, picture of five children -
Swan Hill Regional Art Gallery
Print, OLSEN, John, McElhone Steps, 1963
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Gippsland Art Gallery
Print, Rose, William, Untitled, 1968
Donated by Charles Nodrum, 2018Lithograph on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - The Highland Light Infantry Print
The Highland Light Infantry (City of Glasgow Regiment) large print -
Glenelg Shire Council Cultural Collection
Print - Print - Lithographic print of curator's cottage Portland Botanic Gardens, Victoria, 1930-1949
Lithographic print of the curator's cottage in the Portland botanical gardens, full colour, possibly from calendar. Mounted on light brown cardboardBack: 'J.A. STUCHBERY' - black stamp, top right corner -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Untitled, not dated
PrintSigned lower right corner 'Kees Hos 420' -
Hume City Civic Collection
Print, Rupertswood, 1983
The coloured print features the bridge which spans the Rupertswood Cutting and is north of Sunbury station on the Bendigo line with the Rupertswood Mansion in the middle distance.A large coloured print of a railway bridge spanning a river with a mansion in the distance.rupertswood mansion, rupertswood cutting, railways -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Natural History, 2019
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Gippsland Art Gallery
Print, Kelly, William, Figure and Still Life (Fragment), 1985
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Tomescu, Aida, Sweet Water III, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, SENBERGS, Jan b.1939 Riga, Latvia. Arrived Australia 1950, Port piers, 1980
LithographTitled and signed 'Port piers - J Senbergs. '80.' lower right under printed image. Edition 17/20, lower right corner under printed image. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Battle of Trafalgar, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Bendigo Military Museum
Print - PRINT, FRAMED, AIF RACE MEETING
Print of a poster for race meeting " AIF Race Meeting" to be held on the New Flemington Track, Barbara near Gaza dated Saturday Sept 7th, 1940. NB: this is a second display of same print. Print of poster - black print on white background. Frame - timber, painted black colour. Glass front.On back of frame, on adhesive label, handwritten red ink. ON LOAN TO / BENDIGO RSL, AS LONG AS THEY/ WANT IT./ TO BE RETURNED/ IF DISPLAY OF PRINT NOT IN USE/ TO / N.S. FULLERTON/ 18 BOSQUET/ WHITE HILLS / OWNER.framed print, history, ww2, army -
Glenelg Shire Council Cultural Collection
Print - Print Sticker - Portland 150th, 1984
Glenelg Shire Council Records Dept.Front: Portland's 150th Anniverdary 1934-1984 Victoria's First Permanent Settlementglenelg shire, portland 150th -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Ulysses Deriding Polyphemus, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Jack, Kenneth, Walhalla - Bandstand and Fire Station, c.1960s
Donated by the artist, 1968Coloured linocut on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Book, Chindit
Chindit by Richard Rhodes JamesGreen and white cover - white and yellow writing on frontChindit5/6 rvr, 5/6 rvr officer's mess / sergeant's mess -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information Book - "Readers Digest/Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300. Framed print. Print - colour print on paper. Copy of an oil painting, depicting colour, the dawn landing of Australian and New Zealand troops at Anzac Cove. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES EDWARD DIXON (1872-1934). The Landing at Anzac. April 25th 1915". 1915. Successful British Maritime Painter.framed accessories, prints, ww1, gallipoli, centenary -
Latrobe Regional Gallery
Print, Aeonisation I A, Not dated
Not signed, not dated. Title and edition 2/25 under lower left corner of print. -
Glenelg Shire Council Cultural Collection
Print, The Undertaker's Assistant, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing male from hips to head. The man wears a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in greens, yellows and blues.Front: Portland Commemorative Print 5/20 A. Gee. The Undertaker's Assistant. John Cain signature Premier of Victoria. Back: 15 -
Glenelg Shire Council Cultural Collection
Print, One Farm's History, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48 -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Cory-Lin, on the River Clyde near Lanerk, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection