Showing 7906 items matching art
Artwork, other (1199) Ceramic (742) Decorative object (665) Drawing (4548) Mixed media (467) Painting (2346) Print (1640) Sculpture (386) Textile (1012) Work on paper (1994)-
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/132 Harp Road, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/132 Harp Road, Kew by Margaret Picken.1/132 HARP RD., KEW / MARGARET PICKEN ~93 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/132 harp road - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 5 Tara Avenue, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 5 Tara Avenue, Kew. by Margaret Picken.5 RARA AVE., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, 5 tara avenue -- kew (vic.), property illustrations — buildings — kew (vic.) -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1960s
Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 10 Amy Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (item) - Assembly Flame Tube B.K. 2249/3
Rolls-Royce Derby -
Moorabbin Air Museum
Drawing (Item) - Camoflage Scheme for Single Engined Biplanes
-
Glenelg Shire Council Cultural Collection
Painting, Alan Wilson, Crumpets, 1991
Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil). -
Hawthorn Historical Society
Drawing - Property Illustration, 62 Rathmines Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.62 RATHMINES RD HAW Margaret Picken `89 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - Dassault Mirage III D and O drawings covering external finishing schemes camouflage stencils markings
-
Darebin Art Collection
Textile - Abdul Abdullah, Abdul Abdullah, For we are young and free, 2017
army solider -
Stawell Historical Society Inc
Painting, Mr Ah King -- Chinaman’s Hut's Remains at Deep Lead -- Painting -- Coloured
Chinaman’s Hut Ah King - Remains - Deep Leadstawell -
Hawthorn Historical Society
Drawing - Property Illustration, 17 & 17A Clifton Road, Hawthorn East, 1992
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 17 & 17A Clifton Road, Hawthorn East by Margaret Picken.17 & 17A Clifton Road, Haw, Margaret Picken '92. Woodards - C'well.artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 8 Neave Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.8 NEAVE ST, HAWTHORN Margaret Picken ~91 WOODARDS -C'WELLartist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 33 Frater Street, Kew East, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 33 Frater Street, Kew East by Margaret Picken.33 FRATER ST., E. KEW / MARGARET PICKEN ~92 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 33 frater street -- kew east (vic.) -
National Wool Museum
Textile - Quilt, 1921
Now 100 years old, this quilt belonged to the donor’s grandfather John William Huffstutter. John was Born in 1898 in a log cabin in the Ozark mountains of Missouri, USA. Tragically, John’s mother died when he was four years old. John said that he could always remember her voice calling his name as he hid under the porch in one of the many thunderstorms that frequent the area with his dog. John was raised by his grandmother and was treated as the youngest to her other children, growing up with his aunties and uncles rather than brothers and sisters. John began to study engineering at the State University of Iowa before serving in the US Army Engineer Corps in The Great War. He enlisted when he became eligible and served briefly before the Great War ended. He then returned to his engineering studies in Iowa, and shortly after finishing his studies got his first job with Westinghouse in Pittsburgh at age 23. It was when John was leaving for this job that he was given the quilts as a reminder of home from his grandmother Sarah Jane "Sallie" Tindall Coble, and her daughter (John's Aunt) Ottie Maude Coble Bittick. Widowed at age 78, John took to sleeping in his screen porch under one of these quilts. John remembered one winter in Missouri waking in his log cabin to find snow covering him and his quilt. When he died at age 94, the quilt he used was completely worn out and discarded. This remaining quilt was shipped to Australia, where Carol’s (the donor) immediate family had emigrated in 1970. Opening the box that contained the quilt released a wave of comforting smells, emotions, and a flood of childhood memories. Carol distinctly remembers sleeping under these quilts for afternoon naps at her grandparents' house. The quilt is 74 x 80 inches (1880 x 2030mm), matching the size of a modern-day king bed. It is made of various four-inch (100mm) squares. These squares are made of old men woollen suits in dark colours of browns and greys. The quilt is layered with a wool backing fabric and a batting lawyer of unknown material, possibly cotton or wool. The quilt is tied together with red wool yarn and the backing fabric is folded over the edge to be used as a binding. Embroidered across the front of the quilt in purple wool yarn is "John Huffstutter", "13 Oct 1921". A small, printed cloth label "HUFFSTUTTER" is pinned on the reverse of the quilt. The quilt is well-worn but in good condition considering its age. The care instructions passed down by word of mouth with the quilt were to "never wash, only air".Front embroidered. Purple handstitching: "John Huffstutter / 13 Oct 1921" Reverse. Printed cloth label: "HUFFSTUTTER"ozark, missouri, usa, textile history, quilt heritage -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-750-091 Title block obscured
-
Glen Eira Historical Society
Drawing - Caulfield Educational Institute
A photocopy of an advertisement in The Argus, January 6, 1858 for the opening of Baden Villa, Mr. and Mrs. Damm’s Boarding School for young ladies at Glenhuntly Road, Caulfield on January 19, 1858. A photocopy of the page with Prof. Charles Damm’s handwritten inscription in the book presented to George Dickson, Student at Baden Villa Educational Institute on December 17, 1859. A one page rubbing of the embossing on the cover of the book presented to George Dickson on December 17, 1859. The embossing reads Harry’s Book of Poetry. One page handwritten letter dated July 11, 1978 from Dorothy Champion to Mr. Sims of Caulfield Historical Society which accompanied the rubbing and photocopy of Prof. Charles Damm’s inscription in the book he presented on December 17, 1859. One page of handwritten notes by Peta Darke dated February 1, 2011 concerning Miss Cathcart and Mr. David Birrell’s Schools’ locations.baden villa, clonmore, glenhuntly road, caulfield educational institute, caulfield north, kooyong road, parkside street, shoobra road, downshire road, caulfield, damm charles, damm mrs., dickson george, cathcart lilian, birrell david w., snowball miss, champion dorothy, sims mr., education, schools, independent schools, principals, teachers, schoolhouses, caulfield historical society -
Hawthorn Historical Society
Drawing - Property Illustration, 76 St Helens Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.76 ST HELENS RD, HAW EAST Margaret Picken ~92 WOODARDS - C'WELLartist - margaret picken 1950- -
National Vietnam Veterans Museum (NVVM)
Painting, Check Charge
An original painting titled "Check Charge". Harry Riemersma, John Ward, Col McMannim and Len Curd in vietnam 1968 TET offensive, Bien Hoa Province. Fire Support Base Harrisonpainting, soldiers, tet offensive (1968), bien hoa, vietnam lest we forget -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Newbury Street, Kew East, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 Newbury Street, Kew East by Margaret Picken.7 NEWBURY ST., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 7 newbury street - kew east (vic) -
Ballarat Tramway Museum
Painting - Framed Painting, Alan Dixon, "Oil Painting of Horse Drawn Tram", 2012
Has a strong association with the artist and demonstrates activities the Ballarat Tramway MuseumFramed painting - wooden frame - black and gold colour of Horse Tram No. 1 in Wendouree Parade, titled "Oil Painting of Horse Drawn Tram", fitted with a plastic gold engraved sign "Oil Painting of Horse Drawn Tram / painted and donated by Edna Stephens". Framed with a white card back and brown plastic tape - with metal hanging wire framed by Macarthur Framework and Gallery 1008 Sturt St Ballarat. See Inscriptions for note on artist.On rear in ink "Edna Stephens painted 2012 / Horse Drawn Tram Lake Wendouree Ballarat"trams, tramways, wendouree parade, painting, art work -
Wangaratta Art Gallery
Painting, Mollie Hill, Borough Offices, 1962
Mollie Hill was a famous Welsh-born Australian watercolourist who studied at the Melbourne National Gallery Art School and is known for her 'eye for colour'. Her work features many landscapes of northern Victoria as she lived for some time in Shepparton and Wandiligong. She was also a well-known journalist. Depicted in this painting is the old council borough offices which were demolished in 1962. Rural City of Wangaratta Collection. Gift of Wangaratta Co-operative Housing Society No. 3 Ltd.A watercolour landscape of the old Wangaratta borough offices painted using shades of green, red, blue, and brown.Obverse: Mollie Hill/ (bottom right corner) PRESENTED/ TO THE BOROUGH OF WANGARATTA/ BY WANG. CO-OP. HOUSING SOCIETY/ NO. 3. LTD. IN APPRECIATION OF THE/ GENEROUS ASSISTANCE RECEIVED./ (in mounting board)wangaratta art gallery, mollie hill, watercolour, painting, landscape, borough offices -
Gippsland Art Gallery
Painting, Wookey, Lue, Cottage at Newry, 1983
Purchased, 1983Oil on canvasboardgippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (item) - Avro Lancaster Mark 3 Technical Drawings, Plan and Elevations
Features front-on, side-on and top-down views of the aircraft -
Gippsland Art Gallery
Painting, Yardley, Heidi, Hidden Charms, 2013
Purchased, 2014Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Douglas, Neil, Eighteen Emus, Undated
Donated from the estate of Di Webster, 2017Oil on boardgippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 5 Peppin Street, Camberwell, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 11 Moir Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.11 MOIR ST, HAW E Margaret Picken ~98 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on composition board, Clarice Beckett, Reflected Lights, Beaumaris Bay, c. 1930-31
Clarice Beckett, Reflected Lights, Beaumaris Bay c.1930-31, oil on composition board, 18.2 x 24 cm. Bayside City Council Art and Heritage Collection. Purchased 2014. oil on composition boardcoast, beaumaris, bay, water, reflections, clarice beckett, beaumaris bay, lights, meldrum school, painting -
Swan Hill Regional Art Gallery
Painting, COOK, Michael, Coat of arms (triptych), 1991