Textiles. This is a beautiful remnant of fine cream silk fabric, with a 3.5 cm deep band of cotton lace, woven with a floral design, stitched around the lower edge. A triangular shape above the lower edge, is formed by the insertion of a piece of 2 cm wide cotton lace, also with a floral design, folded and machine stitched as an insertion. The same lace is also inserted in a 9.5 cm high "frame" over an embroidered panel 7.5 cm x 6 cm wide and featuring a delicate circular embroidered and cut-work floral design. (Perhaps this remnant of beautiful fabric was cut from the lower edge of a camisole, or a baby's gown).textiles, domestic, piece of silk fabric with lace

The linen tablecloth has been hand worked using satin stitch embroidery and drawn thread work. This tablecloth is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. Most of the items in this Collection are in the Lighthouse Keeper’s Cottage at Flagstaff Hill. The majority came from the simple home of Vera’s Giles’ parents, Henry Giles and his wife Mary Jane (nee Freckleton), whose photographs are in the parlour. They married in 1880. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the construction of the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook. She attended Mailor’s Flat State School, and later worked there as a student teacher, before (as family legend has it) she became a governess at “Injemira” where her grandfather, Francis Freckleton, owned the land. The Giles family of six, some of whom were born at Mailor’s Flat and the younger at Purnim West, lived at “The Maam”, Wangoom before moving to New South Wales in 1895, where Henry built bridges for about 7 years. Henry died in 1933 and Mary Jane died in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Tablecloth, white linen, part of the Giles Collection. Large white rectangular tablecloth, hand embroidered using white thread. Floral design in satin stitch and drawn threadwork. Cloth has additional white cloth iron-on label.Iron-on label, hand written in black pen "LHK B22". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, giles family, cooramook, 19th century linen, 19th century household goods, 19th century handcraft, 19th century manchester, 19th century table linen, 19th century tablecloth, giles family collection, 19th century household linen, warrnambool breakwater construction

Wangaratta Art Gallery Collection - Commissioned work for WAG SILVER Jubilee exhibition.A textile made up of 3 long slim panels consisting of black wool with draping reflective yarn sown across the panel.textile, liz williamson

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history

Pillow slip made by Emily Templeman for her Glory Box in 1917.|Emily was Bruce Reynolds Aunt.Fine white cotton pillow slip with 9cm frill with lace edge, and lace insertion and pin-tuck insertion tapes for closure.manchester, bedding

Hugh Jeffrey attended the Melbourne Conservatorium of Music at Melbourne University, graduating in 1940. This cloth patch would have formed the breast pocket of Mr Jeffrey's university blazer. The Melbourne University blazer is traditionally black with blue stripes, and organisations such as the Boat Club, Cricket Club or, in this case, the Student Union, would have their particular logo or badge embroidered on the pocket. The logo on this patch is a version of the University of Melbourne coat of arms - with the angel Victory embroidered in white on a black background, offering her laurel wreath. Unlike the official coat-of-arms, the stars of the Southern Cross are not included, nor is the Latin motto. 1 coloured cloth path with embroideryhugh jeffrey, university of melbourne

Table doyley made of glass beads. Brown edge with purple diamond in centre.domestic items, table setting

Australian Natives Association flag yellow initials "ANA" on green background cotton material in three pieces flag in excellent condition manufactured by Carroll & Richardson Pty. Ltd. 194-196 Whitehorse Rd. Blackburn, Vic. a extent of flag b detail of lettering c manufacturer's details, Carroll & Richardson Pty. Ltd.Carroll & Richardson Pty. Ltd. 194-196 Whitehorse Rd. Blackburn, Vic.

Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley

Sample of woollen fabric, with tag, produced at the Valley Worsted Mills, Geelong.9080.1 - piece of grey woollen fabric 9080.2 - paper label with printed and handwritten text, with metal eyelet at the topfront of label: [printed] VALLEY / GUARANTEED / PURE / AUSTRALIAN / WOOL back of label: [printed] VALLEY WORSTED MILLS LTD. / GEELONG / Piece No. / Quality / Yards / Strings back of label: [handwritten] 3.7 mts / 2 1/2 YRDSvalley worsted mills, geelong, wool, textiles, woollen fabric sample, fabric tag, production tag, wool mill, textile industry

Cream cotton machined crochet tray cloth with one edge missingmanchester, table linen

Long white cotton table runner with cotton crochet edging and two lines of drawthread work - one in centre and one around four sidesmanchester, table linen

Use: DomesticTatted lace motif

Oval white cotton doyley with crochet edging.handcrafts, needlework, manchester, table linen

Bobbin lace historical reconstruction

24 June 1883 is recognised as the establishment of St John Ambulance in Australia. St John Ambulance is a community-driven organisation with a 140-year history of providing First Aid in Australia.St John's Ambulance Association triangular fabric bandage with a number of illustrations of entire bodies or faces, showing how this bandage could be used in the event of injuries to various body parts. The fabric is labelled (black capital letters) BASE / ENDX / SIDEx2? POINT and two drawings of face and body read "FRONT VIEW and BACK VIEW. Numerals indicate different bandaging techniques and full figure or partial figure drawings that show how these bandages are applied to injured limbs or torso.Symbol of St John's Ambulance Association in dark black on top point of bandage.first aid, bandage, st john's ambulance

Fashion accessory. Home made or hobby lace. Belonged to Mrs Calder Oliver (donor's mother)Tape lace dress front. Machine made tapes with needle made fillings

Square white cotton knitted doyley.handcrafts, knitting, manchester, table linen

The Rechabite movement began in Salford England. In 1861 the first Independent order of Rechabites Friendly Society, Salford Unity, was opened in Bendigo to be called “Star of Bendigo” Tent. It was registered as Number 5 making it one of the first in Victoria. They worked with the Total Abstinence Society to organize lectures and social events designed to prove that entertainment and fun could be had without alcohol. They met in the new Temperance Hall in View Street. Independent Order of Rechabites, Salford Unity. Male ceremonial sashes. 8 silk ceremonial collars for the Independent Order of Rechabites, cream silk with red stripes. The number of stripes vary according to rank. Chief Rulers collar x1, Steward x 2, Secretary x 1, Levite x 1 & Supporter x 1 5 collars have a silver wire 7 sequin rosettes at base of "collar V", 3 have silver wire tassels.Some collars have stamped on reverse "Star of Bendigo Tent No 5"i.o.r. (rechabites), salford unity

From the estate of the late Jean Ord, mother of the donor.Pair of white pillow shams with white crotchet edging scalloped and white embroidered flowers in four corners of rectangular sham.manchester, bedding

Fabric was commercially produced; shawl was hand finished with satin binding by donor's mother.- Cream baby shawl - Cotton - Edged with hand applied satin bindingNilbaby accessories, machine knit, hnadmade

Ivory silk negligee

A large sized cap produced for the Association for the Blind.Blue cap with 'Association for the Blind' in navy writing and green on underside of front visor.association for the blind, advertising

Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small tapestry featuring dark blue and white rippling lines on a light blue and aqua background.tim gresham, tapestry, weaving, textile

Wangaratta Art Gallery CollectionA black and white cross stitched portrait of a woman on a laptop screen.clare mccracken, cross stitch, portrait, textile

Textiles. White linen pillow case-hand stitched. Fold over flap (7cm) at one end with four button holes. Only one button (1 cm white plastic) remains in place. Written in ink near row of buttons is 'Mary Carter 2 1851'.Written in ink near row of buttons ''Mary Carter 2 1851''textiles, domestic, white linen pillow case

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily, round white cotton with embroidered fox gloves and other flowers of orange, red, yellow, purple and blue flowers with greenery and green crocheted edging. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery