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Artwork, other (1281)
Ceramic (766)
Decorative object (717)
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Mixed media (526)
Painting (2482)
Print (1665)
Sculpture (405)
Textile (1395)
Work on paper (2072)
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Gippsland Art Gallery
Work on Paper, Young, Michael, Untitled, 1968
Donated by Merle Hathaway, 2016Pencil, charcoal, ink and wash on papergippsland, artwork, permanent collection -
Yarra City Council
Painting - Public Art, Rule 30, 2011
Clinton Naina’s earliest memory is attending Collingwood football matches at Victoria Park with his father and uncles. His dad was an avid Collingwood supporter and Naina proudly wore his football colours. Lining up to enter the grounds at the big old black-and-white painted wooden doors gave Naina the feeling of entering into another world. 'Rule 30' is a comment on race relations in sport. The artwork is made from the original doors located at the front entrance of the Collingwood Football Club’s grounds at Victoria Park. When the club was refurbished the door was gifted to Naina by a friend—an ex-Collingwood football player—for use in his art practice. The work depicts a big red target painted on the existing Black and white stripes—Collingwood colours—of the door. Naina placed a fabric number ‘30’ on top of the target—created from material used for numbers on the back of players’ football vests. This represents the individuals who have been racially vilified while playing football over many years. The red represents the colour of human blood, while the Blak and white Collingwood colours already painted on the wood are a very fitting comment on race relations. The door itself becomes a potent metaphor for “overcoming barriers, making change, breaking down doors and moving forth into a new era of respect for people”. Rule 30 in the AFL was the first racial vilification code in Australian sport. It prohibited conduct between players, clubs and other AFL officials, which threatened, disparaged, vilified or insulted another person on the basis of that person’s race, religion, colour, descent or ethnic origin. In 2013, ‘Rule 30’ was amended to ‘Rule 35’ to combat other forms of discrimination including disability, appearance and sexuality.The number '30' cut out of fabric placed on top of a painted red target at the centre of an existing black and white wooden door.Accompanying labelracism, sport, football, afl -
Swan Hill Regional Art Gallery
Painting, JEVTOVIC Dusan, Village Horses, 1989
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Gippsland Art Gallery
Painting, Majzner, Victor, The Great Shuffle, 1972
Donated by Georges Australia Ltd, from the Georges Art Prize, 1973Acrylic, Canvasgippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Benefactors of Statues, Withers, W.B. History of Ballarat
Statues presented by two benefactors, Stoddart and ThompsonWritten by John Garner using Withers as a referencestatues, benefactors, ballarat botanical gardens, doctor john garner, thomas stoddart, james russell thomson, john garner collection, garner, dr, ballarat, gardens -
City of Ballarat
Artwork, other - Public Artwork, Wallace Anderson, James Henry Scullin (Prime Ministers' Walk) by Wallace Anderson, c1940
James Henry Scullin served as Prime Minister 21 October 1929 - 1932, Labour Government. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of Ballarat Bronze bust cast on granite plinthJames Henry Scullin Born Trawalla Prime Minister 1929-32prime minister, james henry scullin, labour government -
Geelong Gallery
Painting - Half caste woman, DRYSDALE, Russell, 1969
Oil on canvas -
Whitehorse Historical Society Inc.
Mixed media - Ephemera, Business cards, c2002
Business cards from Mitcham Road Amcal Pharmacy, Whitehorse Medical Centre and prescription cover from Barrow's Pharmacy.Business cards from Mitcham Road Amcal Pharmacy, Whitehorse Medical Centre and prescription cover from Barrow's Pharmacy.Business cards from Mitcham Road Amcal Pharmacy, Whitehorse Medical Centre and prescription cover from Barrow's Pharmacy.pharmacies, medical services, whitehorse medical centre, whitehorse road, mitcham, no 505, amcal pharmacy, mitcham, mitcham road, mitcham, no 572, barrow's pharmacy -
Robin Boyd Foundation
Work on paper, Michael Shannon, The Alfred Hospital, 1957
This artwork was a gift from Michael Shannon to Robin Boyd, (thought to be in thanks for opening Shannon's 1961 exhibition at South Yarra Gallery).Buildings and chimney in a landscape.Signature "Shannon '57, for Robin Boyd 1961" in lower left hand corner. michael shannon, south yarra gallery, robyn boyd, walsh st artwork, ohm2022, ohm2022_23 -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 8 Lorraine Dve. E.Burwood, 1995
A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 8 Lorraine Dve. Burwood East in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $150,000 in 1995 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 8 Lorraine Dve. Burwood East. One story brick house behind a front yard and picket fence. A footpath in the foreground from left to right, with a gumtree near the middle. Two hole punch holes along the top edge.8 Lorraine Dve. E.Burwood Margaret Picken -95 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood esat -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Venice - The Grand Canal, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Wilson, Alan, Merrimans Creek, 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Laminated blackwoodgippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Renowned Landscape Gardener, Hugh LINAKER, Argus Newspaper, death notice, Tuesday 11 October 1938, page 2 - Transcription & Original
Hugh LINAKER, born in Ballarat 1872 to Thomas & Catherine Linaker (nee Gibson). Hugh LINAKER, died 1938, death details in Argus Newspaper, Tuesday 11 October 1938, page 2.john garner collection, garner, dr, linaker, ballarat botanical gardens, gardens, landscape gardener, gardener -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 7/1452 Malvern Road, Glen Iris, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Brief History of Plant Hunters, Plant Collections and Gardens, 2013
This article gives a useful introduction to European plant hunters and their work in compiling plant lists and establishing gardens with many new species.Unusual new species discovered by plant hunters and introduced to European gardens, eventually, in the nineteenth century, became important in the establishment of the Ballarat Botanic Gardens. Many new plants were imported especially from Britain. 2 pages, (pp.3-4.) The print is arranged in columns. In the top lefthand corner is a colored representation of Queen Hatshepsut and opposite, in the righthand column is a picture of Carolus Clusius. On p.2 (p.4), top lefthand corner is a framed portrait of John Tradescant the Elder reproduced in colour. and another portrait in colour of John Tradescant, the younger in the lefthand bottom corner. There are references and further reading middle of the right hand column.None.john garner, doctor john garner, ballarat botanical gardens, friends of the ballarat botanical gardens, john tradescant, carolus clusius, botanic gardens, plant hunters, plant collections., gardens, ballarat, john garner collection -
Moorabbin Air Museum
Drawing (Item) - TAA Trans Australia Airlines V816 Radar Equipped Fuselage Side Front 526 Sheet 48
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Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Brachycome radicans (Marsh Daisy)/Brachycome scapigera (Tufted Daisy)/Brachycome diversifolia (Tall Daisy)/Brachycome tenuiscapa (var. tenuiscapa) (Mountain Daisy), 1985
Part of "Woolcock Gallery Collection" Exhibition, 1989, CEMA.Four studies of flowers, complete from base to flower. On far left is a single stem flower with many petals and a large centre. The base has many long tapered leaves, with the stem possessing smaller leaves. On left of this study is a study of a seed. To the right of this is another flower - similar to the first flower, but with stronger base leaves and one leaf on stem. Central flower study has three stems with leaves and flowers (central flower is a bud). Leaves are ripple-edged. On far right is a fourth flower study - single-stemmed flower with ripple-edged leaves at base and up the stalk.Front: Brachycome radicans (Marsh Daisy). " scapigera (Tufted Daisy). " diversifolia (Tall Daisy). " tenuiscapa (var. tenuiscapa) Mountain Daisy) (lower left) (pencil). CEW/85 (pen) (lower centre) Back: 25cema, botanical, collin woolcock -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Bay of Baiæ (Apollo and the Sibyl), c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Hawthorn Historical Society
Drawing - Property Illustration, 3/530 Tooronga Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.3/530 TOORONGA RD, HAW E Marg Picken ~88 WOODARDS -C'WELLartist - margaret picken 1950- -
Glenelg Shire Council Cultural Collection
Artwork, other - Linocut Print - Seventh in a suite of 16 in the Admella Rescue Series, Admella Rescue Series, 2009
See 5377Linocut print. Seventh in a suite of 16 in the Admella Rescue Series. Depicts two people holding on to one another. Reaching out to another person whose left hand and forearm only are visible. All surrounded by waves. Printed in black on white archival paper. -
Hawthorn Historical Society
Drawing - Property Illustration, 20 Lyndhurst Crescent, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.20 LYNDHURST CRESCENT, HAW Margaret Picken ~94 WOODARDS- HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 5 Henry Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.5 HENRY ST, HAWTHORN Margaret Picken ~89 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 23 Edgecombe Street, Kew, 1994
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 23 Edgecombe Street, Kew by Margaret Picken.23 EDGECOMBE ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 23 edgecombe street -- kew (vic -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 130 Sackville Street, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 130 Sackville Street, Kew by Margaret Picken.130 SACKVILLE ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 130 sackville street - kew (vic) -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - (1) At Bawburgh / (2) Untitled, John Crome
English 1768 - 1821Two etchings on one Sheet 6 x 19cm plate -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Lower Plenty Gorge, 1983
Pastel on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right section of drawing. -
Glenelg Shire Council Cultural Collection
Painting, Loueen Morrison, [Still Life-vegetables], 1992-1996
Depiction of three stalks of celery, bases closest to the bottom of picture. There is an abstract background of brown and light brown at top of image. Unframed.Front: (no inscriptions) Back: (no inscriptions) -
Federation University Historical Collection
Artwork, other - Artwork - Drawing, ZILLES COLLECTION: Transfer design for "Mopar" Engineering - Car parts
Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Steel plate with Mopar symbol. Molar are distributors and dealers for automotive parts.Steel plate, red with sticker of blue yellow and red. USA ENGINEERED AND APPROVED - MOPAR- ...AUSTRALIA LIMITED. Distributors & Dealerszilles printers, mopar, engineered, australia, usa, distrbutor, dealer, parts -
Whitehorse Historical Society Inc.
Decorative object - Lace front guipure lace
Donated by Heather McNamara From Isobel McNamara, her mother-in-law.Cream guipure lace front.heather & isobel mcnamara lace -
Kew Historical Society Inc
Work on paper, Joy Stewart, Terrace Houses [Doona Avenue], c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Two preliminary sketches of the terrace houses at 7 and 9 Doona Avenue, Kew. See 1980.0024 for a more complete monochrome drawing. Signed: "JStewart".joy stewart, doona avenue (kew)