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Artwork, other (1281)
Ceramic (766)
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Mixed media (526)
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Tatura Irrigation & Wartime Camps Museum
Work on paper - Calendar, 1944 Woodcut Calendar, 1944
Calendar made by internees at Camp 3 TaturaHandmade 1944 calendar with wood cut picture for every month. Front cover features sketch of tree in countryside.1944 calendar, internees craft work, isolde ruff, wood cuts -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Rambles Amongst Melbourne's Parklands Walking Group" - Simon Elliston
Digitised video (2.52GB) Duration: 46 minutes. Recorded July, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Simon Elliston talks about his walking group visits to historic sites around Victoria, including an overview of Wombolano Park in Heathmont, once visited by acclaimed celebrities such as Dame Nellie Melba and Agatha Christie. -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No 2, Bob Stone, Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Second print in suite of 16 in the 'Admella Rescue Series. Depicts a hand rising from the sea. Printed in black on white Archival paper.Front: Front - 'Linocut Bob Stone 2009 - Hand written, black pen. 'Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859' -
Bendigo Art Gallery
Painting, George Goodwin Kilburne, Forgiven, Circa 1888
Signed, l.l., red oil, "G G Kilburne". Not dated. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Family Barracks at Camp 3
Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini -
RMIT Design Archives
Mixed media - Magazines, Fast Forward, number 4, April 1981
Fast Forward was an audio-cassette based music magazine conceived and edited by Bruce Milne and Andrew Maine. Both had music programs on radio station 3RRR and Milne ran the successful independent record label Au Go Go Records. Michael Trudgeon joined them as the designer for the magazine. Each issue comprised a cassette tape interspersed with music and was packaged with printed artwork. The magazine was distributed in record shops for $3.50. Thirteen issues were produced between November 1980 and October 1982. Regular contributors included Jeff Holland, who created elaborate sound collages which were combined with elaborate illustrations in the booklet that accompanied the audio cassette. Many ground breaking Australian bands were first published on Fast Forward tapes including Hunters and Collectors. An international audience was first exposed to music from Australian bands including Laughing Clowns, the Go-Betweens, Rowland Howard’s ‘Shivers’ as performed by The Young Charlatans, The Scientists, the M Squared label, Dead Can Dance and Pel Mel’s ‘No Word from China’ recorded as a ‘demo’. Fast Forward was the world’s first audio-cassette music magazine. As the magazine’s presence and reputation grew, international acts began to submit material for publication including The Cure. Interview subjects included Nick Cave, The Cure’s, Robert Smith, Mark E Smith of The Fall, and the manager of The Clash.Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, and one pamphlet titled 'The Kmart Herald'.music, design, magazines -
Ringwood RSL Sub-Branch
Work on paper - 3rd annual trophy presentation dinner
Paper books -
Federation University Art Collection
Ceramic, Susan Ferns, Sea Slug by Susan Ferns, c1983
Susan Ferns was a Diploma Student at the Gippsland Centre for Art and Design.Earthernware slanned and slip trailed with onglaze enamelssusan ferns, jan feder memorial ceramics collection, alumni -
Whitehorse Historical Society Inc.
Mixed media - Picture
Ornate gold frame depicting girl in blue dress with dogsillustrations, prints -
Friends of Ballarat Botanical Gardens History Group
Work on paper - "Housing City's Begonias", Ballarat Courier, 30/6/2007, Conservatories in the Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, courier, conservatories, 2007 -
Geelong Gallery
Painting - Joy Hester's house, BLACKMAN, Charles, 1955
Oil on paper on composition board -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Leucopogon montanus (Snow Beard-heath), 1982
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock -
Phillip Island Conservation Society Inc.
Work on paper - Photocopy of newspaper cutting, "PHILLIP ISLAND/A place to fall in love"
This article was written by an English visitor named Elsa Christian who was touring Australia and New Zealand with her husband Frank in their own small van. The article was published in the Australian Women’s Weekly, magazine, March 1966. Elsa writes she wanted to visit four Australian locations before she died: Ayers Rock (actually Uluru), the Snowy River project, dolphins at Coolangatta and the Penguin Parade at Phillip Island. These destinations were all very popular in the 1960s for both Australian residents and overseas visitors. Because the roads were becoming better too many locations, self guided tours in small vans for cars towing bond would caravans were becoming more popular means of seeing AustraliaThe article is significant in many ways. 1. Indicates the places English visitors commonly wish to see in Australia. 2. Describes the growing trend to self- drive van/camping holidays. 3. Gives the route taken from Melbourne to Phillip Island during the 1960s. 4. Describes the appearance of the roadsides and locations visited. 5. It is written in a descriptive and lyrical style designed to appeal to Women’s Weekly magazine readers, who were probably wondering how they could visit Phillip Island with their husbands or families themselves, and what there was to see there. 6. Gives the visitors’ view of how the Penguin Parade operated at the time. 7. Includes a description of potter and artist Eric Juckert’s renowned garden at Grossard Point, Ventnor. 8. Indicates how introduced plants such as Hawthorn pushes and Kate weed were common in the area. 9. Describes Phillip Island as “a place to fall in love” because of its natural beauty, fauna and coastal seascapes. 10. As a visitor Elsa describes the housing estates as a blot on the landscape, but also sees the value as a way of their owners escaping from the hustle and bustle of Melbourne. 11. Gives the visitors’ interpretation of the behaviour of wildlife the RC in the wild, as well as Elsa’s knowledge about some of the species she encounters.Photocopy of full page article with 5 columns of text, a map and 2 photographs. Black ink on white paper. Photographs blackened in photocopying processphillip island, cape woolamai, penguin parade, seal rocks, nobbies, township of rhyll phillip island, princes highway, dandenong, pakenham, kooweerup, carinya creek, officer, san remo, gippsland highway, holiday homes, fort dumaresq, kitty miller's beach, wreck of the speke, hereford cattle, fleetwood manor, koalas, ventnor, eric juckert, little penguin behaviour -
Federation University Art Collection
Painting, Untitled by Ross Trounce, 1986
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting. If you are able to provide information on this artist or artwork please use the comment link below.art, artwork, ross trounce, abstract, available -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/112 Wellington Street, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/112 Wellington Street, Kew by Margaret Picken.1/112 WELLINGTON ST., KEW / MARGARET PICKEN ©2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/112 wellington street - kew (vic) -
Clunes Museum
Textile - COLLAR
DECORATIVE LACE COLLAR - LADIESlocal history, costume, accessories female -
Port Melbourne Historical & Preservation Society
Drawing - Drawings by James Conder
From a group of items re ártist, poet and four-navy veteran James Conder 1872-1954: .07 - Hand drawn pictures of "Cerberus" .08 - Drawing of sailing ship with annotations naming all sail types .09 - Hand illustrated sheet from "Under Canvas - Notes from a sailor's log"armed services - navy, transport - shipping, james bryance conder, royal australian navy, royal navy squadron, victorian navy, royal australian naval college, australian merchant navy -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Hut 45 Tatura Camp 1
Herman Bernhard SCHMIDT e was a foundry owner in Queensland. He was interned and sent to Gaythorne internment camp for 6 months and then sent to Tatura Camp 1 until 1946 when he was released.Coloured water colour painting of a hut, number 45 on side, power pole behind hut. coloured section in front of hut. Framed in a light coloured wood and under glass. label on back "Donated by the Gunther Schmidt Family Trust" (son of Herman Bernhard Schmidt - Tatura WW2) March 2023herman bernhard schmidt, queensland foundry owner, camp 1 tatura, gunther schmidt trust, gaythorne camp queensland -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Edgecombe Street, Kew
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 and 27 Edgecombe Street, Kew by Margaret Picken.25 EDGECOMBE ST., KEW / WOODARDS ~ HAWTHORN ~ M PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 edgecombe street -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4 Radnor Street, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, John Sickler Tailor and Gazette Building, early 1970`s
This model was part of a panorama of 11 pieces designed from drawings in an 1892 almanac printed by the Port Fairy Gazette. The panorama was used in the Historical rooms in Bank Street on an extended mantle piece before the museum and Archives were relocated to Gipps Street.This model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident.small hand made model of a shop front from the 1892 almanacTailoring Establishment John Sickler Gazette Officemodel, panorama, sackville street, mewkill, almanac, bank street -
Federation University Art Collection
Ceramic, [vessel] by Jill ?
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.We are currently looking for information on the artist who created this work. If you are able to assist please leave details in the comments link below.art, artwork, ceramics -
Gippsland Art Gallery
Painting, Forbes, Rodney, Two Sisters, 1984
Donated by Euan Heng through the Australian Government Cultural Gifts Program, 1997Oil on canvasgippsland, artwork, permanent collection -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. Evans St built environment - domestic, frank gordon real estate, evans street -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Kembla Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 KEMBLA STREET, HAWTHORN Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Federation University Art Collection
Painting - Artwork, [Abstract], 1998
Framed original artwork of Asian origin. asian art, artwork, artists, abstract -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 158 Wattle Valley Road, Camberwell, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Kew Depot", c1938
Photocopied plans or drawings on A3 sheet of "Kew Depot 22/9/1938 P8400 - Plan of land and buildings - with some 1967 notes shows substation location.trams, tramways, drawings, depots, property, kew, substation -
Flagstaff Hill Maritime Museum and Village
Textile - Safe Cover, Mary Jane Giles (Mrs Harry Giles), Late 19th to Early 20th Century
This food safe cover is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Food safe cover, white with knitted lace on the front and part of the two sides.Nonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, safe cover, giles collection, henry giles, tower hill, cooramook, mailor’s flat, wangoom, 19th century household goods, textile -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - Embroided Postcards, Unknown
WW1 Significance.WW1 Postcards 1 x 'Souvenir from France', 1 x 'Happy New Year', 1 x 'A Kiss from France, 1 x 'Best Thanks'Writing in pencil on the rear of 2 x postcards with greetings to family.