artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.34 MORANG RD, HAWTHORN Margt Picken ~88 WOODARDS - HAWTHORNartist - margaret picken 1950-

Else-Lore Oertel, with her mother, was a German internee in Camp 3A as a child, from 1940-1945. The pendant was made for her & inscribed with her initials.Hand carved wooden heart pendant for use as jewellery. Small hole in carving on decorative piece on top of heart for inserting thread, chain, etc. to wear. Initials in black (ink?) on front."EL"tatura, ww2, camp 3, internment, internee camps, costume, accessory, jewellery, handcrafts, woodcarving, else-lore hukins, oertel

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020A 1920s weatherboard bungalow, now featuring a subsequent second floor addition. The pen and ink drawing on drafting film of 191 Brougham Street was made by Margaret Picken in 1997, and predates this addition.191 BROUGHAM ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 191 brougham street -- kew (vic.)

Gift of James Farrell, 1988

Large plaster statue of female leaning on an urn, wearing gold sandals and with red flower in hair, gold tones and marked Sapho on front of base & numbered 13c on back.ornaments, plaster, statue

Lace tablecloth owned by a member of the Piesse family of Kew. Later owned by Margaret Hollis (nee Piesse) of Castlemaine.Square linen tablecloth bordered with a wide band of machine-made lace.tablecloths, lace

This article by journalist Bill Hitchings describes the state of the land market and cost of transporting building materials, Phillip Island, late 1960s. At that stage a number of outlying residential estates had been created, especially on Phillip Island South Coast and at Cowes West. While blocks of land on the outlier estates were very cheap and poorly serviced, the Cowes blocks were selling at $3000 per residential block. Hitchings quotes the owner of the Hollydene motel, Reg Orr, as saying that when the new bridge opens shortly he did not expect it to create a rush of visitors or residents.Bill Hitching was a well-known Melbourne journalist. This article gives an idea of land values on Phillip Island in the late 1960s, the fact that business owners were prepared to upgrade and expand their businesses to cater for extra potential demand on accommodation, and the strong identification of Phillip Island with the Phillip Island Penguin Parade in the minds of the general public in Melbourne. The significance of the new Phillip Island bridge to Phillip Islanders and visitors, and the cost of the bridge, are also outlined. Reg Orr was highly active in the business community of that era on Phillip Island. The Hollydene motel was a well-known Phillip Island accommodation venue.T-shaped article cutting with large image at top of article, dark due to poor photcopy. Double collumn text under photo clearly readable. Black and white.Sun/29/8/6 (?) Probably: Melbourne Sun newspaper, 29 August, 1969phillip island, phillip island tourism, development, hollydene motel, reg orr, phillip island penguin parade, land values, phillip island first bridge, phillip island 2nd bridge, transportation costs

Town Hall Main Street. From P.C. News Supplement 1888stawell businesses

Fabric was commercially produced; shawl was hand finished with satin binding by donor's mother.- Cream baby shawl - Cotton - Edged with hand applied satin bindingNilbaby accessories, machine knit, hnadmade

PrintTitled and edition '8/25 Karina' lower left corner under printed image. Signed and dated 'Kees Hos '61' lower right under printed image.

On 26 August 1967 members of 5 Platoon, B Company, 7 RAR were lifted by United States Army Iroquois helicopters from their location beside the road leading to Dat Do, and returned to their base at Nui Dat in Phuoc Tuy Province. These soldiers had completed the cordon and search of the village of Phuoc Hai, part of Operation Ulmarra. This iconic image is etched on the Vietnam Veteran's Memorial on Anzac parade in Canberra. Brown timber frame with grey mount containing photograph/print of three helicopters above group of soldiers in the fieldMembers of 5 Pl, B Coy, 7RAR Just north of the village of Phuoc Hai, In August 1967vietnam, 5th platoon b coy 7 rar, operation ulmarra

Supplement “Pleasant Creek News” from P.C. News Supplement 1888stawell businesses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 8 Cameron Court, Kew by Margaret Picken.8 CAMERON CRT., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 8 cameron court -- kew (vic.)

J. Chadwick & Co Drapers Main Street from P.C. News Supplement 1888stawell businesses

see NA 359Border Tile - Orange with one black end and black centreceramics, earthenware

Alexandria McKIM (1991- ) Born Australia Alexandra McKim completed studies at the University of Ballarat Arts Academy (now Federation University) in 2013. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.64 marbled porcelain halves creating a porcelain diamond. University of Ballarat Acquisition Award, 2013art, artwork, mckim, ceramics, university of ballarat acquisition award, alexandra mckim, dome

From the estate of the late Jean Ord, mother of the donor.Two x eight crochet medallions on to a white cotton circlehandcrafts, crocheting or crochet work

"Brooks" stainless steel film developing tank with stainless steel film spool insert Purchased from Rosier Camera Store, 31-33 Camberwelll Road, Camberwell, VictoriaBrooks

'Drop Zone', is set in an imagined future where decreasing water availability has affected us more dramatically than anyone predicted. The water shortage has become so severe that we have to access water on a first-come first-serve basis, from military-like water ‘drop zones’, like this one, made from modified rain water tanks. These tanks function on three levels: Collected rain water causes the totem sculptures to rise and bloom; evaporation causes the totem sculptures to fall; and an anemometer (device that measures wind speed) drives a process that plays the tank like a giant drum, tuned by the amount of water contained within. This artwork envisions a future for Australia where the impact of decreasing water availability has had a more dramatic effect than any of the predictions. The shortage is so severe that military-like water ‘drop zones’, constructed of modified rainfall storage tanks have been established across the public parks of the City of Yarra for access on a first come, first serve basis. However, as the water is only replenished through rain catchment the tanks may only offer infrequent relief for the City of Yarra residents, standing as hollow reminders of the effects of inaction on the shaping of sustainable national water use.'Drop Zone' was one of three public art works installed in Yarra, in 2011, under the banner of The Environmental Public Arts Project which responded to key features of Council's Environment Strategy: 'Towards Local Sustainability 2008-2020.' The aims of this project included activating public spaces in new and creative ways through the creation of artworks which act as catalysts for further engagement and discussion around environmental themes and issues.Copyright the Artists. Ready-made corrugated water tanks arranged on a site. Situated within the tanks are small totemic sculptures that float on top of the water within the tank.Accompanying plaquesustainability, water, environment, climate change

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large framed life Drawing in pastel framed behind glass. signed lower right 'Walters '87'wes walters, nude, life drawing, available

This work was possibly made in the trade school under the direction of Ken Skull, Metal sculpture of a bird, with wings splayed and standing on a branchsculpture, bird