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National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, Sounds of artillery, helicopters etc
vietnamese conflict, 1961-1975 -- artillery -
Robin Boyd Foundation
Audio - Recording, TPL Records
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Parade de Printemps. LP 33RPM vinyl, Catalogue Number: TPL 91006, Record cover, paper sleeve, 1 vinyl disk. Cover notes, no author listed. Robert Stoltz, Bernard Sinclair, Claudine Granger, Marina Florence, Henri Murge. Director: Jean Doussardlp, sound recording -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Grace Irvine, 20th April 2000
Mrs Grace Irvine was born in 1907 as one of eight children to the Shennan family in Silver Creek, a town three kilometres east of Beechworth that was considered a part of the town. Her father was a 'wood-carter', contracted to deliver wood to the mining dredges at Silver Creek and the Mayday Hills asylum. Wife to Dick, and mother to four children, Mrs Irvine spent her life in Beechworth, recalling many transformations in its history and living through wars and the Depression. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The oral history record of Mrs Grace Irvine is a rare and representative insight into life in Beechworth from the turn of the 20th century to the 21st century, specifically in the descriptions of the everyday, commerce, business, family, and leisure activities for residents of the town throughout war-time and the Depression. Mrs Irvine's recollections have a social value to the Irvine family who have a long enduring history with Beechworth, and so also provide significance to the social and cultural history of the town. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Grace Irvine /listen to what they say, beechworth, oral history, burke museum, irvine, grace irvine -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: April 16, 2002
Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews-Lamb, Susan Thompson, Janet Cronin and Corey Nassau, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. April 16: SEDA - David Blyth, Western region services - Laurel Sutherland.royal victorian institute for the blind, radio shows -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Local Sports, Ron Stranks and John May, Glen Stuart, 18 Nov 1997
Recording of PMHPS Meeting on 24.11.1997. Recorded by Glen Stuart at Port Melbourne Town Hall. Speakers were Ron Stranks and John May talking about leading players in local sporting clubs over the 20th century. Given as a repeat performance. Recording duration 01:02:02sport, john may, ron stranks -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Priest's robe sash, Joyce Maslen, February 1982
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's robe sash or stole, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The soft, white silky twisted cord is finished at each end with a knot and tassel.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, priest's stole, priest's robe sash, sash, knotted sash, priest's vestment -
Vision Australia
Audio - Sound recording, Vision Australia, Around Vision Australia: Episode 33
Covering issues and news about Vision Australia and the opportunities it provides for clients, volunteers and staff. Host: Stephen Jolley with guest interviews by Valerie Thomas. Stephen Jolly speaking with Amanda Pierini, early childhood educator, and Robyn McKenzie interviews Susan Zebic about the services her 4 year old daughter is receiving from Vision Australia. Siobhan Dennis provides an update on new books. Valerie Thomas chats Phil McNamara Peer Worker, and Liz Adams gives an update about our direct mail services1 digital sound file in WAV formatradio shows, vision australia, valerie thomas, amanda pierini, susan zebic, siobhan dennis, phil mcnamara, liz adams, stephen jolley -
Greensborough Historical Society
Audio - Oral History, June Hall, Ida Brown: interviewed by June Hall, 2011
Ida Brown is interviewed by June Hall. They discuss memories of growing up in Greensborough and Ida's blended Richards - Angland family.1 audio cassette in plastic caseSide 1: "Ida"; Side 2 "Blank".june hall, oral history, ida brown, richards angland family -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: June 26, 2001
Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. . June 26: Update on library - Jane Evans, New recreational advisory group – Beth Johnston.royal victorian institute for the blind, radio shows -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Port Melbourne and Richmond, Daryl MacMahon, 24 Apr 2006
Recording of PMHPS Meeting on 24.04.2006. Recording done at Port Melbourne Bowling Club. Speaker was Daryl MacMahon giving a presentation on Port Melbourne and Richmond. Recording duration 44:21built environment, daryl macmahon -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Helen Jackson, 9th March 2000
Mrs. Helen Jackson, originally from Melbourne, moved to Beechworth in the 1950s for the purpose of her husband's employment with the Mayday Hills asylum as a vegetable gardener. Living in Beechworth for over 40 years, Mrs. Jackson spent her time as a devoted full-time mother raising her family of biological and foster children where she has fond memories of Beechworth being a safe and fun place to live - "Oh it was, life was fun!". This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The oral history record of Mrs. Helen Jackson is a representative insight into life in Beechworth from the 1950s onwards, specifically in the descriptions of commerce, business, family, and leisure activities for residents of the town during the post-war period until the present day. Mrs. Jackson's recollections have a social value to the town of Beechworth as a local perspective on its development and contributes to its cultural and social history. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Helen Jackson /listen to what they say, beechworth, oral history, burke museum, jackson, helen jackson, linda peacock, mayday hills -
Vision Australia
Audio - Sound recording, Tony Porter, 25th Annual River Run/Walk radio advertisement, 1996
The River Run/Walk event was held by the Association for the Blind (later Vision Australia Foundation) along the banks of the Yarra River. Contestants were invited to run or walk courses of 5 or 10 km, with all funds raised going to AFB. In 1996, the event comprised of 2500 entrants and was sponsored by Priceline. This audio advertisement for the event was made for the 25th anniversary.1 audio file (30 seconds) in CD-DA formatassociation for the blind, fundraising, vision australia foundation -
Port Melbourne Historical & Preservation Society
Audio - Oral history Jim Sinclair
Valuable recollections by resident of areaAn oral history with Jim Sinclair discussing his early life in Port Melbourne. Work, sport and more. Recorded at his home in Bentleigh East 30 June 2020domestic life, sport, work -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, Photos of Vietnam concerts & performers
Includes photos of Bev Harrell & the Wills sistersentertainers - vietnam war -
Mission to Seafarers Victoria
Ceremonial object - Altar lectern, in memory of Charles B. Elwell, c. 1916
Gifted in 1917 by Mrs Balfour Neil in memory of Charles Bingham Elwell, R.N.(1882-1914) : in the Jotting 44 (Michaelmas 1916). Mrs Balfour Neil was born Roma Mary Hill James, a daughter of Dr Edwin M. James of Armadale and sister of Mrs Molesworth. She married in 1904 with Mr Balfour Henderson Neil, a barrister and they lived in Dunedin, New Zealand. He died in 1911 and Roma came back to Melbourne where she remaried in 1917 with Norman Bayles. Charles B. Elwell was killed in action in Rabaul, German New Guinea, on 11 September 1914. He was first commander of HMAS Melbourne. In the news: " THE LATE LIEUTENANT-COMMANDER ELWELL. Lieutenant-Commander Charles Bingham Elwell was a son of the late Mr. P. B. Elwell, former electrical engineer to the New South Wales Railway and Tramway Department. The deceased officer was lent to the Royal Australian Navy by the Imperial authorities, and returned to the Commonwealth as first lieutenant of the cruiser Melbourne last year. He afterwards joined the gunnery tender Pioneer, and at the beginning of 1914 was attached to the Royal Naval College at Geelong as skilled instructor. He then became Lieutenant-commander. When the mixed force was lately sent away from Sydney, Lieuenant-commander Elwell was appointed to the command of the Royal Naval Reservists who went with it. He was an officer who was intensely popular with the cadets at Geelong and with his brother officers. He had a great charm of manner, and though quiet in speech was full of energy in action — in work and games. The college boat's crew owes its efficiency to his coaching." Brass alter lectern Engraved at the base: September 12th 191?altar lectern, st peter chapel, charles b. elwell, mrs neil, new guinea, hmas melbourne, ran, royal australian navy, gifts-1917 -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, Tape, Collection of 4 magnetic tapes
Tom Goodevietnam war, 1961-1975 - personal narratives - australian -
Greensborough Historical Society
Audio - Audio Cassette, Diamond Valley Choral Society, Shire of Diamond Valley Carols, performed by Diamond Valley Choral Society 1995, 1995_12
A recording of Shire of Diamond Valley Carols, December 1995. This performance is by the Diamond Valley Choral Society.1 audio cassette in clear plastic caseHandwritten on cassette: "DV Carols Dec '95".diamond valley choral society, christmas music, diamond valley, carols -
Port Melbourne Historical & Preservation Society
Audio - Video Recording - Digital, David Radcliffe, Malcolm MOORE and Albert LONGONI, 27 Oct 2020
Digital video recording of PMHPS meeting held on 27 October 2020. David RADCLIFFE presents the two engineers behind the success of Malcom Moore Pty Ltd, Malcolm MOORE and Albert LONGONI.david radcliffe, business and traders - engineering, malcolm moore pty ltd, malcolm moore, albert longoni -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mr Graeme Gallus, 16 November 2000
Graeme Gallus was born on the Mornington Peninsular in a town called Sommerville, in 1938. His family was born in Germany and came to Australia in 1851. He arrived in Beechworth in 1981 after purchasing a taxi service. He talks about local businesses, government employment, community celebrations and clubs. Miss Amy Elizabeth Porrit's account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Graeme Gallussommerville, gallus, graeme gallus, taxi, beechworth, real estate, christmas, lions club -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1889
Identical trowel S027 presented to Mrs John Watson.Black leather box with crimson velvet and satin lining containing an engraved silver trowel with a turned bone patterned handle."Presented to Mrs Job Smith by the trustees of the Kew Wesleyan Church on the occasion of her laying a memorial stone of the completion of the Edifice December 11th 1889"kew wesleyan church -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1889
Identical trowel S049 presented to Mrs Job Smith.Black leather box with crimson velvet and satin lining containing an engraved silver trowel with a turned bone patterned handle."Presented to Mrs John Watson by the trustees of the Kew Wesleyan Church on the occasion of her laying a memorial stone of the completion of the Edifice December 11th 1889"wesleyan church kew, smith, job -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, AFV Provost Unit, Vietnam 1968
Audio, CD case also contains a printed list of each photoaustralia. army. royal australian army provost corps -- history -
Glenelg Shire Council Cultural Collection
Ceremonial object - Town Crier's Bell - Syd Cuffe, c. 1983
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Town crier's bell, brass with wooden handle, brass clappertown crier, portland town crier, syd cuffe, town crying bell -
Vision Australia
Audio - Sound recording, Vision Australia, Around Vision Australia: Episode 5
Covering issues and news about Vision Australia and the opportunities it provides for clients, volunteers and staff. Host: Stephen Jolley with guest interviews by Valerie Thomas. Gerard Menses, Vision Australia CEO, speaks at the National Convention of Blind Citizens Australia, Valerie interviews Ross McColl, who recounts the loss of his eye sight during open heart surgery and Stephen speaks with Roberta Ashby and her 20-year involvement with 3RPH, as well as Ashley Wood about the new Christmas card catalogue.1 digital sound file in WAV formatradio shows, vision australia, valerie thomas, stephen jolley, gerard menses, ross mccoll, roberta ashby, ashley wood -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, John Briggs, issues and challenges facing heritage, David Nicholas, 23 Apr 2018
John Briggs, Architect and Conservation consultant, talks about the issues and challenges facing heritage in 2018. PMHPS monthly meeting 23.04.2018 Duration including meeting preliminaries 1:15:19heritage, architecture, john briggs -
Montmorency/Eltham RSL Sub Branch
Banner - WRAAF Training School Banner
Felt banner recording course attendance for Recruit Training Squadron (see media photo). Wooden dowel support.WRAAF WOMENS ROYAL AUSTRALIAN AIR FORCE RECRUIT TRAINING SQUADRON WRAAF PER ARDUA AD ASTRA COURSE 207 4TH APRIL - 10TH MAY 1972 1.RTU EDINBURGH S.A.wraaf, banner -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Port Fairy Historical Society Museum and Archives
Ceremonial object - Axe and Hand, 1900s
Used for ceremonial purposes by the members of the Farmers arms Lodge OrfordCeremonial axe and hand: a. Stained wood handle ceremonial painted head, floral emblem, skull and cross bones. b. Wooden hand clasping heart in palmMORS on axe headlocal history, societies, grand united order of oddfellows, orford -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Tablecloth
Both the Page Commander's and Deputy Page Commander's tables were covered with a table cloth. The PC's table held the gavel, the Seal of the Court, the General Mark of the Order and an open Bible. The DPC's table held a gavel, the roll book and the cash book. [Information taken from the Methodist Order of Knights Rigtual of the Page's Degree for use in the Junior Court Ceremonies 1952 publication].Methodist Order of Knights pale blue oblong cotton table cloth with the MOK symbol in one corner.methodist order of knights -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Port Melbourne Yacht Club, Michelle Meehan and Jan MacDonald, Glen Stuart, 23 Aug 1999
Recording of PMHPS Meeting (AGM) on 23.08.1999. Recording done by Glen Stuart at Port Town Hall. Speakers were Michelle Meehan (Commodore of the Port Melbourne Yacht Club) and Jan MacDonald (PMHPS member) regarding the fire at the yacht club in 1990 and the subsequent rebuilding of the clubhouse by voluntary workers over an 8 year period Recording duration 1:02:10sport - yachting, built environment, michelle meehan, janice c morton macdonald