MagazineOfficial Magazine of the Australian Memorialaustralian service nurses, remembering sandakan, hmas sydney: the verdict, lost on paradise road

The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. The Queen laid a wreath and lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Cream paper program with blue print, single page folded in half, order of service for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

Roll of film taken by Eltham Shire Council officers (Nov. 1981) reflecting road infrastructure.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982infrastructure, main road, roads, eltham south

Photograph shows a culvert or drain with graffiti. This is urban runoff into Plenty RiverPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river

Magazinewalsh st library

The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on strategic planning, organics recycling and developments at Barrbunin Beek Aboriginal Gathering Place and Banyule Swamp.A record of events within the City of Banyule.28 pages, colour illustrations. 2 copies.banyule banner, banyule council

Taken about 1949, this colour slide shows Main Street Greensborough crossing the Plenty River via the 'old' bridge.1 photographic slide in yellow Kodak packet.Name of donor and title of slide written on outside of packetmain street greensborough, plenty river, main street bridge

One of a series of images of road infrastructure focussed on Bonds Road, Lower Plenty, the section connecting Old Eltham Road with Rosehill Road, taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS35 mm colour positive transparency (1 of 13) Mount - Kodak Kodachrome CardProcessed Mar 1981infrastructure, roads, bonds road, lower plenty, rosehill road

Set of four colour slides, white cardboard, by Kodak, of trams 912 and 1018 in the City area testing clearances around safety zones, as part of the development of the Z class tram. Done on a Sunday morning. .1 - 912 in Flinders St with Flinders St station, platform 1 west in the background - slide dated May 1973. .2 - tram 1018, without the tram protrusion on the top of the car body as in 912 at Victoria Parade and Brunswick St. Tram 644, City Brunswick St, in the background. In the back is Eastern Hill Fire Station. .3 - as above. Has advertising for Amoco Petrol and White Horse Whiskey .4 - 1018 in Brunswick St returning to Preston Workshops. Has St Patrick's Cathedral. Slides 2 and 3 are dated June 1973.All have a running number "1202" and "1218", "1219" and "1221" and "1018" written on the slide.trams, tramways, w7 class, sw6 class, flinders st, testing, safety zone, bourke st, safety, z class, brunswick st, victoria parade, tram 1018

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Flats, Jönköping, SwedenFlats-Sweden / Flats-Jonkoping (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

House at Lockwood Road - Unknown address and two young girls also unknownhistory, bendigo, gately collection, lockwood road bendigo

Easter Bunny float in the Bendigo Easter Fair procession 1983slide, bendigo, easter procession, easter bunny float in easter procession

35 mm colour positive transparency Mount - Agfacolor Service (Blue)floods, lower plenty, monastery

World Environment Day was established by in 1972 by the United Nations General Assembly on the first day of the Stockholm Conference on the Human Environment. Two years later, in 1974 the first World Environment Day was held with the theme "Only One Earth" and is observed every year on June 5 to encourage awareness and environmental protection. According to United Nations, "The celebration of this day provides us with an opportunity to broaden the basis for an enlightened opinion and responsible conduct by individuals, enterprises, and communities in preserving and enhancing the environment." 35mm colour positive transparency (1 of 23) Mount - Black and Whitesignificant tree, world environment day 1993, eltham, heritage tree, main road

Gold Mines Hotel, Marong Road, Iron Bark (Bendigo).slide, bendigo, gold mines hotel, gold mines hotel

Diggers & Mining. Gold. The growing trade union movement all over Australia took the lead in an anti-Chinese agitation. By 1881, all the Australian colonies except Tasmania (where few Chinese had ever gone) and Western Australia had re-introduced fairly uniform laws restricting Chinese immigration. In 1866, Western Australia fell into line. The only part of Australia where the Chinese continued to come in any numbers was the Northern Territory (then under South Australian control) . . . Markings: 14 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Donated by the Eastern Emergency Network'School Friend' girls' magazine printed weekly and sold for 5 pence each. External covers are printed in colour, all internal pages are printed in black and white.A Modern School's Favouritedocuments, education

History of the Diamond Valley Gem Club 1968 - 201832 p., text and col. illustrationsdiamond valley gem club, lapidary, gem clubs, grace park

Colour slide of an evening function at Legacy House in 1962. The slide shows some ladies standing talking in the second floor function room. It was a social function for legatees and their wives. There are 11 slides that appear to be the same function. One mentions President Lobb so it was 1962. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a social function for Legatees and their wives.Colour slide of legatee wives at a social function at Legacy House in the 1962, in a cardboard Agfacolor mount with blue and white stripes on the reverse.Handwritten '10' in pencil.legatee function, wives

Soft cover school magazinenon-fiction

A River of Life: Eltham Peace Banner 1986 The Hiroshima Day Banner was conceived by Shire of Eltham Artist in Residence, Jacky Talbot and a number of other Eltham women as part of the “As We Are” community banner project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The group promoted it at the new Community Notice Board (Arthur Street and Main Road) on Hiroshima Day (August 6) and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Jacky Talbot, led the team who produced the banner, approximately 4.5 metres by 1.5 metres, of sewn and painted Australian flora and fauna. Workshops were held at the Eltham Community Arts Centre at Meruka House. Peace Banner Group members included Laurel Eckersall, Anne Laurence, Betty Johnson, Margaret Johnson and Joan Maclagan. One of the creators, Joan Maclagan, further gave expression in verse – Banner for Peace The 'River of Life' with about 30 other banners went on display in the “As We Are” exhibition held at the Eltham Community Centre on 9 October 1986, previewed by the Member for Greensborough, Ms Pauline Toner, and Eltham Shire President, Mr Bob Manuell. The full display continued in Woolworths (now Coles) Arcade. The banner was also carried by the group in the 1986 Eltham Festival Grand Parade on November 8, along with other group banner projects including that of the Eltham District Historical Society, after which they were displayed in the Shire of Eltham’s tent in Alistair Knox Park.betty johnson, eltham peace banner, hiroshima day banner, laurel eckersall, "as we are" community banner project, banner project, river of life banner, margaret johnson, meruka house, community arts centre, jacky talbot, eltham shire council artist in residence

Looking north along Bells Hill Road at intersection with Kybrolyde Ct, Research, May 198835mm colour positive transparency (` of 36) Mount - Kodak KodachromeProcess Date MAY 88Mbells hill road, infrastructure, kybrolyde ct, research (vic.), roads

Edward Heffernan and Geoffrey Mainwaring were Australian artists and art educators who in their very different approaches and passions influenced hundreds of artists and art students throughout their careers. Born only days apart in October 1912 they pursued a lifelong passion for art. Heffernan from Melbourne and Mainwaring from Adelaide gave decades in art education in regional Victoria at Geelong and Ballarat respectively. Heffernan was also influential in working with Melbourne students and encouraging art through the Victorian Artists Society while Mainwaring served to use his art in documenting the role of Australia in the Second World War as an official Australian War Artist. This exhibition catalogue profiles their careers and was the first such retrospective of their lives and work brought together to celebrate their contribution to Australian art and the double centenary of their births.

35mm colour positive transparency (1 of 9) Mount - Kodak KodachromeProcess Date MAY 88Mmontsalvat, eltham