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Bendigo Historical Society Inc.
Slide - LAANACOORIE;TARNAGULLA;MALDON, Sep 1960
Slide, Laanacoorie;Tarnagulla;Maldon.Man in bush planting something.slide, laanacoorie;tarnagulla;maldon., laanacoorie;tarnagulla;maldon. -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING: THE DIGGERS, c1900s
Diggers & Mining: The Diggers. Geman army taking over, caption: Will you fight now or wait for This. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 14. Used as a teaching aid.Visaireducation, tertiary, war -
Ballarat Tramway Museum
Poster, State Electricity Commission of Victoria (SECV), "Alteration to Fares", Aug. 1966
Significant in being a poster distributed by the SEC in Ballarat to advise passengers of the new fares to apply from a specific date and the scale of the increase.Foolscap Sheet, glossy one side only, titled "Alteration to Fares", under the SEC and "Ballarat Tramways" heading. Gives details of fare increases to apply from Thursday 1 Sept 1966. Gives details of route fares, one to four sections, special city sections, scholars' monthly tickets, newspapers, packages and parcels and chartered trams. Printed by Alex King & Sons Print, Ballarat and signed by F. K. White Manager.On rear in black ink 'BTPS 615"trams, tramways, fares, sec, ballarat -
Eltham District Historical Society Inc
Slide, Thompson Crescent, Research, May 1983
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, May 1983 specifically looking at road conditions and drainage in Research (Vic.) around Thompson Crescent.35 mm colour positive transparency (1 of 11) Mount - Kodak Kodachrome Cardroads, infrastructure, research (vic.), thompson crescent, beddoe street, howell court -
National Vietnam Veterans Museum (NVVM)
Poster, Pacific Ocean
A poster of a little girl reaches out of the cold dark waters in the hope someone will save herposter, pacific ocean, bien dong -
Dandenong/Cranbourne RSL Sub Branch
Ceremonial object - Japanese Seal
Wooden Japanese seal painted black with unknown seal material end. (Inkan/Hanko/ Chops) For signing acknowledging documents. Pen shaped. Also what would appear to be the sheath made from paper and cloth covered.Unknown Japanese incription on end of seal. What appears to be the sheath for this seal has japanese markings/writings on opposite sides. -
Glenelg Shire Council Cultural Collection
Slide - Slide - Construction Portland/Cashmore Airport, c. 1980
Coloured slide. Large level, muddy area in foreground. Grassy area with workers accommodation huts at rear. Also several Earth moving vehicles. -
Robin Boyd Foundation
Slide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Stockholm Hospital (1938-), Stockholm, Sweden. (Architect: Hjalmar Cederstom .)Stockholm / Hospital / Hospital / Arch: H, Cederstrom / 1938- (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
Eltham District Historical Society Inc
Slide, View overlooking Diamond Creek, 1970
View overlooking Diamond Creek to the northeast, most likely from near St John's Church, 197035 mm colour positive transparency of a newsprint image taken c.1970 Mount - Kodak Kodachrome Card27diamond creek township -
Glenelg Shire Council Cultural Collection
Slide - Slide - Construction Portland/Cashmore Airport, c. 1980
Coloured slide. Diffrent view of gutter in 5191, 5192. Grader/excavator on left. -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Audio - Oral history interview - Tim Woods, Tim Woods Vietnam Oral interview
Tim Woods is a Vietnam veteran. Here, he recalls the anti-war sentiment and hostile public reception of troupes in the early 1970s despite Australia’s conscription policy – the National Service Scheme – which was eventually abolished in December 1972.This digital oral history interview was conducted at Anzac House for Tramways/East Melbourne RSL Sub Branch on September 20, 2017 as part of the Veterans Heritage Project.Tim Woods Vietnam Experiencesveietnam era, anti war sentiments, national service scheme, hostile public.conscription policy -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Caldwell, 8/03/1960 12:00:00 AM
Yields information about the tram 41 and the city terminus on the south side of Sturt St.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 8/3/1960 of: Tram 41 at the city terminus on the south side of Sturt St at Lydiard St. The tram has the destination of Sebastopol and two Admiral TV roof advertisements. In the background is the Commonwealth Bank, National Mutual Life Association, the Georges? Milk Bar/Sea foods and V & L Leslie Ladies Hairdresser.Stamped on bottom of slide "8 Mar 60". tramways, trams, sturt st, lydiard st, tram 41 -
Eltham District Historical Society Inc
Slide, Floodwater, Main drain in Susan Street, Eltham, November 1971, 1971
35 mm colour positive transparency Mount - Agfacolor Service (Blue)eltham, floods, susan street -
Glenelg Shire Council Cultural Collection
Slide - Slide - Construction Portland/Cashmore Airport, c. 1980
Coloured slide. Trench with rectangular concrete drain, running north south; Open south end. -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Ballarat Tramway Museum
Slide - 35mm slide/s, Noel Simons, 28/04/1971 12:00:00 AM
Transparency slide of Ballarat No. 37 at the Lydiard St. North terminus, taken from the north side of Norman St. looking back over the city. Tram has destination of "Sebastopol". Alongside the tram is the tram terminus shelter building. Slide dated 28 April 1971. The slide does not have a manufacturer's name.In blue ink at the top of the slide "No. 37 at Lydiard St. North terminus" and on base "28 April 1971"tramways, trams, lydiard st. north, norman st., tram 37 -
Eltham District Historical Society Inc
Sign, Clerk of Courts and Second Court, Eltham Courthouse
Found under the floor of the Eltham Courthose during renovations -
Bendigo Historical Society Inc.
Slide - RALPH BIRRELL COLLECTION: EIG SCHOOL, c1970
EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1970. Bendigo Institute of Technology, Engineering School, Applied Science. New section of the university with fresh lawn and garden planted.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1970. bendigo institute of technology, engineering school, applied science. new section university lawn garden planted -
Apollo Bay Museum
Audio - John Verey Oral History, Apollo Bay April 2023
Local Otways residents (Gadubanud Country) were interviewed by artist/researcher Amy Tsilemanis for the 2023 storytelling project Heart Maps, a collaboration with the Apollo Bay Museum and Historical Society. Themes include memories of communication technologies, entertainments, school, work, community, and life near the ocean. More information here: https://amytsilemanis.com.au/portfolio/heart-mapsapollo bay, golf course, surf lifesaving club -
Robin Boyd Foundation
Slide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. View for bridge, Stockholm, SwedenStockholm / View / From Bridge (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
Melbourne Tram Museum
Sign - Adhesive label, Yarra Trams, c 2003
Adhesive Label or Signs with about the behaviour on Yarra Trams, printed on a vinyl based paper - No Smoking, No feet on seats, No fare evasion, No Alcohol, No indecent language and No forcing doors, No Animals, No Bicycles with the Yarra Trams logo in the bottom right hand corner. Sign of the type with an adhesive back.trams, tramways, yarra trams, signs, tramcars, passengers, by laws -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Caldwell, 8/03/1960 12:00:00 AM
Yields information about the City tram stop and the north side of Sturt St at Lydiard St.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 8/3/1960 of: Tram 31 at the intersection of Sturt and Lydiard St. Has a destination of Gardens via Sturt St West which is incorrect. A lady is loading a pram. Has the Commonwealth Bank in the background.Stamped on bottom of slide "8 Mar 60".tramways, trams, sturt st, lydiard st, tram 31 -
Bendigo Historical Society Inc.
Slide - CASTLEMAINE HISTORICAL SOCIETY COLLECTION, UNVEILING OF CENOTAPH, BENDIGO, 1957
Slide. Unveiling of the Cenotaph, Charring Cross, Bendigo. Looking towards Pall Mall & Mitchell Street. Dated 2.6.57slide, bendigo, cenotaph, castlemaine historical society collection, unveiling cenotaph charring cross bendigo -
Eltham District Historical Society Inc
Slide, Quinn Estate, Reichelt Avenue, Montmorency, 15 Sep. 1982
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers of the Quinn Estate in Montmorency, Stage 1, Private Street Scheme during construction, September 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of15) Mount - Kodak Kodachrome CardProcessed 15 Sep1980housing estate, infrastructure, montmorency, quinn estate, roads, private street scheme, reichelt avenue -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
Diagram of a grass.62grasses, diagram -
Bendigo Historical Society Inc.
Slide - RALPH BIRRELL COLLECTION: EIG SCHOOL, c1966
EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966. Bendigo Institute of Technology, Engineering School, Applied Science. 2nd floor appears complete. Markings: MAY69M5Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966. bendigo institute of technology, engineering school, applied science. 2nd floor appears complete. -
Bendigo Historical Society Inc.
Slide - BENDIGO & DISTRICT P.O.I
Slide. Bendigo & District P.O.I. View from Melville Caves, near Inglewood.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i. -
Eltham District Historical Society Inc
Slide - Photograph, Unidentified location, Eltham district, 1993
35mm colour positive transparency Mount - Black and Whiteunidentified, infrastructure, streets, roads -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
Broken Glass.Beet Sugar Factory - Maffra.australia, victoria, maffra, sugar beet, factory -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Magazine image of M H Bailllieu house, Toorak, Melbourne, Victoria, Australia, 1926. (Architect: Desbrowe Annear.)Made in Australiaslide, robin boyd