Half leatherbound book with green cloth cover. Contains a bound edition of single volumes.Bookplate - "The School of Mines Ballarat. No 1081. presented by Prof. F. McCoy. Date 4 Aug 1890zoology, frederick mccoy, prodromus, bookplate

Box Hill in pictures; 1930 - 1960Box Hill in pictures; 1930 - 1960box hill, book

PERFORMANCE TO RAISE FUNDS FOR CLUNES CITIZENS' BRASS BAND. PROGRAMME ARRANGED BY MISS ELSIE CHAMPION. ORCHESTRA UNDER MRS. J. FAWCETT AND MR. POTTS. ACCOMPANIST MR. E. ROBERTS. FRONT SEATS 2/- (20 CENTS), BACK SEATS 1/6d (FIFTEEN CENTS). BOX PLAN AT MISS LARGES. DANCE TO FOLLOW, GENTLEMEN 1/- (TEN CENTS)ORIGINAL PROGRAMME ADVERTISING ELOCUTIONARY AND MUSICAL ENTERTAINMENT, WEDNESDAY JUNE 28TH 1922 WITH DANCE TO FOLLOW.local history, performing arts, entertaining - performing arts - events & celebrations

A history of the town of Walhalla victoria, from the early alluvial mining in 1860's through the heady days of rich underground mining to its rgression to a sleepy ghost town in the 1960'smines and mining, township, transport

Twenty page printed booklet - Ballarat School of Mines - A Statement of the Objects and Present Resources of the Schoolballarat school of mines

PAPERBACK WITH MUSTARD COLOURED COVER AND IMAGE OF A PAINTING "MINERS WORKING IN WET CONDITIONS PAINTED BY NOEL COUNIHAN,165 pagesnon-fictionBlack coal mining in Victoria Australia1909-1968, andrew reeves, coal mining

Part II of an edited edition of the journal of Joseph Banks, written during the voyage with Captain James Cook in the Endeavour, which in April 1770 brought Banks to the eastern shores of Australia. Illustrated and annotated. The original Banks Papers avegetation, arts, explorers

History of early Victorians. How and where they settled.Yellow cardboard cover. Second book of a trilogy. 274 pages. early victorians, early victorian settlements

Hardcovered book with an image of a crocodile with rarrk design. The book is a catalogue for an exhibition developed and co-presented by the MCA and the Art Gallery of South Australia (AGSA), in association with Maningrida Arts & Culture, this exhibition presents the work of one of Australia’s leading contemporary artists – master bark painter John Mawurndjul. Bringing forth a tradition shared by generations of Kuninjku artists, Mawurndjul is celebrated for his mastery of rarrk (cross-hatching) and his depiction of djang (sacred sites). Bark paintings and sculptures made over a thirty five year period, from private and public collections, and chosen by the artist, will introduce audiences to the concepts that shape Kuninjku culture and the significant ancestral locations in Central Arnhem Land. Born in 1952, Mawurndjul is a Kuninjku elder and artist. He lives and works in Milmilngkan and Maningrida in Central Arnhem Land. Since his first exhibition in 1982, he has become one of Australia’s most widely recognised artists. In 1989 he was included in the landmark exhibition Magiciens de la Terre at the Centre Pompidou and Grande Halle de la Villette in Paris, and his works have been included in numerous solo and group exhibitions in Sydney, New York, Paris and Japan. Following the presentation of this exhibition at the MCA, it will be presented at AGSA from 26 October 2018 until 28 January 2019 as part of TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art.(https://maningrida.com/exhibition/john-mawurndjul-old-new/, accessed 05 November 2018) non-fictionjohn mawurndjul, bark painting, exhibition catalogue, rarrk