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Eltham District Historical Society Inc
Booklet - Folder, John Marsh, Articles by John March
Three articles including: Perilous Summer - Thin Edge of the Wedge at Eltham - Eltham A lifestyle in peril published in "The Age" 21/08/1976 All articles thought to be from "The Age" in the 1970s. Written by John March. This was the pen name of former Kangaroo Ground resident Bill Baly. They relate to the people of Eltham and its hinterlands, their problems with planning, rates and politicians and thier artistic inclinations. 14 pageseltham, bushfires, lifestyle, green wedge, bill baly -
Hymettus Cottage & Garden
Booklet, Knitting Topics by Patons
Small commercial book with advice on knitting produced by Patons & Baldwins wool co who also produced many pattern instruction books.wool, patterns, patons and baldwin, australia -
Kew Historical Society Inc
Booklet, East Kew Women’s Club: Twenty Years, 1965
The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”.Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Stapled self-published history of the East Kew Women’s Club, entitled - "Twenty Years 20/7/1945 - 30/7/1965". 9pp & covers.east kew women's club, community clubs -- kew (vic.) -- histories -
Federation University Historical Collection
Ceremonial object - Bag, Lodge bag belonging to Frank J. Wright of the Yarrowee Lodge No 10 V.C
Frank Wright became well known in Brass Band circles. Born in Smeaton, he competed at Ballarat's South Street, conducted the Ballarat Brass Band, and the Ballarat Soldiers' Memorial band before leaving Australia for England as Bandmaster for St Hilda's Brass Band. Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Brown leather pouch with silver coloured metal clasp. The item belonged to Frank Wright of Smeaton."Bro. F.J. Wright, Yarrowee Lodge, No 10. V.C.frank wright, yarrowee lodge -
City of Greater Bendigo - Civic Collection
Ceremonial object - Council name badges, 1982 - 86
Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of COG Bendigo 2011 - 2012. These name badges would have been worn during official events, such as council meetings. Three name badges worn by Alec Sandner while serving on the Shire of Strathfieldsaye Council. All three badges are metallic with the circular Shire coat of arms above a rectangle name plate. The coat of arms are represented in full colour, name and titles are printed in black. 0146.1 Mr. Alec Sandner 0146.2 Cr. Alec Sandner 0146.3 Cr. Alec Sandner / Shire Presidentsandner collection, mayor alec sandner, helen sandner, shire of strathfieldsaye, president of strathfieldsaye shire, city of greater bendigo mayor -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Vietnam, Australia's War.J. Matthews
VHS tape re the Vietnam War.vietnam war, 1961 - 1975 -- veterans -- australia, vietnam war, 1961 - 1975, personal narratives - australian -
Whitehorse Historical Society Inc.
Programme - Melbourne Olympic Games Programmes, 1956
Two dark blue and white programmes for the athletics at Melbourne Olympics.Olympics Games Melbourne Australia 1956 Athletics Main Stadium Melbourne Cricket Ground Friday 30th November Official Programme One Shilling.documents, programmes -
Whitehorse Historical Society Inc.
Booklet - photocopy, Central Hill Estate, 2/05/1953 12:00:00 AM
Copies of a sale brochure for the auction of 55 sites on the subdivision Central Hill Estate, Mitcham.Copies of a sale brochure for the auction of 55 sites on the subdivision Central Hill Estate, Mitcham. Agents Edward Haughton Pty Ltd and Stanley R. Penny & Co.Copies of a sale brochure for the auction of 55 sites on the subdivision Central Hill Estate, Mitcham.central hill estate, mitcham, australian tesselated tile co pty ltd, rooks road, mitcham, grace street, mitcham, gibson street, mitcham, howard street, mitcham, edward haughton pty ltd, stanley r. penny & co. -
Bendigo Historical Society Inc.
Booklet - Booklet record of an interview with Alf Ryall
Booklet of typed record of an interview with Alf Ryall regarding properties in Strathfieldsaye dated 13/05/2001, contains B&W copies of photographs of properties. Record of Historic buildings in Strathfieldsaye surviving in 2001.alf ryall, interview, strathfieldsaye, buildings -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, The Homecoming Vietnam
vietnam veterans -
Glenelg Shire Council Cultural Collection
Booklet - Booklet - History of Portland, c. 1965
Two copies of 8 page booklet of Portland's history, produced by CEMA Historical Group for the official opening of Gardens Cottage restoration, and to commemorate the landing of Edward Henty, 19 November 1834, and other pioneers of Victoria. White paper, black print, single stapleFront: a. 'VIVIAN' - top right, handwritten, blue biroportland history, local history, portland botanic gardens, curators cottage -
Tatura Irrigation & Wartime Camps Museum
Booklet, Tatura and District Presbyterian Churches, 1962
Time line of events from 1869-1962 of Presbyterian Churches in Tatura and district. Including Toolamba and Girgarre East.Cream cover with blue writing. "Burning But Not Consumed" burning bush logo. Historical sketch. 1882-1962. tatura male choir, turaton choirs, toolamba victoria, girgaree east victoria, presbyterian church in tatura -
Warrnambool and District Historical Society Inc.
Programme - Booklet, CFA 126 Championship, 2009
The Warrnambool Fire Brigade was formed in 1863. The first fire engine house was in Liebig Street and carters were required to carry water to fire scenes. In 1889 the Council built a new Fire Station on Liebig Street and Warrnambool hosted its own Annual Demonstration in 1894. In 1891 the volunteer brigade became part of the Country Fire Brigade. The Fire Station relocated to Raglan Parade in 1915 and then to Timor Street in 1961. In 1989 the Brigade moved back to Raglan Parade. This booklet is a memento of the State Urban Championships that were held in Warrnambool in 2009 (Volunteer Fire Brigades Victoria and Country Fire Authority)This is a booklet of 96 pages containing printed material, maps, advertisements, photographs and tables. The back cover is white with a Powercor Australia symbol in red and printed material. The front cover is multi-coloured with a photograph of the Fire Station at Flagstaff Hill Maritime Village. The pages are stapled.Front Cover: VFBV, Volunteer Fire Brigades Victoria, CWA, 126th State Urban Championships, 7th, 8th and 9th March 2009, Victorian State Senior Championships, Warrnambool 2009, Warrnambool City Council logowarrnambool fire brigade, state urban championships (2009) -
Federation University Historical Collection
Booklet, Kirk Education
Small booklet from Kirk Education with wooden structure on the cover kirk education, architect, richard kirk architect, buildings -
Clunes Museum
Programme, GUARDIAN PRINT, CLUNES, AGRICULTURAL SOCIETY'S GRAND ANNUAL SPRING SHOW, NOVEMBER 21ST, 1929
PRINTED SHOW SCHEDULE. CLUNES, COGHILLS CREEK, BECKWORTH, EGLINGTON. AGRICULTURAL SOCIETY'S GRAND ANNUAL SPRING SHOW, NOVEMBER 21ST, 1929.local history, document, programme, events and celebrations, clunes show -
Peterborough History Group
Booklet - Tourist Brochures
Samples of tourist information available in 2014Tourist Brochures of various sizes and publication dateslondon bridge peterborough, peterborough tourism, peterborough 3270 -
Ringwood and District Historical Society
Booklet, The Ruskin All-about Ringwood. 1954, 1954
Community booklet - Ringwood 1954 - covering the facilities and activities of the Borough of Ringwood and other local organisations and associations.rinx -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Ede and Ravenscroft et al, City of Brighton Mayoral Robe, c. 1970
The City of Brighton Mayoral robe features embroidered Coat of Arms on the sleeves, which were granted in 1970 by the British College of Heraldry. It includes two figures, the market gardener heralding back to Brighton’s early history in farming, and an aboriginal man, symbolising the original inhabitants of the area, the Bunurong people of the Kulin Nation. This robe was worn by the City of Brighton Mayor until Brighton’s amalgamation into City of Bayside in 1993.Full length mayoral robe with centre opening. Red wool with light brown fur edging on centre front opening and cuffs. The cuffs are also trimmed with wide bands of black velvet and each shoulder has an embroidered polychromatic roundel featuring the Brighton Coat of Arms. The bottom edge of the robe also has black velvet trim. city of brighton, mayoral robe, robe, ceremonial wear, coat of arms, r.w. bredin & son, ede and ravenscroft, bayside, mayoral regalia -
Uniting Church Archives - Synod of Victoria
Booklet - Methodist Order of Knights Court Astolat Benalla, Silver Jubilee Anniversary 1934 - 1959 Souvenir Brochure
Court Astolat was chosen as the name for the Benalla Mehtodist Order of Knights in 1939. It is manor/castle in Arthurian legend where Sir Lancelot spent the night. The story of the naming of the Court is explained in E3112.73. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Blue card covered booklet with nine typed pages. The cover has blue and silver text and an image of a MOK knight and the Order of Knights symbol. The inside covers contain a list of Past Knight Commanders and Past Bishops and the Officers for 1959-60 or Court Astolat No 31. The pages have blue text and include a greeting from Mervyn F Redman, General Grand Commander; the story of Court Astolat, No 31 and the proceedings for Saturday 2nd May 1959, Sunday 3 May, the banquet programme and the theme hymn for Court Astolat's jubilee.methodist order of knights court astolat -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, RAAF transport flight Vietnam 1964-1966 (Copy 3)
national vietnam veterans museum, royal australian air force -
Moorabbin Air Museum
Booklet (item) - GAF Collection - Lincoln Cockpit
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Camberwell Historical Society
Booklet (Item), Terra Culture Pty Ltd, An Indigenous Heritage Study, City of Boroondara Stage 1, 2004
camberwell, boroondara, heritage -
Moorabbin Air Museum
Booklet (Item) - Ansett Annual Report 1962-63
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Apollo Bay Museum
Film - John Marriner on Hordern Vale
Audio slideshow with John Marriner discussing Hordern Vale. Created as part of the Heart Maps project with Amy Tsilemanisfarming, hordern vale, oral history -
Moorabbin Air Museum
Booklet (Item) - CAC Publicity booklet showing Capability of CAC
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Camberwell Historical Society
Booklet (Item), Boy Scouts' Local Association, Year Book 1946-1947, 1947
camberwell, boy scouts -
Lilydale RSL Sub Branch
Booklet - Book - soft cover, Robyn Smith, From Orchards to Trenches, 2015
W0NGA PARK AND HER DIGGERS IN WORLD WAR 1Booknon-fictionW0NGA PARK AND HER DIGGERS IN WORLD WAR 1 -
National Vietnam Veterans Museum (NVVM)
Booklet, SVNLF's Policy
Cream Booklet with red writing and Vietnamese Flag on cover. South Vietnam Liberation National Fronts Policy toward the officers and men in the US and Akien Army - 1966South Vietnamese flag Policy toward officers and men in the US and Alien Armysouth vietnam army, booklet -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet - Training pamphlet (2 copies), RAMC Training Pamphlet No 3 1952 First Aid and Nursing for Other Ranks, 1952
Soft covered bookletW.O. Code No. 10220. (Supersedes W.O. Code No. 604)first aid, nursing, royal army medical corp