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Eltham District Historical Society Inc
Magazine, Eltham High School, Mercury, 1960
Signed on inside front cover by Peter Brock who is also pictured with other House Captains on p17 and on p27 as part of the First XVIII football teamDigital copy only of original magazine Soft cover 24.5 x 18 cm 48 pages eltham high school, school magazine, mercury, 1960 -
Federation University Historical Collection
Programme, The Opening of Civic Hall, 1956
The City of Ballarat unanimously resolved to erect a Civic Hall in Mair Street in 1951. The architects, Gordon Murphy, of Melbourne, and H.L. and L.J. Coburn, of Ballarat, were commissioned in 1952. The Council constructed the foundations and footings for the building under the supervision of the former City engineer, Mr L.H. Finch, in 1953. These footings are of massed concrete. The design for the building took advantage of the cross fall of the land, providing for the Small Hall to be entered from the Doveton Street frontage through a foyer under the Main Stage, the structure is steel with brick panels, with accommodation for 1,592 persons in the Main Hall and 440 persons in the Lower Hall. The front facade faces Mair Street, set back from the building line to provide for the entrance drive-ways and kerbed gardens. Tenders were invited on a firm price basis. A young Ballarat master Builter, Walter Benbow Trahar was the successful tenderer, the contract price being 139,841 pounds. the work was commenced in 1953 and has proceeded in spite of material and labour difficulties until its completion. The following statistics are of interest:- * The foundations contained 200 cubic yards of concrete. * The constructional steel work weighs approximately 270 tons. * The reinforcing steel 47 tons. * Reinforced concrete in the structure, 1,100 cubic yards. * The approximate number of bricks in the building, 580,000. * The flooring is of selected kiln-dried hard wood and totals 40,000 lineal feet. * The dimensions of the Main Auditorium, 100ft by 86 ft, including the side promenades each 82ft by 13ft. *The Main stage, of reinforced concret with parquette finish measures 62 ft by 40ft. *The floor area of the Lower Hall is 74 ft by 38 ft, and has a stage dimensions of 40ft by 20 ft. * Each hall has independent heating and ventillating systems. Where possible the material in the building was furnished from local business houses. The public address installation, which provided for additional microphones, is on the main Stage. There is inter-communication throughout the building connecting the front office, with the bioscope box, the stages in both the large and lower halls, and the Hallkeeper's residence. Local craftsmen have completed the painting, plaster work, and the electrical installation; local produced materials being used in the construction of the buildings with the exception of the timber for the Main Floor, the roofing and the structural steel. The City of Ballarat Councillors in 1956 were Councillors N. T. Callow, F.J. Cutts, K.C. Webb, W.E. Roff, O.W. Curnow, F.T. Woodward, Allan C. Pittard, A.W. Nicholson, J.A. Chisholm, G.L. Scott, F.W. Oliver, A.D. Mason. The Town clerk was H.R. Maddern and the City Engineer was G. Murrowood. A City of Ballarat Council meeting of 25 September 2013 voted to demolish the Ballarat Civic Hall. The Council heard from nearly 50 members of the public during a marathon six-hour meeting. Councilors John Birt, Des Hudson, Amy Johnson, Josh Morris, Peter Innes, John Philips supported the motion to demolish Civic Hall. Councillors Samantha McIntosh, Vicki Coltman and Belinda Coates voted against the motion.Six page souvenir Program of citizens' entertainment on the occasion of the Opening of Ballarat Civic Hall on in August 1956. The front cover features the City of Ballarat Coat of Arms. The programme starts with a message from the Mayor, Cr Neil T. Carrow. It includes the Concert Programme directed by James H. Davey, an asrtist's impression of the Civic Hall from Mair Street, and information relative to the New Civic Hall. The programme features images of the City of Ballarat Coat of Arms, Cr N.T. Callow, , James H, Davey, and an artist's impression of the Ballarat Civic Hall. Mayor Neil Callow's Message: "To-day, our citizens witness the fulfilment of the most extensive Municipal undertaking in the City's period of recent prosperity and development. Their Hall now fills a requirement of which they have been deprived since the Coliseum building was destroyed by fire over 20 years ago. The building has been designed as an all purpose structure and I am hopeful the citizens will use it and enjoy it to its fullest extent. Your Council and its Architects have planned as broadly as possible for the benefit of all to-day and for years to come. We are proud of the work executed by a Ballaarat Master Builder whose work is a monument to the City's craftsmen. I feel I should also remind this assembly that the women of Ballaarat, back in 1951, provided funds which have been applied in the purchase of a Grand Piano and two Upright Pianos which are now installed in this building. The sincere hope of myself and your Councillors is that this Hall and its amenities will prove of immense value to the development of the cultural and artistic tastes of this community and that it will be freely used for these and many other purposes. From now on this magnificent building and its furnishings and equipment will be available to all. I strongly exhort you to use and protect it. My hope is that the citizens will, for many years to come, enjoy the amenities which it has to offer. ballarat civic hall, civic hall, architecture, finch, art deco, city of ballarat, coat of arms, city of ballarat coat of arms, callow, shugg, lemke, oates, gullan, tuuri, john, robertson, sorrell, antonio, gordon murphy, walter benbow trahar, trahar, coburn, h.l. coburn, l.j. coburn, n.t. callow -
Ballarat Tramway Museum
Sign - Duty Officer Indicator Panel, State Electricity Commission of Victoria (SECV)
Demonstrates the method in which drivers could communicate their availability. Wooden sign indicator panel with sliding cover used to show "Tramway Officers on Availability Duty" with countersunk screw holes, varnished timber with raised sides and yellow lettering. Used in depot office of SEC to show who was duty officer, with name written on paper and pasted in."Tramways Officers on Availability Duty"trams, tramways, sec, ballarat, depot, officers, inspectors, btm, ballarat tramways -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Vietnam Forces National Memorial: dedication & unveiling & march past, 2 October 1992
Actual footage of the construction and dedication of the memorial in Canberraaustralian vietnam forces national memorial, war memorials - australian capital territory - canberra -
Eltham District Historical Society Inc
Magazine, Eltham High School, Mercury, 2003
2003 issue of the Mercury magazine of Eltham High School.eltham high school, class lists, mercury, frank taylor collection, 2003 -
Kadimah Jewish Cultural Centre and National Library
Programme, The Dybbuk; 1991
S. Anski's play directed by Barrie Koskydovid herman theatre, thomas wright, elisa gray, michael kantor, yoni prior -
Glenelg Shire Council Cultural Collection
Banner - Poster - Highfield Estate Portland, Victoria Advertisement, n.d
Poster advertising 'Highfield Estate', Portland. Includes description of Portland, with a copy of the subdivision -
Vision Australia
Sign - Image, Association for the Blind flag
Flag created for the Association for the Blind, to be used at office locations or at events.1 blue flag with white writing and metal claspsAssociation for the Blindadvertising, association for the blind -
Moorabbin Air Museum
Magazine (item) - This Air Age, Staff Magazine of Trans-Australia Airlines - Special Issue
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Whitehorse Historical Society Inc.
Magazine - Periodical, Chimera, 1990
School magazine of Mullauna Secondary College. Photos of students, school teams, staff. Reports on school activities. Examples of original work by students.schools, mullauna secondary college, dunlavin road, nunawading, newell, george -
Port Melbourne Historical & Preservation Society
Ceremonial object - Ornaments from cake for WFE Liardet's 200th birthday, Marilyn Allport, Jul 1999
Ornaments from cake from PMH&PS celebration of WFE Liardet's 200th birthday July 1999, baked and decorated by Marilyn Allport for the Society's July meeting: nine ribbon clusters (red and blue), three of them attached to lump of sugar icingcelebrations fetes and exhibitions, marilyn allport, wilbraham frederick evelyn liardet, wfe liardet -
Bendigo Historical Society Inc.
Magazine - AILEEN AND JOHN ELLISON COLLECTION: THE NEW AUSTRALASIAN POST
The New Australasian Post from February 14, 1952, price 9 pennies. The magazine has 47 pages. On the cover a picture of Queen Elizabeth II. Under the main picture: The last farewell pages 3,4 and 5 - The man at Her elbow, pages 9,10,11. At top left hand corner a picture of the crown and underneath the words Elizabeth II of England.books, magazines, women's magazine -
Ballarat Tramway Museum
Programme, Begonia Festival, Begonia Festival program, Feb. 2017
Full colour, 16 page, full colour centre stapled Begonia Festival program, for the 2017 Begonia Festival. Has a map with Wendouree Parade in the gardens area and shows the tram track and depot. Also shows the Park & Ride area in Victoria Park and notes the bus service from the railway (train station). has "office" written in black felt pen on the front cover in the top right hand corner.trams, tramways, begonia festival, festival program -
Melbourne Tram Museum
Banner - Vinyl banners, Yarra Trams, Tram 109, mid 2000's
.1 - vinyl banner with rodded ends designed to be fitted into a standing frame .2 - double sided vinyl banner with rounded sewn end, with about a 75mm long (150mm long to determine dia) hole for a large rod or supporting device type thingy - route 109trams, tramways, posters, melbourne, mmtb, yarra trams -
Clunes Museum
Magazine - AUSTRALIAN WOMENS WEEKLY, CONSOLIDATED PRESS LTD. SYDNEY, 17/02/1951
IT WAS FOUND IN THE HOUSE WHERE MRS L. HUDSON USED TO LIVE.THE AUSTRALIAN WOMENS WEEKLY 17.FEBRUARY 1951 WITH PHOTOGRAPH SARA QUADS. PRICE 6 PENCE [5 CENTS]local history, magazine, hudson laura -
Melbourne Legacy
Programme - Menu card, Legacy Dinner Dance, 1962
A menu card from a dinner dance held in 1962. Charity balls were held with the proceeds from the evening going to aid Melbourne Legacy. The ball was held under the patronage of 'His Excellency the Administrator of the Commonwealth of Australia, General Sir Dallas Brooks.' From Wikpedia: "Brooks was appointed Governor of Victoria by Premier Thomas Hollway and served from 1949 to 1963. During his term as governor, he acted as Administrator of the Commonwealth three times. He served in this capacity for almost seven months after the governor-general, Viscount Dunrossil, suddenly died in office in 1961 after serving only one year. Sir Dallas was in effect Acting governor-general until the appointment of the Viscount De L'Isle.A record that Legacy used gala dinners and balls for fundraising events. It was attended by the Governor of Victoria who was patron of Legacy.Printed menu card for a dinner dance in aid of Legacy, at Southern Cross Hotel 1 September 1962.fundraising, governor of victoria, gala performance -
Ballarat Tramway Museum
Poster, "Music for the People", 1953?
Poster advertising "Music for the People" Sunday, March 5 (1953?) featuring images of Margaret Nisbett, Soprano, Hector Crawford Conductor of the Australian Symphony Orchestra and Gordon Boyd Baritone. Part of the Music for the People event during the Begonia Festival. Would have been displayed in an internal tramcar advert rack. Has been recycled by the SEC Ballarat depot to display a dyeline print of a1969 tram fare schedule glued to the rear with possibly another earlier version underneath. See Reg Item 7471 for a 1955? version. Demonstrates how posters to advertise Begonia Festival events were printed and then recycled by the SEC depot Ballarat for other purposes.Poster printed on cardboard "Music for the People" during a Ballarat Begonia Festival. The poster has been trimmed on the right hand side and a 1969 tram fare schedule glued to the rear. Cut to fit in a tramcar internal advertisement rack.fares, trams, tramways, secv, ballarat, begonia festival, hector crawford, gordon boyd, margaret nisbett, music for the people -
Melbourne Legacy
Programme, Legacy Junior Plain English Speaking Competition 1992, 1992
From 1988 to 2021, Legacy held a public speaking contest for young secondary school students. It was initially called the Junior Plain English Speaking Award (JPESA) and later called Legacy Junior Public Speaking Award (LJPSA). Schools were eligible to send along up to 4 representatives to compete in a preliminary round. The winner in 1992 was Lana Jenkins of Genazzano FCJ College. The 1992 final was held on 25 June at the MMBW Theatrette. The following was taken from a programme in 1996: "The Award aim is to promote enhanced oral communication skills for 12-14 year old students and to help young people appreciate the ideals of Legacy - voluntary service, caring and comradeship - and the need for remembrance. It began in 1988 in the Melbourne area with the support of the Ministry of Education and The Plain English Foundation. Entries have grown from 24 in the 1988 competition to over 300 in schools across the State, plus greater numbers participating in the process of selecting four contestants from each school. In 1995, a successful Interstate Championship was held with contestants from Victoria, New South Wales and Queensland. On 11 November 1996 the first National final was held with contestants from six states."A programme of finalists and presenters from the Junior Plain Speaking contest that has been run by Legacy since 1988.Buff colour A4 card with blue printing as a programme of the speaking contest in 1992. legacy promotion, speaking contest, jpesa -
Federation University Historical Collection
Magazine - Newsletter, The Flag, 1995-2001
Eleven copies of the University of Ballarat Alumni newsletter called The Flag. .1) David James, Gwenda McManus, Kerrie Edwards, Steve Bracks, Cordell Kent, Australian Native Gold, Koori Education Unit, Pat Hope, Rozeena Begum, Lidcha Mul. .2) Gwenda McManus, Wilhelmus, David James, University Mace, Trefor Prest, Steve Moneghetti, Shaun Creighton, Peter Blackburn, David Waite, Sandy Blythe, Kim Ross, Michael Wilson, Betty Gill, Betty Fish, Tom Hill, Bill Pryor . .3) David James. Sandy Blythe, Geoffrey Blainey,Jamie Shaw, Kiran Mazumdar, Stuart Pursell, Tony Singh, Ballarat Teachers' College, Frank Nolan, Carolyn Blackman. .4) David James, Malini Chitaranjan, Chandker Varadhan, Lola Montez, Regina Molloy, Bert Labont'e, Jayne Reynolds, Amanda Sandwith, Roger Short, Stephen Kemmis, Barney Glover, Thomas O'Donnell, Sandy Blythe, Laurier Prosser, John Sharpham, Jack Barker, Xiaoli Jiang, Catherine Pearce, Nepal, Ballarat Teachers' College, John Culvenor, Richards Medal, Karl McCann. .5) Gwenda McManus, David James, Ron Wild, Merger, Wimmera Institute of TAFE, Katherine Birkin. .6) David Caro, Chancellor appointment, David James, Ellen Sellers, Ballarat Teachers' College Reunion, Briana Folkes, Lorri Coburn, Paul O'Donohue, Graeme Kelly, Tracy Plunkett, Julie Kellett, Unisports rehabilitation, Hong Kong graduation, China, koalas. .7) Hong Kong graduation, David Janes, Argentina, Richard Alder, threatened animals, reconciliation, Leoda Atkinson, mural, Jodie Lowe, indigenous Australians, Sue Turale, nursing, Hong Kong, Geoffrey Richards, Janice Edwards, Laura Chibnall, Franky Christiano, Nessa Jenkins, Kerrie Powell. .8) David James, Graduate Centre, Greenhill Enterprise Centre, Warren Young, Parks Victoria, Maxitrans, netball, John Magrath, maths, Catering for the Olympics, Eddie Turker, Maryanne Coutts, Sonia Colville, Daryl Wisely, Laura Wakeling. .9) Camp Street Redevelopment, Arts Academy, David James, Gwenda McManus, Doug Lloyd, Ian Gordon, University Appeal, Hong Kong, Sue Turale, Edward Wong, Hakodate University, Paris, nursing, Malaysia, Yuri Tanabe, Amanda Mead, Mary Modeen, Barry Judd. .10) Kerry Cox, Gwenda McManus, wildlife, MartinWestbrooke Brian McLennan Art Scholarship. Anne Saunders, Shenzhen, Hong Kong. .11) CFA, Kerry Cox, Wayne Robinson appointment, Terry Lloyd, Empire Rubber, Churchill Fellowship, Russell Rees, bus mural, Janice Croggon, John McDonald, Imogen Schwarz, Andrew Dark, Jacqueline Dark, building, Jeff Goodiesonmcmanus, kent, bracks, vermeend, university games, greenhill, netball, magrath, coutts, turker, colville, wisely, wakeling, moneghetti, alder, atkinson, lowe, tirale, richards, blackburn, pryor, blainey, shaw, pursell, singh, blackman, wild, ballarat school of mines, wimmera, wimmera institute of tafe, merger, birkin, caro, sellers, folkes, coburn, o'donogue, kelly, plunkett, kellett, unisports, hong kong, alumni, koala, muzumdar-shaw, arts academy, camp street precinct, camp street -
Glenelg Shire Council Cultural Collection
Programme - Programme - Condah Racing Club, 1913, Hamilton Spectator, Apr-13
Item was formerly part of the Bower Bird Museum collection.Four page cardboard leaflet, printed in black. Several pieces of sellotape on leaflet. Programme for Condah Racing Club's annual meeting, for Thursday, April 3rd 1913condah, lake condah, race club, recreation, 1913, 1900s -
Glenelg Shire Council Cultural Collection
Banner - Banner - Yesterday's Foundations, Nov-10
port of portland archives -
Bendigo Military Museum
Newsletter - NEWS SHEET WW2, The Dinkum Oil, 7.6.1941
Foolscap single news sheet printed both sides dated 7.6.1941. It describes war events from home & abroad, events in England, France, Germany & America. Typed bottom of P 2. “Ed and Prod by L/Sgt W H Williams (VX27459)”documents - newspapers, military history - army, dinkum -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, We were heroes - Vietnam, Vol. 2: The Airmobile Division; Army Air-Mobility Team; Progress to Peace
united states. army. air cavalry division, 1st - film and video adaptations -
Australian Queer Archives
Poster, Equal Love (Brisbane), National Day of Action Keep the pressure on until we win Full Marriage Equality Rally @ Queens Park Saturday 12 May @1pm, 2012
marriage, marriage equality -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Port Melbourne Historical & Preservation Society
Programme, Josh Burns MP, Federal Member for Macnamara, Port Melbourne Anzac Day Commemorative Service 2023, April 2023
The pamphlet was distributed to attendees at the Beach Street service. Dignitaries included Nina TAYLOR MP, State Member for Albert Park, Josh BURNS MP, Federal Member for Macnamara, Cr Heather CUNSOLO, Mayor of Port Phillip and Colonel Sharon COATES CSC.The four page program has a white cover with the image of a field of poppies across the lower section and the name of local member in lower left corner. It was produced in support of our Returned Services League for the Port Melbourne Anzac Day Commemorative Service held on Monday 25 April 2023 am at the Beach Street Memorial. The information "Close to the piers where our troops embarked Corner of Bay & Beach Street, Port Melbourne.'r.s.l, josh burns, nina taylor, cr heather cunsolo, colonel sharon coates, anzac day -
Glenelg Shire Council Cultural Collection
Programme, Discovery, Portland, 2008
World premiere of 'Discovery' performed at Portland Civic Hall, Saturday August 2nd 2008.A4 size, 12 page programme for the world premiere performance of Choral Symphony 'Discovery' at Portland 2nd August 2008. Back and front covers glossy white card. Images of 4 areas of Great South West Walk depicting four movements of symphony, on front cover. Back cover major sponsors and partners.music, performance, great south west walk, symphony, orchestra -
Bendigo Historical Society Inc.
Sign - VINCENT KELLY COLLECTION: NAMEPLATES: PHOTOGRAPHERS
Nameplate from Vincent Kelly Photographers, Bendigo. Glass namepplate with bevelled edge with silver lettering on black glass in wooden frame. 'PHOTOGRAPERS' Bevelled edged has gold coloured 2 cm border. Lower RH Corner 'N Leves.N. Melbourne.' LEVES.- On the 14th inst., at his residence, 117Queensberry-street, North Melbourne, N. Leves, art decorator and glass embosser, late of Garratt- house, Surrey, England, and of Rothesay, Dunedin, aged 43 years. Ref: Family Notices. (1890, March 17). The Argus (Melbourne, Vic. : 1848 - 1957), page 1. http://nla.gov.au/nla.news-article8595014 Seven other nameplates stored in Container 3 yet to be catalogued as 7280 .2 - 7280.8bendigo, business, photograper -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Snaps of South Vietnam 1967/68 (5 RAR & 3 RAR) by unknown
vietnam war, 1961 - 1975, personal narratives - australian -
Moorabbin Air Museum
Poster (Item) - RVAC dawn patrol 2016, Korean war 1950 1953 The Forgotten few