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Federation University Historical Collection
Booklet, Ballarat School of Mines Register of Attendances for Geology Grade I, 1908
The Ballarat School of Mines is a predecessor institution of Federation University Australia. A slim, green pastel, hard cover volume with dark blue spine. Two full-width pages for entering names of those enrolled.ballarat school of mines, thomas hart, t.s. hart, geology -
Moorabbin Air Museum
Booklet (Item) - Museum - Aviation Museum, Wangaratta Victoria - "Air World" - The Collection
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Moorabbin Air Museum
Magazine (Item) - Aviation Safet Digest magazines Nos 52 - 67
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Port Melbourne Historical & Preservation Society
Programme - Periodical, Football Recorder, 1961
Collected by PMFC member Les PONT"Football Recorder" - Official organ of the Victorian Football Association (VFA) 21 Aug 1965sport - australian rules football, port melbourne football club, pmfc, victorian football association, vfa -
Moorabbin Air Museum
Booklet - Information and Route Maps System of the Golden Jets, Ansett
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Moorabbin Air Museum
Booklet (Item) - Mitsubishi MU- 2 Twin Turboprop Executive Plane Promotional Brochure, The Mitsubishi MU-2 Twin Turboprop Executive Plane
Mitsubishi Heavy Industries Ltd -
City of Whittlesea
Booklet (item), Meadowglen & YMCA 2006 Fun Run & Walk
Meadowglen & YMCA - 2006 Fun Run & Walk promotional brochurebrochure -
Moorabbin Air Museum
Magazine (Item) - Mark Webber collection Flight magazine, Flight magazine
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Ruyton Girls' School
Magazine, Ruyton Reporter, 1992
The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 12 pages.Front Page: THE R RUYTON / RECTE ET FIDE LITER / Reporter / WINTER EDITION 1992 / SPECIAL / FEATURES / 1992 VCE / RESULTS. / WHERE ARE / THEY NOW? / THE JOHN BATE / CENTRE OPENS. / THE 1992 / RUYTON FAIR. / OUR HAT TRICK! / RUYTON RUNS-UP 3rd ATHS WIN / STOP PRESS / A big 114 point winning margin gave Ruyton its third / consecutive Athletics championship this year. / A big thank you to Sports Co-ordinators Mrs Dulke, / Mr Summerton and Mrs Lachal - the master tactician. / And congratulations to all 104 Ruyton competitors. / You were great. Now for No. 4! /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army: Infantry training, vol. 2: Infantry platoon weapons pamphlet No. 21A,the 81mm mortar (Australia), 1965, amendment no.3, 1965
australia - armed forces - service manuals -
Federation University Historical Collection
Programme, Hoskin Print, Programme for the unveiling of the Shakespeare Statue at Ballarat Civic Hall, 1960
The sculptor of the Shakespeare sculpture was Andor Meszaros of Kew, Melbourne. The unveiling was undertaken by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected. The "portrait statue" shows how people saw Shakespeare as he wanted to be seen; as author-actor bowing to the applause. His position implies modesty, the knowledge of his own worth; majesty. his movement is at once humble and royal. The statue was positioned so people approaching or leaving Ballarat Civic Hall will see the statue full face, and the bowing attitude enables them to continue to study the face even from a few feet distant. The base in in the form of an Elizabethan stage, and is designed so that its sides correspond to the existing angles of its position. The proposal to erect a Statue of Shakespeare in Ballarat stemmed from a movement in 1889, when a committee was formed and a meeting held to inaugurate the proposal. At the initial meeting 258 pounds was contributed to the fund, which was later built on by further donations. In 1935 the fund stood at 945 pounds. In 1939 a bequest of 100 pounds was received from the estate of the late Frank Gale. In October 1952, the Fidelity trustee Company Limited notified of an extract of the will of Harry Person Stevens, in which be bequeathed the sum of 2,000 pounds to the fund for the erection of a Statue of William Shakespeare. In 1957 it was felt the fund had accumulated to an amount sufficient to carry out the intentions of the fund. at that stage the money in hand was approximately 4,000 pounds.A small committee was appointed to further the proposal. In May 1959 a panel of adjudicators met to determine the winner of a limited competition amongst sculptors. The committee comprised Cr G.L. Scott, Cr K.C. Webb, Cr W.E. Roff, J.H. Heinz representing the Fidelity Trustee Company Limited, and R.P. Evans of the Ballarat Fine Art Gallery. Norma Redpath, the nominee of the Victorian Sculptors' Society was present in the capacity of an adviser. Four page leaflet printed for the City of Ballarat Ceremony of handing over, accepting and unveiling the Shakespeare State at the Ballarat Civic Hall. The Shakespeare sculpture is cast in bronze and sits on a Stawell stone base. stevens, fidelity trustee company, gale, ballarat civic hall, shakespeare, north, nicholson, stawell stone, andor meszaros, sculpture -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army: RAASC training pamphlet no. 31: standing orders for safety for RAASC amphibians
australia - armed forces - service manuals -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army: Infantry training, Vol. 1, Infantry Platoon Weapons, Pamphlet No. 2: Fieldcraft and target detection(All arms), 1967 (6 copies), 1967
australia - armed forces - service manuals -
Moorabbin Air Museum
Booklet (Item) - Digiprox Ground Proximity System, Litton Aero Products Division Digiprox Ground Proximity Warning System
Litton Aero Products, Woodland Hills, California -
Rutherglen Historical Society
Programme - Program, Sun Office Rutherglen, Football Extraordinary Barkly Park, Rutherglen, Sunday, August 13, c1944
Smith's Rutherglen Wreckers vs Strang's Stranglers. Apparently a match put on to help injured football players. Includes colourful description of team players. Program sponsored by Bray's Men's Wear, Jasper Bros Service Station and W.A.J. Lintermans Victoria HotelProgram, printed on paper for a Football Extraordinary match to aid injured players, about 1944football, afl, smith's rutherglen wreckers, strang's stranglers, bray's menswear, jasper brothers motors, victoria hotel, lintermans -
Moorabbin Air Museum
Booklet - The River Class turbo - jet aero engine, Rolls Royce TURBO - JET AERO ENGINES , THE RIVER CLASS
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National Vietnam Veterans Museum (NVVM)
Booklet, Australian Military Forces: Patrolling and tracking (4 copies), 1965
australia - armed forces - service manuals -
Ringwood and District Historical Society
Booklet, Opening of the Refurbished City of Ringwood Offices, 1993
Opening of the Refurbished City of Ringwood Offices and Launch of the Visual Identity 15 December 1993 -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Federation University Historical Collection
Programme, Ballarat School of Mines Conferring of Diplomas, 1970
A folded programme for the conferring of Diplomas at the Ballarat School of Mines and Industries in its centenary year. .3) Reserved seat for Mrs Biddington (wife of Geoff Biddington)ballarat school of mines, conferring of diplomas, geoff biddington, p.n. richards, ballarat civic hall -
National Vietnam Veterans Museum (NVVM)
Booklet, Red book index supply & movement
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Port Melbourne Historical & Preservation Society
Booklet - Official Souvenir of the 1939 Port Melbourne Centenary Celebrations Committee, Paul Freadman, Greater Port Melbourne, Oct 1939
Greater Port Melbourne - Official Souvenir of the 1939 Port Melbourne Centenary Celebrations Committee. Red and black 56 page book containing details of the Liardet festival, and local advertisements (2 copies)celebrations fetes and exhibitions, religion - anglican (holy trinity), religion - wesleyan methodist church, religion - roman catholic church (st josephs), mayors, town clerks, james peter crichton, sydney sims anderson, henry melville fennell, wilbraham frederick evelyn liardet, wfe liardet, caroline frederica liardet, edward james 'jack' holloway, j kitchen & sons pty ltd, swallow & ariell ltd, general motors-holden, gmh, neal's motors, port melbourne yacht club, pmyc, sandridge golf club, port melbourne football club, pmfc, port melbourne cricket club, port melbourne baseball club, nightingale supply co ltd, malcolm moore ltd, joe nield, harold v drew, j p burke, wilson electric transformer co, daniel scott pty ltd, a t harman & sons pty ltd, concrete constructions, cindcrete brick co, schumacher mill furnishing works -
National Vietnam Veterans Museum (NVVM)
Booklet, Field engineering and mine warfare, pamphlet no. 1: basic field engineering, part 1 - all arms, 1950
australia - armed forces - service manuals -
Federation University Historical Collection
Programme, Greater London Council Parks Development Programs, 1967
Small blue covered booklets .1) London Symphony Orchestra .2) London Symphony Orchestra, 3 June 1967 .3) Royal Liverpool Philharmonic Orchestra, 24 June 1967 .4) Sinfonia of London, 8 July 1967 .5) New Philharmonic Orchestra, 22 July 1967 .6) New Philharmonic Orchestra, 01July 1967 .7) The Halle Orchestra, 15 July 1967 .8) Bournemouth Symphony Orchestra, 10 June 1967 Gift of Frank Ritchie, Nephew of Frank Wright, 2014frank wright, music, brass bands -
Stawell Historical Society Inc
Magazine, Mr. J. Grey, Stawell Technical School Reefs Magazine 1966, 1966
stawell education -
Greensborough Historical Society
Booklet - Recipe Book, State Electricity Commission of Victoria, Special S.E.C tested recipes, No.2. 1960s, 1960s
A collection of recipes using pineapple, published by Golden Circle cannery.Special S.E.C tested recipes, No.2. 1960s: prepared by the Home Advisory Service of the State Electricity Commission of Victoria. Includes recipes for fish, ice-cream and cakes.Part of a collection of recipe books from Laurence N. Lewis17p. Typed and photocopied text, colour cover.non-fictioncookbooks, recipe books, fish cooking, ice-cream cooking, baking -
Greensborough Historical Society
Booklet, Greensborough RSL, Greensborough RSL Remembrance Day Service 2015, 11/11/2015
This booklet was produced as an order of service for the 2015 Remembrance Day Service conducted by Reverend Barry Green on behalf of the Greensborough Sub-branch of the RSL. It is accompanied by a short report by Rosie Bray and a poppy sold as a fundraiser.8 pages, Black text on white paper. Accompanying items - Report by R.Bray and poppy.remembrance day 2015, greensborough rsl, barry green -
Greensborough Historical Society
Newsletter, Greenhills and North Greensborough Progress Association, Community News: official journal of the Greenhills and Nth. Greensborough Progress Association. 28th May, 1973. Edition No. 4/73, 28/05/1973
This edition includes a report on the Progress Association's May 1973 meeting, Councillor's report, "And it came to pass", Flats report, Pre-natal and Family Planning Clinic, Star Victorian Association for the Retarded, Montmorency Baseball Club, Kinder news, Letter to the Editor.Newsletter, 24 p., illus.greenhills and north greensborough progress association, greenhills -
Moorabbin Air Museum
Booklet (Item) - Lockheed Super Constellation Sales Brochure
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Moorabbin Air Museum
Booklet (item) - Prop[ Tips - Hamilton Standard Propellers - 2 copies