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Ballarat Tramway Museum
Ephemera - Ticket/s, State Electricity Commission of Victoria (SECV), Set of 9 mixed SEC tickets ex Bendigo, 1963 to 1965
Set of 9 mixed SEC tickets ex Bendigo, donated by Peter. W. Watt. Tickets do not appear to have been used in traffic - no punch marks. Tickets have not been individually numbered with the Registration Number, but can be identified by their ticket number and denomination. All on off white paper unless otherwise noted with a tartan style back unless noted. 3d - 1 -000001- orange paper, plain back, green ink price, black printing and number. 3d - City Section - A 167759 - light orange printing, over stamped in black ink. 2d - City Section - A 181409 - red print, over stamped in black ink. 4d - Z207011 - light brown printing, black number. 5d - B886009 - light green printing, black number. 6d - B652006 - teal printing, black number. 8d - C668537 - red ink, black number. 10d - A747801 - black ink, black number. 1/- - A592805 - purple printing, black ink. See Alan Bradley prepared scheduled of fares on SEC Systems. trams, tramways, tickets, secv, bendigo -
National Vietnam Veterans Museum (NVVM)
Poster, Far Eastern Airways Poster
Poster for Far Eastern Airways depicting two soldiers in combat with the words, "this vacation visit beautiful Vietnam".far eastern airways, poster, soldier -
Melbourne Legacy
Film - Video tape, Johnny Miller 15 sec, 16/8/1977
This tape has not been played but from the label it is a recording from 1977, of 15 seconds duration about Legacy. Possibly it is an advertisement.As the content is unknown so significance is not known, though it is assumed to be promotional material for Legacy from 1977.A video recording on a yellow plastic spool in a cardboard box.Plain box with Melbourne Legacy stamp. Label says Client - Legacy, Product - Johnny Miller, Duration - 1x15 secs, record date 16/8/77legacy promotion, advertisements -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Meeting on the tramway rails", 13/10/1984 12:00:00 AM
Newspaper clipping from The Courier, Monday 13/10/1988, with a photograph of the BTPS Board meeting in a tram following the Annual General Meeting the previous day. Notes the BTPS showing tram 26, the horse tram, patronage was down and some special guests, Notes the work of Dave Macartney and Jacki Edwards. Left to right: Carolyn Dean, Peter Winspur, Frank Hanrahan, Warren Doubleday, Howard Stoney, Paul Miller, Andrew Mitchell, Garry Wood and Stephen Butler.btps, board members, meetings -
Bendigo Historical Society Inc.
Newspaper - NEWSPAPER COLLECTION: BENDIGO ADVERTISER - GIRTON
Bendigo Advertiser from Wednesday, March 14, 1984. Article titled: Girton celebrate its centenary.newspaper, bendigo advertiser, girton college/ bendigo -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Max Speedy conference paper texts with & without photos and tables
Conference papers & diagramsconferences -
National Vietnam Veterans Museum (NVVM)
Poster, Propaganda Poster
Canvas painting highly coloured and mounted on pine frame, showing five Vietnamese soldiers. Two soldiers in green uniforms manning a long range gun. Three soldiers manning another long range gun. Yellow and red writing in Vietnamese. Propaganda (North Vietnamese) on frameHanoi Self defense forces are determined to protect Hanoi Skiespainting, propaganda, north vietnamese, poster -
Bialik College
Film (series) - Final assembly and graduation recordings, 1990s
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National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Vietnam: the ten thousand day war: America's thirty years
vietnam war, 1961-1975 - participation, american -
Canterbury History Group
Ephemera - 6 Logan Street Canterbury, {2007}
Real estate advertisement for the sale of "Raasay" c1903 6 Logan Street Canterbury on Saturday 26 August {2007} by Kay & Burton. Includes coloured photographs of the interior, exterior and streetscapecanterbury, logan street, queen anne style, fountains, raasay -
Ballarat Tramway Museum
Newspaper, N. Hill, "Off the rails about our trams", 27/03/1996 12:00:00 AM
Letters to the Editor of The Courier, Ballarat, of 27/3/1996, titled "Off the rails about our trams" written by N. Hill of Skipton St. Ballarat responding to a letter from M. Sargent of March 9 see Reg. Item 1498. Supports the return of trams to Ballarat. On the bottom of the cutting, a piece of tape has been added to add newspaper details.On the bottom edge " Ballarat Courier WED 27/3/96".letter to the editor, ballarat city tramway, ballarat revival -
Park Orchards Community House
Newspaper, Herb course at Park Orchards Community House with tutor Mavis Porter. Doncaster and Templestowe News 27 September 1988
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Ballarat Tramway Museum
Ephemera - Ticket, State Electricity Commission of Victoria (SECV), Set of SEC predecimal tickets - Wal Jack Collection, 1966
Yields information about the style and printing of tickets used in Ballarat tramways and how they were presented at the commencement of the SEC fare system. Generally issued c1966 following decimal currency, not formally used.Two number - 3 No. - Paper SEC ticket - 4c City Section in value, (Four cents) - orange ink on off white paper, numbered A280738, 740 and 741. The ticket price is in orange ink while the ticket number itself is in black ink. On rear in orange ink is a diagonal criss cross or tartan pattern. Tickets have not been used, torn complete from block. Have not been numbered on rear. All tickets and Reg Item 4006, 4007, 4009 to 4018 were received originally in a folded cloth wrapper - wax canvas? - see Reg item 4009. See Alan Bradley notes on SEC tickets. trams, tramways, secv, ticket, transfer tickets -
Canterbury History Group
Ephemera - Canterbury, 39 Matlock Street, 1/08/2013 12:00:00 AM
Advertising material for the sale of 39 Matlock Street Canterbury by Fletchers .Auction on Saturday 24th August 2013 Includes coloured photographs of the interior and exterior of the house and a floor and site plancanterbury, matlock street, edwardian style -
Melbourne Tram Museum
Newspaper, tram 195, Q class running in Flinders St, 14/07/1929 12:00:00 AM
Newspaper Clipping - from a Melbourne newspaper, 15/7/1927 with a photo of tram 195, Q class running in Flinders St or Spencer St from Spencer St to Swanston St following the opening of the electric line. Titled "New Era Begins". Has workmen in the photo. Caption refers to the previous day operation. The timeline gives the date of the opening as Thursday 14/7/1927 Checked for The Argus in Trove - not shown on line.trams, tramways, conversion, flinders st, spencer st, q class -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, Unknown building
Ballarat History35mm B&W Kodak Panatomic X Filmballarat, ballaraat, building -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Leader, The Flowers That Bloom, 1927
(1) Photograph from a newspaper. Caption: "This fine show of hydrangeas was photographed at the Burnley Horticultural gardens. Not for years has there been such a fine display of these beautiful flowers." Comments from George Russ, who is probably the man in the photograph. (2) Photograph from "The Leader," September 10, 1927 of 4 female students standing with a staff member who is holding a plant, in the Gardens.the leader, flowers, hydrangeas, burnley horticultural college, george russ, female students, outside class -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Kadimah Jewish Cultural Centre and National Library
Programme, Sing my Folk; 1955
Play in 3 acts, directed by Z. Turkow. Orchestra conducted by Ch. Wainer. Piano Miriam Rochlindovid herman theatre, zygmunt turkow, shmuel migdalek, jacob levine, shie tigel, yehudas silman, stell brustman, jacque dessauer, a. wygushin, yasha sher, chana kochlarzs, jack felder, mendel shmering -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Herald, Women Gardeners are sought after - some mow lawns - and not just because husbands won't, 1927
Features interviews with AW Jessep and FJ Rae who comment on the demand for women gardeners and the salaries they can earn. Also mentions Edna Walling.Newspaper cutting from "The Herald", September 15, 1927. "Women Gardeners are Sought After."the herald, a.w. jessep, f.j. rae, edna walling, female students, burnley horticultural college, careers, salaries -
Clunes Museum
Programme - PROGRAMMES, R.S.L, 2015
Programmes for the 100 year celebration of ANZAC day 2015. Extracts from "A Day to Remember", a book produced in 2014 by Harper Collins Publishers.1 5 Pages, A4, stapled together, contains extracts from "A Day to Remember" .2 11 pages, A4, stapled together, contains order of Dawn Service .3 7 pages, A4, stapled together, contains order of March and Wreath Laying .4 4 pages, A4, stapled together, contains order of Commemorative Service at the Clunes Town hallNilanzac day 2015, ww1 -
Whitehorse Historical Society Inc.
Newspaper - Article, Nunawading. It's not the end of the line, 24/10/1961
Description of Nunawading with emphasis on the saving of trees. Nunawading is the third fastest growing area in Melbourne. There is a large migrant population.. Photographs of Forest Hill, Sylvan Court.and Nunawading Methodist Church.nunawading methodist church, nunawading, forest hill, sylvan court, migrants, land subdivision, trees -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HISTORIC
Bendigo Advertiser ''The way we were'' from 2000. Historic: View of Bendigo goldfields at the New Chum line of reef, 1875. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "People and Places - Lake Fun", 26/12/2002 12:00:00 AM
Newspaper clipping from The Courier, Ballarat, dated 26/12/2002, titled "People and Places - Lake Fun", featuring a colour photograph of Sam Boon and Roger Salen on tram No. 45, during Sunday 22/12/2002. Roger Salen was dressed as Father Christmas.christmas trams, decorated trams, btm -
Melbourne Tram Museum
Newspaper, Mail Footscray, "Whoops - wrong way", 5/08/1981 12:00:00 AM
Newspaper cutting from the Mail Footscray about W2 227 derailing while turning from Ballarat Road into Gordon St and heading towards the Power Hotel on the Monday (3/8/1981) afternoon. Titled "Whoops - wrong way" See also Reg item 1639 for its subsequent sale to a Lilydale property, though this may not be correct - a check with the tramcar card shows that it was withdrawn and sold during July 1981 and that Z3 227 did not enter service until 1984. Cuttings has the Aust. Press Cuttings Agency source sheet pasted to the top right hand corner along with the paper name and date stamp.Has in pencil at top of cutting "MT/Ballarat Trams"trams, tramways, accidents, mmtb, footscray, ballarat rd, gordon st, w2 class, tram 227 -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, Barry Rust A.M. - Platoon Commander
Short account of his 2 Tours as a Platoon Commander.Service No. 3169801photographic exhibition, behind the wire -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: OFF AND RUNNING
6 Bendigo Advertiser "The way we were" from Saturday, June 5, 2004. Off and running: the Bendigo Fire Brigade's running team from the mid 1940s looked superbly fit when this photograph was taken. Back row: Ron Thomas, Bill Boxshall, Leo Rodda, Bill Margingo, Fred Gannaway and Ken Grose. Front row: Keith Hocking, Dave Harries, Ron McKerlie and Alf Grieson.newspaper, bendigo advertiser, the way we were -
St Kilda Historical Society
Ephemera - Invitation - mayoral ball, Borough of St Kilda, 1889
Samuel England Jeans, Mayor of St Kilda 1888-1889Cream card with brown printing and bearing logo of Borough of St Kilda1889 Borough of St Kilda. The Mayor of St Kilda (Councillor S. E. Jean)s and Mrs Jeans request the pleasure of Mr and Mrs Pugh's Company at a Ball in the Town Hall, St Kilda, on Tuesday Evening, 9th July, at 8.30 o'clock. The favour of an early reply (addressed to the Town Clerk, Town Hall, St. Kilda) is particularly requested.borough of st kilda, 1889, samuel england jeans, st kilda - history, 19th century, st kilda mayoral function -
National Wool Museum
Ephemera - Paper Square with Red Crosses, 1950s - 1970s
Square of paper with hand written red crosses in small squares.charts, paper -
Melton City Libraries
Newspaper, What happened between May and August, 1991
Mail Express article of events which took place in Melton between May and August in 1990local significant events