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Port Fairy Historical Society Museum and Archives
Ceremonial object - Axe and Hand, 1900s
Used for ceremonial purposes by the members of the Farmers arms Lodge OrfordCeremonial axe and hand: a. Stained wood handle ceremonial painted head, floral emblem, skull and cross bones. b. Wooden hand clasping heart in palmMORS on axe headlocal history, societies, grand united order of oddfellows, orford -
Falls Creek Historical Society
Poster - Kangaroo Hoppet 1991
The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 1991 the Men's Winner was John Aalberg from USA in a time of 1:56:12. The winner of the Women's event was Betsy Youngman of USA in a time of 2:16:55.This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A large coloured poster featuring several images: from top:- Kangaroo symbol: a large group of cross country skiers; sunset over the mountains; mountains in the daytime with a skier on the right and the central image of a skier superimposed over the other images. The logo for Worldloppet is in the centre beneath the main image beside the logo for QANTAS. This was the poster for the first Kangaroo Hoppet held as an international event.Above image: AUSTRALIA' S SKI MARATHON / FALLS CREEK VICTORIA / Kangaroo Hoppet Beneath image: 31 AUGUST 1991 / 42/21/7 km DETAILS FROM RACE SECRETARY BOX 192 MT. BEAUTY 3699 AUSTRALIAkangaroo hoppet, worldloppet events, falls creek, mt. beauty -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, The Vietnam War: the TET Offensive
vietnam war, 1961-1975 - participation, american -
Melbourne Legacy
Programme, A Legacy Night to Remember, 1985
Programme for September 1985 Legacy Week 'A Legacy Night to Remember' concert at Melbourne Concert Hall on September 2, 1985. Photos in programme of the following: Australian Jazz Band, Barry Crocker, Simon Gallaher, Rolf Harris, Anne & Johnny Hawker's Band, Colleen Hewett, Jackie Love, Paul Martelle, 3rd Military District 'Redcoats'. Special guest compere - Daryl Somers. Photos of the evening at are 01412.Example of program from major Legacy fundraising event during Legacy Week.Programme for a Legacy concert. White paper with blue and black printing. Contains photographs of famous Australians who supported Legacy. Two inserts on blue and yellow paper.legacy promotion, fundraising, concert, gala performance -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Hat, R.W. Bredin & Son, City of Brighton Mayor's tricorne hat, C. 1975-1985
Triangular shaped black velvet ceremonial headwear with black ostrich feathers attached from each corner/point to centre. Gold coloured brocade and decorative button on the left-hand side, atop black pleated fabric. Satin-like lining, adjustable drawstring, with hard head support under the material.tricorne, hat, mayor, ceremonial wear, city of brighton, bayside, headwear, ostrich feathers, r.w. bredin & son, mayoral regalia -
St Kilda Historical Society
Ephemera - Invitation, Billiard Games, c1930s
Invitation by the President and Committee of the St Kilda Army and Navy Club to the Billiard Games in connection with the South Suburban Amateur Billiard Association at the Memorial Hall, St Kilda, at 8pm on 18 June. The year is not specified.Cream coloured card printed one side in blackst kilda army & navy club, st kilda memorial hall, memo, malvern club, south suburban amateur billiard association -
Melbourne Tram Museum
Poster, Yarra Trams, "Melbourne's Tram Fleet", 2019
Poster or list - colour print of a photograph or photocopy of a poster, A4 sheet, titled "Melbourne's Tram Fleet", detailing the type of tram used by Yarra Trams, W class, Z3, A, B, C1, C2, D3, D5 and E. Includes the number of each class (2019), routes and capacity. Has a print date of 27/2/2021trams, tramways, posters, tramcars, lists, yarra trams -
Kiewa Valley Historical Society
Poster, Caring & Sharing - Connecting the Community
Photographs of Community Activities. Restoration of the Arboretum. Workers. Scouts. Lion Club Activities The last poster in a permanent series was to be titled "Caring and Sharing - Connecting the Community". Unfortunately insufficient material was offered to present organisations at work and at play in the community.community. arboretum. lions club. scouts. -
National Vietnam Veterans Museum (NVVM)
Film - Film, USB
A black San Disk USB 3.0 16GB flash drive of Phillip Cogan, 2 Pit A Company, 7 RAR. A collection of photograpghs of Phillip and related vietnam picturesusb stick, photograph -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, The Changing of a Life
Wooden framed written information of significance about the Ballot Marbles (national service call up)national service ballot, framed display -
Port Melbourne Historical & Preservation Society
Programme - Exhibition guide to "Cabinets of Wonder- Extraordinary Collections of Ephemera", Minimo Cozzolino, "Cabinets of Wonder- Extraordinary Collections of Ephemera", Unknown
The Swallow & Ariell promotional postcards had featured in aprevious Ephemera Society newsletter, and were requested for this event.Exhibition guide to "Cabinets of Wonder- Extraordinary Collections of Ephemera", an Ephemera Society event held at the Royal Historical Society in which Italian Swallow & Ariell postcards from the PMHPS collectionwere displayed in 2016exhibitions, mandy bede, minimo cozzolino -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Slides taken in the Vietnam War by Graham Stone
Approx. 1,000 slides taken by Graham Stone, Unit Photographer in the 1st Aust. Psych. Unit.vietnam war, 1961 - 1975, personal narratives - australian, australian defence force academy (adfa) -
City of Greater Bendigo - Civic Collection
Ceremonial object - Shire of Huntly Medallion
Shire of Huntly stirling silver hand engraved drop suspended from a ling blue masonic ribbon. Front; SHIRE OF HUNGLY / 1886 / UNITA FORTIOR. Verso; PRESENTED TO THE SHIRE OF HUNTLY / BY CR. THE HON. M. A. CLARKE / 12TH AUGUST 1981shire of huntly, city of greater bendigo ceremonial item -
Melbourne Legacy
Film, Lord Dunrossil, 1960
Black and white film showing a Legacy Demonstration performing for Lord Dunrossil. Viscount Dunrossil was Governor General 1960-61. Demonstration for him and his wife by Legacy children at a primary school showing library, craft classes, exercise classes and woodworking. Both he and Lady Dunrossil interacted with the children, who appear overawed by their visitors and the fact that they were being filmed. There are also Legatees present. The girls wear a light coloured uniform with a Legacy logo embroidered onto the left hand side of the chest. The boys wear a shirt, tie and pullover. The lady who appears to be the headmistress is wearing a hat and gloves, whilst Lady Dunrossil wears hat, gloves and fur stole. 7 mins 17 secs. 16mm B&W no sound. His brief year in office as Governor General ended when he passed away suddenly 3 Feb 1961. According to an article in Trove, he toured Gippsland in August 1960 and attended a school and a festival, the proceeds of the festival was donated to Legacy and other charities. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Legacy had a high profile in the community at the time, which is indicated by the Governor General attending a school which was educating Legacy children.Silver metal canister with a reel of film about Lord Dunrossil.Handwritten label 'Lord Dunrossil'. Kodak Limited London, bottom of canister.junior legatee outing, governor general, junior legatee, patron -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Chalice cover, 1907 to mid 20th century
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white fabric has been hand stitched and a drawn-thread design of a cross has been handworked into the fabric. Drawn-thread symbol [cross]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, drawn-thread, needlework -
Glenelg Shire Council Cultural Collection
Programme - Programme of events for the Portland Centenary celebrations 1934, c. 1934
Portland Centenary celebrations 1934Single fold DL flyer, programme of events for the Portland Centenary celebrations 13 - 20 NOV 1934. White paper, black print. Photo of Edward Henty and Portland Bay on front, warships in Portland Bay at sunrise, on back.portland centenary celebrations 1934 -
St Kilda Historical Society
Ephemera - Ticket, The Fairy Tale Fancy Dress Ball, 1917
Pink coloured card printed in blackst kilda patriotic committee, wwi, world war i, st kilda balls -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, Circa 1872
Commemorative engraved silver trowel in a black leather box with a blue silk and velvet lining. Trowel is decorated and has an inscription and hallmark on the front. It has plain bone handle. "Presented to Mrs S.G.King on the occasion on the laying of the memorial stone of the Hotham Hill Wesleyan Church Dec 16th 1872" -
Warrnambool and District Historical Society Inc.
Programme - Back to Warrnambool 1930 official souvenir program, January, 1930
This booklet contains the Program for the Back to Warrnambool Celebrations for 1930. It contains a brief history of the town and photos of current council Office bearers and local scenic spots. There is also a map of the town and a large number of advertisements for local businesses. Back to Warrnambool celebrations were an important event on the social calendar and were run over a number of years in the town. This program is one glimpse into the city and its people in 1930. Some of the events held over the week included processions, sports Carnivals, concerts, card playing, Church services and local tours. Many of the advertisements are for businesses of long standing and importance to the prosperity of the town. Twenty page Booklet with light card, grey, mottled cover. Text in brown and blue. Picture of Warrnambool main beach in centre. Price 2/- in bottom right corner. Back cover has full page advertisement for Bruce and McClure. Text and illustrations are brown. M Armstrong is written in blue biro on top right corner. Song “Back to Warrnambool,” written and composed by Reg A.A. Stoneham,” is printed below picture on front cover. Published by A.A. Stoneham, 241 Carlisle St, Balaclava.younger pty ltd, warrnambool, back to warrnambool, 1930, souvenir program, warrnambool cordials, morse pty, swinton, warrnambool cheese and butter factory, batros shoes, tattersalls hotel, bruce and mcclure, warrnambool woollen mill, reg a. a. stoneham -
Clunes Museum
Programme
A4 FOLDED SHEEET OF PAPER WITH IMAGE OF PEOPLE ON FRONT COVER LISTENING TO A MAN STANDING AT A PODIUM OUTLINES THE EVENTS OF THE SPRING PROGRAMME OF 2023attitude, aging well in clunes -
Kew Historical Society Inc
Programme - Theatre Programme, Trial and Error / by Kenneth Horne, 1958
From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Trial and Error by Kenneth Horne. Performances took place in the Kew Recreation Hall in November 1958. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.arthur dear collection, the kew repertory players, theatre - victoria, theatre - kew, kew recreation hall, trial and error, kenneth horne -
Marysville & District Historical Society
Ephemera (Item) - Tourist brochure, Victorian Government Tourist Bureau, Marysville Victoria Australia, Unknown
A tourist brochure on Marysville and the surrounding area published by the Victorian Government Tourist Bureau for the Marysville Tourist and Progress Association.A tourist brochure on Marysville and the surrounding area published by the Victorian Government Tourist Bureau for the Marysville Tourist and Progress Association.marysville, victoria, tourist brochure, victorian government tourist bureau, cumberland valley, cumberland falls, cora-lyn falls, robart's lookout, meeting of the waters, warburton, acheron way, healesville, launching place, reefton spur, upper yarra dam, maroondah highway, black spur, maroondah dam, alexandra, mansfield, jamieson, wood's point, eildon weir, snob's creek, rubicon, lake mountain, marysville tourist and progress association, the cumberland, kerami guest house, kooringa guest house, marylands guest house, marylyn guesthouse, marysville hotel, mount kitchener house, barton brothers' store, fruit salad farm, marysville dairy, marysville caravan park, marysville garage, marysville riding school, marysville theatre, mckenzie's tourist services, potters fruit and milk bar, arosa holiday cottages, scenic motel, beauty spot walk, red hill walk, wishing well, taggerty river, mount gordon, steavenson falls, keppel's lookout, keppel's falls -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, Tony White
Coloured photograph.photographic exhibition, behind the wire, medical personnel, vung tau -
Port Melbourne Historical & Preservation Society
Programme - Port Melbourne Community Festival, Maree Menzel et al, Feb 2001
Poster and program promote the two day Festival organised by a community based committee under the auspices of the Port Melbourne Neighbourhood House.Program for the 2001 Port Melbourne Community Festival. Images of Port such as sail and ferry, in pink, blue and green, A3, folded to A6 and including full program of activities, coupons and mapcelebrations fetes and exhibitions, maree menzel, pat grainger, port melbourne neighbourhood house -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Dedication of the Caribou Classroom, Vietnam Veterans Museum, Phillip Island, 22nd July 2018 (Long Version 52 mins), 4 copies, 22/07/2018 12:00:00 AM
caribou classroom, national vietnam veterans museum -
Ballarat Tramway Museum
Ephemera - Ticket, Ballarat Tramway's Patriotic Fair Committee, Treasure Tram, 1944
Yields information and has strong association with an important tramway fund raising event during the second world war. The event and other work saw Ballarat conductress Sylvia Mitchell win the Most popular conductress competition from within the Victorian tramway depots.Raffle ticket for the Ballarat Tramway's Patriotic Fair, Most Popular Conductress Competition, Treasure Tram, 1944. Printed on light coloured orange paper, with a two colour, red and green image of the tram. Summary lists of the objects in the treasure tram and what you could use it for. Printed by Waller and Chester by courtesy of Messier and Opie of 17 Bridge St Ballarat. Advises that the results would be published in the papers of 31st July 1944. trams, tramways, world war i, most popular conductress competition, conductresses, treasure tram -
Melbourne Tram Museum
Ephemera - MMTB Transfer ticket - Caulfield area, Melbourne & Metropolitan Tramways Board (MMTB), 1950s
MMTB paper transfer ticket that was issued by the conductor / or bus driver to enable a transfer between tram and bus services. Has the transfer points or routes listed with the conditions of use listed on the rear. Number C GH E 546278 - issued by the Glen Huntly depot.Yields information about the Transfer tickets used by the Glen Huntly tram depot.Paper flimsy ticket MMTB with purple and black printing.tramways, tickets, melbourne, mmtb, transfer tickets, glen huntly, glenhuntly depot -
University of Melbourne, Burnley Campus Archives
Programme - Graduation Ceremony Program, Department of Agriculture, Victoria, Graduation Ceremony & Official Opening of the Student Amenities Building, 1973
The Student Amenities Building was officially opened by the Hon. R. J. Hamer, Premier of Victoria. Also present: Ian Smith, Minister for Agriculture and Dr. D. S. Wishart, Director of Agriculture.graduation ceremony, student amenities building, sketch, burnley horticultural college, the hon. r. j. hamer, ian smith premier of victoria, minister for agriculture, dr. d. s. wishart, director of agriculture, graduation ceremony programme -
Kadimah Jewish Cultural Centre and National Library
Programme, 70 Years Yiddish Theatre in Australia; 1980
Anniversary Celebration to celebrate 70 years of Yiddish Theatre in Australia. Held at the Kadimah in September 1980 and featuring music, theatre and lectures.yasha sher, a. zeleznikow, bono wiener, s. roznkrantz, dovid herman theatre, melbourne yiddish youth theatre