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Federation University Historical Collection
Pamphlet - Course Pamphlets, Ballarat Institute of Advanced Education Course Pamphlets, 1970s
Ballarat Institute of Advanced Education (BIAE) is a predecessor of Federation University .1 White A5 pamphlet for Business Studies with crest, black writing and matt gold square and lines .2 White A5 pamphlet for Art with crest, black writing and burnt orange square and lines .3 White A5 pamphlet for General Studies with crest., black writing and pink square and lines .4 White A5 pamphlet for Mechanical Engineering with crest, black writing and red square and lines .5 White A5 pamphlet for Mining Engineering with crest, black writing and grey square and lines .6 White A5 pamphlet for Electrical Engineering with crest, black writing yellow square and lines .7 White A5 pamphlet for Civil Engineering with crest, black writing and magenta square and lines .8 White A5 pamphlet for Applied Geology with crest, black writing and lemon yellow square and lines .9 White A5 pamphlet for Applied Chemistry with crest, black writing and green square and lines .10 White A5 pamphlet for Malting and Brewing (Post-Graduate) with crest, black writing and peach square and lines .11 White A5 pamphlet for Metallurgy with crest, black writing and blue square and lines .12 White A5 pamphlet for Appled Physics with crest, black writing and maroon square and lines course information, ballarat institute of advanced education, business studies, art, general studies, mechanical engineering, mining engineering, electrical engineering, civil engineering, applied geology, applied chemistry, malting & brewing, metallurgy, applied physics -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Photos from the Vietnam War & 105 Field Battery RAA 1965-1966 - Larry Barker, Ken Gann & Barry Voyzey
105 field battery, vietnam war, 1961 - 1975, personal narratives - australian -
Bendigo Military Museum
Programme - PRESENTATION OF FRENCH LEGION OF HONOUR, Office of the Prime Minister, pre 21.7.1998
This is a copy of the original produced by the Office of the Prime Minister of Australia. The presentation of the French Legion of Honour to John Henry Lockett (Jack) by the French Ambassador His Excellency Dominique Giraud was to be held in the main Hall of the Soldiers Memorial Institute Pall Mall Bendigo on 21.7.1998. (Now Bendigo Military Museum) Refer Cat No 8144 re the program on the day, Cat No 8145.10P for photographs.Program copy of original, 3 pages stapled, all print in black on yellow background. Details the presentation of the French Legion of Honour by the French Ambassador Dominique Giraud to John Henry Lockett on 21 July 1998. Covers arrivals, guests, timings, dress, speeches with the main guest being the Australian Prime Minister Mr John Howard.brsl, smirsl, french, legion of honour -
Moorabbin Air Museum
Pamphlet (Item) - Ansett Rolls Royce Spey
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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Film - Film 16 mm, Australian Broadcasting Commission, Opening of Military Museum, 30/7/1978
16 mm film, 232 ft. duration 6.11 Showing opening of Regimental Museum, then located at George Street, Fitzroy VicNXV 2178 - 30.7.78australian military history, museum -
Kadimah Jewish Cultural Centre and National Library
Programme, Jacob Waislitz first performance: 1938
Friends of Yiddish world school presence in Poland and Melbournedovid herman theatre, jacob waislitz -
Bendigo Historical Society Inc.
Programme - LYDIA CHANCELLOR COLLECTION: GOLDEN SQUARE METHODIST CHURCH PROGRAMME FOR EASTER GOOD FRIDAY, 1966
LYDIA CHANCELLOR COLLECTION: Golden Square Methodist Church Programme for Easter Good Friday 8th April 1966 The Cross of Christ - a devotion for congregation and choirbendigo, history, churches -
Wooragee Landcare Group
Newsletter
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Kew Historical Society Inc
Programme, Kew Light Opera Company, The Cingalee OR Sunny Ceylon, 1953
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'The Cingalee'. Performances were held in the Kew Recreation Hall on 2, 3, 4, 5, 6 June 1953. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, theatre, performing arts -
Ballarat Tramway Museum
Pamphlet, South Pacific Electric Railway, "Trams Return to Sydney", 1961
Folded foolscap sheet, printed, titled "Trams Return to Sydney", with a photo of three trams on the Royal Park line at Loftus, c1961, prior to actual operation of the trams. Provides notes on the site, SPER, progress and plans. On rear has a plan of the area relative to Sutherland station.trams, tramways, sper, sydney trams -
Moorabbin Air Museum
Newsletter (Item) - South Australian Air journal newsletters, South Australian Air Journal 25th Anniversary 1972 - 1997
South Australian Air -
Moorabbin Air Museum
Pamphlet (item) - CAC Commonwealth Aircraft Corporation Apprenticeships, Apprenticeship Commonwealth Aircraft Corporation Pty Ltd
Commonwealth Aircraft Corporation -
Melbourne Tram Museum
Pamphlet, Minister of Transport, "Linking Melbourne Metropolitan Transport Plan Summary", Nov. 2004
Pamphlet - DL size, four fold full colour printed on gloss paper titled "Linking Melbourne Metropolitan Transport Plan Summary" looking at the Vic Government transport planning , Nov. 2004, progress, its basis with a message from Transport Minister Peter Batchelor.trams, tramways, minister for transport, planning, public transport -
Kew Historical Society Inc
Programme, Kew Canoe Carnival, 1939
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.10-page souvenir programme for the Kew Canoe Carnival to be held at Yarra Bend National Park on Saturday February 18th, 1939. Proceeds were designed to assist the Victorian Society for Crippled Children. Front cover shows photograph taken at the previous year's carnival. The site of the carnival shown on an internal map was upriver from Macauley's boat house. Photograph on back cover shows canoeists at Kew Boat Sheds, 45 Molesworth Street.kew canoe carnivals, recreation -- river yarra, christian-washfold collection -
Bialik College
Film - Bialik College Grease Feature Presentation 2 disc set
Created in 2007 by Bialik College the 2 dvd set. Disc one contains the feature presentation. Disc two contains images of rehearsals, camp, backstage, cameos, and Genia Janover's Speech. For use and permissions email the archive at [email protected] opaque dvd case with library barcodes and security passes affixed to the outside. Inside the case are two dvd. theatre, bialik college, judaism -
Moorabbin Air Museum
Pamphlet (Item) - "Flight & Space" 20th Century - Herald Sun 1999
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Melbourne Tram Museum
Pamphlet, Public Transport Victoria (PTV), "Service Changes - White Night", Feb. 2017
Pamphlet - 2 fold full colour printed cut to hang over a grab rail on a tram advertising Service Changes for the White Night event, 18 Feb. 2017 and providing details of extra tram, bus and train services. Has a map showing the White Night Zone and where services could be found. Has Victorian Government, Yarra Trams and PTV logos.trams, tramways, night trams, public transport, ptv, events, melbourne -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, Statue, Child & Dog, Sturt St, Ballarat
Ballarat History35mm B&W Kodak Plus X Pan Film.ballarat, ballaraat, statue, child-dog, sturt st -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Vietnam War: Volume 4: No substitute for victory
Series of 5 Film, DVD's on the USA's involvement in the Vietnam Warvietnam war, 1961-1975 - participation, american -
Moorabbin Air Museum
Pamphlet (item) - RAAF Historical Records Brochure, Historical Records 'Preserving RAAF History for the Future'
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Clunes Museum
Programme - PROGRAM WESLEY
ITEM FROM SHOWBAGWESLEY - FAMILY FUN DAY CLUNES PROGRAMprogram, leaflet, schools, wesley -
Port Melbourne Historical & Preservation Society
Pamphlet, West Gate Bridge Progress Report, 1977 - 1979
.04 - .07 ; 4 photocopies of early aerial shots of Kitchens, footy ground and surrounding areas - probably 1920s .08 - Page from Emerald Hills and Sandridge Times 22.02.1979, has two articles (a) relating to Claude Butcher "The last of the clip-clop Milkos". (b) relating to the retirement of the PMCC Electrical Engineer, Jack Andersonengineering - bridges, local government - city of port melbourne, industry - manufacturing, built environment - recreational facilities, built environment - industrial, lower yarra crossing authority, claude butcher, jack anderson, pmcc electricity supply, port melbourne football ground, j kitchen & sons pty ltd, west gate bridge -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, Golden City Hotel, Sturt St, Ballarat, National Trust Classification
Ballarat History35mm B&W Kodak Panatomic X Filmballarat, ballaraat, golden, city, hotel -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, 9 RAR Vietnam, 1969-1969
2 Film, DVD's consisting of a movie film & slides taken during his tour of Vietnam & a not from ray describing the Film, DVDs.9 rar, vietnam war, 1961-1975- personal narratives, australian -
Whitehorse Historical Society Inc.
Pamphlet, City of Nunawading Financial report 1965-66, 1966
Printed summary prepared for ratepayers.Printed summary prepared for ratepayers.Printed summary prepared for ratepayers.city of nunawading, local government, local government finance -
Port Melbourne Historical & Preservation Society
Programme - Premier voyage of the Spirit of Tasmania, 1993
Donated to the Society by Liana and David Thompson, who acquired the items as guests of TT Lines on the premier voyage, flying to Devonport and returning on the ship. Refer photos 1265 and 1270.One of several souvenirs from the premier voyage of the Spirit of Tasmania, Devonport to Port Melbourne November 1993, a trip made by Port Melbourne Mayor Liana Thompson and her husband David: Shipboard program, A4transport - ferries, celebrations fetes and exhibitions, liana thompson, mayors, david thompson, tt-line co pty ltd, spirit of tasmania -
Port Melbourne Historical & Preservation Society
Pamphlet, Ewan Ogilvy's Bayside Papers, Box Three - Beacon Cove - A Future for Princes Pier, 1990s
Ewan Ogilvy, former Melbourne Councillor and also of Community Services Victoria, Inner Urban Ministerial Advisory Committee and Uniting Church's Centre for Urban Research and Action (CURA), was instrumental in social justice approaches to town planning. He and CURA's Social Justice and the City Project funded Port Melbourne community groups protesting against the SCDC development in 1987. His files were presented to the Society in May 2001 on his preparation for leaving Victoria.From Ewan Ogilvy's chronologically organised 'Bayside Papers' relating to the proposed development of Port Melbourne industrial land in the late 1980s: 'Beacon Cove - A Future for Princes Pier' - promotional brochure for development of Princes Pier (Mirvac Beacon Cove Stage 2)Signed 'Ewan Ogilvy'town planning, town planning - proposals shelved - bayside, environmental issues, ewan ogilvy, mirvac victoria -
Melbourne Tram Museum
Pamphlet, Public Transport Victoria (PTV), "Tram service changes St Kilda Rd & Toorak Rd", Jun. 2017
.1 - Pamphlet - four fold - DL side four colour printed on off-white paper, titled "Tram service changes St Kilda Rd & Toorak Rd", advising intending passengers of the work between 1/7/2017 and 11/7/2017 to connect route 8 at Toorak Road West into St Kilda road the closure of the route via Park and Domain Road. Has a map, list of service changes, bus replacement guides and contact information. Has the logos of Metro Tunnel, Yarra Trams and PTV. .2 Pamphlet, printed and cut for use in trams around passenger hanging rails, titled "St Kilda Rd Tram and Bus service changes - Saturday 1 to Tuesday 11 July" - details bus replacement services and tram stops. Related to the main pamphlet - see image Set of five digital images taken at stop 25, Park St advising of the route diversion, replacement services and stop closure and two protest posters on fences nearby the stop about the Metro Tunnel project trucks using the local streets and the closure of the Park St / Domain Road tram line. .2 Pamphlet, printed and cut for use in trams around passenger hanging rails, titled "St Kilda Rd Tram and Bus service changes - Saturday 1 to Tuesday 11 July" - details bus replacement services and tram stops. Related to the main pamphlet.trams, tramways, park st, domain junction, metro tunnel, toorak rd, st kilda rd, tramway construction -
Ballarat Heritage Services
Pamphlet - Photograph - Colour, Grave at Vaughan Chinese Cemetery, 2017, 16/07/2017
This site was used as a burial ground from 1855 (about) to 1859. European and Chinese pioneers rest here. The Bendigo Chinese Society Honouring the memory of their Countrymen, fenced the site, 1928 Population of Vaughan 1859, 13000vaughan, vaughan springs, vaughan chinese cemetery, chinese, thomas eynon -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt