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Melbourne Tram Museum
Poster, Yarra Trams, "Melbourne Tram Network" and "Routes from this stop", Dec. 2012
Full colour poster printed on a vinyl plasticized based sheet, titled "Melbourne Tram Network" - showing a diagrammatic layout of Melbourne tram routes, Myki ticket notes and where tickets can be obtained, information numbers (PTV, phone applications) and information on Tram Tracker, twitter and other contact systems on the left side and a blank right side titled "Routes from this stop" Map shown as effective April 2011, and printed December. 2012. Has the document information on the right hand side of the poster. See Reg Item 628 for an example of how this base poster was used. Two copies held.trams, tramways, yarra trams, ptv, maps, tramtracker, myki -
Phillip Island and District Historical Society Inc.
Programme, Annual Report and statement of "Warley" Cowes Bus Nursing Hospital 1972 and Diamond Jubilee celebrations 1983
HistoricalReport is an A4 cream sheet with black and red print., folded in half. Office bearers are listed and financial, secretary's and Ladies Auxiliary reports are included. Two single sheets inside have meeting information and prices of subscriptions. Celebration is cream cardboard, folded in half with blue print and photo of the original hospital on cover. The program for the day is inside.Annual Report and statement of "Warley" Cowes Bush nursing Hospital for the year ended 31st March 1972. "Warley" Bush Nursing Hospital Diamond Jubilee celebration Sunday, December 4th ,1983hospital, warley hospital -
Bendigo Historical Society Inc.
Programme - The Countess Maritza
Countess is an operetta in three acts by Emmerich KalmanBendigo Operatic Socety Music Programme for "The Countess Maritza" - an operetta in 3 acts, opening for 5 nights, commencing Friday 25th November, 1966 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers, Orchestra, ballet and chorus mistresses and songs.programme, concert, bendigo operatic society, capital theatre -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Programme - Two Programs for Mayoral Functions held in the City of Moorabbin. 1946 & 1953, City of Moorabbin Council, 1946 & 1953
“City of Moorabbin” The township of Moorabbin, known as South Brighton until 1909, remained small, with the Plough and Harrow Hotel as its main building. In 1917 Sandringham borough was formed by severance from Moorabbin shire and in 1920 Mentone and Mordialloc were also severed. In the remaining Moorabbin shire the Moorabbin township was still small (1,770 persons), but the shire grew in population during the 1930s. On 10 October 1934 it was proclaimed a city. It existed as a separate municipality until 1995. When local government boundaries were changed in 1994 about half of Moorabbin city was united with Glen Eira city and about half with Kingston city. On 15 December, 1994 the City of Chelsea, parts of the Cities of Mordialloc, Moorabbin, Springvale and Oakleigh were amalgamated to create the City of Kingston by Order of the Governor in Council. On the same day Glen Eira City Council was formed from the City of Caulfield and the remaining part of the City of Moorabbin.Official functions held in the City of Moorabbin 1946 & 1953Two program cards, one green 1946 and the other cream 1953. The inside lists the entertainment during the reception of the Mayoral functions of the City of Moorabbina) RECEPTION /given by the / MAYOR AND MAYORESS / of MOORABBIN / 1946 b) RECEPTION / given by the / MAYORESS of MOORABBIN / 1953mcc, marriott, ward, coates, city of moorabbin, reception, program cards, entertainment, market gardeners, early settlers, cheltenham, moorabbin, bentleigh -
Ruyton Girls' School
Programme, Ruyton Girls' School, Ruyton Speech Night Programme, 1948
Ruyton Girls' School has a long tradition of awarding prizes to students at annual "Speech Night" events. Speech Night commenced at Ruyton in 1878; the same year in which the School was founded by Mrs Charlotte Anderson. The Ruytonian December 1944, which recounts events from the last year to date, notes the 1943 Speech Night was the sixty-fifth iteration of the occasion. Previously, students were awarded customary books produced in England which were bound in navy blue leather, with the School's name and motto debossed in gold leaf. Speech Night at Ruyton is an extraordinary occasion. It is a time when the School gathers to celebrate both the year just lived and the contribution of Year 12 girls to the life of the School. It is a night of stirring student speeches, acknowledgement of student endeavour and excellence and awe-inspiring performances by School choirs and ensembles. Historic publications note Speech Night would typically "open with the distribution of prizes, followed by 13 musical items, a play, French Dialogue and four tableaux." This particular record is associated with the Speech Night held on 10 December 1948 at the Recreation Hall in Kew, Victoria.The record is historically significant due to the time period in which it was produced. This significance is strengthened in the way the record stands as a testament to the way Ruyton recognises, celebrates and engages its student through programming and events. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection to a former notable student.A5 size pamphlet printed on cream coloured paper with navy blue ink. Two pages, folded in half.Reverse: RGS008/2024/0012ruyton girls' school, students, school, ruyton, victoria, high school, senior school, day school, letter, old ruytonians association, kew, speech night, programme, kew recreation hall -
Clunes Museum
Poster, McPHERSON'S PRINTING GROUP, Back to Booktown 2008, 2008
.1 & .2 - Colour postersBack to Booktown 3-4th May 2008booktown 2008, clunes -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1918
Silver commemorative trowel with a turned wood handle in a worn cardboard box."PRESENTED TO W.R.Little AT THE LAYING OF THE FOUNDATION STONE OF THE MOONEE PONDS METHODIST SUNDAY SCHOOL. FEBY 23rd 1918"moonee ponds methodist sunday school, little, w.r. -
Bendigo Military Museum
Poster - POSTER, FRAMED
Coloured poster listing all units - Navy Army & Air Force in BCOF period - Japan 1946. Mounted on purple backing, white metal frame, glass front, masonite backing.BCOF 50th Reunion - Dubbo NSW March 1996 On back in black texta: Donated by: Maurie Smith. Seymour Vicdocuments - posters, frame accessories -
Moorabbin Air Museum
Poster (Item) - Ansett Poster Illustrating Ansett-ANA Aircraft, The Ansett-ANA Fleet
Provides illustrations of the Electra Mark 2, Bell 47J2 helicopter, Fokker Friendship, DC-6B, and De Luxe Viscount 832. -
Port Melbourne Historical & Preservation Society
Poster, Port Parlour Shorts, Jul 2003
Festival was run by Maree White and Terry Moore ('Peppermint Projects') and funded by CoPP & the Bay Street Traders. Took place in the Gasworks Theatre, PMH&PS prepared dsiplay on Port's cinemas.Poster for weekend film event "Port Parlour Shorts" held Oct 2003, calling for submission of home movies on Port Melbourne. Red, black and ochre - A3.celebrations fetes and exhibitions, arts and entertainment - film/cinema, port parlour shorts, bay street traders -
Kadimah Jewish Cultural Centre and National Library
Programme, New Review Program; 1951
Piano Miriam Rochlin, various songs and minor actsdovid herman theatre, mila waislitz, moshe potashinski -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, Behind The Wire
Storyboard of Andy Perry, Navy Pilot, Bear Cat, Dong Tam, December 1969 - December 1970. Service Number 02877, RAN Helicopter Flight Vietnamstoryboard, behind the wire, andy perry, dong tam, ran -
Glenelg Shire Council Cultural Collection
Programme - Programme - Presentation Dinner Menu, May-59
Presentation dinner programme menu, for Mr. E.N.T. Henry, Portland Town Clerk, Sat. May 30th, 1959. White card, dark blue print, Town of Portland seal -
Federation University Historical Collection
Poster - Advertisment, The Wild Blue Project Stage 3, 2003
Poster advertising a musical theatre production 'The Wild Blue Project Stage 3'.Written and directed by Anthony Crowley; musical direction by Amanda Hodder and performed at Post Office Theatre, Camp Street, Ballarat in 2003. it was presented by University of Ballarat Arts Academy. There were four night performances starting at 8.00pm and one Sunday performance at 5.00pm from Wednesday13th August to Sunday 17th August 2003. The musical was performed at Post Office Box Theatre, Camp Street, Ballarat with tickets purchased through MajesTix. Ticket prices: Adult $16; Concession $8.50; Students$7; Groups (20+) $10.50Original Posterthe wild blue project stage 3, anthony crowley, amanda hodder, post office box theatre, university of ballarat arts academy, po box theatre, majestix, musical, the wild blue co -
Friends of St Brigids Association
Ceremonial object - Ecclesiastical clothing, Chasuble and matching stole. Lime green synthetic material with gold and purple braid sewn perpendicularly down front and back
Vestment worn at St Brigid's Church, Crossley. 20th CVestments worn at St Brigid's Church, Crossley. 20th CLime green synthetic material with gold and purple braid sewn perpendicularly down front and back. ecclesiastical clothing, vestments -
Kew Historical Society Inc
Programme - Theatre Programme, Night Was Our Friend / by Michael Pertwee, 1956
From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme issued by The Kew Repertory Players for a performance of Night Was Our Friend by Michael Pertwee. The performances took place in the Kew Recreation Hall in March 1956. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.night was our friend, michael pertwee, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, kew repertory players -
Bendigo Military Museum
Poster - POSTCARDS, PHOTOGRAPHIC WW1, 1), .2), .3), .5), .8), .10) & .11) Brighton Palace Series, c.1916-1919
Photographic postcards of Brighton & Folkestone, England sent home in WWI.Postcards B & W of Southern England.Descriptions of tourist sites in Southern England, some with handwriting.photography-photographs, military history -
Melbourne Legacy
Programme - Document, programme, Annual ANZAC Commemoration Ceremony for Students, 1974
A circular sent to Victorian schools informing them of the annual "Anzac Commemoration Ceremony for Students", held each April. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The 4 pages outline the order of service of the ceremony, some background notes on the ANZAC Commemorations, and a letter from the Legacy President W. A. Braidie inviting the school to attend. There is a yellow reply form for the Principal to fill out, nominating the number of children who would be attending. They mention the ceremony is broadcast on the ABC radio stations. It mentions is it a 'Circular to Victorian Colleges and Schools' so they were sent to school to publicise the events. There is a letter to the school Principal in each programme from the President of Legacy inviting the schools to attend or to listen to the telecast.A record of a ceremony at the Shrine for school students.Printed brochure with black and white photo of the Shrine, single page folded in half and a single page yellow form.anzac commemoration for students, wreath laying ceremony -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, The 13A Mine Incident
Storyboard of the 13A Mine Incident.operation massey harris -
Melbourne Tram Museum
Poster, Yarra Trams, "Tram Service Changes - Industrial Action - Thursday 10 September" (2015), 9/09/2015 12:00:00 AM
Poster or pamphlet printed on semi gloss A4 white paper, full colour titled "Tram Service Changes - Industrial Action - Thursday 10 September" (2015), showing replacement bus services during a stop work meeting for period 9am to 3pm and on the rear travel options, how to get to key destinations and the CBD. This was one a series of stop works meetings held by the RTBU Tram division in the support of a wage increase.trams, tramways, strike, rtbu, buses, yarra trams, stop work, timetables, service changes -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Mission to Seafarers Victoria
Poster, ANL Art Prize 2007, 2007
Official promotion poster for art exhibition at MTSV, 2007 A record of the ongoing involvement of the MTSV in maritime art, and working with the art community by providing a suitable venue and display space.Large paper poster, coloured inks. art, maritime, exhibition, art, 2007 -
Bendigo Historical Society Inc.
Programme - Programme ""Calamity Jane" by Bendigo Community Theatre & Arts Inc
"Calamity Jane" is a musical in two acts with music and lyrics by Sammy Fain and Lyrics by Paul Francis Webster based on the historic figure of frontierswoman (Martha Jane Canary) Music Programme for Calamity Jane" - a musical in 2 acts by Bendigo Community Theatre and Arts Inc., opening July 18th to 27th, 1985 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story, musical numbers and scenes.programme, concert -
Ballarat Tramway Museum
Newsletter, Ballarat Tramway Preservation Society (BTPS), "Information for Members and Interested parties", 1972
Set of 9 documents printed for distribution to BTPS members as news. All printed by the Gestetner duplication process. Consolidated from other items or holdings from donations into a single year set of newsletters. All produced during 1972. .1 - Information Newssheet January 1972 .2 - Information for Members and Interested parties - February 1972 .3 - ditto March 1972 .4 - Disposal List for Ballarat Tramcars - April 1972 .5 - Information for Members and Interested parties - April - May 1972 .6 - ditto June - July 1972 .7 - ditto September 1972 .8 - ditto November 1972 .9 - ditto November 1972 All documents scanned as pdf images.museums btps, closure, tmsv, publicity -
Wodonga & District Historical Society Inc
Programme - Wedding Breakfast Invitation & Menu for the Wedding of Grace Ellwood and John Hamilton-Smith c.1941
This item is the invitation to the wedding breakfast (reception) of Grace Hamilton-Smith (née Ellwood) and John Hamilton-Smith. Grace and John married on the 31st May 1941 at the Presbyterian St David's Church in Albury. The wedding breakfast that followed was held at the Albury Hotel in Kiewa Street.This item has well documented provenance and a known owner and represents the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A cream coloured invitation on card featuring a menu and a handwritten inscription addressed to the bride's mother, Mrs M. Ellwood. A handwritten pen inscription in the centre of the invitation addresses "Mrs M. Ellwood". wedding, marriage, dress, wedding dress, satin, 1940s, christianity, wodonga, albury, albury wodonga -
Rutherglen Historical Society
Programme - Program, Sun Office Rutherglen, Football Extraordinary Barkly Park, Rutherglen, Sunday, August 13, c1944
Smith's Rutherglen Wreckers vs Strang's Stranglers. Apparently a match put on to help injured football players. Includes colourful description of team players. Program sponsored by Bray's Men's Wear, Jasper Bros Service Station and W.A.J. Lintermans Victoria HotelProgram, printed on paper for a Football Extraordinary match to aid injured players, about 1944football, afl, smith's rutherglen wreckers, strang's stranglers, bray's menswear, jasper brothers motors, victoria hotel, lintermans -
Healesville and District Historical Society
Newsletter (Item) - Volume 1; No. 1, Healesville History News, July 1984, July-1984
Contents: - The Calling of Mt Riddell (Frank Endacott), - With its wooden walls still shadowed by lilacs (Pam Firth), - Mechanic Institute (Eric and Pam Firth), - Coranderrk Aboriginal Cemetery , - Our Mob: Interesting Healesville connections (Connections to Captain Cook philately and Red Baron of WW1 notoriety), - Plus moreThe first newsletter of the Society was issued July 1984 and has been published continuously ever since on a quarterly basis....mt riddell, mechanic institute, coranderrk -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, Behind The Wire
Storyboard of Darryel Binns "Tunnel Rat" (Field Engineer) Nui Dat, July 1970 - July 1971. Service Number 62025, 1st Field Squadronstoryboard, darryel binns, nui dat, tunnel rats, 1st field squadron -
Federation University Historical Collection
Poster, University of Ballarat Statement of Reconciliation, 2009, 2009
A poster showing the 2009 University of Ballarat Statement of Reconciliationuniversity of ballarat, reconciliation, reconciliation action plan, reconciliaition australia, aboriginal -
Greensborough Historical Society
Newsletter, Greenhills and North Greensborough Progress Association, Community News: official journal of the Greenhills and Nth. Greensborough Progress Association. 31st October 1973. Edition No. 9/73, 31/10/1973
This edition includes a report on the Progress Association's October 1973 meeting, The South-east riding elections, Social action, Yandell Reserve restoration project, Help for parents of handicapped children, Kinder news, The wise use of a resource: the Plenty Ranges, An article by the late Frank Andrew.Newsletter, 24 p., illus.greenhills and north greensborough progress association, greenhills