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Federation University Historical Collection
Film - MP4 Video, Mt Helen Library 50th Anniversary Staff Virtral Reunion, 2020, 30/10/2020
Various files relating to a virtual reunion held on 30 October 2020 to celebrate the 50th anniversary of the Mount Helen Library. These include: * A MP4 video of the 2 hour virtual reunion held to celebrate the 50th anniversary of the Mt Helen Library. * video presentation by E.J. Barker * 70s themed food competition (current library staffmembers) * Video presentation of Dulcie Brooke Video Presentation of Deb Lord, Rose Council and Julie mt helen library, mt helen campus, e.j. barker library, dulcie brooke, sue owen, e.j. barker, university women -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, National Mutual Building SW cnr Sturt & Lydiard Sts, Ballarat
Ballarat History35mm B&W Kodak Plus X Pan Film.ballarat, ballaraat, sw cnr sturt & lydiard sts, national mutual building -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Canberra jet bomber
jet planes, military -- history, bombers - canberra -
Ballarat Tramway Museum
Film - Video cassette tape and box, Chris Long, "Living Ballarat 1901 - 1941", 1990
Yields information through movie films of the 1960's of Ballarat trams operating in the streets of Ballarat and has a strong association with the maker - National Film and Sound Archives and Chris Long.Video cassette in a plastic case, titled "Living Ballarat - 1901 - 1941, National Film and Sound Archive (1990)". See Reg item 4519 for the DVD version. The DVD was made by Peter Winspur using this tape. Transferred to the Hard Drive 11/1/2010- AV Files - dB text/AV Files/Reg Item 4519/Video_TS (at 12/1/2010) Copyright provisions - National Film and Sound Archive - segments may not be used without their permission, viewing only. Synopsis: based on time - 0.00 - intro, 1901 film, Melbourne, first film in Ballarat, Royal visit to Ballarat, Boer War Monument, first feature length film in Ballarat. 2.50 - Bridge St and Sturt St scenes, filmed from a flat truck pushed by an electric tram, including No. 11 going to City Oval to Lydiard St. 5.00 - Sturt St Military parade, with trams in background and tram running alongside. 6.54 - scene of Alfred Hall and films. 7.32 - scene on Lake Wendouree and paddle steamer - Living Ballarat film - Pathe's Ballarat Gazette local film unit, football ground scene. a children's beauty competition, tree planting at Macarthur St state school, 1911 Ballarat Show, unveiling of the Boer War statue name plates, Lake Wendouree 1912. 13.22 - St Patricks David Pde with trams in the background. 14.24 - Ballarat Kennel club dog show. 15.50 - Royal visit in 1920, Arch of victory opening 17.48 - Day at Macarthur St state school and tree plantation 20.55 - Bakery Hill - Stones Corner with tram tracks, cars, little trams, Sturt St with a tram leaving Grenville St, ESCo 9 turning from Lydiard St to run down to Grenville St. 22.15 - Ballarat Show, Coliseum Hall, 1925, races, machinery shows, boxing troupe. 25.20 - Botanic Gardens Gates, Lake Wendouree area. 25.30 - Gem Picture travelling show - film 26.16 - Formal visit of English pressman to Ballarat, 1925, Botanic Gardens, Eureka Stockade, Avenue of Honor, Moorabool Reservoir. 29.15 - 1927 Fed Govt doco of Ballarat, Black Hill, 1927 Home to Ballarat Festival, Ballarat Commemorative song, Craigs Hotel, Ballarat Post Office, tram centre poles in Lydiard St, tram climbing Sturt St, Town Hall, tram at Lydiard St terminus coursing, 8, Sturt St, view of ESCo Sebastopol car leaving Grenville St, Selkirks Brickworks, the Welcome nugget, Peter Lalor statue, Eureka stockade, sewerage plant, modern housing, Sturt St west, water supply - golf club, the High School, the orphanage, fine homesteads around Ballarat, Lake Wendouree. 41.00 Opening of the Ballarat Aerodrome. 43.11 - Depression work and leading into radio broadcasting - 3BA open 1930, typewriters, radio transmission equipment, radio aerials, boys listening to crystal sets 47.50 - Bluebirds Children session tour to the Gardens, mentions the BTPS, trams 13, 3? and 14 carrying visitors arriving and getting off and picnic. 48.50 - expansion of 3BA transmitter capacity 51.30 - 1934 visit of the Duke of Gloucester - visit to the Lucas factory, views of the work floor and the factory history and then South St band competition at the Showgrounds. 55.10 - South St Music Festivals, Coliseum and fire. 56.25 - Ballarat Floral Festival March 1938 - Victorian Railways arch of welcome. 57.25 - segment in the shot of 12 and 19? in Sturt St 57.45 - colour segment of the festival, 58.39 - Grenville St tram shelter, Bridge St, Sturt St, arches, Main Road, Council Road Roller, Victoria St, Eureka Stockade Reserve, Botanic Gardens, setting up the flowers, wax papers. 1.01.48 - decorated tram, north side of Sturt St, details of the materials used, Crockers. 1.03.20 - Hospital Fund Raising Gala Day - March 1938, special trains arriving Ballarat Railway Station, fund raising procession, pageant at the Showgrounds, fly past. 1.07.35 - 1939 Summer, motor cycle races at Learmonth, City Oval fire brigade demonstrations, Ballarat (East) Fire Station decorated for the 1939 Floral Festival with tram in the background and No. 29, Floral Tram and others. 1.09.25 - July 1914 - Ballarat at War parade, troops. 1.10.10 - credits. Box has images of a tram and town hall on the front and details of the contents on the rear and who made it etc. See images for details. ballarat, 3ba, floral tram, royal visit, buildings, esco -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Mat, 1907 to mid 20th century
The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen square has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat -
Bendigo Military Museum
Film - PHOTOGRAPH, 1916 -1919
James Lemphers ASC - MT British Army. Refer 2490 medals.Photo, sepia tone showing a British soldier standing in uniform with Pith Helmet. Under the photo are the soldiers details. Photo is in a clear plastic frame for display."M-340318 Pte James Lemphers (British Army)"photography, military, british -
Mission to Seafarers Victoria
film - VHS, ABC, Mission to Seafarers Flinders Street: ABC News Extract, 2001
Domestic recording of free- to-air TV news bulletin about the Mission to Seafarers from ABC News showed in October 2001. As mentioned in the Ship to Shore 2002, the broadcast brought Ron Reid, great garndson of Hugh Reid to visit the Mission.This type of program brings the attention of the public to the Mission.Black plastic domestic VHS tape in printed-card slip cover, with white sticky label affixed to spine on tape, blue ink handwritten note describing contents. Handwritten tape label: M.T.S 717 FLINDERS STREET / ABC NEWS EXTRACTtelevision news, reporting, flinders street, melbourne, historic buildings, abc news, mission to seafarers, media copy -
Federation University Historical Collection
Film, Ballarat School of Mines Council Minutes Microfilm, 1942-1956
Digitised files from a mirofilm of the Ballarat School of Mines Council Minutesballarat school of mines, council, microfilm -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Film - Film 16 mm, Australian Broadcasting Commission, Beersheba Parade, 1980
16 mm film, 50 ftNV80/2727beersheba, parade, film -
Ballarat Tramway Museum
Film - Digital Movie, Ballarat Tramway Museum (BTM), "BTM Brag 2008", for the Launceston COTMA Conference, 2008
Yields information about the activities of the BTM in the period 2006 - to 2008, and has a strong association with various BTM individuals. Made for the 2008 COTMA Conference.Digital Movie "BTM Brag 2008", prepared by Richard Gilbert for the Launceston COTMA Conference in 2008. Transferred to the Hard Drive - AV Files - dB text/AV Files/Reg Item 5458/ in DVD format. Synopsis: based on time - 0.00 - 0.20 - titles etc. 0.21 - 1.40 - Begonia Festival with 671, 27, 466 1.41 - 2.35 - vehicle into the rear of the depot 2.36 - 3.16 - New shelving in depot and restoration of 12 3.17 - 4.30 - horse tram operation, Neville Hesketh, Neil Lardner, Carolyn Cleak, Richard Gilbert, Peter Winspur, Len Millar and Alastair Reither. 4.31 - 5.26 - track repairs Wendouree Parade 5.27 - 6.15 - work on 38, transfer to workshop and No. 28 6.16 - 6.26 - fitting of clear plastic blinds to 661 6.27 - 6.43 - No. 8 scrubber at work etc. 6.44 - 7.03 - On going work of volunteers, 661, Roger Salen, Neville Hesketh 7.04 - 7.14 - Credits etc. trams, tramways, btm, horse tram, depot, wendouree parade, begonia festival, scrubber tram -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, Ballarat Club, Dana St
Ballarat History35mm B&W Kodak Plus X Pan Film.ballarat, ballaraat, club, dana st -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, Old Ballarat East Library- Hist. Society Museum. View SE
Ballarat History35mm B&W Kodak Panatomic X Filmballarat, east, library, historical, society, museum, ballaarat -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Welcome Home: a one hour documentary about the "Welcome Home" weekend held in Sydney, October 1987
Duration: 54 minutes.welcome home parade 1987 -
Glenelg Shire Council Cultural Collection
Film - Film - Negative Portland, Zillah Maschmedt, c. 1934
Negative for black and white photo. View from Battery Point, looking across Barton's Beach to Portland. Piers, gardens, town, spire of All Saints Church -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Echoes of Conflict: Vietnam. (Copy 10)
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Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1935
Gold plate on silver plated EPNS kite shaped commemorative trowel with a turned wooden handle with an engraved inscription. The trowel is in a blue cardboard box."Presented to Mrs Richard Lord on the occasion of her laying the foundation stone of the "Youth Welfare" building at Barkers Road Methodist Church. Nov. 9th 1935"mrs richard lord, barkers rd methodist church -
National Vietnam Veterans Museum (NVVM)
Film, Box of 6 films about the Vietnam War
Small blue box and only 4 have labelsvietnam war, 1961-1975 - personal narratives - australian -
Ballaarat Mechanics' Institute (BMI Ballarat)
Film - Photograph by Herb Richmond. ca 1971, Old Ballarat East Library- Hist. Society Museum. View SW
Ballarat HistoryNoneballarat, east, library, historical, society, museum, ballaarat -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Vietnam Aust RAASC taken off slides & super 8
vietnam war, 1961 - 1975, personal narratives - australian -
Glenelg Shire Council Cultural Collection
Film - Film - S-E Storm/ Main breakwater, Oct-63
Port of Portland AuthorityFront: Oct '63/ B/W S/E/Storm/Main/B/WATER/ (blue pen and white sticky tape, top of reel) Back: outside general (on paper sticky-taped to one side of reel.port of portland archives -
Port Melbourne Historical & Preservation Society
Ceremonial object - Foundation stone, Victorian Seamen's Institute, 1930
During demolition of the 1937 Missions to Seamen building in October 1995, this stone was removed intact by developers Mirvac Victoria, and placed in the care of the PMH&PS.Cornerstone originally laid at the Victorian Seamen's Institute corner Nott and Beach Street (Fox Hay building today) during extensions in 1930. Was relocated to interior wall near the chapel doors when the new Mission building at corner of Beach Road and Swallow Street was built in 1937.Engraved in gold lettering on a black background: To the glory of God and the welfare of seamen this stone was unveiled by the Most Rev. Frederick Waldeerave, Head B.D. Archbishop of Melbourne on the 23rd day of January 1930missions to seamen, rev frederick waldegrave -
Port Melbourne Historical & Preservation Society
Film - DVD, "2011 Grand Final: PMFC v Williamstown, 2011
Recording of the 2011 VFL Grand Final, where Port Melbourne Football Club comtinued their unbeaten season to defeat Williamstown.sport - australian rules football, port melbourne football club, pmfc -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Remembering Vietnam - the Wall at 25
vietnam veterans memorial (washington, d.c.), vietnam war, 1961-1975, united states, vietnam war, 1961-1975 - veterans - united states -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Hat, R.W. Bredin & Son, City of Brighton Mayor's tricorne hat, C. 1975-1985
Triangular shaped black velvet ceremonial headwear with black ostrich feathers attached from each corner/point to centre. Gold coloured brocade and decorative button on the left-hand side, atop black pleated fabric. Satin-like lining, adjustable drawstring, with hard head support under the material.tricorne, hat, mayor, ceremonial wear, city of brighton, bayside, headwear, ostrich feathers, r.w. bredin & son, mayoral regalia -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Ceremonial object - Clothing, 'Jabot' style collar and cuffs Moorabbin City Council Mayoral Robes, c1960
In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band. Separate collars exist alongside attached collars since the mid-16th century, usually to allow starching and other fine finishing. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. During the Edwardian period, and sporadically thereafter, ornamental collars were worn as a form of jewellery. Names for specific styles of collars vary with the vagaries of fashion. Jabots survive in the present days as components of various official costumes, as are those worn by judges and counsel throughout Australian courts and town mayors. 2018 Kingston City Council Mayor Steve Staikos asked CMHS to loan the Former Moorabbin Mayoral Robes and Jabot for display at KCC Office Cheltenham. These Moorabbin Mayoral Robe with Jabot are now displayed along with those of the former City of Chelsea Robe and the former City of Mordialloc Robe at Cheltenham . KCC possesses the original Mayoral Chains of each former Council and they are displayed on each Robe for the annual Opening Meeting of KCC in February. This set of a 'Jabot' style collar and cuffs was part of the ceremonial Mayoral Robes c1960- 94 for the City of Moorabbin 1934-94. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation with the City of Glen Eira and City of Kingston in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. November 2018 At the request of the Mayor Cr Steve Staikos this Jabot Collar and Cuffs is now on display with the Mayoral Robes at Kingston City Council Offices Nepean Highway Cheltenham . A detachable , white, nylon, 'Jabot' style, standing collar with a pleated, ruffled, and lace-trimmed frill down the front and 2 matching cuffs that was part of the City of Moorabbin Mayoral Robes c1960 - 94 It has a tear in corner. clothing, collars, ornamental collars, civic robes, mayoral robes, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, city of moorabbin. moorabbin shire, moorabbin roads board, brownlees ron, city of glen eira, city of ikngston -
Bendigo Military Museum
Currency - CURRENCY, JAPANESE, 1939-1945 (estimated)
Japanese invasion money for use in Philipines WWII. .1)10 Pesos Note. Bluish tint labelled "THE JAPANESE GOVERNMENT TEN PESOS" .2)100 Poses Note. Black ink marked "THE JAPANESE GOVERNMENT ONE HUNDRED PESOS"The words "REAL MONEY" is handwritten on front of ONE HUNDRED PESOS notecurrency, japanese, occupation -
Vision Australia
Ceremonial object - Object, Harrison Brothers & Howson, Ceremonial trowel
Sir Edward Mitchell was the chairman of the Edward Wilson trust, which enabled the building of the Braille Library during a time of great economic turbulence due to the last months of World War 1. This commemorative trowel was given to him in thanks for his (and the trust's support) of the project, which would ultimately provide a great resource to blinded soldiers who were prepared and able to learn Braille. In addition to the area housing the Braille collection itself, an entrance hall, reading room, secretarial office and hall also provided space for reading, administration of the collection and opportunities for social or recreational activities.1 silver plated trowel with handle inside boxPresented to Sir Edward Mitchell K.C., K.C.M.C. on the occasion of his laying the foundation stone of the new library for the Victorian Association of Braille Writers October 28th 1918. (Inside box lid: By Special Appointment Harrison Bros & Howson, Sheffield, England Cutlers to His Majesty)victorian association of braille writers, sir edward wilson -
Mission to Seafarers Victoria
Ceremonial object - Holy Water Font, 1987
On top of the cross four initials: A.M.D.G. wedding anniversary, holy water font, chapel, baptistry, donald leslie, joan leslie -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Vietnam Frontline
Combat filmed by the men who fought therevietnam war, 1961-1975 - participation, american