Black and white photographWritten on back of photograph: "Proclamation of City - March 1960. Assembly of soldiers."

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Rare photograph of the demolition of the Zig-Zag Bridge linking the two asylums on either side of the Yarra River.Digital copy of a photograph from page 16 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The Zig-Zag Bridge linked the grounds of the Yarra Bend and Kew Asylums. The wooden bridge was constructed in the 1870s and lasted through numerous floods until its destruction in 1929. A horizontal structure, the walkway was reached via a wooden staircase on the Kew bank of the river. The steps were required due to the different levels of the banks on this stretch of the river. This night-time photograph shows the remaining parts of the bridge being destroyed by fire."Demolishing Zig-Zag / 6. 1929"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, zig-zag bridge

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Coloured - Margaret Livermore and Whitehorse Historical Society members at a General Meeting which was addressed by Doug Livermore in August 2002livermore, margaret, douglas

Black and white photograph showing 7 men on top of a big stack of wheat bags. The bags are sent up via a conveyor belt driven by a stem engine, several men are at the bottom and around the enginea cart with 4 horses can be seen at left waiting for the bags to be unloaded and sent up for stacking. Two buildings can be seen at the right.agriculture, farm, shelbourne

Black and white photograph, Duncan Malcolm, Phillip Baade, and Pat McNamara, cutting ribbon ceremony for official launch, onboard new Ocean Rescue Squad vessel, Tyrell. Lakes Entrance Victoriacommunity services, volunteering, emergency services

Digital photograph

High Street, Kew. View west towards Kew Junction. One of a pair of photographs prepared by Stuart West comparing the vista in c. 1890 and 2001. This photograph dates from the later date.Nilhigh street (kew)

Kindly scanned from Ringwood Branch archival collection

McHUTCHINSON LAURA AND YOUNGSTERS ON FLOAT IN STREET PARADE - BACK TO CLUNES 1982BLACK AND WHITE PHOTOGRAPH OF DECORATED VEHICLE IN STREET PARADElocal history, photography, photographs, events and celebrations, back to clunes 1982

A digital copy of a colour photograph of the Buxton Hotel in Buxton. The Buxton Hotel was built by William Burchall, probably in the late 1870s. The first owner, who also had land locally, was Frederick Nichols (1833-1904). The Buxton Hotel is located directly opposite the General Store. It was fronted with two huge oak trees and bordered and backed by large pine trees. It was a weatherboard structure with a painted corrugated iron roof. Old split wood shingles were covered by corrugated iron, which overlaid the shingles to make the roof watertight. The wooden shingles date back to the 1850s. This postcard was produced by the Rose Stereograph Company as a souvenir of Buxton.A digital copy of a colour photograph of the Buxton Hotel in Buxton.buxton, victoria, australia, buxton hotel, accommodation, photograph, william burchall, frederick nichols

Black and white photograph of the side on exterior of W2 506 c1928 (Built by James Moore 1928) Would appear to have been service for as it is fitted with notices in the windows. Taken by Sutcliffe Pty Ltd. Photographers. Background has been faded or painted out. Tram has doors and windshields to driver's cabins. Has "Sutcliffe Pty. Ltd. Photographers Cromwell buildings 366a Bourke St. Melbourne" stamp in purple on back of photo. Destination City, 4th EditionOn rear in pencil "W2 Melbourne", "M&MTB" and "39".trams, tramways, mmtb, w2 class, tram 506

Black and white postcard printed photograph of the front of a Melbourne Tramway and Omnibus Co. cable car with the photograph of Harold Waldmaiar Dihm in uniform against a black background merged into the front of the cable tram between the roof uprights and the decorative front apron. "M. T & O Coy" has been printed on the destination panel. At the base of the card is "Darge Photo copyright No. 1136". On the rear is a printed Postcard, /Correspondence/Address Only. On the side of the card vertically is "DARGE, Photographer, 175 Collins St. Melbourne Vic. and the name of the person - "Harold Waldmaiar Dihm 1869 - 1940" and "T Rose".Demonstrates an cable tram employee photograph by Darge Studios. Digital image of a photograph.cable trams, dummies, crews, gripmen, employees

Black and white photograph. Orchard after flood: shows close up of uprooted tree.orchard, yarra river, floods, 1934, fruit trees

Photographbeach, bathing boxes, sea, ocean, people, stairs, south beach, pea soup

Award students St Joseph De Cluney Pt Fairy 1907Black and white photograph of 2 females and 4 males formally posed with musical instruments and their certificatesschool, st joseph de cluney, awards, students

Gilbert Rule Collection: photo of G. Rule dressed in Masonic garb: dinner suit type jacket with wide turned back cuffs. Large chain around neck, resting his left hand on an open book. Photo has tissue paper overhang over photo. Written on rear of photo in pencil "Gilbert Rule - Gladys Rule cousin of Dorothy Rule - Bryan Wardle".Kalman, 57 - 59 Pall Mall, Bendigoperson, individual, gilbert rule

Fred Martell was Director of the Ballarat School of Mines from 03 April 1895 to 30 June 1912, Registrar of the Ballarat School of Mines from 1895 to 1914, and a Ballarat School of Mines Council member from 1880. The Ballarat School of Mines is a predecessor organisation of Federation University Australia.Large format photograph Frederick Martell of the Ballarat School of Minesballarat school of mines, martell

St Anthony's Place in Kew was a late 20th century urban development on the site previously occupied by the early Kew mansion 'Elm Place' (later 'Madford', then 'St Anthony's Home for Babies'.) The donor of the photograph believed that the tree dated from the nineteenth century garden of 'Elm Place'.Colour photo of a tree behind a house on site of St Anthony's Home for Babies.trees -- kew (vic), st anthony's place -- kew (vic.)

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The photo is believed to be of East Beach from Battery Hill.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, east beach -- port fairy (vic.), battery point, port fairy

The children from Bulla and Mickleham Primary Schools were attending a school camp at Beechworth and while there they were taken to a fish hatchery to see how it functions.A non-digital coloured photograph of a man beside a pool and holding some matting and explaining its use while six children are looking on. Beyond the fenced off area is a building and picnic settings.school camps, beechworth, fish hatchery

The Grinton Collection. Life after 1919. Watering at the Grinton farm at Myers Flat. Refer Cat No. 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting a man watering vegetables in a large vegetable garden. Background - bush and trees. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919" "H. Watering." framed accesssories, camera on the somme, ww1, 38th bn, grinton

Coloured - Early Victa motor mower at Australian National Aviation Museum at Moorabbin Airport. Similar to Society's acquisition in Implement Shed.victa motor mower, australian national aviation museum