Boer War - Stawell Men 1900stawell

Jack Watson left & Ernie Ward, residents of Halls Gap on holiday at Mt Buffalo in the 1930's. Jack Watson was a road worker he proposed the idea of the native wildflower show in Halls Gap.people, road gang

Walter Jack was the only child of Emil Jack & Mary Schwerkolt and grandson of August Schwerkolt. He lived in the USA.Black & white photograph of a man with a cockatoo on his left shoulder.jack walter, jack emil, jack mary (nee schwerkolt)

Possibly mother and son No photographer details CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, unknown, 1875, female shillinglaw 9, male shillinglaw 10

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew. The section of the house photographed is of the hall looking into the drawingroom. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Copy of black and white photograph showing view of weatherboard double-fronted house, decorative ? Boards, verandah lacework, decorative brick chimneys ??. Roof, double-hung windows. Brick church adjacent, vented slate roof, buttressed walls, Gothic windows. Picket fence along footpath. SEC? pole. Trees in background. Inscriptions: on front in Indian ink written across bottom of image 'St Luke's Church and vicarage, White Hills Bendigo'.buildings, church, st lukes, white hills

Black & white photo of 3 story building - Jacksons Corner at View point in Bendigo. 1 person on 2nd floor. 8 men & 2 young boys standing in front of building. Markings/Inscriptions: Jacksons Corner. View Point. Sandhurst about 1875.N. White. Photo. Sandhurst.place, building, public buildings

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Photo 1 - looking north from the point where St Kilda Road widened after crossing Princes Bridge. Has the Edmund Fitzgibbon monument on the left. One cable tram set is making its way into the City. Has Flinders St Station in the background, along with a number of motor cars and one horse drawn vehicle behind the monument and another behind a sign. In the far distance is an advertisement for The Herald newspaper. Photo 1910c Photo 2 - looking south from near the end of the bridge, with seven cable cars in the view, along with motors cars and two horse drawn vehicles. Government House can be seen on the left horizon.Yields information about St Kilda Road c1910.Set of two black and white photographs of" .1 - St Kilda Road near City Road looking north - with Edmund FitzGibbon monument .2 - looking southtramways, trams, cable cars, flinders street station, st kilda road, princes bridge, monuments, edmund fitzgibbon

Depicts the west wall of the Barwon Mill, looking north in Factory Road. The Barwon Mill was built in 1874 and taken over by Godfrey Hirst and renamed Excelsior One in 1890. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096textile mills, godfrey hirst and co. pty ltd, barwon woollen mill, excelsior one mill

Hand written carbon copy of a letter written to Mr Barry Saunders, C/O A. B. C. Broadcasting Commission. The letter was written by Albert E. Richardson replying to Mr Saunders letter seeking information regarding Historical and Tourist information in Bendigo. Letter dated 26/11/1971.Albert E. Richardsonmine, gold, central deborah gold mine, central deborah gold mine, mr. barry saunders, albert e. richardson

Six page booklet, green cover with red highlights, 'Souvenir of The Camp.' (YMCA Series) Contains photos which show different aspects of a large camp: Post and telegraph office, Entertainment at 'The Palace', General office, officers' mess, camp hospital, tennis ground, and the Salisbury cathedral. 3480.17a Front Cover 3480.17b Last Photo inside back cover Inside the back cover - 'Wishing Pa, Merry Christmas and Happy New Year 1918-19.' (The signature is indistinct)military, world war 1

Biography of the life of Julia Hale, Victoria's most prominent woman sawmiller who from 1941 lived at Buckanbe, 32 Orion Road, Vermont.hale, julia, orion road, vermont no. 32, kirkpatrick, alfred, buckanbe park, evans, peter s.

Photograph - black and white. A photograph of a Junior Fire Brigade, Bendigo Easter Fair, 1937. 'First Prize - Section 10'. Cliff Hughes is the gentleman in the centre of the back row and Bruce Heider is fourth from the left of the sitting row.organization, public utility, fire brigade, bendigo east junior fire brigade. bendigo easter fair 1937. cliff hughes. bruce heider.

Photograph -Two pedal Power Bikes. Label on photo says 'BSSC' Science Awareness 19 May 1994 - Bronwyn Shirley and Melonie Thomas try the pedal Power Bikes. On Rear of photo; 19/5/94 BSSC Science Awareness, Bronwyn Shirley (14) Melonie Thomas (15) Try the pedal power bikes.recreations, sports, cycling, bendigo advertiser

Colour photograph of the fishing boat Sylvia which has just left Cunninghame Arm and is heading into the entrance channel on way to fishing grounds off Lakes Entrance, Victoria.ships and shipping, islands, fishing industry, waterways

Heidelberg Golf Club: Clubhouse renovations 1997-98 - Dining room set for a wedding 1997Colour photograph and caption in albumclubhouse redevelopment 1998, hgc clubhouse 1997, hgc old clubhouse, old dining room, weddings at hgc

A set of eight 2 1/4" square photographs mounted onto a sheet of manila cardboard - contact prints of each negative. Numbered from left to right, top to bottom are: 476.1 - SECV Ballarat No. 38, possibly at Victoria St - c1955.; 476.2 - SEC Geelong 8 and 39 at Eastern Park terminus - 2/4/1955 476.3 - SEC Geelong No. 4 out the front of the depot building - 8/1/1956 (Negative No. 368) - See Reg Item 7253 for a large format print. 476.4 - SEC Geelong single trucker and bogie at depot - 8/1/1956 (Negative No. 365) 476.5 - SEC Geelong - No. 18 at East terminus - last day of Chilwell 8/1/56 (Negative No. 366) - See Reg Item 7253 for a large format print. 476.6 - SEC Geelong - No. 1 - at a terminus (see also Reg item No. 485) (Negative 367) (See Reg. Item 2610 for colour slide of this terminus and tram and 5898i6) 476.7 - SEC Geelong - No. 1 - at depot - group of people standing in front. (Negative 364) - See Reg Item 7255 for a large format print. 476.8 - SEC Geelong - No. 1 entering depot portal night shot, 8/1/56 (Negative 369) - See Reg Item 7256 for a large format print. Negative envelope has the typed note "Some six views of Geelong trams on the last day of operations of the Chilwell line and East West line" Re 476.7 - See also Reg Item 5898i2 - photo by Keith Kings for a similar or same photograph. Re 476.8 - See also Reg Item 5899i1 - photo by Keith Kings for a similar or same photograph. hi res scan made and image updated 23/5/2020.Niltrams, tramways, geelong, chilwell, ballarat, east, closure , tram 8, tram 39, tram 4, tram 18, tram 1, tram 38

Account from P. Pentreath, Family Grocer, Produce Dealer, &c., dated Sep 13 1871 for 6/6. Printed letterhead. Signed by P. Pentreath and Thomas Exeter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, p pentreath, thomas exeter

Children of Pauline and August Schwerkolt and their descendants.Children of Pauline and August Schwerkolt and their descendants.schwerkolt emil august, schwerkolt louis, schwerkolt augustus, schwerkolt albert william, schwerkolt louis2, schwerkolt augusta paulina, schwerkolt john william, schwerkolt richard reinhold, schwerkolt carl benno

Medium size b & w photograph with an interior games / recreational area wityh tables and chairs and a table tennis set up.At the back a pencilled inscription in Dutch : "hoort by het archel 'float"- varia" translating "belongs to ? "float" -miscellanious"dutch, holland, overseas missions, netherlands

Journal of Australian Electric Traction Association. Volume XX, No. 7 July 1965, 16 pages. History of document: Part of 'Basil Miller Tramway Collection'. The cover picture shows R class car 1924 arrives at Cremorne Junction from Cremorne Wharf on Saturday, 28th April 1956, a few hours before operating the last trip.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros Pty. Ltd., Sydney NSWdocument

Notice paper for a special meeting of St Kilda Council on 8 October 1945 to celebrate victory of the allied nations.Foolscap document with a brown card cover and sheet of yellow paper, printed in brown, folded and stapledwwii, world war ii, wwii victory celebrations, city of st kilda

Portrait - Sarah Allard 1861-1936stawell