Showing 5661 items
matching domestic-and-leisure
Accessory (1639)
Clothing (3076)
Costume (165)
Craft (189)
Domestic object (2587)
Footwear (174)
Furniture (398)
Headwear (516)
Leisure object (698)
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Clunes Museum
Accessory - SASH, 150 YEAR CELEBRATION AND BACK TO CLUNES
CEREMONIAL SASH - GREEN WITH GOLDEN FRINGE. PRINTED WITH GOLD TEXT.150 YEAR CELEBRATION AND BACK TO CLUNES. NOVEMBER 1989150 years celebration, back to clunes, 1989 -
Kew Historical Society Inc
Leisure object - Game, Score Pad, 1900-1939
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers.In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection.Scoring pad, possibly used for Bridge. The cardboard cover of the pad, now detached, has a hand-painted design of an English cottage. The paper pad includes headings and spaces for 'Honours' and Tricks' as well as 'Them' and 'Us'.card games -- score pads, leisure objects, scoring -
Mont De Lancey
Leisure object - Doll
A peg doll made from five pegs with a wooden painted face. The doll has black woollen hair ringlets, a pink cotton dress and hat with a white apron and white pantaloons. peg dolls, dolls -
Kew Historical Society Inc
Leisure object - Game, Dice, 1950s
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Two multicoloured plastic dice in a pink and white cardboard box/container.games and puzzles, dice, games of chance, toys -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, Harnisch & Co, 1876-1918
The design of this pair (RN 758 & 759) is based on Thonet’s No. 18 chair, which was originally produced in 1876 by Thonet, and is still one of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. The label notes the design as “AUS MASSIV GEBOGENEM HOLZE vorm” which translates to “solid curved sandals shape”, a good description for the back of the chair. The chairs have marks, paper labels and symbols on them that show that the maker was Harnisch & Co., Neuschler (also called Banská Bystrica) Furniture Factory in Neuschol (Beszterczebanya), Hungary, privileged makers for the Imperial and Royal Austrian-Hungarian Empire 1867 – 1918. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 produced in the 1850’s, was his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. The No. 18 chair was produced in 1876, one of a group of chars with back inserts consisting of curves and loops of bentwood. The popularity of the Bentwood chair, even now, is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, 'French Bistro Chair' with pattern carved in seat. Backrest has inverted U shape inside that extends to the seat. Supports on eitherside of backrest's base join to back of seat. Legs have a wooded bracing ring. Marks; pressed into rim under seat. Paper label, cream with black print, on rim. Right side of label has symbol of Heraldic Shield. Text on label. Made by Harnisch & Co.Marks; pressed into rim under seat is "3" and "4", and "Crown [over] N", Paper label, cream with black print, on rim; Left side has Mark “N inside circle under crown”. Right side has symbol of Heraldic Shield. Text on label “Trade – K.u.K.- Mark / NEUSOHLER FABRIK FUR MOBEL/ AUS MASSIV GEBOGENEM HOLZE, vorm. HARNISCH & Co / NEUSOHL (BESZTERCaZEBANYA) UNGARN ' Hand written under seat "T H" in black paint, "T H " in white chalk. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bentwood chair, café chair, restaurant chair, meeting hall chair, thonet design chair, harnisch & co, k.u.k., neusohler fabrik fur nobel, approved manufacturer, neusohl (besztercazebanya) ungarn -
Kew Historical Society Inc
Leisure object - Soft Toy, Toy Donkey, 1960-1975
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Yellow and pink stuffed felt toy donkey wearing a metal collartoys, soft toys, toy donkeys -
Kew Historical Society Inc
Leisure object - Magnetic Toys, A Milton Product, The Magic Dogs, 1950s
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Two magnetised miniature dogs in an original cardboard box labelled 'The Magic Dogs'.The Magic Dogs. A Milton Product. Made in Australia.magic dogs, games and puzzles -
Port Melbourne Historical & Preservation Society
Accessory - Wedding accessories, Good luck charm, Family and friends of Barbara Gardiner, 1958
Bridal good luck charms made by family and friends to be worn by Barbara GARDINER nee HEGARTY at her wedding. See 4007 for full detail.Seven bridal good luck charms with ribbon loops, to be worn on bride's wrist. Horseshoe shaped charm, runched white satin over card, with white wax flowerscelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Warrnambool and District Historical Society Inc.
Accessory - Parasol, c.1880
This lady's parasol is typical of what a lady would have used in the late 19th century as a fashionable accessory as well as shielding her complexion from the sun. It has no known local provenance.This very attractive item will be very useful for displayThis folding parasol has a black wire frame, a white handle with a brass inset and a white knob at the end. There is another knob at the top end of the handle. There is a mechanism for folding and unfolding the parasol on the handle.The undercovering is cream sateen with frilled edges, overlaid with black lace. There is a cream grosgrain bow at the top .parasol, vintage clothing accessory -
Whitehorse Historical Society Inc.
Leisure object - Board Game
Party game, 'The Tale of a Shirt' consisting of thirty cards, rules of the game enclosed in a red cardboard box.A.V.P.L. Party Game|The Tale of a Shirt.toys, games -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1880s
This chair is one of a set of four chairs from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. * for more detailed history please see our Registration Number 658, Set of chairs This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair: Australian Colonial rail back dining chair. Chair is one of a set of four (4) cedar wood chairs. Each chair has a rounded rail back, flat cross rail, flat solid wood seat, curved back legs and colonial turned front legs. Mid-brown colour, veneer finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, sailors’ church, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, ann street williamstown, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, cedar chair -
Bendigo Historical Society Inc.
Accessory - QC BINKS COLLECTION: BUCKLE
Metal buckle. Item is an oval frame with a decorative border of dots. Object is rusted and the remains of a loop is through the centre.bendigo, gold mining, qc binks -
Bendigo Historical Society Inc.
Leisure object - 3 PLASTIC DOLLS
3 small plastic dolls with jointed arms, brown hair & painted faces, various costumes 1 short pink dress, 1 long with red velvet bodice & white skirt, 1 long with aqua bodice, white lace over orange underskirt.toys, dolls, plastic -
Bendigo Military Museum
Accessory - ARM BAND, unknown
Arm band - Dark green, Yellow stripe, cotton weave, velcrose.armband, army, passchendaele barracks trust -
Clunes Museum
Leisure object - GRAMOPHONE RECORDS, ZONOPHONE, Unknown
GRAMOPHONE RECORDS 78RPM ZONOPHONE .1 FEEDING THE DUCKS ON THE POND - OH DEAR BRETHREN OH .2 SHE IS FAR FROM THE LAND - THE ROSARY ZONOPHONE CELEBRITY RECORD SCOTTISH COMEDIAN .3 WE ALL GO HOME THE SAME WAY - HARRY LAUDER - SING TO ME THE AULD SCOTCH SONGS.2 WHITE STAMP, BLUE PRINTING, THE COPYRIGHT PROTECTIONS SOCIETY (MECHANICAL RIGHTS) 3/4 d .3 WHITE STAMP WITH RED PRINTED "FRANCIS DAY & HUNER, BLUE WRITING 2 1/4 d JDIHgramophone records, zonophone -
Clunes Museum
Domestic object - CANE STAND
CAME FROM LAURA HUDSONS HOUSECANE STAND, TWO SHELVES, TOP SHELF HAS RACK FOR MAGAZINES TO STAND UP INNILbookstand, laura hudson -
Bendigo Historical Society Inc.
Domestic Object - ALARM CLOCK
Westclox Sleep-Meter alarm clock, chrome plated case, paper dial with black numerals and black hands, glass front.Patented Oct 28 1902 May 15 1906 Dec 15 1908 Sept 23 1913 Patents Pdg.Made by Western Clock Co La Salle Ill USAhorology, clocks, alarm -
Whitehorse Historical Society Inc.
Accessory - Tie Tack
Square of Pawa Shell set on metal base with pin and screw fastener. Silver safety chain attached. Mounted on beige velvet card.Tie Tack NZ Pawa Shellcostume accessories, jewellery, male -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, c. 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 40% of original electroplating survives with some verdigris. Makers marks are obscured.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Bendigo Historical Society Inc.
Leisure object - DOLL COLLECTION: SOFT BABY DOLL
Soft Stuffed baby doll with plastic head and hands.Dresses in pink with white bib and bottle in hand.toys, dolls, plastic, joy time. made in korea for george tauber imports melbourne australia. -
Whitehorse Historical Society Inc.
Leisure object - Doll, 1960's
This style of doll was called a Golliwog at the time, the 1960s, when it was made by donor for her daughter's school (Melbourne Ladies College) projectBlack felt doll with black velvet hair, white cut out felt for eyes, white felt hands and white feet with black soles, white felt waistcoat, pearl buttons, red and white spotted bow-tie, red felt jacket with two brass buttons, black and white striped trousers, yellow boater hat decorated with black and white bandtoys, soft toys -
Whitehorse Historical Society Inc.
Domestic object - Milk Jug Cover
Milk Jug cover featuring doll figurine with net skirt crochet around edges and little coloured plastic beads on the outer edge. (Skirt has been remade by Frances Warren)domestic items, food preparation -
Dandenong/Cranbourne RSL Sub Branch
Accessory - D Clamp
Metal D shaped device with one side hinged. The end opposite the hinge fits into a bracket with two holes used to fit a padlock. -
Stawell Historical Society Inc
Accessory - Costume and Accessories
Two Black Ostrich Feathers. Dane Family.stawell clothing material -
Clunes Museum
Domestic object - SACHET, CIRCA 1920
WHITE CALICO EMBROIDERED BAG WITH NARROW TAPE DRAWSTRING - BUTTERFLY DESIGNlocal history, handcraft, needlework, trembath, perry -
Churchill Island Heritage Farm
Domestic object - Measuring Glass
Clear glass measuring glass with raised gradations down side. Round. Used as salt cellar. "IDEAL" "TEASPOONS" "TABLESPOONS" Numbered 1 - 8; 4, 8, 16, 24, 32churchill island, amess house, kitchen utensils -
Lorne Historical Society
Domestic object - Whisky Bottle, Moggs Creek Whisky bottle
The Moggs Creek Moving Clickers Society wee responsible for perpetuating the hoax that Sir Samuel Moggs discovered Aireys Inlet before the arrival of the First Fleet. In 1959 they erected a statue to Sir Samual Moggs and also made this whisky bottle.Brown glass whisky bottle sealed with cork and red wax. The black and white printed label identifies it as Moggs Lighthouse , Very Old Matured Whisky dated 1763. Distilled by United Moggs Distillery Unlimited, Aireys Inlet Australia. moggs creek, sir samuel moggs -
Brighton Historical Society
Accessory - Sash
This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Woven dark red sash with tassel."Barone" a modern inscription, appears to be in ball point pen.barone, brighton, seaview, sash, military -
Glenelg Shire Council Cultural Collection
Domestic object - Bottle, n.d
Henty cordial bottle -
National Vietnam Veterans Museum (NVVM)
Footwear, Flying Leather Boots, 1962-1972
Tan colour leather flying boots Rubber sole, size 10 Laces attachedMade in Australia Label inside boot161 reconnaissance flight, flying boots