Showing 3587 items matching domestic-and-leisure
Accessory (1351) Clothing (2274) Costume (164) Craft (183) Domestic object (2175) Footwear (170) Furniture (367) Headwear (496) Leisure object (599)-
Ringwood and District Historical Society
Clothing, Baby's Dress Ringwood c.1927
Catherine Danby made this dress. She lived in Ringwood. Her daughter Ruth Webber( nee Danby) later lived in North Ringwood.White lawn nightdress with opening down the back. Lace insert around bodice and four pintucks above hem. -
Kew Historical Society Inc
Leisure object - Toys, Miniature Animals, etc, 1950-1965
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. A collection of twenty small toys including animals, a typewriter and a camera. The black and white striped cat is a mechanical, moveable toy. miniature toys, mechanical toys, moveable toys -
Federation University Historical Collection
Costume, Dressmaking samples, 1947-49
These samples were made by Beverley Lette who was a student of Dressmaking at the Ballarat Technical Arts School.Four samples of garment construction using calico .1) sample partial bodice with a neckline made with an outside facing finish turned at the edge and machine stitched, french seams at shoulder and darts from shoulder. .2) sample sleeve with two different cuffed ends. .3) sample sleeve with turned under bias facing and split at cuff end and four darts at shoulder. .4) sample of three pocket finishes, four covered buttonhole finishes, pintucks and seams with three different methods of finishing the raw edges, all on a sample bound by using two different methods and with one edge scalloped. .5) sample of a partial bodice with shoulder french seams, pintucks and a collar with a placket opening. garment construction, needlework, costume, dressmaking, textiles, ballarat technical art school, beverley lette, beverley mcbride, samples -
Whitehorse Historical Society Inc.
Leisure object - Toy Horse
Beige cloth covered horse on wheels. Brown wool mane and tail. Brown leather saddle. Black button eye.toys, general -
Whitehorse Historical Society Inc.
Clothing - Gloves
From collection of personal items of Betty JonesCream coloured nylon gloves with punched hole design; gathered at wristcostume accessories, glove accessories -
Stawell Historical Society Inc
Clothing - Woollen Dressing Gown c1950's
North Western Woollen Mills became Norwellan Textiles then AUNDEMans Tartan Woollen dressing gown. Fabric designed and woven at Stawell Woollen Mills Colour Blue Violet. Brand New - Norwellan Norwellan label on insidemanufacture -
Hume City Civic Collection
Clothing - Skirt, Inmates
Skirt in slate grey denim, hand sewn with a heavy (linen?) thread, waistband - coarse herringbone weave webbing, white with navy stripes, waist ties white cotton, hand-stitched to form tapes. Made in three pieces and roughly pleated into waist.Waistband front marked "F2" twice in red (paint) mark on wearer's left overstrikes "F5" in black (Ink)costume, sunbury asylum, george evans collection -
Whitehorse Historical Society Inc.
Clothing - Camisole
White cotton camisole with small pearl buttons. Scalloped edges and flower and cut out embroidery. Drawstring ties.costume, female underwear -
Flagstaff Hill Maritime Museum and Village
Clothing - Jacket, before April 1874
THE JACKET This jacket has been tailored to flatter the wearer’s figure. It also has elements that keep it in good shape and condition, preserve it from soiling and give it a longer life: - the hooks and eyes that join the jacket to the skirt allow the outfit to be made in two pieces but fit close to the body without exposing undergarments - the seams for the metal stays have been cut and stitched to allow maximum movement of the wearer and still keep a trim figure - the discreet breast pocket allows the wearer to keep a handkerchief, coins or other small items close at hand - the lining includes removable padded shields to absorb underarm perspiration - the lining has two cotton loops attached for hanging up to air and freshen it - new cuffs have been attached over the original sleeves that have buttonholes but no buttons. The buttons may have been used to replace missing buttons on the front of the jacket or perhaps to repair worn cuffs The amber coloured satin jacket is fully lined, has turned-back cuffs, a band collar, and looped, coffee-coloured braid trim. A row of closely spaced, round bronze buttons with a floral motif form a decorative closure most of the way down the front of the jacket, below which are metal hooks and eyes that finish at the waist. Underneath the cuffs there is a closely fitted cuff with a row of three button holes but no buttons. The jacket lining has vertical metal stays spaced around the midriff, sides and back. There is an absorbent, removable pad hand-stitched to the underarm section of each sleeve opening. A small satin pocket is stitched discreetly onto the lining above the chest on the right-hand side. There are also two cotton loops sewn onto the lining. Several small metal rings are sewn at intervals around the inside of the waist A satin bow from the same fabric is attached at the centre back of the jacket at waist level. antique satin jacket, colonial evening jacket, ladies evening jacket, 19th century ladies satin jacket, evening outfit -
Glenelg Shire Council Cultural Collection
Clothing - Cap - Portland South Primary School, n.d
Maroon fabric cap (poly/cotton), back flap, hard front peak, adjustable velcro fastening. Gold print and logo ' Portland South' 'Tyler Boots' in biro, on maker's tag -
Whitehorse Historical Society Inc.
Leisure object - Game, 1925
Envelope type box containing packet of various colours and sizes of circles and squares'The Popular Dutch Craft for Children'toys, general, recreations, games -
National Vietnam Veterans Museum (NVVM)
Clothing, Framed Tee Shirts of Vietnam Veterans Concert, 1/09/1997 12:00:00 AM
Framed Mounted Tee shirts commemorating Vietnam Veterans Entertainers concert in Townsville on 22nd august 1997/ Tee Shirts are augographed by the entertainers that took part.Plaque with list of Entertainers. Plaque with donor detailsmounted tee shirts, fspb townsville, vietnam entertainers -
Whitehorse Historical Society Inc.
Clothing - Boudoir Cap
Pink silk ladies' cap with coloured lace insert, white lace at either end. Edged with vari-coloured lace and vari-coloured rosettes.costume, female headwear, female underwear -
Whitehorse Historical Society Inc.
Clothing - Gloves
Cream lisle gloves. Three pearl buttons and button holes at wrist.costume accessories, glove accessories -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Theatrical outfit, 2 piece for Ormond Choral Society
A 2 piece theatrical outfit, used by the Ormond Choral Society c 1950, which was formed by residents of the local area in order to provide artistic and musical entertainment and social activities for the community. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin 2 piece Plum and peach coloured theatrical outfit consisting of a V shaped sleeveless top and loose, full length pants with elastic at waist worn by Ormond Choral Society for one of their productions ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy, clothing, actors, early settlers, post world war 11 estates, -
Churchill Island Heritage Farm
Furniture - Iron Cot, c. 1880s
Cot painted cream with scrolled iron decorations on both sides and ends. Railing at sides but not enclosed. woolamai house, cleeland family, cot -
Robin Boyd Foundation
Furniture - Chair, Maruni
The four Maruni60 chairs are Japanese kit form self-assemble furniture (1961). Purchased from Anderson's furniture store in Chapel St Prahran, the store's back room was considered the coolest furniture showroom in Melbourne. Patricia Boyd had the cushions reupholstered to this purple fabric. These became quite fragile and broke several times and needed repair. The original chairs are currently stored offsite. The current chairs at Walsh St are reproductions (item F033).Set of four timber frame with two purple upholstered cushions for back and seatwalsh st furnishings, robin boyd, maruni -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.2 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft, wooden head and leather grip.Brass plate on base of head: "2"heidelberg golf club, golf clubs, woods, golf professionals, don walker -
Glenelg Shire Council Cultural Collection
Clothing - Costume Waistcoat - Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Syd Cuffe's Town crier's waistcoat. Yellow cotton, lined , gold buttons with anchor design. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, full length Apron with bib, c1900
This lady’s cotton bib apron, completely handsewn with lacework and embroidery is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C. A lady's fine white cotton, full length hostess Apron with a bib and long ties. The hem border is cut-work 10cm and the whole apron is decorated by hand embroidered floral designs. unsigned Note attached " Every stitch by handclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework -
Glenelg Shire Council Cultural Collection
Clothing - Town Crier's Coat - Syd Cuffe, 1888-1995
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Syd Cuffe's Town Crier's coat. Navy blue, pure wool, trimmed with gold ribbon and braid on collar, cuffs and lower front pockets, gold diagonal stripes on front, gold buttons (Australian Military Force)syd cuffe, portland town crier, ceremonial regalia, coat -
Tatura Irrigation & Wartime Camps Museum
Clothing - Evening Skirt, 1940's
Used in internment Camp 3. Made to be worn on "special occasions"Black taffeta flared evening skirt, zippered opening, waist band finished with 3 hooks and 2 eyes.evening skirt, camp 3 internees, internment camp handcrafts, hoefer family -
Whitehorse Historical Society Inc.
Leisure object - Toy - White and Black cow
White painted cow with four black feet.toys, general -
Whitehorse Historical Society Inc.
Craft - Cushion
Belonged to Barb Gardiner and is of Schwerkolt Cottage. Was given to Barb & donated by Bob Gardiner.Small square cushion with patchwork design of Schwerkolt Cottage.barb gardiner, schwerkolt cottage, craft, sewing -
Kew Historical Society Inc
Clothing, Jinoel of Melbourne, Silver Lamé Evening Dress & Pants, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Jinoel of Melbourne was a evening company founded by Jill and Noel Kemelfield in 1957. The company won Gown of the Year in 1968. This outfit is one of a number of items donated by Dione McIntyre The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Round-necked and sleeveless floor-length silver Lamé evening dress and pants by Jinoel of Melbourne. The loose dress features a long split up the side, through which the pants can be seen. Label: JINOEL OF MELBOURNEaustralian fashion - melbourne - 1960s, jinoel of melbourne (vic), mcintyre collection, evening wear, women's clothing, dione mcintyre -
Glenelg Shire Council Cultural Collection
Costume - Woman's Scarf, c. 1996
Glenelg ShireWoman's oblong polyester scarf, printed with original Glenelg Shire Council Logo. Scarf is navy blue printed with red & green stripes around the boarder & GSC logo printed in red and green at each end. In original plastic packaging. -
Whitehorse Historical Society Inc.
Clothing - Baby's Bonnet
Cream silk crochet baby bonnet lined with cream silk. Edged with white lace around face. Cream silk ribbon threaded through eyelets.costume, infants' -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Portuguese Carvel, 1999
The Mahogany Ship is today regarded as a legend and refers to an ancient wreck that is purported to lie beneath the sand beside Armstrong Bay, several kilometres west of Warrnambool, Its location is currently unknown. For well over a century the mystery of this ship has fascinated Australians because the existence of such a vessel could throw a different light on the earliest phases of exploration of eastern Australia by Europeans. The story is that in January 1836 a party of whalers from Port Fairy travelled to the mouth of the Hopkins River in search of seals. Their boat overturned and one man was drowned. The three survivors were walking the 30 kilometres back to Port Fairy along the coast when, about halfway along, they discovered the wrecked ship in the dunes. It is said that Captain John Mills, who was in charge of the whaling station at Port Fairy promptly visited the wreck with several of his men, including Hugh Donnelly. Donnelly who was the originator of that version of events is now regarded as unreliable. Local history researcher Joan Fawcett believes Donnelly could not have visited the wreck in 1836 because he did not arrive in Victoria until 1841. The "mahogany" description can be traced to a letter from Port Fairy builder, architect and surveyor John Mason and published in the Melbourne Argus in 1876. He said he had seen the hull in 1846 and it "had the appearance of either cedar or mahogany." In 1884 Argus journalist `The Vagabond' wrote that the hull was built of "Spanish mahogany" and six years later Mason wrote another letter saying it might not have been mahogany but red gum or ironbark from New South Wales. He was too late with this new description as the wrecks mahogany tag was here to stay all through the hull was not visible as it had disappeared beneath the shifting sands by 1880. A more reliable account was later presented by the former editor of the Warrnambool Examiner, historian Richard Osburne, who wrote about the wreck in his book History of Warrnambool (published 1887). In it the author remembers to have noticed a wreck in the hummocks between Belfast and Warrnambool, in 1847 or 1848; he stated it was much nearer Warrnambool than Belfast, now known as Port Fairy, going on to state “in fact, it was only two or three miles from the former place, to the west of the big hummock which was supposed to fill Warrnambool Bay with drift sand washed by the Merri River before the cutting was made.” Osburne followed up with a letter to the Port Fairy Gazette on June 25, 1876, during a period of heightened interest in the wreck, although he was unsure of the provenance of the ship he went on to state in his letter. “The old wreck was, in fact, miles away from the Port Fairy beach, and only about four miles from Warrnambool. In the years 1847 and 1848. I have often seen the wreck and I regret to say I do not believe she was a foreign ship at all.”The ship model is significant for its association with the Warrnambool story of what is now referred to as the Mahogany Ship, an ancient shipwreck. The model is significant as it is an interpretation of a Portuguese caravel and possibly associated with the early history and exploration of Southern Australia. The model is a fine example of a hand crafted ship made from plans, not from a kit. Some of the materials used for the model are significant to the Gembrook community in that the timber used is a portion from a 30-meter pine tree that fell onto and destroyed the 120-year-old Gembrook church building. The model is also a dedication to Edward Kermond, who grew up in Warrnambool and claimed to have seen the shipwreck in the dunes when he was a lad in the late 19th century. (See note section of this document for further information on the creator and donation of the subject item).Ship model, an interpretation of a mahogany Portuguese carvel vessel in a glass display case with wood frame and a description plaque. Model is made from dark stained wood. The three masted vessel is fully rigged, with a Portuguese-like flag on mast. Plaque is rectangular, free standing on a pedestal. The model was handmade by Joe Hilder (Senior) in 1999 from flooring obtained from the Gembrook Uniting Church in Victoria. Inscriptions, hand written, under base of case and on plaque.Under base, black felt tip pen “Ship & Case made From / Flooring from Gembrook uniting Church, Flattened in 1999 / By Large Pine Tree.” On plaque, white paint "This interpretation of the Fabled Mahogany Ship was made by Joe Hilder, Gembrook Vic. is displayed in the memory of the late Edward Kermond (Ted) 1887-1973, a Warrnambool son who claimed to have seen the original ship as a child." flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model, mahogany ship, mahogany ship story, portuguese caravel, joe hilder, edward kermond, ted kermond, gembrook uniting church, gembrook storm 1999, port fairy whalers, belfast whalers -
Whitehorse Historical Society Inc.
Clothing - Negligee Set, 1948
Negligee set or Wedding trousseau for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 19481948 negligee set comprises two pairs of knickers, camisole, bed jacket, petticoat, nightgown. All items are cream coloured satin with appliqued coffee coloured lace. One pair of knickers has appliqued coffee lace encircling each leg with a hand-worked buttonhole and is missing a button. Second pair of knickers has appliqued lace floral design on each leg with an elasticised waist band and a plain band on the legs. Camisole has coffee coloured lace along the top edge and rouleau style shoestring straps. Bedjacket is short with long sleeves and a front fastening with four self-covered buttons and rouleau fastenings. Coffee coloured hand appliqued lace is around the neck and along the bottom. The shoulders are padded. The petticoat has coffee coloured lace around the hem and yoke. It has rouleau style shoestring straps. The nightgown is long with a coffee coloured lace Vee front. Two satin ties attach to slightly gathered waist. See also Knickers NA4921, Wedding Dress NA4923, Horseshoes NA4924 and Wedding Veil NA4925trousseau, tooke, wyatt m, wedding -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's underwear, c1900
The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This pair of lady’s underwear is an example of the dressmaking skills and craftwork of the women of the pioneer families. The Thompson family were early settlers in Moorabbin ShireA pair of lady's cotton draw-string drawersclothing, craftwork, dressmaking, pioneers, early settlers, market gardeners, moorabbin, brighton