Showing 4289 items
matching domestic-and-leisure
Accessory (1613)
Clothing (3048)
Costume (165)
Craft (187)
Domestic object (2542)
Footwear (174)
Furniture (390)
Headwear (501)
Leisure object (686)
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Mont De Lancey
Leisure object - Doll, Unknown
A stuffed white fabric doll, with a hand painted face, blue knitted cap, brown knitted top and pants. It has three plastic buttons at back.dolls, leisure objects, toys -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's Frock, 1940's
Handknitted by internee Helene Hoefer, at Camp 3, for her daughter Traude.Child's knitted long sleeved woollen frock, green in colour with bands of yellow and red at edgings. Has knitted tie belt and 4 bown wooden shank buttons on centre opening of bodice.traude glenk, traude hoefer, knitted clothing, internment camp hand crafts, children's clothing, helene hoefer -
Bendigo Military Museum
Costume - JAPANESE ROBE
Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Traditional style full length Japanese robe in black and white patterned fabric. Pleat on each side of opening. Front crosses over to be secured by a separate belt. Reinforcement panels sewn onto the inside of the neck and seat. Robe is handmade.japan, costume, ian a. 'joe' lyons -
Kew Historical Society Inc
Clothing - Pink Cotton Dress, Norma Tullo, c.1965
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved, pale pink cotton mini dress designed by Norma Tullo with ruffled trims on the bodice and the hem of the skirtLabel: TULLOnorma tullo, australian fashion - 1960s, mcintyre collection, mini-dresses, day dresses -
Bendigo Historical Society Inc.
Clothing - INFANT'S SILK CHRISTENING COAT
Clothing. Cream silk infant's christening coat. Fold down collar on round neckline with squared corners. Collar has four X 5 cm slits - one on either side of the shoulder. Collar has embroidered edges and floral embroidery on each section(5). Yoke at front and back. Skirt sections front and back have 7 cm smocked section where attached to the yoke. Edge of each yoke has decorative embroidered leaves that continue along both edges of front opening and around the hemline. Lower sections of the front skirt have embroidered floral patterns. Long sleeves are gathered at shoulders with 4 cm section of smocking 2 cm at the wrist with 2 cm gathered edge at hem. Front opening is fastened at throat with metal hook and cotton loop, and three X one cm pearl look buttons beside the smocked section. Two silk fabric ties (68 cm X 14 cm) are gathered and attached below the collar an each side front opening. Unlined. All embroidery in cream coloured silk cotton, slightly darker than silk fabric.costume, children's, infant's silk christening coat -
Glenelg Shire Council Cultural Collection
Leisure object - Doll's Teacup, n.d
Part of Graham Collection, donated by the family of Misses Mary and Edith Maude Graham, of 4 Blair St PortlandChina tea cup - toytoys, tea cup, tea set, doll -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1914
Small Pale green Silk Apron (France) Trimmed around the edge with cream lace. 5 Tucks in centre trimmed with posies of shaded pink roses made of silk ribbon. Leaves Embroidered in Green. Mrs Doris Ferguson Ligar Street.stawell clothing material -
Trafalgar Holden Museum
Leisure object - Australian rules football, Ca1910
Football as used in Australian rules football, for sport and recreationAs manufactured by Holden and FrostBrown leather Oval shaped football, laced on topleather, laced, football -
Clunes Museum
Clothing - RIDING APPAREL
Worn by Chris Durie's mother Rose Fawcett who lived with her family at Powlett Hill, Glengower. She was one of ten children of Christopher and Anne Fawcett. Rose's father was Mast of the Hunt, coursing was popular sport at this time.1 Ladies lined jodhpurs, lacing at bottom each leg .2 Ladies lined riding jacket, brown/green tones Nilcoursing, riding habit, rose fawcett, chris durie -
Bendigo Historical Society Inc.
Clothing - LADIES GREY BLAZER
Ladies grey blazer worn by Heather Pain as Pipe Major of the Ladies Pipe Band Bendigo. Grey woollen single breasted blazer. Grey satin lining across shoulders at back. Long sleeves lined with yellow and black striped cotton fabric. Body of blazer unlined. Three pockets on front-one on either side at hip level. One LHS breast pocket with red embroidery shield containing thistles, leaves and crossed swords. The pocket has a 1cm tartan bans across the top. Hip level pockets and lower sleeves have 1.5cm bands of red corded ribbon. Front opening is fastened with two X 2cm grey plastic buttons. Internal seams edged with brown satin ribbon.Red embroidery on breast pocket ""Ladies Highland Pipe Band''.''Bendigo embroidered inside an embroidered banner.Label at back of neck- ''ASHMANS'' The Home of Better Suits, Hargreaves Street Bendigo''. Label attached to lining across shoulders (^cmX6.5cm).Picture of shield with tailor's tools and words, Ashmans, The Home of Better Suits, Hargreaves st Bendigo. Label stitched inside right front Ashmans Hargreaves St., The Home of Better Suits. Miss H. Pain 8141 6/9/55''.costume, female, ladies grey blazer. -
Clunes Museum
Clothing - GLOVES
BONE COLOURED LADIES GLOVES. BOW ON IMITATION CUFF, MACHINE EMBROIDERY ON BACK OF GLOVE. NYLON - SIZE 6 1/2costume accessories ladies, accessories ladies, gloves -
Bendigo Military Museum
Clothing - SASH/BELT, C.1930 - 45
centre section is double thickness with blue- rayed sun ; blue sections are decorated with gold coloured cotton french knots symbolizing the district shire where the owner lived. A Khaki coloured tiger faces inwards each end of center. Japanese characters in pink near center shashiko quilting on white rays.costume accessories - male, japan, handcrafts - sewing/ embroidery -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WOMAN'S PINK FULL LENGTH NIGHTIE, 1950's
Clothing. Pink full length woman's nightie of fleecy lined rayon fabric. Curved insert at waistline (8cm) at front. Front opening from throat to waistband with placket. Fastened with four X 1cm white pearl coloured buttons.Front yoke covered with coffee coloured lace inserts. Front of bodice gathered into yoke and waistband. Rounded fold down collar covered with coffee coloured lace and trimmed with lace frill. Skirt gathered into waistband at front. Two ties (65cm X 2.5 cm) attached at each side of waistband. Long straight sleeves gathered into elasticized wrist with 10cm frill of lace covered fabric below the wrist, trimmed with lace edge.Tag inside neck, ''SNI'' ; SW'' ''RAYON FABRIC SW''.costume, female, woman's pink full length nightie -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, early 29th century
The Bentwood chair has been called ‘the world’s most popular chair’. The original Bentwood chair, was designed by German-Austrian cabinet maker and Master Joiner, Michael Thonet (b.1796 - d.1871) and introduced to the market in 1859. Thonet started his business in his home town of Boppard as an independent cabinet maker in 1819. In the 1830’s he began trying to make furniture from glued (laminated) and bent wooden slats. Over the next few years his attempts to patent this process failed in Germany, Great Britain, France, and Russia. He then began using lightweight, strong wood and bending it into elegant, comfortable furniture. The Bentwood technology took Thonet years to perfect. In simple terms, the wooden rods or lengths were wet by soaking or steaming, bent into shape and then held in place until they hardened into the moulded curved shape or pattern. The wood usually chosen for the bentwood chairs was maple or beech. Thonet had revolutionised an older process by industrialising the process. The dowels of wood were cut and prepared as components of furniture, treated by the ‘bentwood’ process, then ready immediately for assembling with very little extra workmanship needed. Thonet held 2 patents for this process, the second one ended on 10th July 1869 and was non-renewable. At the Trade Fair at Koblenz of 1841 Prince Klemens Wenzel von Mettemich was very impressed with Thonet’s furniture, especially the chairs. In 1842 Thonet sold his Boppard business and emigrated to Vienna, and began working, along with his sons, on the interior decoration of the Palais Leichtenstein, for the Carl Leistler establishment. In 1849 he began his own business again, the Gebruder Thonet to include his sons (translated “Brothers Thonet”). He produced the “No. 1” Bentwood chair. He received a bronze medal for his Vienna bentwood chairs at the World Fair in London in 1851, and a silver medal in Paris in 1855. In 1856 he opened a new factory in Koritchan (Moravia), where there were extensive woods of beech trees available for his enterprise. In the next years, five more Eastern European production sites were established in Bystritz (1862), Nagy-Ugrócz (1866), Wsetin (1867), Hallenkau(1867) and Nowo-Radomsk(1880). Thonet’s 1859 No. 14 “chair of chairs” (or “Konsumstuhl Nr. 14” – coffee shop chair no. 14) was the most famous of all of Thonet’s Bentwood chairs. In 1867 he received a gold medal at the Paris World Fair. This new style of furniture making became very popular. Up until 1830 50 million of these chairs had been produced. By the 1870’s Thonet owned offices in almost 20 countries, with sales locations across Europe, in Chicago and New York. In 1889 he set Thonet set up a head office in Frankenberg, Hesse. Bentwood models designed in the mid to late 19th century featured hand-caned or laminated wood seats and were usually stamped with the country of origin. The Bentwood elements were the backrest, seat rim and legs. Typically the seat was covered with ‘bucket’ leather. After the Patent ran out in 1869, companies such as Jacob & Josef Kohn began the production of bentwood furniture.The popularity of the Bentwood chair that was introduced by Michael Thonet in the 1850s is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, pair of two. Backrest has full length inverted U inside frame. Support rail and wire reinforcing between legs. 3692.01 seat has floral pattern pressed into wood 3692.02 seat is plain (replacement seat). Made by Harnison & Co.3692.01 chair's marks; Label ""HARNISON & CO./ NEUSOL / BUDAPEST" and "WIENER NOBEL" and "(symbol) N inside circle, under Crown" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, domestic furniture, dining furniture, bentwood chair, harnison & co., neusol, budapest, wiener nobel -
Mont De Lancey
Leisure object - Toy Truck, Unknown
A brown painted wooden hand made toy truck with four wheels and a tray for loads.toys, toy trucks, leisure objects -
Whitehorse Historical Society Inc.
Leisure object - Dice Container
Wooden cylinder in which dice were placed and then thrown to score.toys, general -
Ararat Gallery TAMA
Clothing, Toiletry bag
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Whitehorse Historical Society Inc.
Clothing - Socks, 1990s
Made by Mrs. Myrtl Bennett, aunt of donor, for her husband, Philip.Pair of long brown hand knitted socks.costume, male footwear -
Whitehorse Historical Society Inc.
Clothing - Night Gown, circa 1900
Made by Mrs Norah Huggins 1891 - 1965 for her glory box. She was married to a blacksmith who worked with carriages. They lived at Ballarook near BallaratLong white cotton nightgown. Broderie Anglaise yoke with white lace trim on square neckline. Long sleeves trimmed with Broderie and lace. Centre closing has four buttonsN.Hugginscostume, female nightwear -
Whitehorse Historical Society Inc.
Clothing - Fur Collar
The collar was worn by Mrs. Kate Warren, mother-in-law of Frances, who lived at Mitcham Road Vermont about 40 years ago.Small dark brown fur collar. A hook (no eye) to fasten with. Not lined.costume accessories, clothes accessories -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: DARK CREAM SHORT/WRIST LENGTH LEATHER GLOVES, Early 1900's
Clothing. Wrist length, dark cream, machine stitched leather gloves. Machine stitching-two rows, gives the effect of pin-tucks, are sewn in a diagonal direction from the outer wrist, across the back of the hand. The shorter outer stitching, 4 cm long has two 6mm long leather stitches, at right angle to the machine stitching. The second diagonal stitching runs around the top of the glove, and 9.5 cms across the back of the hand. It is offset with three 6 mm stitches at right angles. There is a 3 cm long, bound slit at the outer side top of the gloves.costume accessories, female, dark cream wrist length leather gloves -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE COLLAR, Early 1900's
Clothing. Cream guipure lace collar with floral curvaceous design. A large petalled motif at the centre back (or front) with a peaked effect at the front (or back). Delicate threads and small ''balls'' of cotton thread fill between the larger motifs. This collar is of a quite small size and nay have been worn by a younger adult or teenager.costume accessories, female, cream guipure lace collar -
Whitehorse Historical Society Inc.
Clothing - Gloves
Pair cream mid length gloves. Shirred in front.costume accessories, glove accessories -
Ararat Gallery TAMA
Clothing, Reptile Leathergoods P/L Melbourne, Handbag with comb
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Whitehorse Historical Society Inc.
Clothing - Dress, 1930s
A 1930s cream nylon seersucker dance dress. Full skirt with horizontal pleated bodice with plaited roleua straps covered in sequins. Self fabric bow & tail on left side at bodice. Boning on side of bodice with gold metal zip on left side.costume, female -
Whitehorse Historical Society Inc.
Clothing - Christening gown
Laundered 30/10/1999White cotton christening gown with short sleeves. Broderie Anglaise lace used in frills from neck to hem getting wider as they descend from neck. Rows of different broderie anglaise pattern on sides.costume, infants' -
Whitehorse Historical Society Inc.
Clothing - Wool Jumper, 1980s
Hand-knitted by donorCream wool jumper; Hand knitted in open zig-zag design. Ribbed stand up collar and tie at neck.costume, female -
Whitehorse Historical Society Inc.
Leisure object - Doll
Doll's Clothes made by donor. Shoes purchased by Society.Blue and white check seersucker dress with peter pan collar, puff sleeves, two ticks down front bodice. Gathered skirt with two buttons down back. Blue panties. Broderie white anglaise half petticoat with ties at waist. White sandal type shoes with cut out daisies on front of shoes, T bar with small pearl button. Shoes are white vinyl with leather soles.toys, doll's clothes -
Whitehorse Historical Society Inc.
Clothing - Baby's Jacket, 1911
Made for Siegfried Wachtel known also as Tom Walton by his grandmother in 1911. Her name was Mimi Walton (Watchel). They were German Jews from Hamburg. Arrived in Australia. The jacket was given to Maria McClive in 1970 for her baby.White cotton finely knitted baby's jacket with drawstring at neck and ties in front.Wcostume, infants' -
Ararat Gallery TAMA
Clothing, Belt
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.