Showing 6171 items
matching domestic-and-leisure
Accessory (1621)
Clothing (3053)
Costume (165)
Craft (189)
Domestic object (2553)
Footwear (174)
Furniture (391)
Headwear (509)
Leisure object (689)
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Churchill Island Heritage Farm
Clothing - Lace Collar
This elegant lace collar with reinforced strips was made with machine net and Battenburg lace. It would have been temporarily applied or tucked in to the neckline of a garment to stand erect on the neck. Battenburg lace was popular in the United States in the 19th Century and was made by attaching inexpensive cotton strips on to net as an outline for the design. This type of lace was named after a wedding in the Battenburg family occurred at around the same time for which the patent was applied in Washington DCThe Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Lace Collar with reinforced strips. Machine net and Battenberg lace. lace, churchill island, janet amess lace collection, amess, collar, battenberg, machine -
Port Melbourne Historical & Preservation Society
Clothing - T-shirt, Port Melbourne Festival, Feb 1992
This shirt was produced by the Port Melbourne Festival committee, was purchased by Liana and David Thompson and given to the Society when they left to live in London.Port Melbourne festival t-shirt from a collection belonging to David and Liana Thompson: 'Port Melbourne Festival 1992'Port Melbourne Festival 1992celebrations fetes and exhibitions, port melbourne festival committee -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WOVEN KHAKI BELT WEBBING, 1950's - 1960's
Piece of khaki coloured woven belt webbing. No buckles or fittings.Green and red stamp at one end. Unreadable.costume accessories, clothing accessories, woven belt webbing -
Bendigo Historical Society Inc.
Domestic Object - PATCHWORK, EMBROIDERY, NEEDLEWORK, CROCHET, LINEN & LACE, Date Unknown
1 Square White Linen & Lace Tablecloth With Floral Motifs & Curlicews In All Four Corners.handcrafts, country crafts, tablecloth, https://www.lynxlace.com/pulledthreadgallery.html -
Whitehorse Historical Society Inc.
Furniture - Dressing Table
Mahogney dressing table with six drawers. Large mirror surmounted by two ornately carved supports which sit on small drawers on top of dressing table.furniture, domestic -
Port Melbourne Historical & Preservation Society
Clothing - Port Melbourne Scouts, The Scout Shop, 1955 - 1956
When the donor first joined the Scouts the uniform was blue. It was then discovered that they weren't Sea Scouts and the uniform was changed to khaki. The donor was on duty as a scout at the Melbourne Olympic games and attended the Scout Jamboree at Clifford Park before the Olympics. He wore the shirt and one of the scarves at the 1956 Olympic games in Melbourne. Other outfits were worn at 1955/56 Pan Pacific jamboree. .05 - maroon Scout scarf with Melbourne Olympics badge societies clubs unions and other organisations, sport, geoffrey fletcher, melbourne olympic games, clifford park jamboree, 1st port melbourne scouts -
Mont De Lancey
Domestic object - Suitcase, Unknown
Suitcase used by M Sloan. A worn vintage small brown square cardboard suitcase with a metal closing clip at the front. It has four brown metal protective pieces riveted onto each corner edge on the lid and bottom of the case. There is a metal reinforcement strip on all the the edges of the lid and on the top edges of the base.M SLOAN is written in capital letters inside the lid in grey pencil.suitcases, luggage, functional object -
Whitehorse Historical Society Inc.
Domestic object - Serviette Ring
Part of|Mrs J. Lattins collection.Wooden serviette/napkin ring from Jerusalem featuring a camel and a man carrying something on his head with sand dunes in the distance.Jerusalemdomestic items, table setting -
Nhill & District Historical Society Inc.
Clothing - 1946 Wedding dress of Elvie Schnaars
1946 White crepe frock fashioned with long sleeves and a round neckline with double collar, the bodice is buttoned through to a curved waistline. A wide belt of the same fabric accentuates the waistline, with a long full skirt extended into a graceful train and matching long gloves. The triple layered veil of tulle, with the longest layer draping down the back of the gown, with an embroidered edge and motif, the top layer of the veil covering the face has the same embroidered motif and on the edge.embroidered motif on the points of the veil, as well as the edge. -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES SHORT BLACK GLOVES, 1950's
One pair of ladies black cotton wrist length gloves. Three pintucks on back of gloves. Fold over 2.5 cm cuff at wrist with scalloped edge,Labels inside both gloves; ''MAMBO 7 ALL COTTON''costume accessories, female, ladies short black cotton gloves -
Clunes Museum
Domestic object - IRON
SHELLITE IRON - WOODEN HANDLE - BLUE FUEL CONTAINER - BLUE - MINUS SCREW ON TOP IRON BASE - BLUE AND SILVERKNOB AT BASE OF FUEL TANK MARKED - CLOSElocal history, domestic item, irons, domestic items -
Whitehorse Historical Society Inc.
Domestic object - Sterling Silver Spoon, c1830
Donated by Margaret Scarlett. Sally Button has dated it to 1830 William 1VSterling silver serving spoon, initialled on handle in script J S H William 1V, 1830. Maker RB - not listed as a major silversmith. (see also NA3126)R Bdomestic items, cutlery -
National Wool Museum
Clothing - Cardigan, 1940s
Elbow length sleeve pink knitted cardigan with button front and collar. knitwear, fashion, cardigan, 1940s -
Warrnambool and District Historical Society Inc.
Domestic object - Thermos, c. 1920
This is a vintage item from the early 20th century. It could have been used in a house hold context or by farmers in the paddocks, by hikers, family picnickers, campers or by workers in factories. This item has no known provenance and is kept as an interesting vintage domestic object..Deep blue enamel vacuum flask or thermos with a rusted metal handle and a lid which serves as a cup. There are rust patches on the base, sides and cup. The central section is round.vintage domestic item, vintage vacuum flask, vintage thermos -
Flagstaff Hill Maritime Museum and Village
Domestic object - Ewer, First half of the 20th century
This object and the set of five items is believed to have been made in or around the Staffordshire area in the United Kingdom. Over 1500 pottery firms have operated in Stoke-on-Trent since the early 1700's - Some lasted only a few years and some for well over 200 years. Some potters built and owned their own works. Many others were tenants in works built by others and a succession of potters occupied the same works. It was also a common practice for a works to be split between two different pottery companies or for a larger manufacturer to let out a smaller section of his works to a potter who would make wares which were not of interest to the pot works owner. Some potters purchased 'blanks' from other manufacturers and put their own decoration on them some items have two back stamps some have no marks at all. This adds to the confusion and frustration of trying to trace details of a particular manufacturer such as the subject item.The subject item at this time cannot be associated with an historical event, person or place, provenance regards manufacturer is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Ewer or jug, cream ironstone with brown flower spray floral decoration.(Part of 5 piece set containing ewer, bowl, brush vase, soap dish lid and soap dish)Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, porcelain container, toilet container, beauty container, ceramic, decorative object, pottery object -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Surface area of spoon is 10% sediment, 10% original plate, 1o% verdigris, and balance 70% almost black oxidisation. flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, dessert spoons -
Bendigo Historical Society Inc.
Clothing - PARASOL, 1980's
Parasol.Black cotton with fringed edging ( striped pattern on fabric around lower edge). Turned wooden handle with centre hinge for folding. Sliding metal cylinder to lock hinge of handle.costume, female, parasol -
Kew Historical Society Inc
Furniture - Honour Board, Auburn Heights Recreation Club President & Bowls Champion 1906-66, 1906-1966
Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Chapman J & C 1999, The history of the Auburn Heights Recreation Club, 1904 to 1908. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Large wooden honour board listing the Presidents & Bowls Champions of the Auburn Heights Recreation Club from 1906 to 1966. [The item is part of the large historic Auburn Heights Recreation Club collection, including items relating to the sports of lawn bowls, tennis and croquet, gifted to the Kew Historical Society in 2020].clubs - lawn bowls - kew (vic), auburn heights recreation club - barkers road - kew (vic), honour boards -
Bendigo Historical Society Inc.
Domestic Object - FAVALORO COLLECTION: SILVER PLATE ENTRÉE DISH
Oval silver plated entrée dish with lid and detachable handle and pattern around rim.E.P.N.S P.N.Wdomestic equipment, table setting, dish -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Domestic object
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Wodonga & District Historical Society Inc
Domestic object - Britannia metal thistle shaped chamber sticks, James Dixon & Sons, c1921
This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. The hallmark on this item identifies it as being produced by James Dixon and Sons of Sheffield, England. Their first corporate mark of the trumpet (bugle) and banner was granted in 1879, and the second with the name was added in 1890 and used until 1920, therefore helping to establish provenance of this set. The mark JD&S was used from c. 1920. The abbreviation EPBM in the hallmark denotes "electroplated Britannia metal". Britannia metal was generally used as an alternative to electroplated nickel silver.This item comes from a collection used by a prominent citizen of Wodonga. It is also an excellent example of Britannia ware of the early 20th century.A pair of Britannia metal chamber sticks with a base representing the shape of a thistle and its leaves. Underneath each stick, Beneath the symbol of a bugle and banner, surrounded by shields "J D & S"/E P B M/ 8207"domestic items, britannia metal -
Churchill Island Heritage Farm
Furniture - Wheelchair, c. 1900
Cane wheelchair with small metal wheels. Curved arms supported on each side by single strut. Decorative scroll top centre of backrest. Hole in wickerwork of seat. Diamond pattern in backrest. Fold-away solid footplate under seat.churchill island, early wheelchair, amess barn -
Whitehorse Historical Society Inc.
Clothing - Gloves
Cream lisle gloves. Three pearl buttons and button holes at wrist.costume accessories, glove accessories -
Ararat Gallery TAMA
Clothing, Sash
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Clunes Museum
Domestic object - IRON
RUFFLE CRIMPING IRON USED IN 19TH. CENTURY FOR RUFFLING LACE.METAL IRON FOR IRONING LACE RUFFLElocal history, domestic, iron -
Ararat Gallery TAMA
Clothing, Belt
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Rutherglen Historical Society
Domestic object - Soap saver, 1930-1939 (Approximate)
Soap was fastened in basket, then it was agitated in water to obtain a soapy lather in which to wash dishes.Soap saver. A square wire basket, hinged with long handle and a clip. -
Kew Historical Society Inc
Clothing - Sleeve Cuff
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. One of a pair of muslin cuffs as worn by maids. Hand sewn.women's clothing, sleeve cuffs -
Whitehorse Historical Society Inc.
Clothing - Apron
Worn by Donor's grandmother at Bethley Ridge near Maryborough. Unique style of embroideryApron - Brown Hostess - Lace Edged. Embroidered in fine woolcostume, female working -
Bendigo Historical Society Inc.
Domestic Object - SPICE SET
Tin spice set & wall mounting holder 5 tins of spice with contents, labelled Nutmeg, Cinnamon, Ginger, Pepper & Mace, painted blue with dard blue & silver chequered pattern.Invicta brand Henry Berry & Co Pty Ltd Melbourne Adelaide Perth Sydney & Brisbane 2ozs netdomestic equipment, containers, tin, k223.1.2.3.4.5.6