The fabric of this child's dress includes 'Broderie Anglaise, a form of needlework involving patterns of holes that are each stitched to form a finish that will not fray. The dress features a homemade button.. This handcraft dates back to the 1500s. It became popular in the 1800s and early 1900s, particularly for women's nightwear and underclothing.This child's dress has handcraft and needlework skills that were popular in the 19th and early 20th centuries. The dress also features a homemade button.Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. The bodice and shirt have Broderie Anglaise embroidery inserts, with the holes formed into a star pattern. The bodice insert is a 'V' shape. The back has a ribbon tie and is finished with a homemade button.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, child's dress, clothing, embroidery, broderie anglaise, handmade button, handmade dress, child's fashion, dressmaker, handcraft, needlework, lacework

Clothing. Cream kid-leather bound on sides and lower edge with a 5 cm wide light blue grosgrain ribbon,mitred at the lower corners. A Vshaped flap, edged on the Vshape, with a 4 cm wide blue ribbon, and attached to the apron at the top edge with a 4 cm wide blue ribbon, folded in half over the top edge. A blue rosette of the ribbon is attached to the centre of the flap, and there is a blue rosette at each side of the lower edge- all are attached by a 1.5 cm diameter blue silk covered button. A blue, 3 cm wide elastic, with silver coloured hook fastens the apron to an elastic held, silver coloured metal loop fastener.Harvey C.Smith Pty Ltd,. 57 Swanston St., Melbourne. MASONIC REGALIA SPECIALISTS.costume, male, lodge apron

Cream Lady Pelaco blouse. Size 12. Five front covered buttons with 6 rows of stitching on either side of opening. Peaked collar with tie front.Long sleeves with covered button at wrist.Pelaco Ladycostume, female

Cream coloured cotton flannelette nappy.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, flannelette nappy

White cotton Nightdress with broderie anglaise lace bodice. Frill of same lace on armhole edge.costume, children's

Brown, red sash, yellow sleeves

Clothing. Navy blue, wool, fully lined blazer, presumably worn by a drum section member as the right sleeve has a cloth badge, embroidered with a drum. Long sleeves are elaborately decorated with red felt and gold braid, and finished with three gold plastic buttons bearing the impression of a laurel wreath, and horn as a replica of the British Light Infantry. Two splits on back - one on each side of centre back. Red felt with four peaked stripes of gold braid, on the lower right sleeve - possibly indicates rank of the drummer. Red felt epaulettes trimmed with gold braid and buttons (as above). Two false pocket flaps - one either side of front. Fully lined with a woven patterned taffeta. Sleeves lined with cream polyester (?) with a self stripe. A red felt tab on either side of front revere collar, bearing a metal Leidertafel badge on each tab. One inside pocket on right front. Double breasted.Back of buttons:Stokes & Sons,Melbourne. On internal pocket A.Hayman. Product by Europe Modes for Comfort. Style. Stamina. And an embroidered hand, holding a torch and flame.costume, male ceremonial, band blazer

Clothing. Black and white two piece bikini, size 10. Strapless top of nylon fabric - black with white spots. Two cups separated at centre with a decorative metal zipper (6cm). Each cup has a shaped foam insert. Bikini bottom of nylon fabric, black and white horizontal stripes (1.5cm). Hi cut leg. Two decorative black and white ties stitched on side seams (16 cm).Metal tag ''RIP CURL'' on LHS of bikini topcostume, female, black and white two piece bikini

This item was likely purchased by National Serviceman Pte D W Drennan of the Royal Australian Infantry Corps who served in Vietnam in 1971.A camouflage bomber jacket made from parachute material with hand embroidered emblems and maps on the front and back. The jacket has a pull ring metal zipper, blue silk lining and two pockets in the front. SAIGON/VIETNAMvietnam, camouflage, bomber jacket, drennan, d w drennan, 3796582

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Cut velvet pelerine featuring multicoloured garlands of flowers in shades of gold, brown and blue on a pink ground. Chenille trim and long silk fringe, Centre front hook and eye closure, Lined with pale pink silk.women's clothing, outerwear -- capes, fashion -- 1890s, fashion design

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This lingerie dress, donated by Jane McIntyre is part of the wider McIntyre Collection. While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from 1912-1918.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Three-quarter-length, white cotton voile lingerie dress. The dress feature extensive embroidery on the bodice and skirt, probably constructed from pre-embroidered fabric, rather than hand embroidered. In addition to the embroiderd panels, there is extensive use of white lace insertions. The dress has short sleeves to teh elbow and lace cuffs. The dress is date after the Edwardian Period due to the absence of tucks and frills. Its high-waisted design is simple and yet elaborately ornamented with embroidery.women's clothing, white muslin dresses, tea dresses, australian fashion 1910-1920, lingerie dresses, annie mcintyre, mcintyre collection, fashion design, fashion -- 1910s

Cream silk child's cape. Hand-crocheted lace edging around side and bottom edges. Hand-crocheted lace insert between two sections of pintucking, edged with embroidery. Main body of cape gathered onto plain yoke. Silk binding around neck. Garment Measures: Width at yoke: 30, Width at hem: 215, H: 50

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham of 4 Blair Street, Portland.Cream muslin dress. Drop-waisted with side gathers. Lace edging at neck and shoulders. Sleeveless.

Large horse-shoe shape - flexible, possibly cardboard, covered with 4.5 cm wide cream ribbon, overlaid with gathered tulle. A 1.00 cm wide nylon ribbon forms a 50 cm loop for the bride's arm, and is finished at the top of the horse-shoe with a bow, and a sprig of waxed orange blossom. A card is attached - refer below to wording.To Merle and Jack, wishing you both happiness in the years to come, With love and kisses, Eileen.costume accessories, female, wedding horse-shoe charm

This white, girl's blouse with ribbon inserts is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The Maggs family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A white cotton , girl's blouse , decorative with ribbon insert.clothing, brighton, moorabbin, dendy henry, market gardeners, dressmakers, craft work, maggs geoff

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A handmade, sturdy white cotton christening gown. The bodice is made from a number of separate pieces of fabric. At the front there is a flat, pleated panel that extends well below the waist. The longer half-length sleeves are attached to the neckline rather than from a shoulder. Each sleeve is bordered with crocheted lace. Crocheting is also used as a decorative element on the front of the tie. The skirt is simply hemmed. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Flesh coloured step-in girdle, satin and lace in front with zip at side, satin panel at back. Four suspenders.On label = Marcel Worth Size 18 Style 1591 Nylon Elastine.costume, female underwear

Made by Mrs Norah Huggins 1891 - 1965 for her glory box. She was married to a blacksmith who worked with carriages. They lived at Ballarook near BallaratLong white cotton nightgown. Broderie Anglaise yoke with white lace trim on square neckline. Long sleeves trimmed with Broderie and lace. Centre closing has four buttonsN.Hugginscostume, female nightwear

White linen handkerchief, hand crochet edge with medallion in one corner.costume accessories, female

White fine cotton lawn waist apron. Pentagon shaped bib with spoke stitched hems on four sides. Waistband with ties attached, Skirt has two pleats on each side. Spoke stitched hems on sides and lower edge. Lower edge has spoke stitched detailing of two rectangular shapes, and a centre peak. Old box 160.costume accessories, female, waist apron.

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

Very fine cream silk bed jacket, lace insert down front and on sleeves. Lace all around edges and sleeves.costume, female nightwear

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

Clothing. Women's black lace wing shaped cape, lined with black satin. RHS at centre front has a loop of cord to fasten the cape.costume accessories, female, women's black lace cape.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.