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matching domestic-and-leisure
Accessory (1613)
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Mont De Lancey
Domestic object - Table runner
White cotton table runner, with a white embroidered butterfly amongst white stems, flowers and leaves at each end. The runner has white, scalloped, embroidered and crocheted edges.household textiles, table linen -
Flagstaff Hill Maritime Museum and Village
Furniture - Shelves, ca.1920 to 1950
This set of homemade shelves are part of the crafted domestic decoration popular in the early-to-mid 20th century.This decorative homemade wall shelf is typical of early 20th century room decoration.Display shelves; three narrow shelves on a decorative wood plaque. Plaque is is painted black and has had lacquer applied. Gold doves and plants have been painted onto the plaque. warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shelves, wall shelves, decorative shelves -
Tatura Irrigation & Wartime Camps Museum
Costume - Puppets Dress, 1940's
Part of a collection of clothes and accessories for puppets on loan from the Beinssen familyOlive green dress with drawstring at neck. Small length of cardboard inside sleevescamp 3, tatura, ww2 camp 3, puppetry, dr silke hesse, beinssen family, puppet costume, ekke beinssen -
Bendigo Historical Society Inc.
Domestic Object - PEWTER MUG FROM 'GLASGOW ARMS' HOTEL
Pewter mug, recovered by David Gunn from the Glasgow Arms Hotel, Kangaroo Flat. The Gunn family held the license in the early days of the hotel. Mug has an ornate handle and glass bottom. Piece of paper insider mug ' Pewter mug - recovered by David Gunn from the old Gunn Hotel 'The Glasgow Arms' at Kangaroo Flat. I became very friendly with Dave and his wife Nolly. Our Binks connection with Gunn famiy was by Aunt Sara Fraser' Signed Q,C, Binks C 1985. SEE ALSO Glasgow Arms Hotel foundation stone (7163)bendigo, hotel, glasgow arms -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, Prior to 1878
This tablespoon was recovered from the wreck of the Loch Ard that sailed from Gravesend, London. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware and cutlery items. These spoons are representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. History of the Loch Ard: - The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Spoon, tablespoon; nickel silver plated spoon with fiddle-back design handle, narrow stem with flared collar and elongated bowl. Marker's marks are impressed on the back of the handle. It was recovered from the wreck of the Loch Ard.Crown with diamond with W P inside Oval with anchor or key Square with cut corners with fancy cross inside Circle with lion Diamond with "P"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dessert spoon, petrified timber, conglomerated cutlery, silverware, dining utensil, spoons, conglomeration of spoons, spoon, tablespoon, cutlery -
Federation University Historical Collection
Costume, Ballarat Teachers' College Blazer worn by Aurita Perry
Blue woollen BallaratTeteachers' College Blazerballarat teachers' college, aurita perry, blazer -
Whittlesea Historical Society Inc.
Domestic object - Plate, dinner plate, bread and butter plate, c 1920s
The plates were used by the Turner family at C. Turner, Baker of Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored. The plates are significant to their links with the historical 19th century Turner Brothers Bakery at MerndaCeramic plates from the Turner Bakery collection. One dinner plate and one bread and butter plate from a matching set, glazed pattern, 'J & G. Meakin England', scalloped edges, blue and gold pattern on face of plate, gold on rim.Maker J & G Meakin England, Design 'The Garrick', Regd SOL 391413 j & g meakin, turners bakery, mernda, charles turner, stephenson turner, plate, cermaic plate, dinner plate, bread and butter plate, c turner baker, yan yean -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing Machine
Singer treadle sewing machine circa 1919. Singer Manufacturing Co. No Y2656052 Has 3 drawers down each side with a flip out drawer. Sewing machine folds down into body of machine.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Cigarette Lighter
Found at Camp 13 POW site post war by Wartime guardMetal cigarette lighter, no stopper in base. No igniter on the top.cigarette lighter, camp 13 -
Whitehorse Historical Society Inc.
Domestic object - Plate, 1927
The last remaining piece from a tea set owned by Catharine Jane Grant nee Marden - grandmother of Max Grant.White china plate with royal crest in centre.Souvenir of HRH the Duke & Duchess of York's visit to Australia 1927.domestic items, crockery, civic mementoes, royal souvenirs -
Whitehorse Historical Society Inc.
Domestic object - Writing Case, c1880
Walnut and brass fitted writing case bound with brass. Brass plate on lid. Brass handles - one attached to drawer. Inside it opens to a sloping writing desk - black leather with 22 carat gold decoration. Hidden drawer compartment. Three drawers with compartments for paper, pens, ink bottle. Two keys on a ribbon.Ernest John Walters, Nov 4, 1883domestic items, writing equipment -
Clunes Museum
Domestic object - CHINA, Royal Doulton
.1 Teapot, brown colouring, tree on one side, Arundel Castle on the other .2 Lid for teapot .3 Vase, cream, wattle on all sides, gold rim .4 Toby jug, brown .5 Vase, cream, countryside scene, tan coloured rim .6 Vase, tall, 2 x handles, church, countryside sceneRoyal Doulton royal doulton, teapot, vase, toby jug -
Whitehorse Historical Society Inc.
Domestic object - Vase
Items donated by Mary Eussell, daughter of Elizabeth. When Elizabeth died Mary Russell came to Australia in 1934, bringing her family and household goods with her from England.Vases, cloisonneornaments, metal -
Bendigo Military Museum
Domestic object - COAT AND HAT RACK, Pioneer Comforts Fund, c. 1921
This item was placed in what was originally the "Writing Room" of the Soldiers Memorial Institute Bendigo when it was opened in 1921. After the renovations to SMI 2016 - 18 it was placed back in the same position. This room is now called the "Building and RSL History Museum.Coat and hat rack timber construction rectangular shape, has six hangars at top and six at the bottom. Each hangar holds two items, top hangars are different style to the bottom. A small silver oval plaque is central at the bottom.On the plaque, "Presented by the Pioneer Comforts Fund"brsl, smirsl, comforts -
Chiltern Athenaeum Trust
Domestic object - Butter knife belonging to W.C.Busse
Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. Likely Silverplate due to the intensity of the tarnishing of the metal, with indecipherable hallmarks on the handle, the method of production and the maker mark are unclear. The delicate swirling fernlike motif on this particular butter knife appears to be stylised in either Art deco the decorative arts and craft style favoured in Europe between 1880-1930's and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This butter knife represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food, he buttered his bread and he did it with a wonderfully decorated silver butter knife.A tarnished metal butter knife with engraved and embossed spiral fern details on the knife and handlesilverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen, cutlery, butter knife, knife, silverplate -
Whitehorse Historical Society Inc.
Domestic object - Cocktail Glasses, 1920s
Belonged to donor's father's catering business - Glyn Francis of Ford Catering Company. This company also catered for the opening of Schwerkolt Cottage, when Governor Delacombe attended.Three glasses - each with plain glass bowl with green twisted glass stems and plain green base.domestic items, food & drink consumption, glass technology, glassware -
Mont De Lancey
Domestic object - Gravy Boat, Unknown
This gravy boat is part of a dinner set used in the 1900's.An aged faded white ceramic gravy boat (no saucer) with two red stripes on the rim and two red lines around the body. It has a rectangular handle with two simple red decorative flowers.dinner sets, dinnerware, tableware, gravy boats -
Melbourne Tram Museum
Domestic object - Milk Jug, Grindley Hotelware Co, White China milk jug with MMTB logo, post 1946
White China milk jug with MMTB logo with a small handle. Made from China clay, glazed and vitrified or fired. Has a small formed spout, MMTB logo in dark green. On the underside has the words "Grindley Hotel Ware, England, Vitrified, Loftus Moran Pty Ltd, Melbourne. Patent. Has a crown or manufacturers mark on the top of the lettering. Possibly made for use at the Wattle Park chalet or head office. http://www.thepotteries.org/mark/g/grindley.htm - accessed 14-08-2014 indicates it was the mark used by the company from 1946. The photo on the website also had a date mark on the underside. http://museumvictoria.com.au/collections/items/259893/serving-plate-cream-ceramic-grindley-hotelware-co-england-loftus-moran-melbourne-1952 - accessed 14-08-2014, indicates that the item was made: Grindley Hotelware Co., Tunstall, Stoke-on-Trent, Staffordshire, England, Great Britain and imported by Loftus Moran Pty Ltd, South Melbourne, Victoria, Australia. See Reg Item 6068 for another example.trams, tramways, mmtb, crockery, grindley hotelware, loftus moran, wattle park -
Mission to Seafarers Victoria
Domestic object - Set, Creamer and Sugar Bowl
This set may have been carved by a seafarer and gifted to the mission.Carving and model making is one of the hobbies of many seafarers during long voyage.Wooden Fijian creamer and sugar bowl set with spoon. Creamer and sugar bowl both have Fiji style cravings in the wood stopping 3/4 of the way up the sugar bowl and 1/3 of the way up the creamer. Both have been stamped on the bottom which might possibly read "HEATED WOOD HANDCRAFT". Creamer also has "BULA FIJI" painted on the front in white paint.stamped on the bottom which might possibly read "HEATED WOOD HANDCRAFT". "BULA FIJI" written in white on side of creamer.wood, fiji, creamer, sugar bowl, spoon, carving, hobbies, seafarers, sailors, seamen -
Queenscliffe Maritime Museum
Furniture - Chair, canvas
Thought to be from the SS Time as donor's relative was part of the salvage group in 1949As the salvage group was made up of fishermen form Queenscliff the wreck of the SS Time at Port Phillip Heads as well as its salvaged items are still of great significance to the community at Queenscliff and Point Lonsdale. Timber chair with arm rests and canvas seat and backchair, ss time, salvage -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Domestic object
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Stanley Athenaeum & Public Room
Furniture - Table - Reception area, Half Table - Wooden
Wooden small half table with three braced carved legs Top carved along circular edge. -
Port Fairy Historical Society Museum and Archives
Domestic object - Ashtray
sailing ship 'LIGHTNING" 1868 Sunk off Geelong Maurice Denny was a fisherman (lived in Campbell Street)Brass Ashtray With centerpiece matchbox holderShip "Lightning" Presented to Maurice Denny by Hector McKinnon Master Wallaroo GHT ashtray, lightning, sailing ship, wallaroo, denny, mckinnon -
Flagstaff Hill Maritime Museum and Village
Furniture - Stool, ca. 1944
This low kneeling stool was used for prayer and was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This kneeling stool is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. The Church originated in Bristol, England when a Seamen's Mission was formed in 1837. The stool is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this stool to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Stool; kneeling stool with textured vinyl cover and wooden base, with 4 wooden legs. The stool is part of the St Nicholas Mission to Seamen's Collection.flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, prayer, church furniture, prayer stool, worship -
Glenelg Shire Council Cultural Collection
Domestic object - Copper Dish, n.d
Round, beaten copper dish with fluted edges. On the front is a small colour badge of Portland lighthouse and headland. The badge sits in the centre of a raised circle, which has impressed images of a koala with baby on it's back, a kookaburra on a branch and a kangaroo in grassland.Back: 'Stokes Melb' - impressed -
Bendigo Military Museum
Domestic object - CUP & SAUCER, 1915
.3) Hand written on the card, “CUP and SAUCER (HARRODS 1915)/SISTER MARGARET CUMMING/Q.A.N.S (M.I.D)/ GENERALS DRANK FROM THIS CUP AT AFTERNOON TEA WHEN INSPECTING FIELD HOSITALS IN FRANCE/SUE McCASKER”.1) & .2) Glazed white china cup and saucer decorated with violet and green flowers. The flowers are arranged in a garland near the rim of the cup and saucer, further flowers dotted around on both. Identification marks on the bases in the glaze. .3) cardboard piece with a hand written note..1) On base of cup hand written “052” in the glaze. .2) Red ink stamp with the words “MANUFACTURED for/HARRODSBURG/ LTD BROMPTON Rd./S.W.” Within an oak leaf garland “Reg.No. 479676”cup and saucer, harrods -
Whitehorse Historical Society Inc.
Domestic object - Place Mat
From the Till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Cream and blue woven place mat with cream fringe.domestic items, food & drink consumption, handcrafts, weaving -
Bendigo Historical Society Inc.
Domestic Object - ELECTRIC BED HEATER
Tin electric bed heater with 2 pin plug.domestic equipment, heating, bed heater, k78 -
Whitehorse Historical Society Inc.
Domestic object - Tablecloth
W. Gray was the president of the Whitehorse Historical Society, and this was the property of his wife Beryl Gray.Tablecloth, Ecru, Linen 84cm x 84cm; Handmade lace around the edge 62cm x 32cm deep lace across two corners.E Smythemanchester, table linen -
Clunes Museum
Domestic object - FRYING PAN
FRYING PAN WITH HANDLE AND HOOKlocal history, domestic item, cooking, domestic items