Photo - see pdf file for further information. Number Brief Description RT149 Docklands - track work RT150 "2" track work at Glenferrie Rd RT151 Box Hill terminus - tram 3029 - "Port Melbourne" route 109 - at Elgar Rd stop RT152 Docklands RT153 East Brighton terminus - tram 112 - "University" - route 64 RT154 "4" - track work excavators at Malvern & Glenferrie Rds RT155 Box Hill terminus - tram 3035 - "via City" route 109 RT156 Docklands - track work RT157 "1" New Junction Malvern - Glenferrie RT158 "3" track work at Malvern & Glenferrie Rds RT159 Docklands - La Trobe St - tram 2073 - "Bundoora RMIT" - route 86 & tram 2003 - "Bundoora RMIT" - route 86 RT160 Docklands RT161 Docklands - Collins St extension RT162 Docklands - track work RT163 Collins St -tram 124 - "West Preston" - route 112 - at Town Hall stop RT164 Port Melb terminus - tram 278 - "Mont Albert" - route 109 RT165 Swanston St - tram 67 - "University" - route 6 RT166 Port Melb terminus - "Mont Albert" - route 109 RT167 Camberwell Depot - tram 971 - "City" - route 55, tram 881 - "Camberwell" RT168 Victoria Pde - tram 3004 -"Mont Albert" - route 109 RT169 Victoria Pde - tram 175 - "St Kilda Fitzroy St" - route 112 & "Mont Albert" - route 109 RT170 Spencer St - tram 957 - "City Circle" route 0 & tram 195 - "West Preston" - route 12 RT171 Domain Road Interchange - tram 134 "West Coburg" - route 55 7 tram 22 - "Camberwell" - route 72 RT172 St Kilda Rd - tram 96 - "University" - route 67 RT173 Swanston St - tram 24 - at Collins St RT174 West Coburg - tram 130 - "Doman & St Kilda Rds" - route 55Demonstrates the work of Robert Thomson in photography, collection and/or production of slidesAssembled album in a black presentation folder of 26 colour slides, collected or produced by Robert Thomson. All photographs have been scanned and placed on the Museum's G drive. A list of all photographs with details has been compiled. melbourne, tramways, trams, track construction

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Swanston Street, Melbourne, looking north. Coloured postcard. Weir collection."Swanston Street, Melbourne, Looking North"postcards, george and edith weir, swanston street - melbourne, weir collection

Postcard, coloured, streetscape view of Charing Cross and Pall Mall. Alexandra Fountain in foreground, tram behind heading towards View Street. Cars parallel parked along street in Pall Mall. The Beehive, Ezywalkin, stores in image.bendigo, streetscape, charing cross, bendigo, alexandra fountain, tram, ezywalkin, beehive, tram, charing cross

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of the view of Marysville in Victoria from Keppel Lookout. Keppel Lookout is named after the Keppel Family who were one of Marysville's earliest pioneering families. The Rose Series postcard No. 3526.POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/ HERE/ Rose Series/ Post Card No./ 3526 ADDRESS/ Nancy Oliver/ 14/150 Tyabb Road/ Mornington/ Victoria 3931/ POSTCODE Keppel Lookout/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photo Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772 MaryLyn - Marysville/ 10.03.2002 Dear Nancy/ First I want to/ thank you for nice cards/ get well, and others very/ much indeed. We miss/ you not coming here but I hope/ you enjoyed where you went/ Nancy as usual Mary Lyn/ is a nice place to enjoy and/ to feel relaxed and friendly/ in every way. Weather has been/ cool and pleasant with some/ few hot days to enjoy and to/ remind us of summer - not/ many here at/ present more coming./ Our love to/ all we know/ and love to your/ dear self hope/ to see you next/ time Sarina & Eric marysville, victoria, keppel lookout, postcard, souvenir, rose stereograph co, 3526

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. Rose Series Colorview postcard No. 1275.POST CARD The "Rose Series/ De Luxe Produced in Australia PLACE/ STAMP/ HERE Rose Series Colorview No. 1275. Copyright Published by the Rose Stereograph Co., Glen Waverley, Victoria Steavensons Falls, Marysville, Vic.marysville, victoria, steavenson falls, rose stereograph company, postcard, souvenir, rose series postcard, no. 1275, john steavenson

Daisy Vickers collection: Item 5 of 27Historical Information This is number 24 of 27 items in the Daisy Vickers collection of World War One memorabilia. These items were sent or given to Daisy Ogier (nee Vickers) during World War One by Corporal Arthur Anderson who enlisted from Warrnambool in 1915 at the age of 21. He served in Egypt and France and returned to Australia in 1919. Daisy Ogier (1907-1987) was a student and then a teacher at Warrnambool Technical School with her early teaching years there from 1925 to 1936 and in 1949. She became the head mistress from 1950 to 1963 and in 1968. She officially retired in 1976. Daisy Vickers was one of the best loved and dedicated teachers that the school ever had. She married the Reverend Fred Ogier and continued her association with the school after her husband's death.This card is interesting because of its association with World War One and two local people Daisy Vickers and Arthur AndersonThis postcard has an image of a child soldier holding a gun with a helmet at his foot, There is printing in French on the front and on the back space for correspondence and an address.Graine de Poilu Qu'ils y viennente les boches Nous sommes un peu la! An secteur des gavroches Nul ne passe Halte - la! ! daisy vickers, arthur anderson, world war one, world war one postcard

In late 1883 the Melbourne based photographers Stevenson and McNicoll visited the Bacchus Marsh township and nearby districts. They are known to have been visiting the town in September 1883 and by November 1883 they were reported to have moved on to Myrniong and Ballan. During their visit they took numerous photographs. The images produced comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses and their owners and several broader views of streets. The photos were then offered for sale. Photography businesses also sold albums for purchasers to display their photos.A unique and comprehensive set of images of people and places in the Bacchus Marsh town and district at a particular period in time, September-November 1883. This album of "carte de visites" photographs presents a rare compilation of the work of the Stevenson and McNicoll photography business. This team of photographers are known to have made several visits to towns and districts in the rural areas of Victoria and southern New South Wales in the 1880s and this album represents a very rare example of their non-portrait photography. The album is an example of the Victorian middle-class fashion to display family photographs for themselves and their visitors. These albums were often very expensive and in themselves evidence of the affluence of the family. They were made possible by the popularisation of photography as a social medium and were a forerunner of the coffee-table book. Medium sized leather-bound album, brown, front cover engraved with gold tooling in a starburst pattern. Pages are gold-lined. The inside front and end covers are in pale blue silk embossed with a gold floral pattern. The metal locking clasp is broken. The front page has a floral wreath of roses and forget-me-nots and a dragon-fly. The word "Album" is in the centre of the wreath, printed in gold in Gothic print. There are nine pages with pockets for four 65mm x 105mm sized "carte de visites" style photographs. Several feature pages have a single pocket for a larger photograph, or double pockets, possibly designed for family portraits. These portrait pages are also decorated with floral wreaths and insects, reflecting the theme of the frontispiece page. The smaller photos in the album were taken by the Melbourne photographers Stevenson and McNicoll, There are 48 of these smaller images. The images were created around September 1883 when photographers for Stevenson and McNicoll are known to have visited Bacchus Marsh and district. The images comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses with their owners and several broader views of streets. References to various photos being created and being available for sale are mentioned in the Bacchus Marsh Express newspaper during September to November 1883. Each smaller photo has printed on the verso: Light & Truth. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to Stevenson & McNicoll, late Benson & McNicoll, Photographers. 108 Elizabeth Street, Melbourne.bacchus marsh vic. history, streetscapes, shops bacchus marsh vic., roads and streets bacchus marsh vic., stevenson and mcnicoll photographers, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

early POSTCARD black and white photo Collins Street Melbourne -/ postmarked 1908 addressed to Mr Anderson Eaglehawk / one penny red stamp on reversepostcard, photograph, various themes, early collins street melbourne / one penny red stamp

ballarat botanic gardens, gardens, public

Stapling Machine (Early Model) used at the Shire Officesstawell

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

Historic picture of the Peterborough Hotel and the bridgeHistoric significancePost card from a fold out Postcard. Double sided picture of The Peterborough Hotel and the Peterborough Bridgepeterborough hotel, curdies river -bridge, peterborough, irvine family, peterborough bridge, historic hotel, postcards, vintage postcards

Eltham Swimming Pool Scum Gutter November 1956Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, eltham swimming pool, 1956-11

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of the track leading through the forest to the Cora Lynn Falls which is in the Cumberland Valley in Victoria. These falls are located on the Marysville-Wood's Point Road. Cambarville is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville-Woods Point Road, which was historically part of the Yarra Track. Cambarville was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed. THE ROSE SERIES P. 4958/ COPYRIGHT/ THE TRACK TO CORA LYNN FALLS, MARYSVILLE, VIC. The reverse of postcard is illegible as it is covered by paper residue from when postcard was removed from an album. marysville, victoria, photograph, cora lynn falls, waterfalls, p. 4958, rose series postcard, rose stereograph company, souvenir, cambarville, marysville-wood's point road, eucalyptus regnans, cumberland memorial scenic reserve, mining, big culvert, yarra track, a cameron, fj barton, 1939 bushfires, 2009 black saturday bushfires, timber mills

North Arm Bridge Lakes Entrance. (on back holidays 1951)Also 1x tinted photographic postcard identical scene 01162-2 good conditionBlack and white postcard of the North Arm bridge, lakes and western section of township, sand hummocks in distance. Lakes Entrance Victoriabridges

Huttley - Martin Family Album has 65 Photos Album Card fastened with cordhuttley, martin

Colour photograph, printed on a postcard back format of SEC Ballarat No. 40 crossing No. 21 at the King St. loop. No. 40 outward bound, with destination of Victoria St, and No. 21, showing Special - tram tour. No. 21 has a yellow background Twin Lakes sign on front dash panel.trams, tramways, king st, victoria st, tram 41, tram 42

Known as Tennyson Cup. Presented to Port Fairy Rovers Football Team 1898 Port Fairy Football Club. Ornate silver Cup with embossed stand. Replica of a british style footballer with a round ball decorating lid. Domed glass case, black wooden baselocal history, trophy - sports, tennyson’s cup, patrick tennyson, mrs byron

It is possible that E.M. Gibson left these photographs at the College when she retired from teaching there. Photographs relate to her work in designing new planting around the Administration Building and a general record of what the whole site looked like during this time. Various numbering systems have been used on reverse of photographs but the most consistent one has been used for cataloguing and sorting. These photographs include some of the missing ones from Series 1, 2, 4, 6 and 76 in B09.0005 and are the same as those in the negatives B09.0001. Possibly one person (J.L. Provan?) has taken the photographs and E.M. Gibson has picked out the ones she wanted. See B09.0005 for slides that have been made of these photographsCollection of black and white photographs stored in a photograph album with plastic pockets. These have been removed and replaced in archival album. Handwritten description attached in T.H. Kneen's writing identifying some of the photographs. Also his handwriting on reverse of many of the photographs. Identified as THK in catalogue. Some photographs have descriptions handwritten on reverse in different handwriting presumed to be that of E.M. Gibson. Identified in catalogue as EMG.See separate cataloguet.h. kneen, e.m. gibson, teacher, administration building, j.l. provan, rock point, luffmann ponds, lily ponds, entrance, garden views, hilda kirkhope rockery, sequioa sempervirens, orchard border, orchard, students working outside

Most probabaly purchased by Harry Holmes.World War One official war postcard showing prisoners of war.A file of Hun prisoners marching in the Brrisih rear after their capture. Their strapping appearance and brisk walk do not suggest "physical deterioration".world war one, harry holmes, soldiers, prisoner of war

Plate 300 Chuck Photo Series.carver's livery stables, f. carver, doveton street, building

Photograph of a woman in an equestrian event, she is riding a light coloured horse and jumping a high hurdle, there is a white picket fence surrounding the arena and a large number of spectators. On the left of the picture is a mini clock tower with a white roof and '9.30 Lager' written on it in large black letters, on the right there is a clock face with 'non - intoxicating' written above this. There is also a sign reading ' Farmers Notice , we are buyers of Barley in any Quantity. On the back hand written is ' Australian Champion High Jump Record, Bendigo Show,postcard, bendigo show, cohn brothers , 9.30 lager

Plate 30, Chuck Photo series.st peter's church, sturt street, building, church, public

A postcard with two colour photographs taken in Marysville in Victoria.A postcard with two colour photographs taken in Marysville in Victoria. The top photograph was taken on the corner of Murchison Street and Pack Road and shows an iconic wooden direction sign. The other is taken along the Steavenson River in Marysville. Murchison Street is Marysville's main street and is where most of the businesses in Marysville are. This postcard was produced by the Rose Stereograph Co as a souvenir of Marysville. Rose Series Colorview No. 348.POST CARD The "Rose" Series/ De Luxe Produced in Australia Signpost Corner At Marysville, Victoria. Stevenson's River, Marysville, Victoria Rose Series Colorview No. 348 Published by the Roe Stereograph Co., Armadale, Victoria.marysville, victoria, signpost, steavenson river, rose stereograph co, postcard, souvenir