Item used to repair books after their dust jackets, covers, flyleaves or pages had been damaged. These damaged items on a book were replaced and glued. The press allowed the glue to set under pressure until the repair was complete a press is also used for the gilding of books. The first book press has been documented in India around 100 BCE with various types and designs being used though the ages and are still in use today by craftsman to repair antique books.Over the centuries many materials from ivory to glass, have been used to bind books. Gilding has also long been a popular decorative treatment for book bindings and a book press is used in this operation. Since the 1800s, rare book conservationists have worked to perfect the methods used by their predecessors, and modern book binders are true craftsman with this press as an example of the equipment used in their trade. This item is significant as it is an early example of items used in book gilding and binding.Book binding press metal with square pressing surface driven by worm wheel thread and turning handle in working order. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Red cylinder for crayons. (although cylinder says 12 crayons, cylinder contains 14 coloured pencils)Non-injurious/Premier Students' Crayons/12 crayons for school drawing/Made In Germanytoys, general

Belonged to Aunt of donor. the late Mrs Myrtle Bennett 122 Thames Street Box Hill. She resided there from November, 1939, immediately after her marriage until her death on 27th February 1997.Round yellow plastic machine with white pliable tubing attached to machine at one end and at the other attached to a large yellow and white 'bonnet' with air holes. Electric plug. Contained in a yellow Vinyl case.General Electric Off --- speed dry. Model MD18 703 240 volts --- double insulated.personal effects-toilet requisites, cosmetics

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Clinometer sight has black metal and brass elevation scale, spirit level on top of sight with baseAUST. F. TOUGH 1943 D^D/A.6038/CLINCOMETER. SIGHT MK (ii)/CLINOMETER VICKERS .303 IN. M.G/MKII REVERSE SIDE : ELEVATION SCAALE NUMBER 20D-5D. 0-20E BASE : TARGET

badges and buttond in frame

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Fentanyl was first synethsised in the 1960s. It is a potent, synethic opioid analgesic approximately 50 - 100 times more potent than morphine.Set of eight (8) clear glass ampoules with red print each containing 100mg in 2ml of Fentanyl (three different sizes)analgesic, fentynal, pain relief, opioid, synthetic

Metal protector designed to slip snugly round a match box. The regimental badge on side is damaged but appears to be Medical Corps. Difficult to date or to decide if Australian Army or British Army.Small three-soded metal box with regimental badge attached to one side.match, army

Garden tool used by students on Burnley CampusGarden fork used by the students. Painted Green. 4 tynes, very unevenly worn through much use.23 on handlegarden maintenance, students, garden fork, tool

Parcel sent by family to Australian driver in New Guinea forces during World War II.Hand sewn calico bag possibly for containing fruit cake, posted to New Guinea forces. Sewn at one end, cut open at the other, has the remains of postage information and Australian stamp.V330270/ DVR R MYERS/. M.T.SECTION/ H.Q. / NEW GUINEA. FORCES. and FROM/ S.MYERS/ UNDERA/VIA MOOROOPNA/ VICTORIAcalico bag, soldier, new guinea, world war ii, parcel

From the Betty McPhee sewing collectionSmall, spiked metal wheel on metal arm attached to a wooden handle. Silver coloured metal arm has a brass ring where it joins to the wooden handle. book binding tool.S Osborne & Co 6handcrafts, equipment

Full size violin, timber construction, varnished. Finger board has inlaid decoration and the body has painted decoration on the front, back and sides. Decorative wooden beading around the edges is visible.

In use by Glenelg Shire Council 1995 - March 2006 Brought into use with amalgamation of three cities/towns (Heywood, Portland and Casterton) into the Glenelg Shire Council (Jan-Feb 1995)Envelope with Glenelg Shire Council (GSC) logo printed on it and contact detailsFront: GSC logo Back: (no inscriptions)glenelg shire council, stationery, envelope

As used for the cleaning, maintenance and polishing of leather goods.Imported and retailed by Holden and FrostSquat tin can with opening lug on side.Propert's Leather and saddle soap with sketch of horse and rider jumping fence as logo.leather, soap, polish

Metal footprint tool with "made in England -Shefield" Footprint 698As abovetool, footprint

This well-known Kew business, which would become known as The Model Dairy, was founded in 1863 by James Venn Morgan. Morgan sold the company in the 1890s to John Simonton who renamed the business The Model Dairy Co. Simonton had experience in the local dairying industry having previously leased the Willsmere Park Dairy. He moved the business to Belmont Avenue in c.1899. In 1924, following his retirement, the company expanded to become The Model Dairy Pty Ltd with Arnold Thompson Simonton and John Tanner as its owner/directors. With new techniques and processes such a pasteurisation, the Belmont Avenue site no longer met required standards for processing and bottling, so its operations moved to 191 Cotham Road. The company celebrated its centenary in 1963. A new factory, built in 1959 to a design by Bates, Smart & McCutcheon, was purchased by Bib Stillwell Motors after the dairy closed. The entire site has since been redeveloped.Rare silver plate salver commemorating one of Kew's most famous businesses. The salver is one of a pair, identically engraved with Model Dairy 1963-1963.Hecworth reproduction old sheffield plate salver with foliate edge on three feet, with impressed maker mark on reverse rim and engraved with the words 'Model Dairy 1963-1963' in the centre of the reverse. "Heckworth Plate was made by Platers Pty Ltd at 39 Greeves St, St Kilda, Melbourne, Victoria. Platers introduced 'Hecworth' Sheffield Reproduction Silverware in 1940 and in 1946 'Hecworth' was acquired by Rodd Pty Ltd." (MAAS)MODEL DAIRY 1863 - 1963model dairy -- kew (vic.), commemorative silver, john tanner, tanner family

Compass with folding clip covercompass, survival

Brown vinyl suitcase with metal latch. suitcase, baggage, travel, wodonga, case, bag

Tortoiseshell Finger Guard used like a thimblehandcrafts, equipment, needlework

In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Bertie Robert Edgar Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.Plane - Wooden Moulding, Wood & Metal, 3/4” Ogee, Sims Queen St West London. Stamped with owner name ‘G. Greenwood’, with ‘G’ subsequently over-stamped with ‘B’. Later engraved number ‘3’ added on entering the collection in 2010.bertie greenwood, woodworking tools, moulding planes, carpentry, burwood road — hawthorn (vic.)

Was used by owner until concerned that children may have hurt themselves on the wringerSimpson electric washing machine with wringer attached above bowl. White, round with removable lid. Front lever: Wash/Stop; three buttons on front: Empty-Wash-Off indicated. Appliance on castors attached wringer with metal drip tray and two rubber rollers. Wringer will pivot.Simpsondomestic items, laundering, electrical technology, appliances & accessories

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

A drawknife was used to shape wood by removing wood shavings. Good conditon