Showing 33 items
matching 'uncle jack'
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Federation University Historical Collection
Photograph, Mallee Fowl Mounds, Little Desert
... of John (Jack)) Bert Smith, (uncle of Lance ) Feb1972 Little... -in-law of John (Jack)) Bert Smith, (uncle of Lance ) Feb1972 ...A visit in 1972 to the Little Desert National Park by a group from Murtoa headed by ranger K Hateley to observe mallee fowls' mounds.Black and white photograph of a mallee fowl mound at Kiata..1 Front ; Kiata - Mallee Fowl mound Feb. 72 Verso: Little Desert .2 Front: Mallee Fowl incubator mound - Little Desert verso: Little Desert 1972 .3 Practise Mound Mallee Fowl 72 Verso: Little Desert Feb 1972 .4 Verso: Visited Mallee Hen Nest: Jack Watson, Herbert Smith, Lance Yung, H Hately - Ranger Kiata .5 Rev. H Smith K Hatelley Kiata L.D. Verso:Mallee Fowl Mounds Little Desert Feb 1972 Agfa -4.2.72 .6 Dad Lance Bert Smith K Hateley Verso: John R Watson Lance Yung (brother -in-law of John (Jack)) Bert Smith, (uncle of Lance ) Feb1972 Little Desertmallee fowls, mallee fowls mounds, mallee fowl incubator mounds, k hateley, john r watson, lance yung, herbert smith, bert smith, jack watson -
Vision Australia
Newspaper - Image, Lady Nell Seeing Eye Dog School newspaper cuttings 1969-1978, 1969-1978
Newspaper articles about blindness, visually impaired or blind people and activities.Scanned copies of newspaper articles collected by Lady Nelllady nell seeing eye dog school, royal victorian institute for the blind, association for the blind, royal institute for the blind (sa), villa maria society, queensland industrial institute for the blind, guide dogs for the blind association of victoria, australian national council of and for the blind, phyllis gration, max medlyn, christopher finnen, dawn goebel, arthur mackey, walter jacobs, kevin o'mahoney, jean smith, pam marks, white cane, assistive devices, garry stinchcombe, matey fisher, robert gordon, ruth keoden, winsome mclean, arthur wilkins, len childs, bob elliott, graham miller, jack birkett, norman pressey, don westaway, norman salmon, mark houran, yvonne simpson, irmo guglielamana, jenny ziviani, shaun oliver, peter goss, albert poelstra, ewan gouldon, uncle ben's of australia, dr henry nowik, mary martin, kathleen wenzer, donna hayes, ken campbell, barry murphy, michael riley, jack dowdle, harold gration, leah francis (nee wilson), john dingle, alex mcnish, peter richards, irene mye, jim finn, cec mcillwraith, terry carlson, keith smith, gordon stent, frank taylor, don verlander, olive moody, roslyn sackley, ross johnson, jako mikulic, jewel blanche, william mckennariey, vicki barclay, grantley dee, ray hannah -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available