Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Rectangular shield shaped wooden house Officials 1934-1945 honour board with WHS symbol at the top and gold lettering. HOUSE OFFICIALS 1934 (O) D. Francis, R. Rangott (K) G. Arnott, H. Keir 1935 (O) T. Brady. P. Arnold (K) G. Arnott, H. Keir 1936 (O) A. Smyth, M. Almond (K) G. Stone, L. Clark 1937 (O) R. Dinning, L. Living (K) G. Stone, L. Friday 1938 (O) D. Tilson, A. Clemers, K. Baker, B. Ewart, L. Living (K) E. Williams, K. Jackson, J. Emms, M. Matthews 1939 (O) L. Gorman, R. Baker (K) D. Lade, M. Matthews, M. Friday 1940 (O) W. Smyth, V. Hebard, H. Ronan, (K) C. Bryant, J. Goodwin 1941 (O) W. Nicholas, D. Roberts (K) W. Hempel, B. Johnson 1942 (O) J. McDonagh, A. Walpole (K) H. Orton, L. Mc Donald 1943 (O) W. Snowdon, H. Bunn (K) M. Christie, L. Mc Donald 1944 (O) A. Harrington, M. Pearce (K) M. Ferguson, L. Mc Donald, R. Saines 1945 (M) S. Oates, J. Bennett (K) I. Sadler, J. Bell, I. McSween

Large wooden rectangular honour board with gold text and protruding sections along the top, in in the top middle accommodating for the WTS symbol.FOR THE HONOUR OF THE SCHOOL YEAR HEAD PREFECT DUX OF SCHOOL CHAMPION HOUSE ATHLETICS SWIMMING HOUSE CAPTAINS (BOGONG, BUFFALO, HOTHAM, WILLS) 1966 W. WALLACE J. DASH BUFFALO HOTHAM BOGONG D. FLANIGAN, W. WALLACE, N. LAVIS K. TAYLOR 1967 J. CANNING R. GARTH BUFFALO HOTHAM BOGONG C. JOHNSON, D. PYLE, D. TURNER T. NOLAN 1968 C. JOHNSON T. GLANIGAN WILLS HOTHAM BOGONG P. PEERS, L. SANDFORD, J. FRAZER, R. GARDINER 1969 L. GRAHAM H. DINNING WILLS HOTHAM BOGONG R. HEARNES, J. PHILLIPS, P. CONSTANTINO P. HINES 1970 C. FORGE M. COOK WILLS WILLS BOGONG M. LAVESQUE A. MANZELLA C, FORGE R. CHANDLER 1971 R. CROCKET, *L. HANLON R. CROCKETT HOTHAM (NOT HELD) WILLS J. CLARKE, G. RUNNALS, J. CHAMBERLAIN, G. RAMSDALE 1972 M. BOOTH, C* STONE L. JACKEL *J. KLEIN HOTHAM WILLS HOTHAM W. DICKSON, T. YOUNGER, M. BOOTH, J. SGARIOTO 1973 T. BARRY (S.R.C.PRES.) W. GOURNEY, *J. AMERY HOTHAM BUFFALO HOTHAM G. ELLIOT, G. PORTER, T. BARRY, W. GOURLEY 1974 R. COMENSOLI (S.R.C. PRES.) M. AMERY, B. SAMMON (DISCONTINUED) BUFFALO WILLS (DISCONTINUED) 1975 *G. McGREGOR (S.R.C. PRES.) R. WATSON, *L. FLANIGAN BUFFALO WILLS 1976 A. ADAMO (S.R.C. PRES.) R. JOHNSTONE, *J. COLE BUFFALO WILLS 1977 K. SOUTHGATE, *L. AMERY BUFFALO BUFFALO 1978 S. BISINELLA (S.R.C. PRES.) G. MINNEY, * S, SHANLEY (SPORTS CANCELLED- WEATHER) BOGONG 1979 R. NEWTH (S.R.C. PRES.) R. JOHNSON, *M. KEENAN BOGONG HOTHAM ---W.T.C. & COLLEGE OF T.A.F.E. SEPERATION--- 1981 MARK BRAMBLE (S.R.C. PRES.) 1982 BELINDA MATHERSON (S.R.C. PRES.), CARMEL ANDERSON (S.R.C. PRES.) , ANGELA VERMONT (S.R.C. PRES.) 1983 ELIZABETH FREEMAN (S.R.C. PRES.) 1984 JODIE BLAIR (S.R.C. PRES.) 1985 ROSS MILLER (S.R.C. PRES.) * GIRL

This book was written and illustrated in Gallipolli by the Men of Anzac for teh benefit of Patriotic Funds connected with the Australian and New Zealand Army Corp.Leather covered book that was part of the reading room collection of the Old Colonists' Club, Ballarat.anzac, army, old colonists' club reading room, old colonists' club, w.r. birdwood, a.r. perry, a.l. pemberton, james sprent, hecor dinning, am park, n. ash, v.n. hopkins, e. cadogan, a. carruthers, f.c. dunstan, e.m. smith, george h. smith, kinismonth, w.r. wishart, w. otho hewett, david barker, c. leyshon-white, ted colles, r.t. goulding, f.j. leigh, charles bean, galipolli

Yields information about the photographic holdings of the Gold Museum, an din particular the preparation of No. 38 decorated for the Royal visit of 1954 and Bridge St Ballarat.Photocopy of two photographs from the Gold Museum Tramways Map Cabinet: 80-020b - No. 38 in Wendouree Parade, at depot junction receiving finishing touches in March 1954, prior to the Royal visit - See Reg Item 412 for a photo in Lydiard St Nth and other items. 80-020c - Bridge St looking West from Stones Comer, shows tram track, parked cars.Along top edge "Gold Museum Tramways Map Cabinet"trams, tramways, ballarat, royal visit, decorated trams, bridge st

Ill, p.335.fictionBased on memoirs of Zahir-Ud-Din, called Babar.england - fiction, babur - emporor of hindustan - fiction

Ill, p.287.The Australian Light Horse in the Middle East during the First Warworld war 1914-1918 - australian light horse, world war 1914-1918 - campaigns - middle east