1 optical discnon-fiction'Pastoral Possessions of New South Wales' by William Hanson was published in 1889. The book is divided into three sections; the Eastern division, the Central division and the Western division, all containing information on the areas of land owned. Each pastoral holding includes the land district and county in which each pastoral holding is situated, the area in acres, the annual rent and licence fee and the rate per acre and per section for each leasehold and resumed area respectively together with the names of the registered pastoral holders of the crown. The information is detailed and includes the date of notification in the government gazette. This book is useful for local and family historians and for those with interest in or who have ancestors who worked or owned pastoral holdings.new south wales, early pastoralists

Born: Mount Duneed, Victoria, Australia 1867; Lived and workd: England 1897-1919; Died: Olinda, Victoria, Australia 1943EdwardianGift of Wooleen Pty. Ltd., 1980Rural landscape with architectural form and figures naked and partially clothed. Gilded bronze timber frame.Recto: Signed "A. STREETON" in burgandy oil r.l.c of composition; Not dated; Not titledpainting, landscape, figures, nude, river, grecian, tree, animals

Features a photo of the 1934 committee members and helpers on the cover, including names.A4 size booklet White card cover with blue print, 35 pages outlining prizes, classes and events, entry form. List of Stewards and Committee members and Life Members.See photos

Rural City of Wangaratta Collection, Wangaratta Art Prize 1982.A watercolour landscape painting of a pastoral scene in shades of brown, green, and blue.Obverse: NEVILLE CONNOR/ (bottom left corner)wangaratta art gallery, neville connor, landscape, watercolour painting, gapsted, pastoral

Rural City of Wangaratta Collection, Wangaratta Art Prize 1983.A pastoral landscape painted in oils using shades of blue, green, white, yellow, and brown.Obverse: L. Pawluk./ (bottom left) WANGARATTA ART SHOW/ GRAND PRIZE WINNER/ 1983/ (plaque mounted on frame)wangaratta art gallery, len pawluk, landscape, painting, pastoral

This poster would heve been handed out to businesses for display. Produced by the Orbost and east Gippsland Agricultural Society, it was for the twenty-fourth Orbost Show. It was endorsed by the president, Mr Jac. Perry and the secretary, Mr Geo. D. Perry. The first meeting to form an Agricultural society in Orbost was convened by the then Orbost Progress Association and held in the Mechanics Hall on Saturday, 10th October 1891. Its first show was held on 3rd March 1904...on a site alongside the Bonang Road where the present Golf Club stands. It is currently held at the Recreation Reserve at Newmerella. Ref: In Times Gone By-Deborah HallThis item is associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history.A large white paper advertisement / poster with black print. For the Orbost Show, it gives details of dates, exhibits and rules.orbost-agricultural-show event-orbost

Metal 'traveller's tickets' were issued at the gate of Mt. Fyans to itinerant workers and travellers passing through the district; they could be redeemed at the homestead for a meal and/or a bed for the night at the station workers' lodgings. Mt Fyans was a significant pastoral property in the Dundonnel area of the Western District. Originally settled in 1841 by Lachlan Mckinnon, by 1856 the Mt.Fyans portion comprised over 48,000 acres. By 1898 when it was sub-divided on the death of then owner William Cumming, it comprised 9000 acres. Pastoral properties relied heavily on a semi-skilled workforce whose numbers were seasonally varied - hence the need for itinerant labour. Circular metal 'travellers ticket' with hole punched through at the top for hanging/ storage. MOUNT FYANS 47 TRAVELLERS TICKETmt fyans western district pastoral property workforce intinerant swagmen

The first meeting to form an Agricultural society in Orbost was convened by the then Orbost Progress Association and held in the Mechanics Hall on Saturday, 10th October 1891. Its first show was held on 3rd March 1904...on a site alongside the Bonang Road where the present Golf Club stands. It is currently held at the Recreation Reserve at Newmerella. Ref: In Times Gone By-Deborah Hall Prior to the Orbost Agricultural Society 's Annual Show these smaller shows were held in the Mechanics' institute hall.This item is associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a centuryA faded copy of a large paper sign used for advertising the sixth annual Autumn Show for Thursday, March 3, 1898. It has a list of prizes to be awarded and advertising of sponsors.annual-show agricultural-society

non-fictionBiography of Australian rabbit exporter.jack mccraith, rabbits, rabbit meat industry

Awarded at Agricultural show.Dark blue wool ribbon with yellow text. BALLARAT A. & P. SOCIETY - SPRING SHOW 1971 / Best / FEMALE HEAVY STANDARDagricultural shows, ballarat agricultural and pastoral society, ballarat, victoria

Awarded to M.M.Dwyer at the local Yarrawonga Agricultural show in 1884.a local significant item pertaining to the Yarrawonga Agricultural Show and part of its history.Silver medal in leather covered box awarded to M.M.Dwyer at the Yarrawonga & Border Agricultural and Pastoral Association. Roman soldier on opposite side of the medal.Awarded to M.M.Dwyer ESQ for best 20 lbs salt butter Sept 4th 1884. From Yarrawonga & Border Agricultural and Pastoral Association on the circumference of the medal.medal, yarrawonga, agricultural, award

Rural City of Wangaratta Collection. Wangaratta Art Show Grand Winner 2001.A pastoral landscape of a farming property painted in oil using a colour palette of yellows, greens, blues, browns, and creams.Obverse: RAMON HORSFIELD/ (bottom left corner) Grand Winner - 2001/ "Golden Summer"/ By Ramon Horsfield/ Judge Kevin Taylor/ (plaque mounted on frame)wangaratta art gallery, ramon horsfield, landscape, pastoral, painting

Born in Estonia and immigrated to Australia after WW2, Gunnar Neeme is widely known around the world for his artistic abilities winning many awards in Australia, Germany, and Estonia, he is also a well-known writer. Neeme was a prominent figure in the Estonian society of Australia.Rural City of Wangaratta Collection. Gift of Verner Kentmann, Chief Clerk 1951-69.An illustration of a pastoral harvest scene in Estonia painted in watercolour and then overlaid with a black marking pen.Obverse: GNEEME/ 1965/ (bottom left corner) Gunter Neeme/ "RAY STOOKS IN ESTONIA'/ PRESENTED BY/ V. KENTMANN/ CHIEF CLERK 1951-69/ (plaque mounted on frame)wangaratta art gallery, gunner neeme, estonia, illustration, landscape, pastoral, haystacks

Rural City of Wangaratta Collection, Wangaratta Art Show Grand Winner 2007.A pastoral landscape of cows grazing beside a river, painting with oils in shades of brown, green, yellow, red, and blue.Obverse: Ross Paterson/ (bottom right corner)wangaratta art gallery, ross paterson, landscape, painting, pastoral, riverbank, cows

The map shows rivers and pastoral holdings from 1837 to 1838. Stations occupied around Geelong in 1837 are shown in red and those occupied in 1838 are shown in black. Reproduction of a coloured map shows pastoral stations around the Geelong area from 1837-1940. pastoralism, stations, farming, settlement, squatters

Silver serving plate, presented to Mr R W Pettitt on the occasion of his wedding anniversary, by the council of the Geelong Agricultural & Pastoral Society, 30-4-1963.Presented to Mr R W Pettitt on the occasion of his wedding anniversary, by the council of the Geelong Agricultural & Pastoral Society, 30-4-1963.CONGRATULATIONS/ ON YOUR/ SILVER WEDDING//ANNIVERSARY/ FROM THE COUNCIL/G A & P SC'TY/ 30.4.63geelong agricultural and pastoral society, pettitt, mr r. w.

.1 This is a ledger which was originally printed for the recording of agricultural and pastoral sales but has been used by the Warrnambool firm of Swintons Pty Ltd. to record sales of farm products and machinery from 1934 to 1945. .2 These are 13 items of correspondence, receipts, insurance documents, agreements etc. associated with the Warrnambool business firm of Swintons Pty Ltd. These were contained within the ledger referred to above. William and Ann Swinton migrated to Australia in 1854 and William Swinton worked as a builder and carpenter for a decade, erecting many buildings in the Warrnambool area, including the Wangoom Presbyterian Church. In 1865 he opened a shop in Timor Street, Warrnambool selling groceries, glassware and china. In 1888 the business was known as William Swinton and Sons. Branch stores were opened in Wangoom, Cudgee, Nullawarre, West Warrnambool and South Warrnambool. When William died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split in two with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling produce, hardware and seeds. Today the Swinton family still operates a furniture and bedding store in Timor Street. This ledger and the accompanying paper material are of considerable importance as they are associated with the Swinton businesses in Warrnambool. The ledger contains lists of customers of the Swinton business in the 1930s and 40s and provides names, addresses and the cost of the product sold. This is very useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street for 152 years, is among the oldest family businesses in Australia..1 This is a hard cover ledger. It is beige-coloured with red leather edging on the corners and a red and gold label on the front cover. The pages are held in the folder with metal studs. The pages are white with red and blue printed lines and red leather tabs numbering 1 to 9. The entries are handwritten in blue and black ink. The ledger cover is slightly scuffed. .2 These are 13 items of correspondence from the 1930s and 40s. There is both handwritten and printed material. ‘The Perpetual Income Tax Recorder. No 5. Agricultural and Pastoral’. swinton family warrnambool, history of warrnambool

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

64 page soft cover book 'The Golden Offering - Recollections of the Parish of St. Liborius, Eaglehawk. History and memoirs of St Liborius with a picture of the church on front cover. Opened Jan 31st 1869. Illustrated with B&W photos of parishioners and clergy. Printed by Sloans Printery, BendigoSt Liborius Parish Pastoral Councilst. liborius, eaglehawk