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Glenelg Shire Council Cultural Collection
Print, Norman Poole et al, Fishing Boat, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a fishing boat on slipway. The boat and ground surrounding it are predominantly black with a small amount of orange. The sky is dark blue and fades into a lighter blue on the right side of the work.Front: Norman Poole (lower right) (pencil) Back: 31 -
Glenelg Shire Council Cultural Collection
Painting, Miller, Robert, Old Church Portland, 1965
CEMA Art CollectionThe painting depicts a church in an otherwise empty landscape. Within the foreground is a sweeping corner of a dirt road. Along the edge of the road runs a simple fence. Behind the church is a bare yellow and brown hill which reaches into a dark sky. The work has a wooden, white painted frame with grey mount and white trimming and glass.Front: Robert T. Miller 75 (lower right, black signature) Back: ROBERT MILLER " OLD CHURCH PORTLAND" (1966) (lower right, typed) Watercolour -
Glenelg Shire Council Cultural Collection
Painting, Jessie Shevill, The Lonely House, 1894
CEMA Art Collection Previously located in History HouseThe painting depicts a house set amongst trees with a small body of water in front. Within the water is a small wooden boat, and to the right of the house stands a person. In the background is a green hill with with buildings set in the foothills. The hill and trees of the foreground are set against an orange sky. The work has a gilded ornate frame with no mounts and exposed canvas.Front: Jessie Shevill 1894 Plaque attached to frame: The Lonely House Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Ina Watson, Miss Beauvaise's Cottage, 1967
CEMA Art Collection Previously located in History HouseThe painting depicts a small building surrounded by trees and shrubs. The building is completed in shades of white and grey with green window frames and door, and a pink/orange roof. Behind this is a partial view of another small building depicted in shades of pink. Surrounding the buildings are shrubs and trees of various shapes and sizes. The shrubs in the foreground are completed in various shades of green, yellow and pink. The work is unframed and glued to a piece of faded blue cardboard.Front: I. Watson '67 (yellow paint, bottom right corner) Back: Green label: Artist: Ina Watson 3 Palmer Street Portland Vic 3305 Title: Miss Beauvaise's Cottage (where Darby & Joan flat's now stand) Yellow Sticker: 3021 Yellow Sticker: 8 1999 written in pencilcema -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, Old Lady, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens.Front: 8/ 37 A Gee Back: 19 -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Correa alba (White Correa), n.d
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Epacris lanuginosa (Woolly-style Heath), 1970-1990
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Swainsona phacoides (Dwarf Swainson Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Bedfordia Arborescens (Blanket Leaf), 1970-1990
Part of 'The Woolcock Galery Collection" Exhibited CEMA 1989.Pen and ink drawing of stem with many large rippled leaves, with dark upper sides and paler undersides. Stem has small hairs. At mid-stem are two branched stems with multiple flowers with small heads and large sepals. Work is mounted in double matt (white on grey), framed in a wooden frame with silver edging, under glass.Front: Bedfordia arborescens (Blanket Leaf) (lower left) (pencil). Back: 34 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing, Burnt Mountain, 1964
CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil) -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency -
Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Flinders Ranges, 1963
CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Olearia Grandiflora (Mt. Lofty Daisy-Bush). Olearia Tomentosa (Toothed Daisy-Bush), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two pen and ink drawings of two daisy plants. On left is stem with fine hairs, large serrated leaves with dark upper side and pale under side, clustered at base of stem, with single flat topped daisy flower at top of stem. To the right is stem view with hairy stem, rippled leaves with dark upper side and pale under side, and three stems at top with 2 daisy flowers in full bloom and one bud. Mounted in a double matt (white on grey), framed under glass in wooden frame with silver detail.Front: O. grandiflora (Mt. Loty Daisy-bush) S.A. O. tomentosa (Toothed Daisy-bush) S.A. (lower left) (pencil). CE Woolcock (signature, lower right) (pencil). Back: 31 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Olearia speciosa (Netted Daisy-bush), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting and flower and leaf details of plant with pale orange and green stems, large green crinkle-edged foliage and white daisy-like flowes with orange centres. Six drawings include one branch with foliage and flowers, one flower head detail in orange, white and green (side view), one flower detail (above) one stamen detail (orange and grey) (sideview) and two leaf details, one front (green) and one back (grey). The work is on white paper mounted in a double matt (off-white on pale apricot), framed under glass in a gold and grey-green frame.Front: CEW/84 (lower left in image, next to stem) (maroon pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 17 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Cinnerascens (Grey Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia hispida (Red Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Sericea (Showy Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.View of flowering plant with stem and flower details. On left is a view of stem with three smaller stems bearing long, thin green leaves and ending in clusters of pea flowers (apricot in colour). On right (t-b): stem detail with leaves; end view of leaf depicting curve; top view of flower; side view; rear view. All views are numbered in pencil and typed numbers on paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in wooden frame with gold detail.Front: CEW (signature, lower left in image) (maroon pencil). Dillwynia sericea (lower right) (pencil). Back: 39 (upper let) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Print - Print - Bentinck Street, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of the Angela Gee Residency 1983 and 1984Laminated screenprint depicting an early street scene of Bentinck Street in Portland. The left side of the work depicts the row of buildings along Bentinck Street with the 'Gordon Hotel' in the foreground. In the centre of the image two figures on horses ride away from the viewer. On the right is a large tree with with two figures walking below it.Front: Karina Fredericks 84' (lower right) (pencil) Back: 9 -
Glenelg Shire Council Cultural Collection
Print, Dawn of an Error, 1984
Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background. -
Glenelg Shire Council Cultural Collection
Print, View From A Boat, 1984
Laminated screenprint of Portland harbour from the perspective of a boat looking back towards the shore. In the foreground is the front of the boat and four birds about to take flight from the water. The background features a few boats and the buildings along Bentinck Street. -
Glenelg Shire Council Cultural Collection
Booklet - Catalogue - A Community View Exhibition, c. 1984
Accompanied 'A community View' exhibition, CEMA Arts centreCatalogue detailing the 'A Community View' Exhibition from the 1980s in Portlandcema, community arts, poster art -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Melaleuca uncinata, c. 1990
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Melaleuca uncinata on heavy white paper.Front: 'C.E.W. Melaleuca uncinata' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Acacia rigens, n.d
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Acacia rigens on heavy white paperFront: 'C.E.W. Acacia rigens' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Phebalium bullatum, c. 1990
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Phebalium bullatum on heavy white paper.Front: 'C.E.W. Phebalium bullatum' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Dodonaea Stenozyga, c. 1990
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Dodonaea Stenozyga, on white heavy paper.Front: 'C.E.W. Dodonaea stenozyga' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Grevillea ilicifolia, 1990s
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Grevillea ilicifolia on heavy white paper.Front: 'C.E.W. Grevillea ilicifolia'botanical illustration, drawing, collin woolcock, portland artist -
Glenelg Shire Council Cultural Collection
Print - Print - Helta Smelta, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminted screenprint with dark green background. Centre image is orange with four circular openings. Within these openings are industrial images.Front: 4/8 (lower left) "Helta Smelta" (centre) Wendy Black '83 (lower right) Back: 2 -
Glenelg Shire Council Cultural Collection
Print, The Groom, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Rex Davies, Urban Lagoon, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint with green and orange grassy foreground. Centre of image shows a grey body of water with black swans and ducks. Top half of work features a blue/grey cloud with ducks in flight on the right side.Front: Artists Proof (lower left) Urban Lagoon (lower centre) R. Davies '84 (lower right) Back: 4