Davies Family Group outside Weatherboard house stawell

Postcard of Zurich from Noel to Patricia and John Davies.Postcard with hotel and swans on lake in Switzerland.

Davies sisters Left to right Kate Nell and Rosannastawell portrait

Stawell Athletic Club President Ian Davies 1991stawell sport gift

Sister Amy Davies with baby “Boonah” Pte. Hospstawell

Portrait - Cr. E.P. Davies - STAWELL SHIRE COUNCILLORS 1918stawell government

Stawell Athletic Club President Ron Davies 1978 1996stawell sport gift

Thank you note for supper from Noel (and Violet) to Patricia and John Davies.

Catherine Agnes Davies proprietor of the Bolangum Inn in the Kanya Post and Telegraph Officekanya

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of No Escape, a play written by Rhys Davies in collaboration with Archibald Batty. Performances took place in the Kew Recreation Hall in March 1958. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.no escape, rhys davies, archibald batty, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

Primary School 502 to R. Z. Davies Appreciation Certificate 1887 as Head Teacherstawell education

Thank you card and note for two dinners, from Graeme to Patricia and John Davies.

From Lyn in Geneva to Patricia and John Davies, about their upcoming visit 28 Sept to Geneva.

Christmas postcard greetings and news, including envelope, from Joan Sutherland to Patricia and John Davies.Card in envelope, Envelope stamped "Bonynge Chalet Monet Route de Sonloup 1833 Les Avants", Switzerland

Stawell Army Drill Hall. Davies-Coop Cotton Factory Staff Sloane Street during WW2stawell industry war

Mrs Catherine Agnes Davies looking out serving window of Kanya Post Office c1950'sstawell

Artists engraving by Campbell Wilson Pty Ltd of the Harry Davies & Co store for the Ballarat Homecoming Souvenir publication.advertising, ballarat, ballarat homecoming, commerical, building

Jean Davies born c.1910 in Tatura, daughter of Hill, editor of the local newspaper. Photo taken c.2002.

From Ron in Washington DC to Patricia Davies regarding visit to Melbourne and Australian Ballet and about Watergate and US elections.Addresses and phone numbers and notes

Geoffrey Blainey sent Patricia Davies a copy of his preface for the reissue of Boyd's 'Australia's Home' and asks to be informed of any inaccuracies or injustices.Handwritten note on University of Melbourne notepaper plus a three page typewritten preface to Australia's home.The typed preface has edits in pen by the author.

A letter from A. Johnson, Public Lending Right, Australia Council to Patricia Davies (formerly Boyd), regarding a request for tracing authors or their heirs.Answered 10/9/79 in pen.

Travel Itinerary for Mr and Mrs J Davies, from 12/09/1989 to 07/10/1989 to London, Boston, Chicago, Los Angeles, Honolulu, Melbourne.

Holy Trinity Anglican Church Stained Glass Windows (Colour) Dorcas and Lydia. To the glory of God and in loving memory Emily Julian Davies died May 22nd 1914.stawell religion

James Mollison, Director of Australian National Gallery notifying John Davies that Alex Maguy, Galerie de L'elysee has been notified that they would like to view the Braque.

Letter from Peter Ryan, Director of Melbourne University Press, to Patricia Davies confirms that Penguin will reprint Robin Boyd's 'Australia's Home'. The letter (item D274) was enclosed with letter.Typed on MUP letterhead

Postcard and thank you note for an evening and Hamlet from Moffat to Patricia Davies. National Gallery of Victoria postcard depicting Australian Blue Day in September 1986 painted by Lloyd Rees.

This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo

Postcard depicting the Bahai Temple in India and referred to as 'India's opera house', from Patricia’s friend Mary Newman (Bob Newman’s wife) to Patricia and John Davies. They met while at MIT and remained close friends.Bahai Temple, with Indian stamps. Difficult to read.

At the time when this shortbread / butter stamp block was used, rural dairies and larger properties who manufactured their own butter used butter stamps blocks for identifying the source of the butter or for decoration.. The patterns stamped into the warmed butter provided for a range of decorative visual enhancement to the "plain" and "boring" straight leveled normal butter surface. Although the wooden surfaces could be hard to keep clean commercial usage would have been limited and eventually replaced by a non porous and hygienically cleaner material. Greater hygiene controls where introduced. from the late 1940s on. These controls were the result of high infectious illnesses due to contaminated milk and dairy handling methods.This shortbread / butter stamp was used by a Kiewa Valley dairy and it presents what the domestic butter beautification processes were available during the mid to latter 1900s was. Their was a pride by rural properties in their produce and its by-products.This shortbread / butter stamp is made from wood, round and fashioned from a flat bed to a dome top. The top has a round moulded hole with screw indentations for fastening a pressure pole. The pattern on the face of the stamp is of an eleven petalled flower pattern around a small circular flower head. Both the head and petals have indentations which are will produce raised points in the pressed butter. Enclosing the flower pattern is a pattern which when pressed against the butter would produce small ridges radiating outward.On the dome stamped in black ink "T. & W. Davies"butter stamp, domestic butter blocks, domestic food preparations., shortbread, stamp, dairy, butter