Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1908. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 17 and was won by Miss Kathleen Foster. Certificate is signed by President E Stapleton and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1905. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President Frank ? and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1908. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 17 and was won by Miss Kathleen Foster. Certificate is signed by President J E Stapleton and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1905. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President Frank ? and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1903. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President E Cahill and General Secretary Frederic A King.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1906. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Third Prize was awarded for Piano Duet Open and was won by Misses Kathleen and Mary Foster equal with Misses Buckell and Johns. Certificate is signed by President E Vigau?.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1903. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President E Cahill and General Secretary Frederic A King.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music

HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Humorous Duet (Open) Messrs Hamilton and Bradley Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards

Invitation to a Cocert by the Pupils of Miss J Dais, Temperance Hall, Friday December 14 1894 Issued to Mts and Misses Kane. THE GOVERNORSHIP. Article - The Bendigo Independent (Vic. : 1891 - 1918)Saturday 15 December 1894 - Page 2 Last evening the pupils of Miss J. Dias gave a concert in the Temperance Hall. The hall, which was tastefully decorated, the platform being draped and set off with fairy lamps, was well filled. Mr D. B. Lazarus who was to have presided telegraphed from Melbourne an apology for unavoidable absence. The following pupils contributed:— Piano solos, Misses L. Job, Annie Hunter, Annie Taylor, Maggie McKnowne, M. Pound and Birdie Rickards ; piano duets, Misses M. Heine and M, McKnowne, A. and E. Taylor, Roeder and McCann ; vocal solos, Misses Taylor, Nicholls and Rickards; vocal duet, Misses Rickards and Dias. During the interval Miss Dias gave a pleasing piano solo. The manner in which the pupils performed showed the careful training which they have undergone at the hands of their instructress.

This piece of music, ‘First Love’, dates from the 1850s and was composed by Henry Farmer (1819-1891). Born in Nottingham, Farmer was an organist and composer and conductor of the Nottingham Harmonic Society from 1866 to 1880. He dedicated this music to Miss Hal Chaworth Musters. It is not known who ‘Miss Hal’ was but the Chaworth name was an ancient one in Nottingham and marriage with a member of the Musters family brought into being the name ‘Chaworth Musters’ and the estates included Annesley, Edwalton and Wiverton. The signatures on the front cover indicate that this music is connected to two early families in the district. Stephen Henty owned Cadnook (Kadnook), near Harrow, in the 1850s and sold it to Mordaunt Smalpage (or Smalpaige) in July 1859. Stephen Henty, who came to Victoria in 1836, was the brother-in-law of Captain Helpman, the Warrnambool Harbour Master from 1861 to 1869. They were co-owners of the ‘Champion’ which plied between Portland and Melbourne until it was wrecked off Cape Otway in 1857 when it collided with the ‘Lady Bird’.This is a most significant item because of the signatures on the front cover. Stephen Henty was important, not only in the history of Victoria, but also in the history of Warrnambool because of his connection with coastal shipping and his relationship with Captain Helpman. As far as we know the Hentys never lived in Warrnambool but it is possible that this music was played on the ‘Henty’ piano that was donated to the old Warrnambool Museum in 1889 and is now in the Warrnambool Art Gallery. The Hentys brought six pianos to Victoria in 1837. The music is also important in social history as an example of the music that was played in mid-Victorian drawing rooms. This is a piece of music of seven pages printed back to back (cover and 11 pages of musical notation) The pages have black printing on white with a multi-coloured front cover. The cover has a stylized portrait of a man and woman in period costume. The woman is holding an urn of flowers. Some of the pages are loose and the page folds and corners are tattered and torn. The name ‘Smalpaige ‘is written in ink and the name ‘Henty’ is written in pencil. Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. Sta. Hall.’ stephen henty, mrs smalpaige, warrnambool, first love sheet music, history of warrnambool, henry farmer

This sheet music is "The Parade of the Tin Soldiers', the original German title, composed by Leon Jessel as a solo piece for the piano in 1905. The work is also known as "The Parade of the Wooden Soldiers". In 1907 the orchestra version was published, Opus 123. (Op. 123, as written on the cover). The sheet music was published by Sole Publishers for the British Empire, Enoch & Sons Ld (1890-1927) of 58 Great Marlborough Street, London, W. Versions for all other countries were published by Neinrichshofen's, Verlag, Magdeburg. Orchestral and Military arrangements of the music were published by Hawkes & Son, Denman St, Piccadilly Circus, London, Leon Jessel (Jan. 22, 1821 to Jan. 4, 1942) was a German composer who was born a Jew and converted to Christianity in 1894. His works included a wide variety of music including 'The Parade of Tin Soldiers' (Die Parade der Zinnsoldaten). Jessel was also a music conductor and bandmaster. The instrumental piece 'Die Marokkanische Patrouille' (The Moroccan Patrol) was published in 1911, Opus 227. He was also known for his operettas 'Schwarzwaldmädel'(Black Forest Girl), presented in 1917, and 'Die Postmeisterin' (The Postmistress), presented in 1921. In December 1941 he was arrested and then tortured by the German Gestapo; he died in January 1942. In the early 1920s, The Parade of the Tin Soldiers became very popular; it was presented as part of a show and was re-titled The Parade of the Wooden Soldiers. It was also made into a film and its recording was a hit single record. The music continues to be played and presented and is a Christmas-time favourite.This music is significant for its connection with the German composer Leon Jessel, a victim of the Germans for being born a Jew, even though he converted to Christianity in his youth. It is also significant as a popular work of music composed in the early 1900s and later used for a variety show and a film. The music an example of entertainment in the early 20th century that has endured to current times and often played at Christmas celebrations.Book of sheet music for four tunes. The thin softcovered book has eight pages, with the front cover featuring colourful graphics of soldiers marching and others on horseback. The four tunes are: - The Parade of the Tin Soldiers, (piano solo), Composer: Leon Jessel. Ballade de la Lune, Enjolement, Lentement, document, tendrament, Publisher: for the British Empire, Hawkes & Son, Denman St, Piccadilly Circus, London, Sole Publishers for the British Empire, Printer: Enoch & Sons Ld. 58 Great Marlborough Street, London, W. Printer: Lowe & Brydone Printers Ltd. London N.W. 10 Publisher, for all other countries: Heinrichshofen's, Verlag, Magdeburg. Printed: in England by Heinrichshofen's Verlag Copyright: 1911 by Heinrichshofen's VerlagOther print on the cover includes: ALSO KNOWN AS "THE PARADE OF THE WOODEN SOLDIERS" "Op. 123" "Characteristic Piede" "SOLE PROPRIETORS FOR THE BRITISH EMPIRE" "NEW SUCCESS BY THE SAME COMPOSER 'MOROCCAN PAT(ROL) (CH)ARASTIC PIECE" "PIANO SOLO" "SIMPLIFIED" "DUET" "VIOLIN & PIANO" "Orchestral & Military Arrangements" On the bottom of pages: "E & S 4370" "Copyright 1911 by Heinrichshofen's Verlag" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, leon jessel, composer, operetta composer, the parade of the tin soldiers, the parade of the wooden soldiers, musical march, music conductor, music director, bandmaster, 19th-century classical composers, 19th-century german composers, 20th-century classical composers, 20th-century german composers, sheet music, music book, piano music, jewish composer, world war ii victim, composer: leon jessel., ballade de la lune, enjolement, lentement, hawkes & son, for all other countries: heinrichshofen's, verlag, magdeburg., book of sheet music, enoch & sons ltd london, lowe & brydone london, heinrichschofens verlag, marching music, 1911, early 20th century

Certificate for Second Prize in Eaglehawk Australian Natives Association Musical and Elocutionary Competitions in 1908. Certificate is printed on cream coloured card with gold and red illustrations and writing. At the top is the crest of the Australian Natives Associaation with the words Branch and No 37 either side. The year 1908 and the words Eaglehawk and Australian Natives Association Musical and Elocutionary Competitions are printed within scrollwork below. A figure dressed in robes holding a laurel wreath and trumpet is standing on the right hand side. Certificate and Second Prize awarded to Miss Kathleen Foster for Piano Duet Open are printed and written below.Herbert Woodhouse lith, Law Courts Place Melbournedocument, certificate, music

Wooden box lid with metal clasp and clasp hole with brown leather 'hinge ' glued to top - / paper label glued on inside surface with shield of the Royal coat of arms of the United Kingdom words 'Duet Et Mon Droit' (The motto refers to the divine right of the Monarch to govern) the words Gold Scales and weights of all descriptions By R. Vandome Titford & Co 117 Leadenhall Street London Scale makers to Her Majesty Hon Boards of Customs & Inland Revenue her ? Hon East India Comp & The Bank of England Etc ? Table of Troy Weights ….THE STANDARD PRICE OF GOLD IS; £3.17.101/2d P.O.weighing, weights & measures

Certificate from Australian Natives Association Eaglehawk Branch Competitions 1907. Coloured Certificate in green and sepia printed on thick cream coloured card. A wide border surrounds a rectangular illustrated certificate. There is intricate scrollwork with floral emblems, a figure in classical robes holding an artist's palette is standing against a pillar with a lyre and mask on the right hand side and on the left hand side a cherub is singing while playing a lyre. At the bottom in the centre is a drawing of a man standing holding a document. The words Australian natives Association Eaglehawk Branch Competitions 1907 First Prize Awarded to Miss K Foster For Piano Duet open, E Harris President and John Trevean Secretary are printed in the centre.F W Niven & Co Design No 11document, certificate, music

Certificate from Australian Natives Association Eaglehawk Branch Competitions 1907. Coloured Certificate in green and sepia printed on thick cream coloured card. A wide border surrounds a rectangular illustrated certificate. There is intricate scrollwork with floral emblems, a figure in classical robes holding an artist's palette is standing against a pillar with a lyre and mask on the right hand side and on the left hand side a cherub is singing while playing a lyre. At the bottom in the centre is a drawing of a man standing holding a document. The words Australian natives Association Eaglehawk Branch Competitions 1907 First Prize Awarded to Miss M Foster For Piano Duet open, E Harris President and John Trevean Secretary are printed in the centre.F W Niven & Co Design No 11document, certificate, music

Certificate from Eaglehawk Branch Australian Natives Associatin Musical and Elocutionary Competitions 18 to 22 July 1904. Certificate is printed on cream card with a decorative red border and printing in red and green. Within the border at the top, the words Eaglehawk Branch are printed either side on the Australian Natives Association crest. Below this are printed the words Musical and Elocutionary Competitions July 18th to 22nd 1904 Honorable Mention To Misses K & M Foster for Piano Duet open. Daniel Murdoch President and John Trevean Hon Sec has been printed underneath. A photograph of the Town Hall Eaglehawk is printed in the lower left hand corner. The building facade is in shot with a karge group of people standing in front.T J Anderson Printer Eaglehawkdocument, certificate, music

Barking Owls are a nocturnal, medium sized bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Average size ranges between 390-440mm in length. Females are generally slightly smaller than males and they are only one of a small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from a 'woof woof' barking dog sound, to shrill, human-like screams, which reportedly alarmed early European settlers to Australia. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The female call is slightly higher in pitch than the male, and males and females often duet, contrasting low and high pitches. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Barking Owl is of an average size. It has brown, grey and white spots and vertical streaks. The face and breast are lighter in colour than the wings and the dorsal plumage. The glass eyes are large and dark in colour while the tarsi and toes are yellowish. This specimen stands on a wooden perch with identification tags attached to its leg. [torn] / 16. / Winking Owl / See catalogue Page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

St Matthew Passion, City Hall, Bendigo. The Music Advancement Society of Bendigo Presents the First Concert 1958 series. Presented by The Astra Chamber Orchestra and Choir. Saturday, 6thy, April 1968. President: E Beilharz, Joint Hon. Secs. Madge Edgar, Emily Bright. Programme 20 cents. Programme. Forthcoming Concerts, Wednesday, 17th July, Recital. Mack _ Pianist. Wednesday, 18th September Parrenin String Quartet by arrangement with Musica Viva. Friday, 15th November Recital by Lauris Elms - Contralo, Margaret Schofield (Accompaniste) Flyer inside advertising: Duet Recital by Bendigo Artists Valerie McCracken and Glenis Granger; Vocalists. Accompanied at the piano by Mavis Webstere and Barbara Hyett and Zena Cohn; pianistes. To Aid 'Mirridong' bulding appeal. At the Assembly Hall of the Bendigo High School on Wednesday, 10th April at 8pm.Tickets - 75c Students - 40c. Advertisements: Hesse Bros. Electrical Sales Pty Ltd. Edgars' Authorised Newsagency, Allan's Music.Boltons Print., Bendigoentertainment, theatre, music advancement society of bendig, st matthew passion, city hall, bendigo. the music advancement society of bendigo first concert 1958 series. presented by the astra chamber orchestra and choir, 6th, april 1968. pres: e beilharz, joint hon. secs. madge edgar, emily bright. forthcoming concerts, 17th july, recital. mack _ pianist. 18th september parrenin string quartet by musica viva. 15th november recital by lauris elms - contralo, margaret schofield (accompaniste) flyer advertising: duet recital by bendigo artists valerie mccracken and glenis granger; vocalists. accompanied at the piano by mavis webstere and barbara hyett and zena cohn; pianistes. aid 'mirridon' bulding appeal. at the assembly hall of thy bendigo high school on wednesday, 10th april at 8pm.tickets - 75c students - 40c. advertisements: hesse bros. electrical sales pty ltd. edgars' authorised newsagency, allan's music.

The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

The 1920 Club agreed to have a working bee at Wanliss House to remove fittings for sale from the house before it was demolished. This program was found down behind the mantle of one of the fireplaces. Discoloured and torn fragment of the Ballarat College1870 Speech Day program Front: Ballarat College crest / SPEECHDAY / Christmas 1870 / Hall fo the MECHANICS' INSTITUTE / ON / FRIDAY EVENING, DECEMBER 16th / AT HALF-PAST SEVEN O'CLOCK / The Rev William henderson in the Chair / Admit the bearer / R O McCoy PRINCIPAL / EVAN BROTHERS PRINTING.... Verso: PROGR.... / read R.... / Song - By the whole school / Recitation / 'John Maynard' S Garman ...J MacNeil /Solo Piano / 'La Zingara' B Richards...H Crawcour / Recitation Humurous / 'The farmer and the counsellor' H Smith...Eastwood / Duet piano / 'Soldier's Chorus B Richards... and G W Adam / Re..T.. "Shiel's celebrated reply to...J Nicol / Song / 'Constantinople' A lloyd...J D Croker / Recitation / 'Our Gallant Volunteers ...Mackay...Mont Rowe / Distribution of Prizes henderson, mccoy, j-macneil, h-crawcour, eastwood, g-w-adam, j-nicol, j-d-croker, mont-rowe

Concerts were a fundraiser that the Association for the Advancement of the Blind first introduced in 1900, based upon the experiences of the RVIB concert tours that Tilly Aston had participated in whilst attending the school. Initially not as successful as hoped, they were re-introduced in 1911 and soon became a regular fundraiser for the fledgling organisation. This undated handbill lists the acts and the ticket seller for one such performance, possibly around 1923.Long paper sheet with printing on one sideThe Most Popular Company on Tour Blind Variety Entertainers will visit here Thur May 28 The following Up-to-date Artists will appear Norman Leslie comedian Charles Bennett welcome reappearance of the famous Blind Tenor and Pianist T.H. Andrew welcome reappearance of Blind Instrumentalist A. Solomon welcome reappearance of Old Time Blind Comedian Special Engagement Paul Debur paper manipulator and sketch cartoonist Fred Tilley welcome reappearance of the Popular Blind Basso in Songs, humorous and sentimental Leslie & Debur in Double Comedy & Melody The Most Popular Company now on Tour. Interesting Program of Genuine Delight. Instrumental, Comic, Classic, Trios, Duets, Etc. The Whole of the Proceeds in aid of Association for the Advancement of the Blind and the Home for the Adult Blind Any Blind Person may participate in the benefits of this Association. An Association of Blind People. Popular Prices No Tax Advance Representative, R. Reid Touring Concert Manager, Norman Leslie General Secretary: T. Marks, Oxford Chambers, Melbourne City Service Press (A.J. Charles), Rear Payne's, Bourke Streetassociation for the advancement of the blind, fundraising

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the stained glass windows at St Brigid's, Crossley.victoria, crossley, st brigid's crossley, st brigid's, catholic church, catholic, church, religion, stained glass, window