One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of two young boys, wearing shorts and sandals, walking along an unpaved footpath next to a fence.rutherglen schools

Mr A J Horan was Head Teacher at Linton State School from 1895 to 1909. Lena Allan, one of the pupils identified in the photograph, later became a teacher at the school.Original sepia photograph of group of school children with male teacher dressed in suit and tie standing at left hand side. Some of the pupils - Lena Allan, Lily Ball, Pearl Nelson, Clarice White and Pet Todd - are identified (hand writing in biro) on the front of the photograph. On the reverse of the photograph there is a lengthy inscription written by Mrs Stella Surman. The photograph was dated by Mrs Surman.Front: Pupils marked" Lena Allen, Lily Ball, Pearl Nelson, Clarice White, and Pet Todd" . Reverse: "Dear Mrs Armstrong / This is a very old Linton State School / picture I found / Mr Horan is the Head Master at the time / as it is only girls it gives the idea / of what a big school it was / Mr Horan used to come from Ballarat on Monday morning in a buggy/ horse / & stay at the Hotel until Friday when he left for Ballarat at 4 oclock to / drive to Ballarat for the week end / quite a trip by horse/buggy / my sister is in the picture / she would be / about 13 or 14 years of age/she was / born in 1891 so that would make the / picture about 1904 or 1905 nearly 100 / years old mostly wore white pinafores / hand made collars / Lena Allen in the back row / [Signed] S E Surman".linton state school, lena allan, lily ball, pearl nelson, clarice white, pet todd, a. j. horan

Instruction or notice titled "Income Tax 1971/72" printed on foolscap size off white paper. Gives instructions re Group Certificate, Tax returns, which offices to make enquiries for, details on what items, or contributions could be claimed by employees and dependents' allowance claim forms. Signed by J.L. Pepperell, Chief Finance Officer. Headed "State Electricity Commission of Victoria".trams, tramways, employees, tax

Built in the 1860s by David Clark, Head Teacher of Eltham State School No. 209. David Clark was the foundation Head Teacher of Eltham primary School which was opened in 1856 and situated on the current site since 1857.Colour printdavid clark, eltham primary school, eltham state school, houses, metery road, shoestring, streets

Built in the 1860s by David Clark, Head Teacher of Eltham State School No. 209. David Clark was the foundation Head Teacher of Eltham primary School which was opened in 1856 and situated on the current site since 1857.Colour printdavid clark, eltham primary school, eltham state school, houses, metery road, shoestring, streets

Built in the 1860s by David Clark, Head Teacher of Eltham State School No. 209. David Clark was the foundation Head Teacher of Eltham primary School which was opened in 1856 and situated on the current site since 1857.Colour printdavid clark, eltham primary school, eltham state school, houses, metery road, shoestring, streets

Built in the 1860s by David Clark, Head Teacher of Eltham State School No. 209. David Clark was the foundation Head Teacher of Eltham primary School which was opened in 1856 and situated on the current site since 1857.Colour printdavid clark, eltham primary school, eltham state school, houses, metery road, shoestring, streets

Louis Amiet was Head Teacher of Greensborough State School from 1895 to 1917. In this letter, Mr Amiet reminds the Secretary of the Education Department of 'promises' made to renovate areas of the school, which have not been done. Handwritten letter copied on white paper, black text greensborough primary school, greensborough state school

Harry and brother Les completed certificate courses. They were sons of the head teacher at Dromana State School where E.B. Littlejohn began school. Harry subsequently farmed in Western Australia and Les at Redhill, Vic. E.B. Littlejohn.Sepia photograph. Students P. Haines and H. Wiseman (1928) standing in front of the Luffmann PondsOn reverse, "Peggy Haines and Harry Wiseman 1927, E. Chalmers 29 Macleod Pde. Macleod."ella chalmers (née fry), peggy haines, harry wiseman, 1927, les wiseman, students, certificate courses, dromana state school, e.b. littlejohn, luffmann ponds, lily ponds

Yields information about timetable for tram services in Ballarat for May 1956 and what routes were operated.Duplicated foolscap sheet titled "Ballarat Tramways - Revised Time Table as from Monday 14th May, 1956". Date of issue one side with the other side providing details of service for Week days, Saturdays and Sundays on the Sebastopol, Grey St, Lydiard St North, Victoria St, Mt Pleasant, Gardens via Drummond St, Haddon St, Gardens via Sturt St West, Sturt St West and View Point. Document headed :"State Electricity Commission of Victoria"ballarat, timetables, services

“The lIrusaqi are monotheistic Void worshippers. The Void is an extremely complex concept, and seems to include multiple interpretations of the two great signs, the triangle and the circle. On one level the triangle symbolises Man, and on another, the whole material universe. The Void, symbolised by the circle, is both within and without Man and the material universe. So, we find many variations of the circle and triangle imagery permeating the whole of lrusaqi society, i.e. villages are laid out in pyramid form, with a circular well at the centre, towns are built on a series of triangles, intersected by highways and the Court of the Imperium itself is based on a central circle within a triangle, with delegates to the Court in the three corners, while the positions of the three Heads of State and the one Head Speaker, repeat the pattern. The Void itself is always portrayed as an expanding and contracting circle, (not unlike the aperture of a camera). This Robe is worn by the High Priest’s acolyte and spokesman. The Voidsayer interprets the prophesies and sayings of the Priest, in words readily understood by the common people. The disc on the back of the Robe is the Void, and the gold lines symbolise the words of the Priest, coming from the source of life. The Robe is covered in gold chain mail, a sign that the Robe-wearer will defend his master with his life, if necessary.” -Inga Hunter

Significant in being a form used by the SEC inspectors on the tramcars as part of their duties to monitor the performance of the trams and their crews. Could be used for recording results of ticket inspections as well.Printed form titled "Daily Report of Cars Inspected", head "State Electricity Commission of Victoria". Has space for Inspectors name, time on , time off, date, traffic, weather and Inspector's Signature. Form has table with 9 columns, up to 26 trams to be inspected, recording route, motorman or conductors name, car number, time, inspected between, number of passengers, passes and remarks. Printed on off white paper. Has form number 583-60. Ten additional copies added 9/1/2007. trams, tramways, tickets, accounting, revenue journal, conductors

Photo is understood to have been taken at Linton Reservoir Reserve on a school trip into the bush looking at/for native plants. Inscription indicates the postcard was given in 1913 to Stanley Bennett for good attendance at band practice. Mr H.B. Williamson was head teacher at Linton State School from 1911-1913, and also bandmaster of Linton Flute Band.Sepia postcard photo of a large group of children seated on the ground, in bush setting, accompanied by a few adults. A gentleman wearing a suit and hat (thought to be H. B. Williamson, Linton State School head teacher) is standing at one side of the group.On back of postcard, original inscription? in pencil: "Stanley Bennett for good atendance at Band Practice 1913 / 206 marks". Additional comments in ink on back of postcard: "Mr Bennett's son". "Mr Williamson was band master Linton Flute band". "Linton State School Mr Williamson Headmaster taken in reservoir reserve on trip to bush for native plants". h.b. williamson, linton reservoir, linton state school no. 880, pupils

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block of about 2 tickets - orange ink on off white paper, denomination 3d, over printed "CITY SECTION" in black ink, numbered A010598 - 10599, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "A" prefix is in orange. On rear in orange ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat"trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - red ink on off white paper, denomination 8d, numbered A801798 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with three remaining tickets - teal ink on off white paper, denomination 6c 7d, numbered A266397 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in teal ink while the ticket number itself is in black ink. On rear in teal ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - red ink on off white paper, denomination 2d, numbered 043398 - 99W, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - teal ink on off white paper, denomination 6d, numbered A551998 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in teal ink while the ticket number itself is in black ink. On rear in teal ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 110 remaining tickets - red ink on off white paper, denomination 2d, numbered U694490 - 599, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a pink white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 14 remaining tickets - orange ink on off white paper, denomination 3d, numbered W290386 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a plain coloured cardboard retaining strip at the top of the ticket. The ticket price is in orange ink while the ticket number itself is in black ink. On rear in orange ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Ticket - black ink on off white paper, denomination 3d, numbered E105305, headed State Electricity Commission of Victoria, Provincial Tramways. The ticket price is in orange ink while the ticket number itself is in black ink. The rear of the ticket is blank. Ticket is different to other 3d tickets, could have been printed earlier than these. See also Reg Item 3983 for the last ticket in a block for this type of ticket. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf.trams, tramways, secv, tickets

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.