Colour Photo taken from slide

Colour Photo taken from slide

Colour Photo taken from slide

This book explains how to use the many documentary sources that are available, such as rate books, directories and titles; how to investigate and restore exteriors; and, how to recognise the main architectural styles.This book explains how to use the many documentary sources that are available, such as rate books, directories and titles; how to investigate and restore exteriors; and, how to recognise the main architectural styles.historic sites, historic buildings, conservation, (ms) celestina sagazio, national trust of australia

The Whitehorse Landscape as seen by the first settlers contains elements of natural history, geology, weather, local hydrology, vegetation and Fauna. With list of sources, glossary of terms and index. With photographs.25 page booklet, indexed. White covers with picture on front and embedded in the text. +Additional Keywords: Presland, GaryThe Whitehorse Landscape'

A b/w photograph of a landscape scene from railbridge across Rupertswood.Number stamped on back: 7922landscapes, rupertswood, george evans collection

Ceramic shard with white glazed finish and a purple pictorial design of a woman holding a basket on her head within a landscape. purple pictorial design of a woman holding a basket on her head within a landscape. pottery, ceramic, archaeology

A b/w photograph of a landscape view possibly the Nook.Handwritten on back: McMahon Handwritten on front: in front of housemcmahon, landscapes, sunbury, george evans collection

A b/w photograph of a landscape view showing Jackson's Creek.Handwritten on back: McMahonmcmahon, landscapes, jackson's creek, sunbury, george evans collection

Includes: Plan of Subdivision, Detailed plan, map of garden, Auctioneer's plan for 1854 sale, Botanical plan of Medlow & Landscape history notes. Full title : Medlow Garden survey and landscape capability survey. A report for the National Trust of Australia (Victoria) A report detailing the landscape survey of Medlow Garden estate. Includes landscape history, cultural significance, particulars about vegetarian, garden, rehabilitation and plans.A report detailing the landscape survey of Medlow Garden estate. Includes landscape history, cultural significance, particulars about vegetarian, garden, rehabilitation and plans. 38 p illland surveys, medlow garden, bismark estate, rosalie estate, warrigal road, surrey hills, bismarck avenue, warwick avenue, t p payne, (mr) hugh glass, boroondara, (maj.) (mr) - cairncross, (mrs) mary jane cairncross, (dr)(mr) richard joseph bull, (mrs) catherine grace bull, (miss) norma bull, (mr) ronald richard bull, medlow, house names, (mr) rex swanson, landform australia

Conference paper comparing the natural Australian landscape with the influence of English landscape traditions.Photocopy of transcript of conference paper, 15 pages.plenty river, plenty valley, flora, landscapes

Includes: Plan of Subdivision, Detailed plan, map of garden, Auctioneer's plan for 1854 sale, Botanical plan of Medlow & Landscape history notes. Full title : Medlow Garden survey and landscape capability survey. A report for the National Trust of Australia (Victoria) A report giving a detailed landscape survey of Medlow Garden estate. Includes landscape story, cultural significance, particulars about vegetarian, garden, rehabilitation and plans.Copy of a report giving a detailed landscape survey of Medlow Garden estate. Includes landscape story, cultural significance, particulars about vegetarian, garden, rehabilitation and plans. 38 pages with illustrations.land surveys, medlow garden, bismark estate, rosalie estate, warrigal road, surrey hills, bismarck avenue, warwick avenue, t p payne, (mr) hugh glass, boroondara, (mr) (maj) - cairncross, (mrs) mary jane cairncross, (dr) (mr) richard joseph bull, (mrs) catherine grace bull, (miss) norma bull, (mr) ronald richard bull, medlow

A b/w photograph of a landscape view showing Jackson's Creek.Handwritten on back: McMahonmcmahon, landscapes, jackson's creek, sunbury, waterways, george evans collection

View of landscape and farming land at Mt Mercer in the early part of the twentieth century Representation of the small outlying rural areas near Buninyong in the early twentieth centuryLandscape around Mt Mercer circa 1920mt mercer, landscape

A b/w photograph of a landscape view showing Jackson's Creek with the Sunbury township in the background.Handwritten on back: McMahonmcmahon, landscapes, jackson's creek, sunbury, george evans collection

Black and white photograph on green mount. Group of 24 students and 3 adult males. Trees, shrubs and lawn. Plant arch at LB. Poppet legs in background. Inscriptions: in image - on small board 'Violet St 877 Merits 1912'. 'Royal Historical Society of Victoria, Bendigo Branch', circular stamp on back of photo. 'E Bond Photographer, Landscape and Portrait'. Oval stamp on rear. History: Previous Acc. No. 'GP19'. Wilma Meggs 20.7.2001 'Merit was achieved in year 8 of school'. James Lerk 19.11.1999 'Violet St State School, Merits pupils 1912. Mine in the background on the Sheepshead Line of Reef'.E Bond, Photographer, Landscape and Portraitperson, group, violet street state school

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

From Jessie Smith's collection of Island Events & Landscapes. Early education facilities. Sold off to private owners c 1990.Back view of Ventnor State School with chimney at right - landscape flat.local history, photographs, state schools, black & white photograph, early education, ventnor state school, jessie smith collection, stan mcfee

Lorna Chick was a local artist whose works depict farming and community landscapes, which reflected her main occupation of living and working on the family farm with her husband and two sons. Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork.naïve artRural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant coloursObverse: LORNA CHICK ©wangaratta art gallery, lorna chick, landscape, farming, eagles, north east victoria, painting

"This sculpture was inspired by the figures carved from the hillsides of the chalk downs in Britain. I wanted to produce a work that would become part of the landscape and was originally derived from the landscape. It is a white-faced heron which is a native water bird commonly found along the Merri Creek. The bird is looking upstream to the source of the creek and the other artworks along the creek."Made of scoria (a red-brown volcanic stone) laid in trenches, 'Earthwork Heron' was commissioned by the Merri Creek Management Committee as part of the Merri Creek Arts Plan and was donated to the City of Yarra in August 1997.Contemporary, LandartOutline of a Heron bird imprinted on a rolling hill in the landscape with volcanic stone (scoria). Accompanying plaque reads: 'This sculpture was inspired by the figures in the British Chalk Hills. I wanted Earthwork Heron to be derived from and become part of the landscape. The white feathered Heron a common native water bird is looking upstream to the creek's source." wildlife, landscape, ephemeral, landart, environment, site-specific