Edward George Longstaff No 3381, enlisted 31.10.1916 age 44years 2 months, embarked for England 6.12.916, posted to 2nd Pioneer Bn, embark for France 22.5.1917, classified with Rhuematism 10.11.1917 and returned to England, Returned to Aust 11.1.918 and then discharged Medically unfit “Senility” 22.4.1918..1) Certificate of Discharge Register No 374 in the name of Regt 3381 Private Edward George LONGSTAFF, 2nd Pioneer Battalion. Cream heavy paper with black writing. .2) Maroon coloured cloth covered Pay Book in the name of 3381 Private Edward George LONGSTAFF.certificate, administrative, paybook

Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. Longstaff painted the work after attending the unveiling of the Menin Gate memorial, at Ypres in Belgium, on 24 July 1927. The memorial commemorated those men of the British Empire, including Australia, who died in the battles of the First World War around the town. The painting is part of the collection of the Australian War Memorial in Canberra. It was purchased by Lord Woolavington for 2,000 Guineas and presented to the Australian government.[1] After a royal command viewing for George V and the Royal family at Buckingham Palace, the painting was displayed in Manchester and Glasgow. It was then taken around Australia, where record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints and 400 of these were given to the nascent Australian War Memorial to sell to raise funds.Rectangular shaped glass covered picture frame showing a print of the MENIN GATE AT MIDNIGHTMENIN GATE AT MIDNIGHT by WILL LONGSTAFF Presented to the Commonwealth Government of Australia by Lord Woolavington paintings, prints, ww1, lara r.s.l. menin gate, world war one.

This is a portrait of Sir William Irvine, not in his judical robes, but those of Lt Governor of the State of Victoria. Irvine was a member of the Victorian Legislative Assembly from 1894 to 1904, as well as Attorney-General , he was later Premier. Retiring from state politics after a particularly bruising encounter with the Railway Unions, he entered federal politics as the member for Flinders. He became Federal Attorney General in the period 1913-1914. During World War One Irvine campaigned strongly for the introduction of the complusory military service (conscription) until being elevated to the bench in 1918. With his appointment as Chief Justice, he became a lieutenant governor in 1919, and was acting Governor for the state of Victoria for a period of nearly 3 years in the early 1930s. The painting is of interest for its subject (Irvine) and the artist who painted it, 5 times Archibald winner Sir John Longstaff.3/4 length portrait in oils of Sir William Irvine. Irvine is standing his finger resting on the deak. He is in Vice-Regal clothing, a black suit with plenty of gold braid.Signed and dated 1934 upper right cornerirvine william, longstaff john

Mack Jost Bequest, 2001.oil on canvas

Gift of Mack Jost, 1989

Gift of Mack Jost, 1989

Purchased 1940

Gift of Mrs Brent Clark, 1942 in memory of her son Sgt. G.H.B. Clark

Will Longstaff painted the original oil on canvas in Greater London -United Kingdom in 1927. The Menin Gate commemorates soldiers with no marked graves killed on the Western Front during the 1st World War. It is a dedication to the 350,000 men of the British Empire Forces who died on battle grounds around Ypres in Belgium. It contains the names of 55,000 men with no known grave.Significant memorial to brave men..Wooden framed print of the Menin Gate at Ypres in Belgium'Inscribed brass plaque "MENIN GATE AT MIDNIGHT" by Will Longstaff.

The original art piece was painted by Australian artist Will Longstaff after he attended the unveiling ceremony of the Menin Gate memorial at the entrance of the Belgian town of Ypres in 1927. The memorial is inscribed with the names of 54,000 British and Commonwealth soldiers killed in Flanders with no known grave. More than 6000 are Australians. It was purchased in 1928 for 2000 guineas and presented to the Australia Government by British Philanthropist Lord WoolavingtonThe image commemorates those soldiers with no marked graves who died on the Western Front during the First World War.Dark wooden frame of a dark blue coloured print with large cream coloured arched monument in distance.MENIN GATE AT MIDNIGHT by Will Longstaff Presented by Lord Woolavingtonmenin gate, will longstaff, lord woolavington, ww1

Minin Gate at Midnight is a painting by Australian artist Will Longstaff. Longstaff completed the painting in 1927 and the original is now located at the Australian War Memorial. The painting depicts ghostly soldiers marching across a field in front of the Menin Gate War Memorial.Longstaff painted the work after attending the unveiling of the Menin Gate Memorial, at Ypres, on 24 July 1927. The memorial commemorates the men of the British Empire, including Australia, who died during the 1st World War around the town of Ypres. A print of the Menin Gate at Midnight, oblong in shape, framed in a timber frame, a cardboard matte surrounds the print.Careys Picture Framing Gallery, Professional Framing, Shop 13 Packington Arcade, 129 Packington Street, Geelong West. A brass plaque is also attached to the Print.menin gate, longstaff, ww1, australian war memorial

"Menin Gate at Midnight" by Will Longstaffphoto, ww1, general

In April 2002, illustrative panels were set in place at Kangaroo Ground War Memorial Park designed to inform visitors about significant aspects of the reserve and its tower. One of these deals with its indigenous story, another portrays its original 1920 memorial, a third has upon it Will Longstaff’s famous war painting, “Midnight at Menin Gate.” This sign establishes a connection with the First World War by way of the painting "Menin Gate at Midnight". (NL 144) The artist William Longstaff lived in Eltham; his son attended school at Kangaroo Ground. The orignal of his painting is on permanent display in the Australian War Memorial. Since this photograph was taken (date unknown) the information panel has been restored and re-erected by staff of the Shire of Nillumbik who replicated the wooden side frame pieces with the same wood-turn design as seen here in the original. Colour photographMENIN GATE AT MIDNIGHT Will Longstaff, 1927 Oil on canvas, Size 135cm high x 254cm wide Collection: Australian War Memorial The artist Will Longstaff was born in in Ballarat in 1879 and died at Littlehampton, Sussex, UK, 1953. Will Longstaff for many years lived in Eltham, his son Tommy, attending school at Kangaroo Ground. As an Official War Artist, will Longstaff depicted in his alegorical painting the Menin Gate Memorial, Ypres, Belgium. The Memorial unveiled on 24th July 1927 honours by name over 50, 000 allied soldiers who fell in the Great War and have no known graves. The names of 6,208 men of the first Australian Imperial Force (A.I.F.) are listed within the Memorial on stone tablets. The painting held huge emotional appeal to Australians when it arrived from England in 1928, attracting an estimated one million viewers, many of whom interpreted the field of red poppies in the foreground as the spirits of the dead rising from their unknown graves. The painting is to be found in the Australian War Memorial, Canberra.menin gate at midnight, william longstaff, kangaroo ground memorial, information panel, shire of eltham war memorial

Nineteen Hanro Australia Financial Statements and Annual Reports 1926-1933. (Insert Attached List). Contained in light weight pale blue card folders. Some stapled and some loose sheets. Hanro Knitting Mills Pty Ltd (Aust) a). Financial Statements 30th June, 1926 b). First Annual Report 30th November, 1926 c). Financial Statements 30th June, 1927 d). Second Annual Report 30th November, 1927 e). Third Annual Report 25th October, 1928 f). Financial Statements 29th February, 1928 g). Financial Statements 30th June, 1928 h). Financial Statements 30th June, 1928 i). 4th Annual Report 30th October, 1929 j). 30th June 1930. 1 k). 30th June 1930. 2 l). Director's Report 30th June, 1930 m). Financial Statements 31st July, 1931 n). Sixth Director's Report 22nd October, 1931 o). Seventh Annual Report 31st July, 1932 p). Balance Sheet and Financial Statements 31st July, 1932 q). Balance Sheet and Financial Statements 31st July, 1933 r). First Annual report (after Company name changed) 13th November, 1933.Includes, H. Longstaff, Charles Handschin, Geo Lansell.business, retail, hanro financial records

Statement growing ratio of shares transferred by Mr. Longstaff in proportion to the subscription of other shareholders to the new issue of 10% preference shares. Dated 22/07/1932.hanro, clothing, share register

Across Australia, many government establishments displayed this print, acknowledging the sacrifices made in World War 1. Each state school was presented with a framed copy.This print hangs in the old school building in which it was originally presented in 1929. It is exhibited near the doorway of the Museum's room of military artefacts.Print of oil painting depicting ghosts of Australian soldiers in vicinity of Menin Gate, battlefield in France, World War 1."Menin Gate at Midnight" by Will Longstaff, 1927 Presented to Myrtleford State School 955, 1929menin gate print of painting

Black and white photograph students Hannah Kelly, Rachelle Longstaff and Rosemary Grech.from St Brendans Primary School dressed up for Book Week Lakes Entrance Victoria.schools

Frame is heavy timber & painted gold, light brown mount & glass. Coloured print showing ghostly soldiers rising up out of the soil, in front of Menin Gate, Ypres, Belgium. Brass plaque with etched print at bottom centre: “Menin Gate at Midnight by Will Longstaff Copyright Reserved”illustrations-prints, trades - carpentery, military history - army, menin gate

Colour painting of Menin Gate, Ypres Belgium at midnight by Will Longstaff, Australian Painter & War Artist. Printing mounted on white background with gold painted wooden frame, glass front & white cardboard backing.Black & white stick RHS front bottom & LHS bottom of backing: "No 70" Stamp on back: "Passchendaele Barracks Trust" passchendaele barracks trust, painting, menin gate

Black and white photograph (from a painting by John Longstaff) of a woman in evening dress, fur trimmed evening coat draped over right shoulder. Woman holding closed fan in right hand. Wearing necklace and hair ornament.Bartlett Bros, Bendigocottage, miners

'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club

Copy of the minutes of meeting of second debenture holders in "Hanro" (Aust.) Knitting Mills Pty. Ltd. held at the company's office on Monday, the nineteenth day of November, 1934, at 2 o'clock in the afternoon. Debenture holders present: Messrs A.L.R. Goldie, W.B.H. Neill, W. Crowley. Messrs H.F. Longstaff (Managing Director), R.A. Rankin, and the Secretary of the company were in attendance.hanro, clothing, share register