Showing 3464 items
matching male
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Stawell Historical Society Inc
Photograph, Male riding on the footboard sowing with a Drill drawn by a team of eight horses
B/W Rural Scene. Male riding on the footboard sowing with a Drill drawn by a team of eight horses.glenorchy -
International House, The University of Melbourne
Photograph (Item), Laure Richards, Three male students in a study-bedroom at International House; two are looking at plans, while another sits on the edge of the bed looking on
"Students Study Bedroom" Stamped: "Please Quote No. GX1274 When Ordering Laurie Richards JW 1528" -
International House, The University of Melbourne
Photograph (Item) - Warden John Hopkins, holding a copy of Satadal, with three International House residents (one female and two male) in casual dress
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Tatura Irrigation & Wartime Camps Museum
Photograph, Male dancer in Spanish hat - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one male dancer, red jacket, white shirt, black trousers and Spanish hat.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
International House, The University of Melbourne
Photograph (Item), Group of eleven people (male and female) looking over a patch of bare ground while Tickiri Banda and Ranee Doray take their photograph
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Stawell Historical Society Inc
Photograph, 1 Male & 19 Females (named) Mr S Trend was head teacher at Stawell State School Number 502 1895-1899
Portrait of a Group of People. 1 Male & 19 Females (named) Mr S Trend was head teacher at SS 502 1895-1899stawell -
Stawell Historical Society Inc
Photograph, Kerryn Manning in the harness with male holding trophy & another person & Kerryn Manning with Cup & Flowers. 2017 -- 2 Photos -- Coloured
Two colour photographs. Kerryn Manning holding Cup and Flowers. Kerryn Manning in harness with male holding trophy and female in cream suit. 2017 -
The Dunmoochin Foundation
Mixed Media Painting, Male and Female Nudes Entwined with Tarts on a Plate, 1974
Mixed media painting depicting a male and female nude embracing with a plate of three cherry tarts and the remains of a butterfly embedded in the paint (U.l) against a green and orange background. Signed (L.r) 'Clifton July '74'. On reverse auxiliary support 'Steps and Lovers No. 4'.clifton pugh, painting, male nude, female nude, tarts, butterfly, mixed media -
Stawell Historical Society Inc
Photograph - Portrait of Elderly Male, W.V. Chapman
W.J. Chapman. Original in Poor Condition pin hole. Copy Good. taken from a Glass negative owned by Society paid for by grant Money 1991. Mark Dadswell ( Photographer) Pioneer StudyB/W Studio Portrait. Aging Male, Blading, Smoking a long Stem clay pipe. Greying Beard, 3 Piece Suit sitting in an Armchair with a chain attached to vest.elderly male -
International House, The University of Melbourne
Photograph (Item) - Group of male students wearing academic gowns with Rajaratnam Sundarason (far left) and Warden of International House Sam Dimmick and an unidentified man wearing a double-breasted suit (foreground)
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University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, Male Student Using Rotary Hoe, c. 1945
Note by T.H. Kneen 26 February 1992, "Male operator of Howard Rotary Hoe is Lyle Tonkin, an ex-student working in the Plant Breeding Branch of the Department of Agriculture at Burnley Gardens. Lyle graduated 1943."Sepia photograph. Man using a Howard rotary hoe in the Agrostology/Plant Breeding area.On reverse, "Rotary Hoe."howard rotary hoe, lyle tonkin, plant breeding branch, department of agriculture, staff, ex-student, agrostology -
Tatura Irrigation & Wartime Camps Museum
Music Record x2, Tatura Male Choir & Ladies Chorus, 1986
These recordings were made when the choir presented the plays live in Shepparton, in 19 and 19 respectively33 1/3 RPM custom processed record of Tatura Male Choir and Ladies Chorus singing from their production of "The Gypsy Baron" (both sides) and "Die Fledermaus" (both sides). Both records have plastic sleeve and cardboard cover.W & G Custom processed record "The Gypsy Baron".|W & G Custom processed record "Die Fledermaus".tatura, musical, instruments, accessory -
Chinese Museum
costume mask, Young Chinese League costume male mask
This mask was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions.This mask is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A costume mask of a male character. He has a silver headdress with pink, green and yellow decorations. He has black horns, a black face with pink cheeks, red lips and markings on his forehead, nose and chin. The eyes has been cut out for the wearer to see out of. There is a strap that runs behinds the mask.young chinese league, melbourne, victoria, australia, processions, masks -
Federation University Historical Collection
Plaster cast, David Pepper-Edward, Plaster Cast of a Snow Leopard Footprint, 03/2004
The cast of a captive male Snow Leopard was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Three plaster casts of a male Snow Leopard footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVersoL TZ, Snow Leopard, Male, 3/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, snow leopard, plaster cast, footprint, mythical, myth, folklore -
Greensborough Historical Society
Photograph, Wherrett & Co, Unidentified male, 1882c
Studio portrait of unidentified male, taken circa 1882. From the Partington collection. [Note: In the Hobart Mercury 11 May 1882, page 3… Portraits: Secure the shadow ere the substance pass away. Persons desiring large life-like portraits; taken from life; or copied from any portrait; and finished in oil or water colours; Indian ink; or any other style known in the art; should go to C. W. and Co.; who are the only artist photographers (portrait painters) in Tasmania. The most perfect and highly finished card portraits. Only 7s. 6d. per dozen. Address: C. WHERRETT and CO. Melbourne Portrait Rooms. Elizabeth-street, Hobart.] Sepia studio portrait.In black pen on reverse "Mrs Partington Kindest regards WRC"partington family -
Federation University Historical Collection
Plaster cast, David Pepper-Edwards, Plaster Cast of a Sumatran Tiger Footprint, 03/2004
The cast of a captive male Sumatran Tiger aged 5 months was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a five month old male Sumatran tTiger footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionverso: TZ, Sumatran Tiger, males, 5 months, 3/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, sumatran tiger, plaster cast, footprint, mythical, myth, folklore -
Federation University Historical Collection
Plaster cast, David Pepper-Edwards, Plaster Cast of a Snow Leopard Footprint, 27/07/2003
The cast of a captive male Golden Cat was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of a male Snow Leopard showing front and rear footprints. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Snow leopard, male, 27/7/03, front + rearaustralian animal folklore, david pepper edwards, pepper edwards, snow leopard, big cat, cat, footprint, cast -
National Wool Museum
Uniform - Shirt, Wendy Powitt, 1992 Barcelona Olympic Games Official Occasions Male Shirt, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation -
National Wool Museum
Uniform - Jacket, Wendy Powitt, 1992 Barcelona Olympic Games Official Occasions Male Jacket, c1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green jacket with Olympic emblem on left breast pocketLabel 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia Label 3 - Warm iron dry clean only On jacket breast - Australia Barcelona 19921992 barcelona olympics, uniform, tie, australian wool corporation -
National Wool Museum
Uniform - Tie, Wendy Powitt, 1992 Barcelona Olympic Games Official Occasions Male Tie, c1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation -
Federation University Historical Collection
Photograph, Unknown male thought to be involved with the Victorian Volunteer Force
Mounted black and white portrait of an older bearded man. He is thought to be associated with the Victorian Volunteer Force or the Boer War. victorian volunteer force, boer war. -
Federation University Historical Collection
Costume, Professional, Male nurse uniform, 1986-90
The nurse uniform is worn by nurses for hygiene and identification. Worn by students at the Ballarat College of Advanced Education School of Nursing.White button up "Ben Casey" style shirt with a single top pocket on left chest. There are 4 buttons on right side and 3 buttons at the shoulder of the right side. and a round reinforced neckline. The pocket patch says Ballarat C.A.E. Nursing with emblem.nurse uniform, male nurse uniform, nurse shirt, professional, ballarat college of advanced education nursing, costume, textiles, ben casey -
Federation University Historical Collection
Photograph - Photograph - Black and White, Richards & Co, Chatham-Holmes Collection: Holmes Family - very young male
Professional portrait of a very young boy - member of the Holmes familyBlack and white photograph mounted on beige card. Edging of silk material around the photoPhotographers name: Richards & Co. Ballaratchatham-holmes collection, holmes family, richards & co, portrait -
Ringwood and District Historical Society
Photograph, Three male Bayswater identities - Date unknown
L to R - Mr A.Piergrosse, Mr H.S.McComb and Mr W.Hughes. 3 Bayswater identities.Written on back of photograph; "L to R - Mr A.Piergrosse, Mr H.S.McComb and Mr W.Hughes. 3 Bayswater identities" -
Warrnambool and District Historical Society Inc.
Photograph, 4 Male tennis players, 1900
People are unknown as is the area. Stubbs. F. J Stubbs operated as a photographer in Victoria between 1858 and 1908. G. U. Petterd as picture framer operated from Timor Street. He also acted as a house, land and commission agent and dealt in books, fine arts and toys. This photograph is a tangible link to a business which operated as a family business for many years in Timor Street Warrnambool.Black and white photograph depicting 4 men standing at the net on a tennis court. All are in long sleeve shirts and long white trousers and shoes. High timber framed fence behind them, behind which is a picket fence and 3 cottages. Glued and double mounted in cream and grey.Stubbs imprinted in lower right side of photo and lower left of cream mount. G. U. Petterd picture framer and plush worker Warrnambool, stamped on rear. Handwritten in pen on rear11/4/00warrnambool, stubbs, petterd, photographer, picture framer, 1900 tennis players -
Wheen Bee Foundation
Publication, Moritz, R. F. A., Scharpenberg, H., Lattorff, H. M. G. & Neumann, P, A technical note for using microsatellite DNA analyses in haploid male DNA pools of social Hymenoptera (Moritz, R. F. A. et al.), 2003
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Wheen Bee Foundation
Publication, Kraus, F. B., Neumann, P., Scharpenberg, H., van Praagh, J. & Moritz, R. F. A, Male fitness of honeybee colonies (Apis mellifera L.) (Kraus, F. B. et al.), New York, 2003
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Vision Australia
Slide - Image, Male playing organ in Ormond Hall, circa 1900
A young man plays the organ on the stage of Ormond Hall at RVIB in St Kilda Road. Behind him sits an 'R. Lipp & Sohn' piano and against the wall, some chairs.Lantern slide of boy playing organroyal victorian institute for the blind, blind musicians -
Horsham Regional Art Gallery
Photograph, Jo GRANT, Standard heavy male, 2002-2004
Purchased through the Horsham Art Gallery Trust Fund, 2005 -
Malmsbury Historical Society
Photograph (Item), Male In Army Uniform C1980, Malmsbury c1980
People - Harris Family? Associated with - Australian Army?