After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 23 Miller Grove, Kew by Margaret Picken.23 MILLER GVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 23 miller grove - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 38 Miller Grove, Kew by Margaret Picken.38 MILLER GVE., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 38 miller grove - kew (vic).

This parasol belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A grey silk parasol with mauve stripe decoration, wooden handle and brass fittings from the late 19th century. The handle appears to be missing a decorative finish from the end.Mrs. S. Miller, Cantala, Caulfield.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, caulfield, brighton general cemetery

Jacob Miller, St Kilda Councillor 1893Sepia photograph on card, mounted, fair conditionJacob Miller, St Kilda Councillor 1893

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 32 Miller Grove, Kew by Margaret Picken.32 MILLER GVE., KEW / MARGARET PICKEN © 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 32 miller grove - kew (vic).

Alexander Miller Hamilton married Eleanor Ellis. Black and white photograph of a bride and groom. They are Alexander Miller Hamilton and Eleanor Ellis. hamilton, ellis, wedding, marriage, bride, groom, alexander hamilton, eleanor ellis, eleanor hamilton

Dr Walter Miller was in partnership with Dr. Brauer joining the practice in 1946. A link to one of Warrnambool's doctors post 2nd World War.Rectangular metal plate with stamped text and filled in black. Screw holes in each corner.Dr Walter . G. Miller MD MRACPwarrnambool, warrnambool doctors, walter gotlieb miller

Used by Frank Miller to contain and display their boot blackening Ca 1900imported and sold by Holden and FrostWooden box with lid , inside of lid picture of Uncle SamFrank Millers Blackening Picture of Uncle Sambox, blackening, shoe polish

group of people, children and adults, at fund raising stall in grounds of St Nicholas Church. Members of Heralds of the King, a children's mission of the Church of England, Lakes Entrance VictoriaBlack and white photograph of group of people, children and adults, at fund raising stall in grounds of St Nicholas Church. Members of Heralds of the King, a children's mission of the Church of England, Lakes Entrance Victoria. Photograph mounted on red card with inscription 'With the Rev F Miller in 1937'.'With the Rev F Miller in 1937'.religion, churches

Container for the display of Millers productsImported and sold by Holden and FrostWooden box with a sliding lid with inscription and horses on front"The standard of the world" Frank Miller Harness Dressing plus imprint of four horseswooden, box

Mrs Beth Miller was born in February, 1924 in Latvia. Her family left for Germany after Russian occupation was implemented in Latvia, and eventually sailed for Australia from Naples, Italy in 1949. A working contract and position at the Mayday Hills Mental Hospital brought her to Beechworth, where she settled with her husband and parents. Mrs Miller recounts the daily work in the Mental Hospital during the 1950s, life in Black Spring and the isolation of the immigrant experience. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mrs Beth Millers account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She gives important insights into the life of post-war European immigrants in the area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Beth Miller /beechworth, beth miller, miller, listen to what they say, jennifer williams, oral history, latvia, bonegilla, immigration, mayday, mayday hills, mental hospital, asylum, black spring, bakery, lutheran, immigrant

A handwritten account of the early girls' classes by a junior legatee, Elaine Miller (Smith). She recounts the formation of the classes in 1927 and early camps. She recalls calling Legatee Savige 'Uncle Stan'. The older girls formed the 'Old Girls Club' which then was renamed 'Intermediate Legacy Ladies Club' (ILLC). A first hand account of the early classes by a junior legatee.Three hand written pages of lined note paper with blue pen, a personal account of the formation of girls classes.Signed Elaine Miller (Smith)illc, girls classes

Individual thank you letters were sent out to those who made a certain level of donation directly to the organistion. In this example, Mr C. Bruce Miller of 11 Moorakyne Street, Malvern is thanked for his donation of 5 pounds and 5 shillings and the letter is personally signed by J. W. Wilson in 1958 and 1961 respectively.2 letters to Mr C. Bruce Millerassociation for the blind, john wilson, fundraising

Monica Miller taught singing at the Ballarat Teachers' College. This pass would enable her to visit state schools and other approved centres of instruction.Brown hard covered booklet made out to Monica Miller of the Ballarat Teachers' Collegeballarat teachers college, monica miller, j seitz, student teacher

Index, bib, ill, p.319.non-fictionSome rescues involve the soldiers, sailors and airmen who risked all for their brothers and sisters in arms. Other concern civilians who hid Jews in their homes or helped Allied soldiers trapped behind enemy lines. All are an inspirational testament to bravery and human kindness.world war 1939-1945 - rescues, world war 1939-1945- social aspects

Robert Miller selected block number 21 Watts Road, Ventnor in 1868 and he and his family came to be among the early settlers oh Phillip Island. See 402-03Large photocopy of portrait of Robert Miller - refer to Family History on 402-03robert miller, early phillip island settlers, watts road ventnor, lynette carr

Photo of Joan Miller, a Legacy widow and volunteer that was actively involved in Legacy over many years. Between 1985 to 1998 she was the Widows' Club Co-ordinator, organising many events and functions for the widows. This photo was published in the regular column she wrote in editions of The Answer. The article was published in 2018 and is a good summary of her important work. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Black and white photo of Joan Miller.Label of Keesing Photographic on the back. Handwritten "Page 2" in blue ink.staff, joan miller

PRIVATE LESLIE WASHINGTON MILLER, No 1226, 14th Infantry Battalion. KIA 8/8/1915, Gallipoli Peninsula. PRIVATE PERCIVAL JAMES GELLON, No 785, 7th Infantry Battalion, KIA 5/7/1915, Gallipoli Peninsula.Memorabilia - framed story of two soldiers in colour using memorabilia of the soldiers and their ives. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.- LESLIE W. MILLER/ PERCIVAL J. GELLONframed item, anzacs, eaglehawk

Professional photos taken by Keesing Photographic of Charles Munnerley, Joan Miller, a group of widows in the Widows' Club rooms sorting stamps and Beryl Billings, who coordinated the sales of used stamps. Some of these photos were used in editions of The Answer. Charles was the Committee Chairman in the 1990s and compiled editions of The Answer (see 00850). Joan Miller was the Widows Committee Coordinator for many years, with a regular column in The Answer (see 00849). The photo of Beryl Billing with the bags of mail is at 00633. Handwritten on the proof sheet is 910319 which is assumed to be the date 19 March 1991.A record that professional photographers took photos for use in publications.Black and white proof sheet of Charles Munnerley, Joan Miller and Beryl Billing.Hand written on back "200%" in red pen. Label of Keesing Photographic on the back.widows, charles munnerley, joan miller, beryl billings, staff

This is an exercise book handwritten by Monica Miller and used by her for speech training purposes at the Ballarat Teachers' College.This book is of local significance because Monica Miller was a Ballarat Teachers College teacher of voice and music. The first page of the book includes a statement of why music is important.Black, Small, 4-ring folder the size of an exercise book. Handwritten notes by Monica Miller on speech training syllabus.monica miller, ballarat teachers college, speech training, voice training., ballarat teachers' college

Colour photos of Joan Miller, a Legacy widow and volunteer that was actively involved in Legacy over many years. Between 1985 to 1998 she was the Widows' Club Co-ordinator, organising many events and functions for the widows. This photo was published in the regular column she wrote in editions of The Answer. The article was published in 2018 and is a good summary of her important work. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Colour photo x 2 of Joan Miller.Label of Keesing Photographic on the back. staff, joan miller