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Kiewa Valley Historical Society
Typewriter - Barlock
The Bar Lock typewriter is a patented design by the inventor and lawyer Charles Spiro in 1888. The keys are easily recognised and well spaced. Used by the typists working in the office for the State Electricity Commission of Victoria during the construction of the Kiewa Hydro Electric SchemeLarge, heavy black typewriter with white letters on the keys. Green matt finish with gold printing. c 1921 Model 22?Bar-Lock / Manufactured by / Bar-Lock Typewriter Co. Nottingham England/Supplied by / Richard Williams Pty Ltd. 193/197 King St. Melbourne At the back in gold print: "Serial / Number' rest too hard to read. typewriter, bar-lock, office equipment -
Melbourne Tram Museum
Magazine, Keolis Downer, "Keolis Thinking Like a Passenger", 2015
Booklet in magazine format, 16 A4 pages, full colour printed on gloss paper, titled "Keolis Thinking Like a Passenger", looking at Keolis's operations around the world including Melbourne and the Goldcoast. Has photos of various trams, light rail vehicles, map, locations. Includes photos of Bordeaux, Lyon, Dijon, Hyderabad, London Docklands, Lille, Melbourne, Bergen, Nottingham, Gold Coast, Stockholm (bus) and Las Vegas (bus). Published in association with the Light Railway and Transit Association for Tramways and Urban Transit in 2015.trams, tramways, keolis, light rail, melbourne, gold coast -
Churchill Island Heritage Farm
Clothing - Trim, Black Beaded
At 11cm in width, this lavishly embroidered lace would have been used as a trim or an insertion piece for evening wear, perhaps as a trim on the bodice of an off the shoulder evening gown. It comprises two layers: a strong base possibly machine made and a fine top layer luxuriously embossed with sequins and bugle beads which was possibly done by hand. It appears to have been made using matte black silk which was known as grenadine and used on the Pusher machine which could only make the pattern and the net. The outline had to be put in by hand. Nottingham stopped making Pusher lace in the early 20th century but it continued to be made in France.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. length of black beaded trim with two layers: machine made lace with hand-stitched overlay of sequins and jet cylindrical beads in abstract designs.Packaged with note: "Black beaded trimming (hand beaded)".janet amess lace collection, churchill island, lace, sequined, amess, trim -
Churchill Island Heritage Farm
Textile - Lace Trim
This is a very dense machine made lace reminiscent of a Valenciennes style. The folk art style roses and interconnecting six petal flowers are set into quite a dense net ground. The trim appears to have been made on a Pusher machine - although it was only able to make the lace pattern and the net. Any outline had to be filled in later by hand using an embroidering machine. Nottingham stopped making Pusher lace probably in the early 20th century but it continued to be made in France. The Pusher machine was a variation on John Heathcoat’s Bobbinet machine developed by Samuel Clark and James Mart in 1812. It takes its name from the rods which pushed the carriages through the machine. The Jacquard apparatus was adapted to it in 1839. The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women. section of lace trim, with very dense valenciennes pattern, small lowers and leaves interwoven with larger motifschurchill island, lace, janet amess lace collection, trim, amess, machine -
Bendigo Military Museum
Equipment - MEDICAL ITEMS, c1939-1945
Francis Metternick - served in Merchant Navy WW2 - British or Australian ??1. Gauze bandage - white cotton, Dark Blue Paper wrap. 2. Pressure bandage - cotton twill - cream. 3. Container for Iodine - black plastic, brown screw top glass tube - attached to brown screw top. 4. Glass bottle with brown stopper containing liquid. 5. Glass syringes and i measurement pipette & 4 solid tapered glass tubes. 6. Dressings - 2 cotton, pink in blue labelled paper wrap,3.B Hax Iodine, Tincture British Pharmacopoeia Hack, 72 Red Lion Street, London, WC1. 4. Ammoniated Tincture/Quinine. Prepared in Accordance with the British Pharmacopoeia. Dose from half to one teaspoonful in a wine glass & water, Boots, Nottingham. 6. Boric Lint, Antiseptic dressing for surgical purposes. Australian Herbal stores, 10 Bath Street, Jersey C1. medical equipment, bandages, syringes -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: ORIGIN OF THE WORD BENDIGO, Various dates
(a) Small form with details of ' Bendigo ' Thompson written on it. (b) Photocopy of newspaper articles relating to William Thompson 'Bendigo' the prize fighter. (c) Photocopy of an article relating to the life of William Thompson, who died 23/08/1880 and contains two photos - 1 of Bendigo and secondly his grave. (d) two copies of a typed letter sent by Eric N. Turner, 45 Brighton St., Nottingham, dated 18/09/1962. It relates to the life of William Thompson, known in the ring as Bendigo. (e) Newspaper article titled 'Was Bendigo called Castleton' dated 9/06/1960. In 1853 the Government gazette has an entry that Castleton was changed to Sandhurst. (f) A small newspaper article titled Abednigo named Bendigoperson, individual, bendigo thompson, william thompson, bendigo thompson, abednigo, castleton, naming of bendigo -
Port Melbourne Historical & Preservation Society
Photograph - Immigrant and passenger ships at Station Pier and Princes Pier, Port Melbourne, Ron Laing, 1960s
A set of 12 photographs of immigrant and passenger ships of the 1960s berthed at Station and Princes Piers, including both copies of original and published photos, and black and white snapshotsDetails on back in ink/penciltransport - shipping, piers and wharves - station pier, piers and wharves - princes pier, ron laing, g. marconi, arcadia, iberia, mooltan, orontes, strathnaver, oriana, roma, patris, rip, tricolor, nottingham -
Churchill Island Heritage Farm
Textile - Lace Trim
At 9cm in width this delicately patterned length of light lace trim seems ideally suited to trimming a baby’s christening gown or a cradle. This embroidered style of lace was rarely used on fashionable garments but more widely used on bed linen and undergarments and judging by the creases in the lace, it is possibly made of silk which would have made it very expensive. There were two types of embroidery machines, the earliest was the Hand Embroidery machine invented by Joshua Heilman in France in 1828. It makes a perfect copy of hand embroidery except that all of the pattern repeats are exactly the same. The second type and the most likely to have been used for this piece is the Schiffli Embroidery machine Invented by Isaac Groebli in 1865 in St. Gallen, Switzerland. The first machines were relatively small and could be operated by a couple of people, mostly women but by the beginning of the 21st century they could be up to 18 metres in length and work with over a thousand needles. Most machine embroidered laces are made using the Schiffli machine and Nottingham in England, Plauen in Germany and St. Gallen in Switzerland still produce a great deal of embroidered lace.The Amess family owned Churchill Island from 1872 to 1929Length of wide lace trim with dots on net ground and selvage edge, other edge complex scallop. Machine madechurchill island, lace, janet amess lace collection, trim, amess -
City of Greater Bendigo - Civic Collection
Painting - Portrait of William Abendigo Thompson, c 1890
William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport -
Glen Eira Historical Society
Document - Bakewell Family
There are 3 items about this family of early European settlers in Victoria: 1/A photocopy of an extract “Early Pioneer Families of Victoria and Riverina” – Henderson Page 441-442 The Bakewell Family of Burnewang and Tooradin”. It includes a photo of John Bakewell (1807-1888). It contains two pages and describes Bakewell’s property expansion. 2/An original copy of handwritten, unsigned undated research notes on John Bakewell property holdings taken from St Kilda Rate Book (1859-1873). It describes the land allotment. 3/A typed, unsigned, undated extract from 'The Howitts in Australia by Mary Howitt' - Mary Howitt, Vic Hist Mag 1913 Vol 3 No. 1. Reference – Memoirs of a Stockman, Harry Peck, 1853 Map, Foot Plot CCXLVI at Kooyong & Glen Eira Road. It provides a brief outline of the lives of brothers Robert and John Bakewell.the bakewell family, early pioneer families, henderson, bakewell john, port phillip, burnewang, bakewell robert, howitt godfrey dr, lord goderich, tooradin, phoebe, friends' school ackworth, yorkshire, nottingham, shaw john wyberg, plenty river, businesses, goldsbrough richard, goldsbrough mort and company ltd., glaziers, squatters, burnewang, mantons, tooradin, red bluff, torbinurruck, great swamp, brenanah, westernport, numerella, snowy river, orbost, green hills b, caramut, lyall william, mickle john, buckland john, notts, england, balderton, weddings, jane emily, howitt emanuel, farnsfield, lever mary, howitt thomas, heanor, derbyshire, howitt godfrey, scales john, exeter college oxford, downing college cambridge, guerard von, wayne john, south warnborough manor, harrison robert, lord john, jamaica, mary alice, dr. miller, miller john francis compton, emmie joan, mary emily, clifton hotel welbeck street, phoebe alice, anne edith, british museum, land values, settlements, st. kilda, elsternwick, inkerman street, st. kilda east, kew, memoirs of a stockman, harry peck -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Arts in Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 5, No. 6 (sic - 5), Summer Issue 2000, 2000
Vol. 5, No. 6 (5), Summer Issue 2000 CONTENTS John Perceval and Helen Daniel 2 Two who served their communities well Gateway Sculpture Project 3 New public art in Manningham The Artary Project 5 Getting onto the net Tucker: Australian Gothic 6 Albert and Barbara Tucker's gift to Australia Short Story 8 Learning Curves Interview 10 Elizabeth James on drawing Open Studios 12 40 artists welcome the public Banyule Youth Awards 18 Support for emerging young artists Not Just a Pretty Place 20 Nillumbik art in Public Places CD Reviews 22 Book Reviews 23 Australian Classical Music 24 Elizabeth Scarlett Theatre Reviews 25 Artin About 26 Wining & Dining 30 Book Review 32 Artist's Services 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, public art, sentinal, river peel, manningham, artary project, plenty views golf park, albert tucker, barbara tucker, kinglake gallery, bulleen art & garden centre, st andrews gallery, steve flanagan, eltham wiregrass gallery, elizabeth james, willy wonka's ice cream gourmet food, nillumbik artists' open studios, accadia ceramics, alan martin, alan sartori, attunga, veronica holland, leanne mooney, sally nihill, bend of islands, michael skewes, elizabeth vercoe, creek house studio, syd tunn, ona henderson, chris pittard, mary lou pittard, diamond creek living & learning centre, drew gregory, jane annois, jane trikojus, jenni mitchell, grace mitchell, mervyn hannan, girraeen studio, jill forrest, kangaroo studios, peter burns, jules burns, muddy waters studio, nel ten wolde, overbank end, kay steventon, kim tarpey, reg cox, robert phillips studio, stained glass studio, shan shnookal, matthew holderness, ray macminn, jane viola, john hewish, open pottery studios, linda detoma, judith roberts, cassandra tobias, christian benetto, kevina-jo smith, julianne piko, hugh crosthwaite, sarah slater, peter doyle, stuart sinclair, carly young, lenister farm, not just a pretty place, kangaroo house, dynamic vegies, old bakery cottage bookshop, nick charles, felicity nottingham, michael mcgirr, eltham little theatre, heidelberg theartre company, montsalvat, recherche, ken eckerall, thompsons pharmacy, st andrews market, 2000 banyule young artists award, heide museum of modern art