Rectangular plaster mould of circular relief depicting Dianna and the Hounds.Inscribed in pencil on face 'Screwdriver' and 'SEB'. matcham skipper, mould, jewellery, dianna and the hounds

Oval plaster mould depicting a male nude with spiral tree. Nonematcham skipper, mould, jewellery, nude, spiral tree

Plaster mould of an oval design depicting kneeling lovers embracing. nonematcham skipper, mould, jewellery, nude, lovers

Plaster mould of a fan or mirror shaped design depicting a bull.Nonematcham skipper, mould, jewellery, bull

Rectangular plaster mould depicting a male nude riding a stallion.Nonematcham skipper, mould, jewellery, male, nude, stallion, horse

Round plaster mould depicting a male and female seated nude.Nonematcham skipper, mould, jewellery, nude, male, female

Plaster Mould of an oval design depicting a male and female nude.Nonematcham skipper, mould, jewellery, nude

Horseshoe shaped plaster mould depicting multiple nude figures.Nonematcham skipper, mould, jewellery, nude

Square plaster mould depicting a male nude herding sheep.Nonematcham skipper, mould, jewellery, male, nude, sheep

Rectangular plaster mould depicting a male and female nude embracing.Nonematcham skipper, mould, jewellery, male, female, nude, lovers

Plaster mould of a teardrop shaped design depicting two lovers embracing. Nonematcham skipper, mould, jewellery, lovers, nude

Plaster mould of a diamond shaped pendant setting depicting two female nudes. Nonematcham skipper, mould, jewellery, pendant, nude, female

Rectangular plaster mould depicting a male nude with two female nudes and a child.Nonematcham skipper, mould, jewellery, nude, female, child

Oval plaster mould of a pear shape design depicting two embracing nudes.Nonematcham skipper, mould, jewellery, nude

Square plaster mould of an oval design depicting two embracing nude figures.Nonematcham skipper, mould, plaster, nude

Plaster Mould containing twin circular designs depicting two female seated nudes. Nonematcham skipper, mould, jewellery, female, nude

Came from the Station Master's house at Mitcham Railway Station. Stationmaster was Mr Tom Hutchison who with his lived in the house. Harold Bakes obtained permission to remove them . Shirley Jones had first mentioned them and helped Harold to remove them, put them on the board and fill up all the holes. Mr Eric Sunderland helped to cut them out, quite a job.Large ceiling rose -plaster mould from the Station Master's house at Mitcham Railway Station.buildings, fittings

Came from the Station Master's House, Mitcham Railway Station. Shirley Jones mentioned them to Harold Bakes, Shirley helped put them on the board and fill up the holes. Mr Eric Sunderland helped cut them out, quite a jobSmall ceiling rose plaster mould from the Station Master's House, Mitcham Railway Stationbuildings, fittings

Round plaster mould of an octagonal design depicting two lovers. This mould corresponds to the left earring of a pair held in the Powerhouse Museum: object registration 2005/258/1-3Nonematcham skipper, mould, jewellery, nude, lovers

Photograph: group of seven young men seated or standing dressed in suits waitcoats , ties and hats. Shown in background a bicycle, beer bottles and 2 outbuildings. One decorated with scotch thistle, Irish shamrock, english rose and a flag of unknown origins. Photo under glass, mounted on grey card and framed with a very ornate wood and plaster moulded frame cream in colour with some gilding.W.H. Grose, Photographerperson, group, male group

Black and white photograph of two students working on moulds, possibly plaster. Undated but c1930s.collingwood technical school, students, 1930s, nmit

This bottle was recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer often stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, discolouration above base.Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, artefact, stoneware, ironstone, pottery, bottle, antique bottle

This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. However, this bottle has no identification marks. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beigeNoneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, antique bottle