Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, upper centre)port of portland archives, portrait photography, david milner, tugmaster

Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner/ Tugmaster (blue pen, centre left)port of portland archives, portrait photography, david milner, tugmaster

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography, jack stanford, alex kinnard, presentation

Port of Portland Authority archivesFront: (no inscriptions) Back: Capt. Ian Baird (blue pen, lower left)port of portland archives, portrait photography, captain ian baird

128 p. : ports. ; ncludes index. Bibliography: p. 120-121.non-fictionportrait photography, photographs australia

Ann Nankervis nee Wallace with her children, William aged 8 and Jane aged 3. ann nankervis, william nankervis, jane nankervis, ballarat, studio portrait, photography, costume

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photograph was likely taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This photograph is one of many in the Haeusler Collection that represent daily life in late nineteenth and early twentieth century Wodonga.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Black and white photograph of two men in front of a weatherboard building. The man on the left is holding onto the bridle while the man on the right is shoeing the horse. Photography by Pearson and Brook studio, Albury. "PEARSON AND BROOK ALBURY"photograph, photography, horse, horses, portrait, portrait photography, haeusler collection, wodonga

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A black and white photograph in a white painted wooden frame. It features Jack Hamilton-Smith mounted on his horse.hamilton-smith collection, hamilton-smith, ellwood, horse, horse riding, photograph, photography, portrait photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling. african diaspora, portrait, photography, digital

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital

BHS CollectionA white envelope which contained four photos and on the front in grey lead is the name J.C. Burnett A black and white photograph of Ms. J.C. Burnett a staff member at Bendigo Teachers' College. A small black and white photograph of four Bendigo Teachers' College staff members - Ms. J.C. Burnett, Mr.George Mills (Principal), Mr. M. Morris and two unnamed women. Two black and white photographs of Bendigo Teachers' College staff members - 1. Ms. J. Burnett with an unknown man and 2. A small photo of Mr. M. Mills, Ms. J. Burnett and Mr. George Mills, year 1945 written on rear of photo.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo teachers' college staff, male, female, individual, person, portrait, photography, photographs, photograph, bendigo, education, photo, envelope, bendigo teachers' college staff, ms. j.c. burnett, teacher training, tertiary education

Tinted portrait of a seated man. He is turned to the right, and has his left hand resting on a table, loosely holding a pair of folding spectacles (tinted gold). He is wearing a three-piece suit, black cravat with a small knot, checked trousers and has curly hair and long side burns.Front: (no inscriptions) Back: Mr. John Pearson, Percy Street, Portland (black fountain pen, centre). This photo came from Windsor Cottage. John pearson and Captain Fawthrop were great friends. They are buried together in the Queensland Cemetry (black ink, lower centre). Harry Ward Goldsmith, late of Portland (pencil, lower centre).ambrotype, photography, james fawthrop, admella, portrait photography

Monochrome portrait photograph of a man. He has a beard and bushy eye brows and sits with his face slightly in profile. He wears and double breasted jacket with a bow tie. His portrait is placed in an oval framed mount board which is in a rectangular wooden frame. The frame is painted dark brown but has a border of flowers and foliage picked out in gold colour.official portrait photography, civic portrait, mayor, portland mayor, 1800s

Portrait photograph of a man. He has a white beard and hair which is parted on his left and smoothed across. He is wearing a white shirt and black jacket and looks straight ahead. The photograph is framed in an oval mount board in burgundy. Framed in an ornate gold, gilt frame.J. Marriott Esq / 1868 - 73 - 4portrait photography

Portrait photograph of a man looking to his right. He has a bushy dark grey beard and moustache. Receding hair. He wears a dark jacket and waistcoat. The background is grey. Mounted into a brown mount with oval window with gold trim. Wooden frame with gold inner frame. Glass covered.W. Learmonth Esq 1863portrait photography

Black and white photograph (reprint) of William Robb, stonemason, Portland. Depicts a man wearing a tie, white shirt and black jacket and waistcoat. Looking slightly to his right. Front panel reads: William Robb / 26 9 1829 / 7 7 1905 Scotland Portland Arrived aboard the 'Indian Ocean' 1854 Portland Pioneer and Stonemason -colonist of 51 years -stonemason, portland businesses, portland pioneers, portrait photography

Portland Town CouncilTwo framed black and white photographs. Left: T. Edward C. Henry Right: E. Noel T. Henry Head and shoulders wearing tweed suit, Wearing official looking robes, striped tie, round-rimmed glasses, dark-rimmed glasses. moustache.Front: Top centre: Town Clerks of Portland Bottom left: T. Edward C. Henry, LS, CE, Council Service - 1888 to 1946 Town Clerk - 1888 to 1938 Bottom right: E. Noel T. Henry, MBE, Hon F.I.M.A., JP, Council Service - 1917 to 1967 Town Clerk - 1938 to 1967 Bottom: A record of Municipal Service of 107½ years by father and son. Back: Yellow sticker, numbered 3004.portland town council, administration, local government, official portrait photography, civic photography

John Oman sitting for portrait wearing a suit. He has facual hair common to the era. Circa late 18th century.Typical dress of the period. Common portrait sitting and pose.Rectangular in shape, sepia tones, studio portrait picture.On back in grey pencil, " J T Oman" & $2-. On the front in black ink the words, "Ja's Hooper, West End Portait Parlors 239 Victoria Street W. Melbourne. portrait picture photography j t oman

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography