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Koorie Heritage TrustBook, Barlow, Alex et al, You and me living together : the story of Aboriginal land rights, 2001
Aboriginal land rights then and now. Traditional Aboriginal concepts of land and caring for land, and how European settlers ovetook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. In this book, the story of Aboriginal land rights, then and now, is told. Read about traditional Aboriginal concepts of land and caring for land, and how European settlers overtook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. -- Back cover.32 p. : ill. (some col.), map, ports. ; 28 cm.Aboriginal land rights then and now. Traditional Aboriginal concepts of land and caring for land, and how European settlers ovetook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. In this book, the story of Aboriginal land rights, then and now, is told. Read about traditional Aboriginal concepts of land and caring for land, and how European settlers overtook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. -- Back cover.aboriginal australians -- history -- juvenile literature. | aboriginal australians -- land tenure -- juvenile literature. -
Wyndham Art Gallery (Wyndham City Council)Painting, Marlene Gilson, Waa Waa - Crow Feathers, 2021
Waa Waa – Crow Feathers is a painting from Aunty Marlene Gilson’s 2022 exhibition ‘Bunjil Wour Kun Ya – Spirit of My Ancestors’. This work tells the story of Waa-Waa, the first Wadawurrung to see a white man, Matthew Flinders and his crew surveying the southern Australian coastline near the You Yangs on 1 May 1802. Speaking to Wyndham Art Gallery’s curatorial framework themes of Foregrounding, Habitat and Localism, the work portrays in Wadawurrung lore the first sighting of a European and acknowledges Australian First Nations peoples original and ongoing connections with land, history, politics and knowledges of place. The scene is overlooking the You Yangs which is deeply connected with the local place and habitat of the Werribee Plain. Aunty Marlene Gilson is a Wathaurung (Wadawarrung) Elder living on country in Gordon, near Ballarat. Marlene Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist’s meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. australian first nations art, cultural story, australian painting, wathaurung, female artist
