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Flagstaff Hill Maritime Museum and Village
Postcard - Scenic, Warrnambool, Bay of Biscay, Hopkins River, Warrnambool, 1902-1910
... image was published in Table Talk on January 6th, 1910... image was published in Table Talk on January 6th, 1910 ...The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Bay of Biscay, Hopkins River, Warrnambool – This same image was published in Table Talk on January 6th, 1910 and in The Age, on December 18, 1929, referred to a revival of fishing at the Bay of Biscay on the Hopkins River. These and similar articles showcased the Bay of Biscay as a popular boating and fishing location and well worth promoting to places outside of Warrnambool. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the figures in a row boat on the river suggests that the location was a popular place to visit. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, portrait orientation, coloured print within a rectangle border with an impressed line around the image and a title in red. The picture shows three figures wearing hats in a rowboat on the bank of a river beside cliffs. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “Bay of Biscay, Hopkins River, Warrnambool” Back in green: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, bay of biscay, fishing, boating -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, 'Landscape', 60 Lavender Park Road, Eltham South, 24 June 2008
... continued as cartoonist for Table Talk. In 1926 Leason began... continued as cartoonist for Table Talk. In 1926 Leason began ...Built by artist and cartoonist Percy Leason in 1927 in what was then New Street but renamed Lavender Park Road in the late 1950s/early 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p121 Said to be a genius, cartoonist Percy Leason’s career was at its peak when in 1925 to 1926 he built his home at New Street (now Lavender Park Road) Eltham. The Herald newspaper owner, Sir Keith Murdoch, had hired Leason for his newly acquired Melbourne Punch magazine at a salary of £1750, making him ‘one of the highest paid cartoonists in the world’.1 With this salary and financial help from Murdoch, Leason was able to build his lovely home in Eltham. At the crest of a sweeping drive, the home now two-storey in white brick with a gabled grey slate roof and dormer windows is flanked by an extension built by another owner in the 1980s. Leason lived in the home with his wife, Isabel and children, until 1937, when he left for the United States of America, where he lived until his death in 1959. The four-bedroom house and garden would have been well-suited to bringing up his family and to entertaining their friends in style. Large airy rooms have high ceilings with moulded plaster, timber floors and several are brightened with bay windows. Leason made friends with many of the artists and personalities who gravitated to Eltham. Around 1931 Justus Jörgensen, founder of the Montsalvat Artists’ Colony, helped Leason build his large studio at the back of the house. Another friend was journalist Mervyn Skipper, father of jeweller and sculptor Matcham, and artists Helen and Sonia. Leason’s teacher, artist Max Meldrum, also visited and rented accommodation in Eltham, opposite Wingrove Park. Punch folded in 1925, but Leason continued as cartoonist for Table Talk. In 1926 Leason began the cartoons of a mythical Australian town Wiregrass, which were inspired by Kaniva, his home town. The art gallery in Main Road Eltham was named Wiregrass in Leason’s honour. Leason completed 1000 drawings from 1919 to 1937, which author Garrie Hutchinson claimed, were technically unsurpassed and had regional and universal interest. Leason’s acute observations of country life stemmed from his childhood in Kaniva in Victoria’s western Wimmera, where he was born, the son of a selector, in 1889. Meldrum claimed that Leason could name every plant and the habits of every animal.2 Leason also painted 28 portraits of the last full-blooded aboriginals in Victoria at Lake Tyers in Gippsland, most of which are in a private collection. In Sydney Leason illustrated Henry Lawson’s Selected Poems and worked for The Bulletin. Leason had begun his career at 13 as an apprentice lithographic artist at Sands and MacDougall. He attended night classes at the National Gallery and the Victorian Artists Society. Leason first visited Eltham in 1910 to paint with fellow artist William ‘Jock’ Frater. They camped near Bible and Pitt Streets and along the Diamond Creek on the site of the present Eltham Retirement Centre. Despite his success as a cartoonist, Leason wanted to be recognised as a serious painter and for his anthropological work.3 He was also conservative and felt uncomfortable with the modern art scene in Melbourne.4 So he left for the United States of America to work as a painter. Ironically his time in New York saw the burgeoning of modern art, notably by artists such as Jackson Pollock. But Leason found his niche by running an art school, painting society portraits and illustrating books and magazines.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, landscape, lavender park road, percy leason, new street -
Bendigo Military Museum
Photograph - PHOTOGRAPH, 38th BATTALION FORMAL DINNER, 38 Bn, 38 Bn was the Northern Victorian Regiment, c1945-1962
38 Bn, raised March 1916. Post War it was the Bendigo CMF Unit until 1962. then shut down.1. B & W photo of group of officers and senior NCO's talking and laughing. They are wearing formal mess dress with ribbons WW2. At top right can be seen a photo of a group in front of 38 Bn Banner. 2. B & W photo of four men, 2 officers, 2 Snr NCO's. They are wearing formal mess dress. Photo taken in the Officer/Sgts mess, Drill hall, Mollison St, Bendigo. 3. A formal Army dinner. Held in Officers Mess at the Mollison St Drill Hall. An Officer is standing addressing the group. The group is composed of officers and snr NCO's. The table is set with flowers, cutlery and drinks.38 bn, staff, officers, bendigo -
Bendigo Military Museum
Memorabilia - PHOTOGRAPHS, 1954- 1959 approx
“FARELF” Far East Land Forces (Malaya) “BCFK” British Commonwealth Force Korea. All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR 1943 - 1975. Refer Cat No 124.2 for his service history.All photos are B & W. (.1 - .4) Three soldiers sitting at a table with one standing looking over. (.5) Soldier throwing water over himself. (.6) Soldier kneeling with an Owen gun aimed. (.7) Soldier cleaning a weapon. (.8) Two soldiers looking out through an aeroplane door. (.9) Soldier, no shirt on aiming a pistol. (.10) Soldier with a dart or rod in his mouth. (.11) Soldier kneeling aiming what appears to be a shotgun. (.12) Soldier inspecting the bar real of an Owen gun. (.13) Soldier inspecting a pistol. (.14 - .15) Two Nurses talking to two soldiers. (.16) Large group of soldiers on the deck of a ship.(.1 - .15) On rear stamped in purple. “Public relations Australian Army Force GHQ FARELF, GUN ....... MC” After GUN on each photo is an individual number. (.16) On rear stamped in purple. “Photo No, please credit to Public relations HQ BCFK” In pencil. “2961”photography, military, korea, malaya -
Mission to Seafarers Victoria
Article, A Woman's Melbourne Letter
A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Halls Gap & Grampians Historical Society
Magazine - B/W, C 1915
Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren -
Stawell Historical Society Inc
Photograph, Christmas at the Old Court House 1986
3 Colour Photographs: 718- Showing a group of people talking some sitting and a green overed table with food. 7108a a group of people some standing others sitting ( differnt angle) 7108B similar to 718A sign above teh dorr reads "No Exit" in red letters -
Whitehorse Historical Society Inc.
Photograph, Bob Hawke visit, 1989
Coloured photograph of Bob Hawke, Prime Minister talking to one of the tables of guests at the Civic Reception for the Prime Minister at Nunawading in the Waratah Room of the Nunawading Arts Centre in 1989city of nunawading, nunawading arts centre, hawke, bob, prime minister -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: PHOTOS
Two black and white photos printed on paper. (1) is a lady and a man dressed in clown costumes in a garden and (2) is a group sitting at tables. Peter Ellis is standing talking to a couple. Nothing on the back.photo, group, mixed group, peter ellis collection, peter ellis -
Ballarat Tramway Museum
Book, Keith Kings, "Bendigo's Vintage Talking Trams"
Book - "Bendigo's Vintage Talking Trams" - Edited by Keith Kings tells the story of Bendigo's trams from the battery tram days through to the operation by the Bendigo Trust. Includes the script of the Talking tram (Nov. 1996) and the tram fleet at the time. Has a table of contents, editor's notes and a colour map of the trip with script or talking points.Yields information about Bendigo's trams and that of the Bendigo Trust operations and fleet.Book - A5 landscape, 100 pages + card covers centre stapled, with some colour pages.bendigo, musuems, bendigo trust, keith kings, trams, tramways -
Vision Australia
Administrative record (Series), Braille and Talking Book Library, 1972-1991
Braille and Talking Book Library, 31-51 Commercial Road, South Yarra, Victoria 3141To provide information on general information on work undertaken, financial position, income and cash flow.Single volumes created annually from 1972 until 1991.Minutes of AGM, Annual Report of Directors, President's Report, financial informationcorporation records, braille and talking book librarycorporation records, braille and talking book library -
Vision Australia
Photograph - Image, Portraits of elderly residents, 1970-1980s
1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton) -
Vision Australia
Document - Text, Swish Rules, 1983
Swish rules as authorised by the Victorian Swish Council on July 9, 1983. This book was part of the Braille & Talking Library collection in Commercial Road. Swish is a game played with a bat, ball and barriers on a tennis-table like court.1 spiral bound book of thermoform pagesrecreation, swish -
Vision Australia
Photograph - Image, Woman studying with talking books
A woman sits in a lounge chair and rests a binder folder with paper on her lap. She holds a pen and appears to be writing as she listens. Her headphones are connected to a portable reel player, which sits on a table beside her, and on top of this are reel boxes with braille labels.Digital image of woman listening to an audio bookroyal victorian institute for the blind, talking books -
Mont De Lancey
Book, Jean-Rodolphe Ostervald, La Nourriture De L'ame, ou Recueil De Prieres which translates to - The Food for the Soul or Collection of Prayers, 1833
Food for the Soul - a collection of prayers for every day of the week and for the main holidays of the week.This is a plain brown book with small diagonal squares pattern on the covers. La Nourriture De L'ame, ou Recueil De Prieres pour les Principales Fetes de L'annee which translates to - The Food for the Soul or Collection of Prayers for the Main Holidays of the Week. The author is Jean- Rodolphe Ostervald, pastor of the French Church of Bale. There is a drawing on the frontispiece of Jesus talking to men. At the back is a Table of Contents. Some pencil markings inside, foxing and tanning. There are two bookmarks included - One has Federal printed on it in red lettering with a rising sun pattern at each end with a French handwritten message written on the front and back. Another paper used as a bookmark has Y Foy and Gibson, Melbourne. 545p.non-fictionFood for the Soul - a collection of prayers for every day of the week and for the main holidays of the week. religion, prayers -
Melbourne Legacy
Photograph - Photo, Widows Lunch 2005, 2005
Photos of Legacy Widows at a luncheon function after the Widows Sunday ceremony at the Shrine and a service at a church. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos show tables of widows at lunch, the Governor of Victoria, John Landy, and his wife, Lynn (in deep maroon suit), are in some of the photos talking to the ladies. Melbourne Legacy Widows' Club president Margaret Armstrong is standing near the Governor in some photos. President Geoff Webb is also talking to the widows. Same event as other photos of 2005 (00711, 00712). The venue is possibly ZINC in Federation Square according to a post it note.A record of a event for the Legacy widows and the Governor being involved as patron of Legacy.Colour photo x 10 of widows at a luncheon following the Shrine ceremony.Printed on the back -
Melbourne Legacy
Photograph - Photo, Widows Lunch 2005, 2005
Photos of Legacy Widows at a luncheon function after the Widows Sunday ceremony at the Shrine and a service at a church. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos show tables of widows at lunch. Two legatees are with the Governor of Victoria, John Landy, one of them is Norm Stewart. Mrs Lynn Landy is in some of the photos talking to the ladies. Same event as other photos of 2005 (00710, 00712). The venue is possibly ZINC at Federation Square according to a post it note with the photos.A record of a event for the Legacy widows and the Governor being involved as patron of Legacy.Colour photo x 4 of widows at a luncheon following the Shrine ceremony.Printed on the back -
Melbourne Legacy
Photograph - Photo, Widows Lunch 2005, 2005
Photos of Legacy Widows at a luncheon function after the Widows Sunday ceremony at the Shrine and a service at a church. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos show tables of widows at a lunch, the Governor of Victoria, John Landy, and his wife are in some of the photos talking to the ladies. Same event as other photos of 2005 (00710, 00711). The venue is possibly Zinc at Federation Square, which was written on a post it note with the photos.A record of a event for the Legacy widows in 2005.Colour photo x 2 of widows at a luncheon following the Shrine ceremony.Printed on the back -
Melbourne Legacy
Photograph, 70th Anniversary, 1993
According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00752 and 00753). 00751.1 Clive James at the podium with a logo of "70 Legacy" and slogan "Seventy year of constantly caring 1923 - 1993". 00751.2 A view along the high table with Weary Dunlop and Clive James among others whose names aren't know. 00751.3 The Melbourne Legacy President J. D. Stevenson at the podium. 00751.4 A view of the diners at their tables while Clive James is talking. 00751.5 Another view of the room including band members on stage behind Clive James. See 00753 for proof sheets of photos of the event.A record of a function to commemorate the 70th AnniversaryBlack and white photo x 5 of a Legacy function with Clive James and an article from The Answer.70th anniversary, dunlop, function, answer, clive james