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Tatura Irrigation & Wartime Camps Museum
Document - Memoir, Hermine Wedel, Memories of Tatura, July 2014
An account of the author's family background & early life, more particularly those events leading to their internment in Tatura, Victoria, Australia during World War 2. The author's parents (author Hermine Wedel, nee Strauss) were of German nationality & practicing as missionaries in New Guinea. Upon the outbreak of WW2, those German nationals were ordered to the coast by the Australian authorities and the men were transported to internment camps in Australia. The women remained behind, reporting regularly to the authorities, until they too were brought to camps in Australia at the end of 1941. They were eventually reunited in a family camp for internees, Camp 3 at Tatura, in 1943. They were released from the camp to work in Australia in 1947 and the family returned to New Guinea in 1949, and eventually went back to Germany. The author also briefly recounts her marriage & married life in Brazil & Germany. 13 page document, A4 paper. 7 pages of English translation, 6 pages German original. world war ii, internee camps, civilian internees, german internees, camp 3, tatura, new guinea, strauss, stuerzenhofecker -
Tatura Irrigation & Wartime Camps Museum
Book, Konsalik Alarm! Das Weiberschiff, 1980
Off white coloured book. Black, red and blue text. Snow scene top of front cover. Love scene bottom of front cover. Photo of author on back cover together with description of story, in German. Book written in German. Title in English "Alarm! A shipload of women". 254 pages.|Included with the book is a piece of paper with English translation of front & back cover"Donor Kurt Kazenwadel" on first page|An indecipherable signature on first pagekazenwadel, tatura, books, novels -
Koorie Heritage Trust
Book, Bourke, Colin, Before the invasion, Aboriginal life to 1788, 1980
Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...112 p. : ill. ; 21 x 23 cm.Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...1. aborigines, australian -- social life and customs. schools - project referencers. i. johnson, colin, joint author. ii. white, isobel m., joint author. iii. title -
Koorie Heritage Trust
Book, Bonwick, James, The Last of the Tasmanians : or The Black War of Van Diemen's Land, 1870
Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.400 p., 15 leaves of ports. : ill., fold-out map ; 23 cm.Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.aboriginal tasmanians. | tasmania -- history -- to 1803. | tasmania -- history -- 1803-1900. -
Stawell Historical Society Inc
Book - Somerset, Florence Chuk, The Somerset Years, 1987
End maps: front Somerset Shire. Back VictoriaHardback with dust jacket, Beige. Colour print of mining scene, tent, women, men, minesGovernment Assisted Emigrants from Somerset and Bristol who arrived in Port Phillip Victoria 1839 - 1854 Author Florence Chuk. Signed by Author - Florence Chuk 14-11-89 -
Chiltern Athenaeum Trust
Photograph
Clara Jane Matthews was born in 1870 as the eldest daughter of Robert Matthews. She married William Frederick Busse on the 5th of December, 1894 at St Columb’s church, Hawthorn. Clara and her husband lived on Main Street in Chiltern, and her husband was a Clerk of Courts in Chiltern and Wodonga throughout his life. Clara and William also owned a 640 acre farm called Clairedale Park, four miles (6.5km) outside of Barnawartha. They had both crops and sheep on the property, and adopted innovative farming practices. It appears that Clara was heavily involved in the farm business, as she is listed as a purchaser of sheep in multiple stock reports between 1914 and 1918. This is very unusual for the era, as women were not generally involved in stock markets, especially if her husband was still alive. Clara’s husband’s work at the court likely meant that he wasn’t able to travel to the markets in order to purchase stock. Clara’s taking the reigns in this manner was highly unusual, and signals just how strong of a woman she must have been. Clara Busse died in Chiltern in 1968, when she was 98 years old. She is also the mother of Wilfred C Busse, who was an author and a member of the Chiltern Athenaeum. This photograph is of a woman who lived most of her life in Chiltern, and undoubtedly contributed to the community of the town within her 98 years. She will most likely be remembered as the wife of William Frederic Busse, Clerk of Petty Sessions, or as the mother or Wilfred Clarence Busse, author and barrister. Although the records of her time almost entirely connect her with the men of her life, her father, husband and then her son, some digging can reveal that she was an entire person of her own, who broke norms of her time and is worthy of being remembered for her own sake.Black and white rectangular photograph printed on matte photographic paper mounted on board in a textured metallic frameObverse: Clara Jane Busse / (nee Mathews) / Mother of W. C. Busse / clara jane busse, clara busse, c j busse, busse, women in agriculture, remarkable women, 20th century women, women's history, working women, wilfred busse, wilfred clarence busse -
Warrnambool Art Gallery
Pooneed-ke (child carrier), c. 1890-1920
This mat was donated to the Museum by the Rev. Andrew Rule Osborn. Reverend Osborn donated several artefacts including Aboriginal artefacts, Zulu and Pacific Islander objects. The Reverend came over from Tasmania to serve here in Warrnambool. His wife Annie was a fantastic author and wrote children's literature which was serialised in the newspapers. She was a supporter of women's suffrage and also the first woman editor of The Age.A flat circular mat made from native Australian grasses. Indigenous Australians would use this as a baby-carrier on the back. One band would be placed around the lower back and mat and two higher up. The child would be placed between the back and the mat. It was also sometimes used as a sun shade or something to sit on. It is a spiral form with grasses woven around to bind it together.aboriginal, indigenous, child carrier, mat, native grasses, reverend andrew rule osborn, annie osborn, women, mothers -
Brighton Historical Society
Dress
This dress belonged to Brighton woman Mariam Issa, an author, public speaker and co-founder with Katharina Kons of the nonprofit organisation Resilient Aspiring Women (RAW). Born in Somalia, Mariam and her family arrived in Australia as refugees in 1998. Seeking to bring women together and foster connections, in 2012 Mariam opened her Brighton backyard to the community. The RAW community garden unites women from all cultures through gardening, food and storytelling.Long loose kaftan-style dress, turquoise cotton with black, brown and cream embroidery around neck and shoulders, depicting large brown flowers surrounded by swirling cream border. Round neck and short, loose sleeves.mariam issa, migration, somalia, resilient aspiring women -
Queen Victoria Women's Centre
Book, Susan Sherson, Being There: Nursing at "The Melbourne" Victoria's First Hospital, 2005
It follows the intertwined history of nursing and the Royal Melbourne Hospital. Significant events, people and places. 572 pages. Orange toned cover of nurses c.1934 with handwriting overlay. White pages with black and white images throughout. Added Index booklet 32 pages attached. inside the cover handwritten inscription from the author in blue ink reads "For the Queen Vic Women's Centre, Warmest good wishes, Susan Sherson 7/2/2008"women health professionals, historic buildings, hospitals -
Kew Historical Society Inc
Book, Outcasts, Mists & Shadows: a short history of institutional care around Yarra Bend, Melbourne / by Colin Briton, 2017
Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- ) -
Kew Historical Society Inc
Photograph - Finalists in the 'Queen Competition' at Southesk, Kew Elder Citizens' Club, 1967
... , the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7..., the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7 ...The orthodox version of the origins and history of the Kew Elder(ly) Citizens’ Association was established by Cr. W. D. Vaughan in his book Kew’s Civic Century (1960), when he wrote that: "When Mrs. C. H. Simpson was Mayoress in 1952 she set up the Elderly Citizens’ Association to care for the needs of ages persons in Kew. The idea was strongly supported and a start was made by providing social afternoons for elderly folk at Southesk. Visiting sick people in their homes, providing firewood where needed, and other activities were undertaken by the Association. The aid of Council was sought to further the work. It was decided that a social unit for elderly folk be established at Southesk." (p.126-7). In the following pages, he describes in detail Council’s role in formally establishing the Association. This ‘official’ version was reasserted in the later Thematic Environmental History of the City of Boroondara (2012). However the origins and gestation of community of organisations is rarely straightforward. In 1965, five years after Vaughan’s book was published, the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7-1965, writing about the period July 1947 to July 1950, described the role the Club played in establishing the Kew Elder Citizens Association. The author wrote: "At a meeting of the Kew Community Aid, the plight of many elderly people in Kew who were dependent on pensions was raised and in order to ascertain their needs the practice was begun of serving morning tea at the Masonic Hall in Walpole Street, where pensions were then paid. From this beginning the Kew Elder Citizens Association was formed in Kew with wide support, and Club members gave willing support on the committee, in helping serve afternoon tea and in entertainment." (p.4) Photographic evidence also leads to questions about Vaughan’s version of events. A framed photograph in the Society’s Collection shows a Public Meeting to form the Kew Elder Citizens Association in a room at Southesk a year earlier in 1951. Whatever version of the origins of the Association is correct, a later framed photograph in the Society’s collection shows the opening of the completed Clubrooms of the Kew Elder Citizens at South Esk by the Hon. E.P. Cameron M.L.C, Minister of Health, on 12 November 1956. The Association is still active in Kew and is currently located at Hamer Court, opposite the Boroondara General (Kew) Cemetery in High Street, Kew.Historic early photograph from the archives of the Kew Elder Citizen's ClubFramed photograph of six women who it is presumed were the candidates or finalists in a competition to be the Queen of Southesk. At this time, Southesk in Cotham Road was home to the Kew Elder Citizens Club, now known as Kew Senior Citizens Centre Inc.Front mount: "Queen Competition 1967 - South Esk - Won by Mrs Harkansee." Reverse: "L-R: -. Miss Knox, Mrs Emmerson, Mrs Higgins, Mrs Moyle, Mrs Harkansee"kew elder citizens club, kew senior citizens centre inc., southesk, miss knox, mrs emmerson, mrs higgins, mrs moyle, mrs harkensee -
Kew Historical Society Inc
Photograph - Opening of the Kew Elder Citizens Clubrooms at 'Southesk', City of Kew, 1954
... , the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7..., the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7 ...The orthodox version of the origins and history of the Kew Elder(ly) Citizens’ Association was established by Cr. W. D. Vaughan in his book Kew’s Civic Century (1960), when he wrote that: "When Mrs. C. H. Simpson was Mayoress in 1952 she set up the Elderly Citizens’ Association to care for the needs of ages persons in Kew. The idea was strongly supported and a start was made by providing social afternoons for elderly folk at Southesk. Visiting sick people in their homes, providing firewood where needed, and other activities were undertaken by the Association. The aid of Council was sought to further the work. It was decided that a social unit for elderly folk be established at Southesk." (p.126-7). In the following pages, he describes in detail Council’s role in formally establishing the Association. This ‘official’ version was reasserted in the later Thematic Environmental History of the City of Boroondara (2012). However the origins and gestation of community of organisations is rarely straightforward. In 1965, five years after Vaughan’s book was published, the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7-1965, writing about the period July 1947 to July 1950, described the role the Club played in establishing the Kew Elder Citizens Association. The author wrote: "At a meeting of the Kew Community Aid, the plight of many elderly people in Kew who were dependent on pensions was raised and in order to ascertain their needs the practice was begun of serving morning tea at the Masonic Hall in Walpole Street, where pensions were then paid. From this beginning the Kew Elder Citizens Association was formed in Kew with wide support, and Club members gave willing support on the committee, in helping serve afternoon tea and in entertainment." (p.4) Photographic evidence also leads to questions about Vaughan’s version of events. A framed photograph in the Society’s Collection shows a Public Meeting to form the Kew Elder Citizens Association in a room at Southesk a year earlier in 1951. Whatever version of the origins of the Association is correct, a later framed photograph in the Society’s collection shows the opening of the completed Clubrooms of the Kew Elder Citizens at South Esk by the Hon. E.P. Cameron M.L.C, Minister of Health, on 12 November 1956. The Association is still active in Kew and is currently located at Hamer Court, opposite the Boroondara General (Kew) Cemetery in High Street, Kew.Framed, inscribed photograph of the opening of the Kew Elder Citizens Club at Southesk in 1954. The ceremony would appear to be conducted on the western side of the house.‘Opening of the Kew Elder Citizens Clubrooms “South Esk” by the Hon. E.P. Cameron M.L.C, Minister of Health, 12.11.1956. Cr. W.A. Comeadow O.B.E., J.P. (Mayor).’southesk, kew elder citizens club, kew elderly citizens club, kew senior citizens club -
Kew Historical Society Inc
Photograph - Public Meeting to Form Kew Elder Citizens' Club, City of Kew, 1951
... , the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7... Vaughan’s book was published, the author of East Kew Women’s Club ...The orthodox version of the origins and history of the Kew Elder(ly) Citizens’ Association was established by Cr. W. D. Vaughan in his book Kew’s Civic Century (1960), when he wrote that: "When Mrs. C. H. Simpson was Mayoress in 1952 she set up the Elderly Citizens’ Association to care for the needs of ages persons in Kew. The idea was strongly supported and a start was made by providing social afternoons for elderly folk at Southesk. Visiting sick people in their homes, providing firewood where needed, and other activities were undertaken by the Association. The aid of Council was sought to further the work. It was decided that a social unit for elderly folk be established at Southesk." (p.126-7). In the following pages, he describes in detail Council’s role in formally establishing the Association. This ‘official’ version was reasserted in the later Thematic Environmental History of the City of Boroondara (2012). However the origins and gestation of community of organisations is rarely straightforward. In 1965, five years after Vaughan’s book was published, the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7-1965, writing about the period July 1947 to July 1950, described the role the Club played in establishing the Kew Elder Citizens Association. The author wrote: "At a meeting of the Kew Community Aid, the plight of many elderly people in Kew who were dependent on pensions was raised and in order to ascertain their needs the practice was begun of serving morning tea at the Masonic Hall in Walpole Street, where pensions were then paid. From this beginning the Kew Elder Citizens Association was formed in Kew with wide support, and Club members gave willing support on the committee, in helping serve afternoon tea and in entertainment." (p.4) Photographic evidence also leads to questions about Vaughan’s version of events. A framed photograph in the Society’s Collection shows a Public Meeting to form the Kew Elder Citizens Association in a room at Southesk a year earlier in 1951. Whatever version of the origins of the Association is correct, a later framed photograph in the Society’s collection shows the opening of the completed Clubrooms of the Kew Elder Citizens at South Esk by the Hon. E.P. Cameron M.L.C, Minister of Health, on 12 November 1956. The Association is still active in Kew and is currently located at Hamer Court, opposite the Boroondara General (Kew) Cemetery in High Street, Kew.Historic founding photograph of the Kew Senior Citizens AssociationFramed photograph of a meeting at Southesk in Cotham Road to form the Kew Elder Citizens Club. None of the individuals are named. The meeting was not held in the Drawing Room or Ballroom at Southesk as there is an absence of frescoes on the ceiling. The ceiling in the photograph is a cove ceiling however like that in the front two rooms.Handwritten caption: "Public Meeting to Form Kew Elder Citizens, 1951"kew elder citizens club, kew elderly citizens club, kew senior citizens club, southesk -
Kew Historical Society Inc
Photograph - Kew Elder Citizens' Club, Lyons 'Mountain Grand' Warburton, Unknown, 1978
... , the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7... Vaughan’s book was published, the author of East Kew Women’s Club ...The orthodox version of the origins and history of the Kew Elder(ly) Citizens’ Association was established by Cr. W. D. Vaughan in his book Kew’s Civic Century (1960), when he wrote that: "When Mrs. C. H. Simpson was Mayoress in 1952 she set up the Elderly Citizens’ Association to care for the needs of ages persons in Kew. The idea was strongly supported and a start was made by providing social afternoons for elderly folk at Southesk. Visiting sick people in their homes, providing firewood where needed, and other activities were undertaken by the Association. The aid of Council was sought to further the work. It was decided that a social unit for elderly folk be established at Southesk." (p.126-7). In the following pages, he describes in detail Council’s role in formally establishing the Association. This ‘official’ version was reasserted in the later Thematic Environmental History of the City of Boroondara (2012). However the origins and gestation of community of organisations is rarely straightforward. In 1965, five years after Vaughan’s book was published, the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7-1965, writing about the period July 1947 to July 1950, described the role the Club played in establishing the Kew Elder Citizens Association. The author wrote: "At a meeting of the Kew Community Aid, the plight of many elderly people in Kew who were dependent on pensions was raised and in order to ascertain their needs the practice was begun of serving morning tea at the Masonic Hall in Walpole Street, where pensions were then paid. From this beginning the Kew Elder Citizens Association was formed in Kew with wide support, and Club members gave willing support on the committee, in helping serve afternoon tea and in entertainment." (p.4) Photographic evidence also leads to questions about Vaughan’s version of events. A framed photograph in the Society’s Collection shows a Public Meeting to form the Kew Elder Citizens Association in a room at Southesk a year earlier in 1951. Whatever version of the origins of the Association is correct, a later framed photograph in the Society’s collection shows the opening of the completed Clubrooms of the Kew Elder Citizens at South Esk by the Hon. E.P. Cameron M.L.C, Minister of Health, on 12 November 1956. The Association is still active in Kew and is currently located at Hamer Court, opposite the Boroondara General (Kew) Cemetery in High Street, Kew.Framed and titled black and white photograph taken on the occasion of a visit by members of the Kew Elder Citizens Club to Lyons "Mountain Grand" Warburton, in February 1978.community groups -- kew (vic.), senior citizens clubs -- kew (vic), club tours -
Kew Historical Society Inc
Photograph - Grand Staircase, Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Grand Staircase of Tara Hall, circa 1957. The central hallway and stairs of Tara Hall, (previously named Byram, Goathland and Lowan). Edward George Kilburn, of Ellerker & Kilburn, designed this Studley Park Road mansion, of which the hallway was a significant feature, for the industrialist George Ramsden in 1888. Tara Hall, one of the great houses in Kew was demolished in 1959-60. Possibly Marc Strizic, photographer (1928-2012). Typed inscription on reverse: "The Grand Staircase of Tara Hall (Royal Women's Hospital, Melbourne).byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Staircase of 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Staircase at Tara Hall, circa 1957. An angled view of the main hallway and staircase of Tara Hall (previously named Byram, Goathland and Lowan). To the right of the staircase in this Studley Park Road mansion, a large inglenook fireplace was located, which was surrounded by stucco decoration. The latter was a characteristic of E. G. Kilburn’s late style.Typed inscription on reverse: "The Staircase at Tara Hall. Above the ornate fireplace is the legend 'Come When You Mind, A Welcome Find'. (Royal Women's Hospital, Melbourne)." byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Drawing Room, 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Drawing Room, Tara Hall, circa 1957. A reception room in Tara Hall (previously named Byram, Goathland and Lowan). The room is presumed to be the original drawing room. In the La Trobe collection, there is a drawing by Charlie Hammond, depicting a group of painters who are gilding the elaborate stucco ceiling of this room. The drawing is dated 16 September 1889. The elaborate stucco decoration is characteristic of E. G. Kilburn’s late style. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "A sitting room, one of many handsomely decorated rooms at Tara Hall.( Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Porte-cochere, 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. Porte-cochere, Tara Hall, circa 1957. The main entrance to Tara Hall (previously named Byram, Goathland and Lowan). The entrance, through a porte-cochère, was located on the side of the house facing east. During construction, commentators described the house as being in the ‘Elizabethan style’. The architectural style of the exterior, with its innovatory use of red brick and Italian tiles was more influenced by American models. Edward George Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Goathland, also known as Tara Hall (Royal Women's Hospital, Melbourne)."goathland -- kew (vic), byram -- kew (vic), tara hall - kew (vic), studley park road -
Kew Historical Society Inc
Photograph - 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Tara Hall, Studley Park Road, circa 1957. The front of Tara Hall (previously named Byram, Goathland and Lowan). This triple-storey mansion with its elaborate gabled, steeply-pitched roofs and verandah was set back from Studley Park Road and concealed by a high brick fence. E. G. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Tara Hall at the time it was a home for nurses from the Royal Women's Hospital, Melbourne. (Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Central Hall, 'Tara Hall', Studley Park Road, Marc Strizic, c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Central Hall, Tara Hall, circa 1957. The central hallway and grand staircase of Tara Hall (previously named Byram, Goathland and Lowan). This photograph provides the clearest evidence of the scale and building materials selected by Edward George Kilburn, of Ellerker & Kilburn, for the industrialist George Ramsden in 1888. These include the murals on the second floor, the use of skylights, and the vaulted wooden panelling. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Gable, 'Tara Hall', Studley Park Road, Marc Strizic, c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.A detailed photograph of the main gable on the front of Tara Hall (previously named Byram, Goathland and Lowan). The façade included detailed terra cotta mouldings. The Kew Historical Society was gifted a remnant of this façade (ie. ‘East or West’) in 2013. The use of applied terra cotta decoration by the architect Edward George Kilburn, of Ellerker & Kilburn, is typical of his style of the period. Mark Strizic (1928-2012), photographer. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph, 'Goathland', The Residence of Sir Malcolm D McEacharn, 1901-1911
The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock.The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.An early photograph of Goathland (also known as Byram, Lowan and Tara Hall). The photo shows the front of the building during the period of Sir Malcolm McEacharn’s occupation of the house (1901-11). Edward George Kilburn, of Ellerker & Kilburn, had originally designed the house for the industrialist George Ramsden in 1888. When Sir Malcolm McEacharn purchased Byram, he was to rename it as Goathland. This has led to some confusion, as Goathland was also the name used for McEacharn’s other home in St. Kilda. The period of McEacharn’s ownership represented the high point of the mansion’s history. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author."'Goathland', The Residence of Sir Malcolm D McEacharn"byram, goathland, tara hall, lowan, studley park road -- kew (vic.), melbourne mansions, e g kilburn - architect -
Kew Historical Society Inc
Photograph, The Vestibule, 'Goathland', 1901-1911
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.The Vestibule, Goathland', 1901-11. The vestibule of Tara Hall (originally Byram, and later Goathland and Lowan). The vestibule was entered through a porte-cochère on the east side of the house. Visitors entered the mansion through the vestibule before progressing to the main hallway. The main rooms of the house were accessed through the latter on the ground and first floor. The photograph gives some idea of the decorative style of furnishings during this era. The Vestibule - "Goathland"byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Drawing - Architectural Drawings [copy], William Pitt, Sir Malcolm D. McEacharn, Kew, 1901
A set of architectural drawings of additions to Goathland (originally Byram, and later Goathland and Lowan). The drawings, by the architect William Pitt represent additions to the size of Goathland. Pitt had previously worked with the original architect of the house, Edward George Kilburn, of Ellerker & Kilburn, who had designed Byram for the industrialist George Ramsden in 1888. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Six black and white architectural drawings by the architect William Pitt for additions to the home of Sir Malcolm McEacharn in Studley Park Road. The original is in the collection of the State Library of Victoria."Sir Malcolm D. McEacharn, Kew"william pitt, malcolm mceacharn, architects -- melbourne (vic.) -- william pitt, architectural drawings, byram, tara hall, goathland -
Phillip Island and District Historical Society Inc.
Article, Mary Karney on Island history, Mid 1970s
Mary Karney's father was David Robb, who owned Cowes's first general store. The talk was for the Friends of the Phillip Island Library.HistoricalPhotocopy of a newspaper article which includes a photo of 6 people, 5 women and one man in the middle. Mary Karney, Edna Thompson, Frank & Helen Jansson, Cherry McFee and Poss Jackson.Author on Island historymary karney, david robb, local history, cowes, cherry mcfee, edna thompson, frank jansson, poss jackson -
Orbost & District Historical Society
book, Ward & Lock, Treasures in Needlework, 1855
Matilda Marian Pullan, who wrote under the name of Mrs Pullan, was a prolific and influential writer on needlework. She contributed to many magazines as well as authoring numerous books on needlework. This book was first published in 1855 and co-authored by Eliza Warren who was also a well-known authority on household management related subjects. This book was published before Mrs Pullan moved to America.The 1840s saw the rise of domestic instruction for young women as a new area of publishing in both magazines and books. This item is an example of needlework in the mid 19th to late 19th century.A red fabric covered book, titled "Treasures in Needlework".inside cover - "Lizzie G. Broomde from her affectionate brother, Arthur - 1856" -
Orbost & District Historical Society
book, The Complete Home, 1879
Mrs. Julia (McNair) Wright was an American author and writer of temperance tales. She was born in Oswego, New York on May 1, 1840 and died on Sept. 2, 1903. "The Complete Home" sold over one-hundred-thousand copies. It is an encyclopædia of domestic life and affairs. It takes an in-depth look at the household of the 1870's.This book is a contemporary in-depth look at the household of the 1870's. It reflects the role of women in the Late 19th and early 20th century society.A thick hard back588 pp book with an ornately designed dark brown leather cover. It is a decorative gilt embossed cloth binding. All edges are gilt. There are illustrations of various domestic scenes in gold. Below the title, " The Complete Home" is a sketch of the birth place of Howard Payne. Below this is a sketch of the hearthstone of the author of Home Sweet Home.At the foot of the cover is a banner with "God Bless Our Home" and copyright details. it contains chromolith plates, some in black & white, some in color.inside cover - " Presented by Uncle & Aunt Horne to Catherine Isabella Horne - 10 May 1893 as a token of our affection"julia-mcnair-wright the-complete-home domestic-science-late 19th-century -
Orbost & District Historical Society
book, Stanley,Paul & Company, The Lady's Realm, November 1910 - April 1911
The Lady's Realm was a illustrated monthly women's magazine published in London in the 19th century, initially edited by W. H. Wilkins. It also published 36 volumes between 1896 and 1914. The Lady's Realm was a British women's magazine published from 1896 until 1914, possibly until 1915. It primarily targeted upper-class readers as well as an aspirational middle-class audience, featuring photographs, poems, fiction, and columns by popular authors such as Marie Corelli, Frances Hodgson Burnett, Jack London, and H.G. Wells. (Wikipedia) Founded in 1833, the Sydney Mechanics' School of Arts is the longest running School of Arts (also known as a "Mechanics' Institute") and the oldest continuous lending library in Australia. These magazines reflect women's interests in the early 20th century. Women’s magazines developed rapidly through the 1800s, reflecting both marketing developments and social changes. As the century progressed, publications aimed at women changed from the middle-class drawing-room journals of the 1830s and 1840s to the cheaper, chattier, more domestic magazines of the 1880s and 1890s. This item oi an example of a publication aimed at a particular social class.A thick hard back book with a dark blue and red fabric cover. It contains short stories by various authors. "SYDNEY MECHANICS SCHOOL OF ARTS 225 PITT STREET" on front cover.literature-lady's-realm short-stories -
Flagstaff Hill Maritime Museum and Village
Book, That Girl
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. Ethel Mary Turner Ethel Turner (25th January 1872 – 8th April 1958) was an English-born Australian novelist and children's literature writer. She was born Ethel Mary Burwell in Doncaster in England. Her father died when she was two, leaving her mother Sarah Jane Burwell with two daughters (Ethel and Lillian). A year later, Ethel’s mother married Henry Turner, who was 20 years older and had six children of his own. Sarah Jane and Henry had a daughter, Rose. Henry Turner died suddenly, leaving Sarah Jane with nine children and little income. In 1879 Sarah Jane moved to Australia with Ethel, Lillian, and Rose; within the next two years she married Charles Cope and gave birth to his son Rex. Ethel Turner was educated at Paddington, New South Wales Public School and Sydney Girls High School she was one of the school's original thirty-seven pupils. Ethel started her writing career at eighteen, founding the Parthenon, a journal for young people, with her sister Lillian. Writing as “Dame Durden”, she wrote children's columns for the Illustrated Sydney News and later for the Australian Town and Country Journal. In 1891 the family moved to Woodlands, a large house in Lindfield, now Killara, which was then out in the country. Woodlands still stands today in Werona Avenue and is where she wrote “Seven Little Australians”. In 1896 Ethel married Herbert Curlewis, a lawyer. After living in Mosman, they built their own house overlooking Middle Harbour. The house, Avenel, is where Ethel Turner spent the rest of her years. She survived her daughter Jean Curlewis, who died of tuberculosis, by 28 years. Jean was also a writer of children's books, although not as popular as her mother. Jean's works include “The Ship That Never Set Sail”, “Drowning Maze”, and “Beach Beyond (1923)”. Her son Adrian, was a Barrister, Captain in WW2 and a Changi and Thai-Burma Railway POW and later a Judge. Ethel Turner died at Mosman on 8 April 1958 at 85. She is buried at Macquarie Park Her best-known work is her first novel, Seven Little Australians (1894), which is widely considered a classic of Australian children's literature and was an instant hit both in Australia and overseas. It is about a family of seven children growing up in Australia. The book, together with its sequels “The Family at Misrule” (1895) and “Little Mother Meg” (1902) that deal with the lives of the Wolcott family, particularly with its seven mischievous children in 1880s Australia. A companion to "Seven Little Australians", “Judy and Punch” was published in 1928. Like her stepfather, the character of Captain Woollcott was a widower with six children. The book was made into a feature film in Australia in 1939 and a UK television series in 1953. A 10-episode television series was made in 1973 by the Australian Broadcasting Corporation. Turner published a number of other books for children, short stories and poems. “Three Little Maids” (1900) is a strongly autobiographical novel about her family's migration from England to Sydney, Australia. Turner wrote more than forty novels. Some were about the mischievous Wolcott’s. Others were serialized, like her books on "the Cub", and some were stand-alone. The children she wrote about were all adventurous and independent. They frequently got themselves into sticky situations and got themselves out of them with very little to no adult help. Turner was awarded a number of prestigious literary awards and could be considered one of Australia's best-loved authors. She is listed on The Australian Women's Register. The Ethel Turner Prize for Young People's Literature is given annually under the auspices of the New South Wales Premier's Literary Awards. Ref Ethel Mary Turner, Biography: https://en.wikipedia.org/wiki/Ethel_Turner The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. That Girl Author: Ethel Turner Publisher: Ward, Lock & Co illustrations by Frances Ewan Date: 1920warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, that girl, ethel turner, frances ewan -
Flagstaff Hill Maritime Museum and Village
Book, Brigid and The Cub
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL'S MECHANICS' INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr. R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 percent of the reading population. The collection of books was made up of around 60 percent reference and 40 percent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items has become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850’s to the late 1950’s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr. R. Pattison. Ethel Mary Turner Ethel Turner (25th January 1872 – 8th April 1958) was an English-born Australian novelist and children's literature writer. She was born Ethel Mary Burwell in Doncaster in England. Her father died when she was two, leaving her mother Sarah Jane Burwell with two daughters (Ethel and Lillian). A year later, Ethel’s mother married Henry Turner, who was 20 years older and had six children of his own. Sarah Jane and Henry had a daughter, Rose. Henry Turner died suddenly, leaving Sarah Jane with nine children and little income. In 1879 Sarah Jane moved to Australia with Ethel, Lillian, and Rose; within the next two years she married Charles Cope and gave birth to his son Rex. Ethel Turner was educated at Paddington, New South Wales Public School and Sydney Girls High School she was one of the school's original thirty-seven pupils. Ethel started her writing career at eighteen, founding the Parthenon, a journal for young people, with her sister Lillian. Writing as “Dame Durden”, she wrote children's columns for the Illustrated Sydney News and later for the Australian Town and Country Journal. In 1891 the family moved to Woodlands, a large house in Lindfield, now Killara, which was then out in the country. Woodlands still stands today in Werona Avenue and is where she wrote “Seven Little Australians”. In 1896 Ethel married Herbert Curlewis, a lawyer. After living in Mosman, they built their own house overlooking Middle Harbour. The house, Avenel, is where Ethel Turner spent the rest of her years. She survived her daughter Jean Curlewis, who died of tuberculosis, by 28 years. Jean was also a writer of children's books, although not as popular as her mother. Jean's works include “The Ship That Never Set Sail”, “Drowning Maze”, and “Beach Beyond (1923)”. Her son Adrian, was a Barrister, Captain in WW2 and a Changi and Thai-Burma Railway POW and later a Judge. Ethel Turner died at Mosman on 8 April 1958 at 85. She is buried at Macquarie Park Her best-known work is her first novel, Seven Little Australians (1894), which is widely considered a classic of Australian children's literature and was an instant hit both in Australia and overseas. It is about a family of seven children growing up in Australia. The book, together with its sequels “The Family at Misrule” (1895) and “Little Mother Meg” (1902) that deal with the lives of the Wolcott family, particularly with its seven mischievous children in 1880s Australia. A companion to "Seven Little Australians", “Judy and Punch” was published in 1928. Like her stepfather, the character of Captain Woollcott was a widower with six children. The book was made into a feature film in Australia in 1939 and a UK television series in 1953. A 10-episode television series was made in 1973 by the Australian Broadcasting Corporation. Turner published a number of other books for children, short stories and poems. “Three Little Maids” (1900) is a strongly autobiographical novel about her family's migration from England to Sydney, Australia. Turner wrote more than forty novels. Some were about the mischievous Wolcott’s. Others were serialized, like her books on "the Cub", and some were stand-alone. The children she wrote about were all adventurous and independent. They frequently got themselves into sticky situations and got themselves out of them with very little to no adult help. Turner was awarded a number of prestigious literary awards and could be considered one of Australia's best-loved authors. She is listed on The Australian Women's Register. The Ethel Turner Prize for Young People's Literature is given annually under the auspices of the New South Wales Premier's Literary Awards. Ref Ethel Mary Turner, Biography: https://en.wikipedia.org/wiki/Ethel_Turner The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Brigid and The Cub Author: Ethel Turner Publisher: Ward, Lock & Co Date: 1919Label on spine cover with typed text PAT FIC TUR Pastedown front endpaper has sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, brigid and the cub, ethel turner